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ABSTRACT
This research began to understand why people choose to get tattoos. The reason
was to find out if getting a tattoo was a novelty or if there was more to it than just
what we can see inked on their skin. The interest of this research lies in the feeling,
emotion, human awareness of expression, and the deeper meaning on the inside that
coincides with what is seen only as skin deep on the outside.
Open-ended interviews were conducted, over a period of six months, with four
tattoo artists and thirteen people that have tattoos. Time was spent in a local tattoo
. studio talking with people who were getting a tattoo or who had already been
tattooed.
The reasons and the meaning behind getting a tattoo were found to vary as much
as the number of people getting tattoos. The similar thread running through the
reasons for getting a tattoo, however, was that tattooing is a form of self-expression.
INTRODUCTION
The subject of tattooing has been of interest to this researcher for many years,
toying with the idea of getting one on every milestone year that was celebrated.
However, enough nerve was never conjured up to go through with it. Then, a few
years ago, a talented young artist, who does tattooing for a living, entered the scene.
Several of her paintings, done in different media, promoted a certain energy in their
presence that was magnetic. It was not known, to the researcher, that she was also a
tattoo artist. The researcher's ingrained image of a tattoo artist was extremely the
opposite of what was found in her. Her talent, her almost shy, meditative energy,
and her knowledge gave a reason to question an unfounded opinion of the art of
tattooing. Beginning to relate to it with a new awareness, the desire to acquire a
tattoo rose to a new level. One no longer wanted just a cute little ladybug on the
foot. The tattoo had to have meaning, to resonate with the spirit within, and portray
the intent from which one lives their life.
The research of symbols, sayings, meanings of colors, and different types of
tattoos, began while thinking of the places on ones body that one would comfortably
wear a tattoo. This led me to wonder why other people got tattooed and what their
Sociological Viewpoints
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Tattooing: Mind, Body and Spirit. The Inner Essence of the Art
tattoo meant to them, if anything. How does one arrive at the decision to make a
permanent statement on their body? In this paper, the desire is to gain a wider
knowledge of the art of tattooing and the people involved in it.
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Another group that gets tattoos is the convicts. There is a difference between an
inmate and a convict. The convict is more covered with tattoos, portraying the
acceptance of the lifestyle and marginalization for life (Bell 1999).
Before the 1960s rock stars, popular athletes, and other youth icons were the
people that displayed their tattoos. In the late 1980s tattooing was described as
"trendy" and "no longer restricted to socially marginal groups" (Forbes 2001: 775).
A significant number of well-educated middle-class people began to come on the
tattoo scene (Forbes 2001).
The research indicates that there is no one group, no one age or gender, no one
personality, and no particular level of social status that get tattoos. Just as diverse as
who gets a tattoo are the reasons why people get their tattoos.
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Tattooing: Mind, Body and Spirit. The Inner Essence of the Art
Bell also refers to Paul Willis's theory on symbolic creativity, which states that
even though the lives of young people are not involved in the arts, they are full of
expressions, signs, and symbols to establish the young persons presence, identity and
meaning. Being tattooed is an
act of this creativity. Forming an identity is important to young and old, and for
some, tattoos can be a symbolic part of this identity. Tattoos can honor their family
or lover, display their religious beliefs or patriotism, or their association with a
certain group (Bell 1999).
Bell writes that women choose softer, more personal images for tattoos and
place them where they can be hidden. Men choose macho imagery and place them
where they can be seen. Tattoos have long been associated with men because of the
stereotype of the tattooed person and the pain associated with it, so when a woman
gets tattoos, it is regarded as a resistance to female beauty as society commonly sees
it. She writes; "it takes a strong will and sense of self (identity) to withstand the
blatant and piercing stares" (p. 56) because of the stigma still attached that differs in
every culture and city. As stated earlier, it creates a separation from mainstream
society (Bell, 1999).
Prison tattoos are "identity claimers" (p. 55), according to Bell, that are
associated with gang or group membership. Prison tattoos are done with single
needles and with no color, so they appear very different than tattoos done
professionally in a tattoo studio. This difference in imagery and the way it is done
creates a class marker between prison and professional tattoos for all of society to
see (Bell 1999). Some prison inmates bring their own equipment; a sharpened guitar
string for a needle and a melted down checker piece for the ink, according to an
article by Ronald Day in Bodv Positive magazine (2005).
