'A Lovely Possession' insinuates that the film is of control and ownership. The screenshot of the title of the film is typical of a thriller as it shows a dominant male watching sinisterly a defenceless female in a dark room. The purpose of the shot of a close up of the male antagonist as it suits the common stereotype of dominant male and defenceless females. This is a controversial part of the sequence as previously the antagonist was the partner of the protagonist who is now helpless
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'A Lovely Possession' insinuates that the film is of control and ownership. The screenshot of the title of the film is typical of a thriller as it shows a dominant male watching sinisterly a defenceless female in a dark room. The purpose of the shot of a close up of the male antagonist as it suits the common stereotype of dominant male and defenceless females. This is a controversial part of the sequence as previously the antagonist was the partner of the protagonist who is now helpless
'A Lovely Possession' insinuates that the film is of control and ownership. The screenshot of the title of the film is typical of a thriller as it shows a dominant male watching sinisterly a defenceless female in a dark room. The purpose of the shot of a close up of the male antagonist as it suits the common stereotype of dominant male and defenceless females. This is a controversial part of the sequence as previously the antagonist was the partner of the protagonist who is now helpless
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOC, PDF, TXT or read online from Scribd
'A Lovely Possession' insinuates that the film is of control and ownership. The screenshot of the title of the film is typical of a thriller as it shows a dominant male watching sinisterly a defenceless female in a dark room. The purpose of the shot of a close up of the male antagonist as it suits the common stereotype of dominant male and defenceless females. This is a controversial part of the sequence as previously the antagonist was the partner of the protagonist who is now helpless
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOC, PDF, TXT or read online from Scribd
In what ways does your media product use, develop or challenge
forms and conventions of real media products?
An aspect used often in the thriller genre is of a seemingly innocent character being kidnapped, as is seen in another thriller Se7en, as the daughter is kidnapped, we used codes and conventions we saw in this film, and used it in our production.
The first shot I have chosen to analyse is
the screenshot of when the title of the film is displayed, with the black background an atmosphere of unpredictability is created. ‘A Lovely Possession’ insinuates that the film is of control and ownership.
The screenshot of Jasmine being tied to the
chair is typical of a thriller as it shows a dominant male watching sinisterly a defenceless female in a dark room. From this shot alone, regardless of what may come or has already happened that the girl in this shot is the protagonist in the film. The dark lighting of the room shows that it is a closed location, that nobody will be able to help her.
This shot of the female leaving the
building is not an image that when viewed would immediately cause the viewer to believe it is a thriller, the reason for this shot is that a common element of thrillers is that a calming period is always evident in films, for example the calm period when the public is unaware of any danger as we see shots of people in a café. The purpose of this shot was for the surroundings to show the audience the emptiness around her and show how late it was in the day, as thrillers cause unexpected events, showing the surroundings would help make any surprise in the scene realistic, the audience knowing that it is late and not seeing any other people will also feel that there is no protection for her. I chose the shot of a close up of the male antagonist as it is suits the common stereotype of dominant male and defenceless females, this shot shows the facial expression of the antagonist and enables the audience to feel sympathy for the protagonist as she suffers because of him. This is a controversial part of the sequence as previously the antagonist was the partner of the protagonist who is now helpless, this as the main twist we presented in our sequence.
This shot is important to
analyse as it shows that Justin is not aware that someone is approaching him, this answers any doubt that the audience may arrive at as they wonder whether or not the victim is aware of his attackers presence and feels no threat or, as is the case, is completely unaware.
In contrast to the previous shot I
analysed, this shot shows the eventual antagonist as the victim, this shot shows an unidentifiable individual approaching the victim with a weapon in hand, the low shot adds mystery as we are unaware of the appearance of the approaching person and if the victim is aware of his presence.
I chose to analyse this shot
as the character being played by David Fajobi, at this point in the sequence the audience is unaware that he has been hired to take Jasmine and so as he follows her into the female toilets the audience will understand that he is going to cause trouble. This shot shows the surroundings of Justin, as he is a part-time DJ we felt we has to show him in this location to match with the character profiles we created earlier.
How does your media product represent particular social
groups?
What kind of media institution might distribute your media
product and why? In developing our opening sequence we attempted to confuse our audience and leave them in suspense, as they are unable to piece together what is transpiring. Any potential distribution company would have to consider how our target audience of 16 – 24years old would be reached. Our storyline could also be neglected and attacked by radical feminists as Jasmine is controlled.
