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  • Course Calendar, Unit 3: Into T

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    This document provides a course calendar for a Unit 3 music history class focusing on the modern era. It lists the dates, topics, activities, assigned readings, and required listening for each class. Key figures to be discussed include Brahms, Liszt, Mahler, Debussy, Schoenberg, Stravinsky, Bartok, Ives, Varèse, Messiaen, Ligeti, Reich and more modern composers. Assignments include journaling, projects, listening exams and a final exam. Reading are drawn from the primary text and focus on the transition to modernism in classical music around the late 19th century through the 20th century.

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    This document provides a course calendar for a Unit 3 music history class focusing on the modern era. It lists the dates, topics, activities, assigned readings, and required listening for each class. Key figures to be discussed include Brahms, Liszt, Mahler, Debussy, Schoenberg, Stravinsky, Bartok, Ives, Varèse, Messiaen, Ligeti, Reich and more modern composers. Assignments include journaling, projects, listening exams and a final exam. Reading are drawn from the primary text and focus on the transition to modernism in classical music around the late 19th century through the 20th century.

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    20 views2 pages

    Course Calendar, Unit 3: Into T

    Uploaded by

    alecd
    This document provides a course calendar for a Unit 3 music history class focusing on the modern era. It lists the dates, topics, activities, assigned readings, and required listening for each class. Key figures to be discussed include Brahms, Liszt, Mahler, Debussy, Schoenberg, Stravinsky, Bartok, Ives, Varèse, Messiaen, Ligeti, Reich and more modern composers. Assignments include journaling, projects, listening exams and a final exam. Reading are drawn from the primary text and focus on the transition to modernism in classical music around the late 19th century through the 20th century.

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    © All Rights Reserved
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    of 2

    COURSE CALENDAR, Unit 3: Into the Modern Era

    *Note: The text readings assigned from 12/4 and into the final week dont necessarily match up with our
    day-to-day meet and greet. However, most of the figures covered in class are also treated in the
    assigned pages, we just may get to them in a different order.
    Date

    TOPIC

    Activities and Assignments

    Text reading

    11/2

    M: Catch up

    M: Listen & journal!

    --------

    11/4

    W: Tradition & Twist: Brahms then


    Liszt

    W: Work on project

    719-36; 618-21

    11/6

    F: **NO CLASS - Crescendo

    F: Submit 2 journal entries

    --------

    11/9

    M: Modernism dawns: Mahler &


    Strauss

    M: Listen & journal!

    778-90; 737-39

    11/11 W: As for France? Toward


    modernism and Debussy

    W: Listen & journal! Work on


    project

    740-44; 790-99

    11/13 F: Beyond Debussy

    F: Listening Exam 2; Submit


    2 journal entries

    808-11; 875-80

    11/16 M: Look Ma, no tonic! Schoenberg

    M: Listen and journal!

    812-24

    11/18 W: Berg and Webern

    W: Work on final project

    824-30

    11/20 F: Back to Russia

    F: Submit 2 journal entries

    799-803; 885-90

    11/23

    Thanksgiving Break

    11/30 M: Encountering Igor S.

    Thanksgiving Break
    M: Listen and journal!

    Thanksgiving Break
    830-40

    12/2

    W: Neo-Classicism diffuses: between W: Prep Formal Journal Entry


    the Wars
    2

    841-47; 880-85

    12/4

    F: Voices from the margins: a 20thcentury U.S. survey

    847-54; 897-901;
    903-07; 923-30

    12/7

    M: Avant-garde & and electronic


    interruption

    M: Due-Formal Journal Entry


    2 [Journaling finished]; See
    Review Guide at Bb

    892-97; 945-53

    12/9

    W: Indeterminacy, Minimalism, and


    moving back to the center?

    W: Review listening; refine


    final project

    939-45; 975-81;
    986-92; 923-28

    F: Some final -isms

    F: Due - Final projects;


    Review listening

    953-63; 981-92

    12/11

    F: Submit 2 journal entries

    FINAL EXAM
    Monday, Dec. 14, 1-3pm

    12/1
    4

    FINAL EXAM
    Monday, Dec. 14, 1-3pm

    FINAL EXAM

    REQUIRED LISTENING CALENDAR, Unit 3: The Modern Era

    Block#/WHO
    Block I
    Johannes Brahms
    Liszt
    Block II
    Gustav Mahler
    Arnold Schoenberg

    WHAT
    Symphony no. 4 in E minor, op. 98, IV
    Quintet for Piano and Strings in F minor, op. 34, I
    Trois etudes de concert: No. 3, Un sospiro

    Alban Berg
    Anton Webern

    Nun will die Sonn


    Pierrot lunaire, op. 21, Nacht
    Piano Suite, op. 25
    Wozzeck, op. 7, Act III, scene 2
    Symphony, op. 21, I

    Claude Debussy
    Sergei Rachmaninov

    Nuages
    Prelude in G minor, op. 23, no. 5

    Igor Stravinsky
    Bla Bartk

    The Rite of Spring excerpts


    Symphony of Psalms, I
    Music for Strings Percussion and Celesta, III

    Block III
    Darius Milhaud
    Paul Hindemith
    Dmitri Shostakovich

    La cration du monde, op. 81, First Tableau


    Symphony Mathis der Maler, II
    Symphony no. 5, op. 47 excerpt

    Amy Cheney Beach


    Charles Ives
    Edgard Varse
    Henry Cowell
    Ruth Crawford Seeger
    Aaron Copland

    Quintet for Piano and Strings in F-sharp minor, op. 67, III
    General William Booth enters into Heaven
    Hyperprism
    The Banshee
    String Quartet 1931, IV
    Appalachian Spring Variations on Tis the Gift to be Simple

    Block IV
    Olivier Messiaen
    Penderecki

    Ligeti

    Milton Babbitt
    John Cage
    Steve Reich

    Quartet for the End of Time, I


    Threnody for the Victims of Hiroshima
    Etude No. 9, Vertige
    Philomel
    Sonatas and Interludes for Prepared Piano , Sonata
    Tehillim, Part IV

    Block V
    Higdon
    Carter

    blue cathedral
    Catnaires

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