An article in Jet magazine dated July 2001 writes that athletes get tattoos for
several reasons. One athlete has tattoos that portray his attitude in life, such as "Only
the Strong Survive" (p. 46), and some that are dedicated to his family and friends.
Another uses them to express himself through meaningful symbols. Yet another says
his tattoos "revolve around my life. I think tattoos are something that tell who you
are and how you feel" (p. 46).
There are myths that people get tattoos for personal advertisement and that every
tattoo means something explicit. Some people do get a tattoo with the intention of
others seeing and interpreting it, yet others have a tattoo in places that cannot be seen
by the general public because it is a symbol for their self and those that they are
intimate with. The more tattoos a person has, the less meaning the actual tattoo has.
The meaning is in the act of getting the tattoo. It becomes less about it meaning
something to them down the road, and more about it being aesthetically pleasing
(Bell 1999). "Meanings change, beauty and tmth are etemal" (Bell 1999: 57).
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Tattooing: Mind, Body and Spirit. The Inner Essence of the Art
Bell writes that tattooing goes beyond the lack of depth of the visually based
American consumer society that is superficial in nature. She says that American
tattooing is a "product of this surface-oriented society" (Bell 1999: 57) and quotes
Marshal Blonsky:
[Surface] is a characteristic of our fast-flowing time, where everything
has to communicate fast and move on...Depth is a category that
pretends to penetrate surface...First impressions are decisive [and]
surface is individuated by apparel...The search for interiority merely
creates more surface. (Blonsky: 17)
There is no other form of adornment or decoration that is permanent. Fashions
allow change of mind, tattooing does not. The most common concern about tattoos
is their permanence (Bell 1999). This fear of permanence says a lot about society
and "its unwillingness to commit to identity and accept the consequences. To do
something permanent is to be unable to take it back - it is to live in truth for eternity"
(Bell 1999:57).
An article in Print dated Jan/Feb 1995 written by Akiko Busch writes of the
decoration factor of tattoos. A couple got tattoos together when they decided to get
married because they thought it to be more expressive of commitment than jewelry.
Another person chose their tattoo because they could imagine being "accompanied
through life by such an emblem" (Busch 1995: 112). Tattoos are about intimacy,
image and identity (Busch 1995). A young 15-year-old girl got a tattoo, with her
mother's permission, as an attempt to reclaim her body with a protective talisman on
herself because of being a victim of a crime (Vineyard 1999).
A lot of women get tattoos to reclaim their bodies or to mark incidents in their
lives. A mother, father, and several friends of a student that died got tattoos to mark
the loss. It is a constant reminder of him and a symbol of the relationship and
closeness he had with each one. The pain of getting it done was welcomed as a pain
that could be controlled amongst all of the emotional pain that could not be
controlled. Another woman got her whole arm tattooed to represent a reclaiming of
her childhood. Women tend to get tattoos to mark a change in the way they see
themselves, not to change the way society sees them (Keinlen, 2005).
In Cultural Anthropology journal, 1997, Daniel Rosenblatt writes about the
"modem primitive", meaning the tattooed person of today in the Western world.
Linking modem day tattooing with the ancient world brings in a long history and
thus exemplifies it as a human practice. Identifying with tattooing in other cultures
allows people to feel like they're connecting with the history of humanity
(Rosenblatt 1997). It allows us to see tattooing as a spiritual activity because it is
ancient and widespread and "is seen as an expression of a basic human need for
rituals that give life meaning" (p. 303) and connects the tattooed person to the rest of
humanity (Hardy, as cited in Rosenblatt 1997). The modem tattooed person is
seeking other truths and other ways of knowing the world. The tattoo can connect
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Tattooing: Mind, Body and Spirit. The Inner Essence of the Art
the person wearing it to knowledge of powers in "nature" that the "primitive" people
knew in intimacy (Zuluata, as cited in Rosenblatt 1997). The growing popularity of
tattooing in the Western world may be interpreted as a sign of a bigger change in
society (Rosenblatt 1997). Maybe we are no longer the "monolithic engine of
rationality"(p. 304) that we are imagined to be (Rosenblatt 1997).
Judeo-Christian and Jewish tradition look down on tattooing. This is another
factor in linking tattoos to identification with non-Western or alternative ways of
thought. The outdated social stigma attached to tattooing is melting away. Tattooing
is beginning to be seen as more of a meaningful art than a "brand". Tattoos seem to
be about representing or expressing an aspect of the self, both in public and
privately. It reflects the duality in our notion of the self, and is an attempt to bring
these two aspects together (Rosenblatt 1997).