The target of AF Guys Ent, is to make sure that the planning,
research and development of the film is reliable before the production process begins, incorporating shots, angles and continuations accustomed to thrillers. The editing of the piece will also have to be made well and, arguably to most difficult task for the production company; to distribute the final piece to audience and viewers.
We believe that a successful production company should be
aware and control all monetary involvements and be liable to the punishment of any laws or regulations that is not adhered to. Regarding the creativity, the production company should have the final say on the idea(s) that will be presented and used, and decide of funds will be require for certain tasks, when/where/who regarding the film.
Involvement in the filming and shots used should be mandatory
for the production company and should have a huge role in the editing of the shots.
The distribution of our film was an area we required detailed
research into, we thought the more common method of using a specialist distribution company was our better option, but the independence in distributing the film ourselves also had its benefits. The benefits of the specialist distribution company that were experienced in distribution of thrillers, would be that a better reputation could be made for our film as well as generating greater funds. If we choose to distribute ourselves then funds would be needed and generating the funds would have posed a difficult challenge for us.
As with all opening sequences the cast names are presented,
Sabrina Byfield, Maurice Euter & Clifton Aboagye, as there is only one female characer the audience easily established the Sabrina was Jasmine, Maurice Euter is displayed when Justin is first seen so the audience also understands the Maurice is Justin.
The names of the roles appear in no particular order as
Who would be the audience for your media product?
We believe that the title of our film, ‘A Lovely Possession’, would be attractive to a wide range of tastes, the title suggests a film of love and that may entice viewers of age and maturity, whereas possession may attract young people, particularly males due to the young mindset of ‘controlling what QuickT ime™ and a T IFF (Uncompressed) decom pressor are ne eded to see this picture.
is yours’. The certification we have given of 15
will make both of these audiences able to view our film.
Daniel Puddicombe is someone who we believed
would like our original idea and would like Quick Ti me™ and a TIFF (Uncompressed) decompressor are ne eded to see this picture. the final piece, he prefers all types of films, and although our piece is a thriller it is under the sub genre of drama thriller so his wide tastes should suit our film.
He works at HMV so has an insight to many different media
platforms, he communicates with other youths who come to his store about current media so his opinion and taste are something we believed could express a wide demographic
As the young people today are curious of how relationships
around them are transpiring we believe that young males will want to see how controlling and dominant Justin is as males in this time feel they control their female partners. Young women may see this film as a lesson in how not to let your partner treat them and will also sympathise for Jasmine, the protagonist.
The audience we have established we are going to attempt to
attract to our film are older youths 16 - 24, however we feel that older viewers will still be attracted to our piece, our film requires maturity from our audience to understand the twists and surprises in our storyline, this could prove to be more accustomed to the females as deeply engaging storylines are more attractive to their emotions, but neither gender has been made as our priority. Although our cast are of a single ethnic group we believe that all ethnicities may find the film appealing.
What have you learnt about technologies from the process of
constructing the product? Before this coursework, a lot of the equipment that I used was unfamiliar to me, as I was cameraman in my group; I had to learn how to use the camera equipment, the tripod and the camera itself. I was required to understand how shots are combined to make an effective scene; also I had to adhere to the rules of filming, for example, the 180degree rule and other small requirements that seemed minor but were vital for effective filming
Looking back to your preliminary task, what do you feel that
you have learnt in the progression from it to the full product? The first shot was a simple shot of the character leaving a room and walking towards another door, as this was our first time using the equipment we ensured that the vital details of camera work was adhered to.
Our second and third shots were a match on action of the
character going through a second door, this was a technique that we believed would need practice before incorporating into our final piece, in our original plan, we wanted to use this technique in our piece when Justin is attacked by James but more thinking caused us not to choose this.
We had to learn how to film characters who would be moving by
taking effective shots. This was needed, as we knew Jasmine would be walking in our final piece so practising that in our preliminary with Jaime was also helpful to us in the long run
A common element in both our preliminary and our final piece
was shot reverse shot during conversations, during our preliminary we knew we had to perfect our camera work during the shot reverse shot as we knew that it would be necessary in our final piece, although our preliminary shot reverse shot was with the characters in the same location between Jaime and Clifton, it was still useful to us when we incorporated it in to final piece during the phone conversation between Jasmine and Justin.
Although in our piece there were no two shots, we were aware
of the 180degree rule and where we had to position the camera for each shot to not break the rule.
Looking back on our piece we realise that the work and
techniques learnt and perfected in the preliminary were truly beneficial and helped us a lot, without the practice