This document provides instructions for three assignments related to an art history course. The first part instructs students to describe one of four paintings listed using the style of the first paragraph's description of Manet's painting "The Railway" as an example. The second part instructs students to then describe the same painting in the style of the second paragraph about psychological detachment and narrative. The third part asks students to reflect on the act of description in general and how it is affected. Stylistic techniques like colons, dashes, and parallelism are highlighted. Grammar regarding pronoun and antecedent agreement is also addressed.
This document provides instructions for three assignments related to an art history course. The first part instructs students to describe one of four paintings listed using the style of the first paragraph's description of Manet's painting "The Railway" as an example. The second part instructs students to then describe the same painting in the style of the second paragraph about psychological detachment and narrative. The third part asks students to reflect on the act of description in general and how it is affected. Stylistic techniques like colons, dashes, and parallelism are highlighted. Grammar regarding pronoun and antecedent agreement is also addressed.
This document provides instructions for three assignments related to an art history course. The first part instructs students to describe one of four paintings listed using the style of the first paragraph's description of Manet's painting "The Railway" as an example. The second part instructs students to then describe the same painting in the style of the second paragraph about psychological detachment and narrative. The third part asks students to reflect on the act of description in general and how it is affected. Stylistic techniques like colons, dashes, and parallelism are highlighted. Grammar regarding pronoun and antecedent agreement is also addressed.
Assignment Two: Description Text: With her back to us, a young girl stands looking through a fence. Facing us directly, a woman sits with a small dog in her lap and a book in her hand. Billowing steam from an unseen train obscures the center background, but the edge of a bridge juts out at right, identifying the setting as Gare Saint-Lazare Paris busiest train station and emblem of the citys unsettling nineteenthcentury makeover. Beyond depicting the modern city, The Railway disturbingly suggests how people experienced it. Pinned against a long black iron fence, these fashionably dressed females are physically cut off from the railroad beyond and also seem estranged from each other: facing in opposite directions, they are absorbed in their individual activities. Manet offers us no clues to their relationship, even as we viewers seem to interrupt the woman reading. She looks up at us directly with an expression that is neutral and guarded the characteristic regard of one stranger encountering another in the modern metropolis. Most critics fumed at what they called Manets trivial and inscrutable subject matter (as well as his strident colors, loose brush work, and trademark flatly painted forms). Few recognized that with its discomfiting mix of immediacy, psychological detachment, and indefinite narrative, The Railway represented the way Paris urban renewal program, of which railroads were a centerpiece, had destabilized social relations in the city. (http://www.nga.gov/content/ngaweb/Collection/highlights/highlight43624.html) Part One: Select ONE of the following paintings (images of each are available to view on the class Blackboard page, under the Assignments tab) The Alba Madonna (Raphael) Family of Saltimbanques (Picasso) Woman Holding a Balance (Vermeer) Both Members of This Club (Bellows) Describe it, imitating the first paragraph, above. Keep in mind, you are imitating the original descriptions purpose as well as its style. Part Two: Now, in a new paragraph, describe the same painting imitating the second paragraph above. Part Three: Reflect on the act of describing something. (You can begin with the act of describing art, but you should expand to description in general.). What affects description? *Style: Colons are not just for introducing lists but, more sophisticatedly, for clarifying ideas. Dashes: Similar to a colon, dashes clarify. The usually interrupt a sentence, giving a bit of interesting information about a word or phrase. Parallelism: a list of words or phrases balanced in their composition. E.g. with a small dog in her lap and a book in her hand or an expression that is neutral and guarded. Use and highlight in bold one technique from this week.
EN 101: Writing: Logic and Rhetoric
Assignment One: Induction and Deduction *Grammar: Noun/Pronoun agreement (The Bedford Handbook, 9th ed., pages 307-325) A pronoun must clearly refer to one out of possibly many preceding nouns. In your essay, highlight in bold each pronoun and each noun that is its antecedent. Keep in mind that your grammar grade is cumulative: thus, from last week, focus on streamlined and clear word choice. Eliminate unnecessarily wordy phrases.