Some people get tattoos to express the aspects of them that go against the
stereotyping of society. It can be a process of self-exploration, affirmation of self,
and/or a mask. It opens the person up to the world by expressing beliefs or feelings
in a visible manner, yet it can create a barrier against the world (Handel, as cited in
Rosenblatt 1997).
In Rosenblatt's piece, he quotes Fakir Musafar; "The purpose of the tattoo is to
do something for the person, to help them realize the individual magic latent within
them [Vale and Juno 1989:11]". The tattoo can be a way to get in touch with the
private, intuitive self and can be an act of reclaiming the self There is a relationship
between controlling your body and realizing yourself as an individual. This is why
tattoos are popular in prison - no one can take away your skin. They are an
expression of freedom (Hardy, as cited in Rosenblatt 1997).
The issue of power and control is also prevalent in the youth who get tattoos
according to Georg Simmel in his 1950 essay, "The Metropolis and Mental Life". In
this essay he writes of conformity and mistrust in modem life producing an
uneasiness that leads people to look for ways to express individuation and fmd selfftilfillment. He states that deviance is an outlet for this (Koch, Roberts, Cannon,
Armstrong, and Owen 2004).
Lyman and Scott (1970) take this idea further by discussing four sites in which
the individuation may occur: public territories, home territories, interactional
territories, and body territories. Body territories are the most private and sacred of
the territories. Even though body territories are sometimes regulated socially, the
person can also claim it as a place of self-expression. The body is a viable way to
express oneself symbolically, especially if the person has limited access to the other
territorial forms. Irwin (2001) and Velliquette and Murray (2002) agree and add that
tattoos "represent both a moral passage of sorts and also an attempt to individuate
oneself from the larger society" (Koch, Roberts, Cannon, Armstrong, and Owen
2004: p. 83). It is a public display of self-concept and is important in developing the
social self for some people (Koch et al. 2004).
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For some people, getting a tattoo means that they have done something real
about their relationship to the world because of its permanence and its connection to
their inner self. The tattoo can express and take away their unhappiness with the
roles society offers them, and it can bring them a refuge from societal conditioning.
The ancient background of tattoos makes them a human and permanent commitment
rather than a fad of society, therefore, tattoos become a culturally recognized way to
express self. The body is a way of expressing and altering the relationship between
self and society. It uses the skin, sexuality, the body and the "primitive" connection
as key symbolic domains to recover and express the self. Primitive cultures
encourage development of intuition and magic and allow for more expression of
individuality than we do in Western culture. So, a tattoo in Western culture makes
the person look different, and also gives their difference a greater meaning. It brings
some part of the personal inner self out and makes it part of the social self, and frees
the person fi-om society to become human instead of Western. In having control over
their body, the person has control over their self, which becomes a powerful
emotional experience (Rosenblatt 1997).
Memorial tattoos are popular, especially among the military. Many Marines in
Iraq get tattoos as "a way to give ink-and-skin permanence to friends taken young.
It's like deathit's forever" (Phillips 2006: A8). "It's also never forget the cost of
war, to get people to understand what they're asking for when they support war"
(Phillips 2006: A8). For some, the pain of the needle eased the guilt of having
survived and the sorrow of the loss. Some said that feeling the pain made it okay
that the others got killed and they didn't. It became a way to remember their
brothers (Phillips 2006).
Mary Kosut brings another theory of motivation forth in her 2005 article in
Deviant Behavior journal where she contributes that some motivations for getting a
tattoo are characterized as negative (Kosut 2005). The desire to be tattooed "may be
the result of deficiency or because of low levels of cortical arousal and a need for
constant stimulation" (Copes and Forsyth 1993; Favazza 1996, as cited in Kosut
2005: 82). Her article also provides that tattoo artists have been associated with
"non-normative behavior" (p. 83). This train of thought has been redefined and
reinterpreted throughout the nineteenth and twentieth centuries because of the
amount of trained artists in the field of tattooing (Kosut 2005).
METHODS OF RESEARCH
Data were collected through interviews with thirteen people that have tattoos, a
sample consisting of seven women and six men ranging in age from 20 - 65 years
old. Four tattoo artists, two men and two women were interviewed. One evening
was spent "hanging out" in a tattoo studio observing and interacting with the patrons
that visited. Several conversations were had, which did not constitute an interview
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as such, with students on campus and other people that happened to come in contact
with the researcher elsewhere. The researcher designed and had her own tattoo done.
