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Ritual Aspects of The Balkan Visual Cult
Ritual Aspects of The Balkan Visual Cult
ABSTRACTS OF PAPERS
BELGRADE 3-4 JULY 2014
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VISUAL CULTURE OF THE BALKANS
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ABSTRACTS of PAPERS
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EDITED BY
Nenad Makuljevi
ORGANIZING COMMITEE:
Prof. dr Karl Kaser (Karl-Franzens- Universitt Graz), Prof. dr
Nataa Mikovi (Universitt Basel), Prof. dr Barbara Murovec
(Franc-Stele Institute, Ljubljana University of Maribor), Prof. dr
Nenad Makuljevi (University of Belgrade)
Cover image: Felix Kanitz, Belgrader Gesellschaft, in: Serbien. Historischethnographische Reisestudien. (Serbia - Ethnographic and Historical Travel
Studies) Fries, Leipzig 1868, p. 450.
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CONTENT
FOREWORD
ABSTRACTS OF PAPERS
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LIST OF PARTICIPANTS
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VISUAL CULTURE OF THE BALKANS
FOREWORD
VISUAL CULTURE OF THE BALKANS: STATE OF RESEARCH
AND FURTHER DIRECTIONS
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ABSTRACT of PAPERS
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SAA BRAJOVI
Department of Art History
Faculty of Philosophy
University of Belgrade
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IRENA IROVI
The Institute of History, Belgrade
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VUK DAUTOVI
Department of Art History
Faculty of Philosophy
University of Belgrade
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JELENA ERDELJAN
Department of Art History
Faculty of Philosophy
University of Belgrade
Commonwealth.
This
paper
will
consider
the
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OLGA GRATZIOU
Department of History and Archaeology
University of Crete
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ALEKSANDAR JAKIR
Faculty of Humanities and Social Sciences
University of Split
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ALEKSANDAR KADIJEVI
Department of Art History
Faculty of Philosophy
University of Belgrade
SERBIAN PUBLIC MONUMENTS OF MODERN TIMES (1920th c.) THE TYPOLOGY AND RESEARCH
During the last two centuries in the wider Balkan region a wide
variety of Serbian public monuments and memorials were raised.
Different by their form and function, they witness of the culture of
memory that induced their typological stratification. Except for the
chronology of creation, they can be classified according to the
structure, themes, style and position. Seen from a historical distance,
each monument reflects financial capabilities, cultural preferences
and ideological interests of its initiators, as well as creative potential
of deployed authors (sculptors, architects, engineers, urban planners,
sometimes even poets whose verses were imprinted on the surfaces
of the memorials).
In terms of periodization, monuments can be divided into
those from the period of the Principality (starting from the 1830),
period of the Kingdom of Serbia (18821918), the monuments from
the period of the Kingdom of Yugoslavia (19181941), as well as
those built in the socialist Yugoslavia (19451991), the Republic of
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KARL KASER
Sdosteuropische Geschichte und Anthropologie
University of Graz
constitutes
product
of
Western
scientific
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ANA KOSTI
Department of Art History
Faculty of Philosophy
University of Belgrade
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NENAD MAKULJEVI
Department of Art History
Faculty of Philosophy
University of Belgrade
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NATAA MIKOVI
Seminar fr Nahoststudien
University of Basel
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BARBARA MUROVEC
Franc Stele Institute of Art History
Research Centre of the Slovenian Academy
Ljubljana
IVANA PRIJATELJ-PAVII
Faculty of Humanities and Social Sciences
University of Split
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MILAN RISTOVI
Department of Art History
Faculty of Philosophy
University of Belgrade
processes
are
influenced
primarily
by
external
political
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BRANKA VRANEEVI
Department of Art History
Faculty of Philosophy
University of Belgrade
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TANJA ZIMMERMANN
Fachbereich Literaturwissenschaft/Slavistik
University of Konstanz
ect., experienced
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IVANA ENARJU
Institute for Serbian culture Pritina,
Leposavi
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LIST OF PARTICIPANTS
Prof. Dr. Saa Brajovi
Department of Art History
Faculty of Philosophy
University of Belgrade
sbrajovi@f.bg.ac.rs
Irena irovi, MA
Research Assistant
The Institute of History, Belgrade
irenazaric@gmail.com
irena.cirovic@iib.ac.rs
Vuk Dautovi, MA
Research Assistant
Department of Art History
Faculty of Philosophy
University of Belgrade
vukdau@gmail.com
vuk.dautovic@f.bg.ac.rs
Prof. Dr. Jelena Erdeljan
Department of Art History
Faculty of Philosophy
University of Belgrade
jerdelja@f.bg.ac.rs
Prof. Dr. Olga Gratziou
Department of History and Archaeology
University of Crete
gratsiou@uoc.gr
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Notes
Notes
Notes
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