Five of the people were interviewed in person; the other seven were interviewed
online by computer. Face-to-face interviews consisting of both closed and openended questions were tape recorded and conducted in tattoo studios. The
researcher's interest in the subject and her desire to get a tattoo seemed to make for a
deep connection with those that she interviewed.
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loved one. She said, "a family actually believed if they all were together in the shop
getting a tattoo for the same person, that person's spirit would be aware of what was
happening and they could feel his presence".
She tattoos as many women as she does men. She tattooed a 77-year-old
woman that had been in the hospital. The woman thought that she was dying, so
when she was released from the hospital, she did the things that she regretted not
doing in her lifetime. "A tattoo of a rose was at the top of her list". A 72-year-old
man came in to her shop and had two large tattoos of naked women covered. The
tattoos had bothered him for years and he was ashamed of them.
Lori did see a lot of influence from television and movies in where people want
their tattoos placed on their body. They thought it would make them more like the
image on the screen; not physically but through an emotional connection to the
character portrayed.
Janice found that most of her clients wanted a tattoo because they are "cool" or
they "have always wanted one". She says another reason is for a tribute to someone
or some event in his or her life.
Overall, the tattoo artists interviewed could not state a typical reason for getting
a tattoo or a typical person that gets a tattoo. They see a very diversified clientele
who each have their own unique reason for getting a tattoo. The only commonality,
that the artists experienced, is that their clientele do it as a means of self-expression.
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One of my online interviews said that usually the reason "isn't as emotional or
meaningful as many might hope or think". This person got tattoos to remember the
city she lived in or to mark happy or sad times in her life. Therefore, many of her
tattoos did not have a great meaning.
Another said her tattoos are symbolic of various things, mainly belief structures.
She said she gets tattoos "to remind myself of various things, that period of my life,
my mind set at the time, or just that 1 shouldn't take shit from people". Someone
else said that they get tattoos to be different fi-om most people, not because they
wanted to be noticed, but "because they are a window to your personality". They
also remind them of their past, which they thought of as a good thing.
A female interviewed online said that hers is a very personal design. She looked
for six years to fmd the right one, and then altered it to fit her. She is working on
designs for three more tattoos that are also very meaningful to her. One will be a
ladybug because her mother used to call her "her little ladybug". She is going
through some rough times with her family and getting this tattoo will remind her that
she and her mom still love each other even through all of this. She thinks of tattoos
"as accentuating an already beautiful form - the human body". She felt the "art was
already in me; it's a mark on my eternal soul that 1 wanted to share with those around
me. It's not adding or subtracting from me, it's simply bringing an element of
myself to the surface". Tattoos are an expression of life for her.
Another online interview of a female found that she got her first tattoo at age 16
as a birthday present for herself She was "instantly addicted" and got her second
one two days later. Her reason was because she loved the way tattoos look. She
now has some that memorialize those that she has lost. She finds tattoos "a lot like
fashion" and that people get them to feel good about themselves. She is a sailor by
trade but had to live on land for a few years, so she got her arm tattoo because she
"wanted the ocean with me no matter how far the water was!" and because she
worked in male dominant positions and "wanted to be perceived as tougher than your
average, high maintenance girl". She stated that she has grown "older and wiser"
since then and no longer wants to carry that perception. However, the tattoo still
remains as a memory of that time in her life.
Memorial tattoos are quite popular. An online interview with another female
was about her memorial tattoo. She had always wanted a tattoo and the passing of
her father was her excuse to get one. Her father was an avid gardener so she got a
small rose with the stem bending around to "cradle the words 'Daddy's girl'". It is a
yellow rose because her power color is yellow. This tattoo also represents a
reclaiming of her independence after a divorce fi-om a man who would not let her get
a tattoo.
A gentleman wrote online that he "was actually pleased by the adrenaline rush"
that made him woozy while sitting seven hours being tattooed.
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There were those that compared it to art in other forms. One online interviewee
said that she got her tattoo "because I wanted to wear my art, not just hang it on the
wall". Another stated:
For many of us, asking why we like tattoos, or even asking why we
like a certain design, is like asking someone why they like a certain
Mozart piece, or a certain Van Gogh painting, etc. Tattoos are one of
many forms of art - and personally, I think about the coolest medium
(i.e. living skin) that I can imagine.
Jolene had always talked about getting a tattoo and just never did until going
through a "messy, ugly divorce". At that time she was learning about herself and
who she wanted to be, and she was depressed and worried so she began exploring
spirituality. She is Native American so tattoos came as a "natural way for me to
explore and ultimately express these issues."
Her first tattoo was to cover scars on her stomach. She was ashamed of them, so
the tattoo enabled her to cover the scar and to "honor my body and forgive it for
being less than perfecf. Now, instead of being ashamed of her body, she could be
proud of it because of the meaning the tattoo holds for her. She chose to have a
tribal sun tattooed encircling her navel.
She states:
1 chose a tribal sun for my stomach piece...it encircles my navel and
for me, the sun is the source of life... and my stomach/womb has been
a source of life as well, despite its visible imperfections. My next
piece was an ankle wrap which is very colorful and has the word
"Justice" written in runes. Justice is the Latin meaning of my name,
and also a significant source of strength in my life...to me it means
karma...it goes around my ankle and has no beginning or end...like
karma it keeps coming around. My next two pieces were a ring with
my children's birthstones in it, and a crescent moon on my left breast.
Moons being the symbol of the goddess, and the left side of our bodies
being associated with our feminine energies, and my breasts being the
source of food for babies...plus, 1 was in a car wreck and almost lost
that breast...so I honor that breast and thank it for performing
miracles, feeding babies despite its flaws and the damage that has been
done to it. My fifth piece is a full back mural. It incorporates a
stained glass panel of the sun and the phases of the moon, depicts a
goddess pouring water (emotion) from a pitcher into a pool of water, a
hummingbird (my Native American animal guide and a symbol of the
element of air) a tiger lily (which reminds me of creative energies and
the element of fire) growing out of a field (element of earth) and the
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DISCUSSION
Since ancient times, people worldwide have gotten tattoos. Why would that be?
Possibly because ofthe changes previously discussed, the depressing times, and the
crisis that the world is in now. People have the perception that so much is out of
their control. Making their mark on the only thing that we have some control of (our
body) is a way of easing our anxiety about the world situation, a way of having some
control over something. Also, in times of crisis people tend to look for spiritual
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meaning in life, a meaning that they can hold on to forever, something larger and
more powerful than the material world.
According to my data, tattoos are a form of self-expression, a way to touch the
depths of one's feelings and bring those feelings out for one's own observation or for
the observation of others. Tattoos are a way of expressing thoughts, beliefs,
triumphs and trials, and a way of memorializing a loved one, possibly to the extent of
feeling control over death by immortalizing their memory forever on one's body to
carry with one throughout one's life.
Respondents say tattoos are a way of connecting to that inner self that gets lost
in the sea of the material world. Tattoos are a reminder of one's roots, one's
ancestors, and the time when everything meant something or had a purpose. There is
so much in today's society that is without purpose and without a connection to give
meaning to life and the way it is lived. Interviewees said that tattoos can connect the
spiritual inner self to the material world that one lives in, or they can separate one
from the material world and take one to a place within oneself that longs to be
experienced and expressed.
In this fast paced, technological society where everybody is becoming a number,
being tattooed is a way of remaining a person, something capable of feeling and
expression. It is possibly another coping mechanism that helps an individual get
along in the world as it is today. A person's tattoo may look exactly like someone
else's, but the feeling and meaning of what it represents to each one of them is
entirely different. No one or no thing can take that away from them, not even the
worldly powers that control everything else in society.
Tattoos can represent or express anything the person wearing it wants it to
without getting "permission" from society to do so. It is a freedom from the many
societal restrictions. In the world of crisis today that is commanded by fear, one's
body is the only space that is sacred. The only true haven and refuge that one has is
one's inner self, one's inner reality, and one's inner essence. Tattooing is a way to
bridge the gap between one's inner reality and the outer reality of the world one must
live in.
In conclusion, the reasons for getting a tattoo and the meaning behind what is
visibly seen are as varied as the people involved. Whether a person gets a tattoo
"just because he likes how it looks" or because it symbolizes something for them, the
tattoo is a form of self-expression. The purpose of wearing this art on one's body
rather than hanging it on a wall signifies a total commitment to what it stands for. It
is the most permanent form of self-expression, with no escape from it. It is
everywhere they go, they carry it with them, and it is a part of them. It is connected
to one's mind and one's body for their time spent here on earth, and connected to
their spirit, their inner essence forever.
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