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CLAS 311 Syllabus
CLAS 311 Syllabus
4. Course Structure:
The course is divided into two conceptual parts. First, we will read and discuss the literary
sources, myths, and legends that pertain to the legend of the Trojan War, reflect upon their nature
and value as historical documents, and evaluate the ways past scholars have used them to
reconstruct the Trojan War as a part of history. Then, we will turn to the material record,
comparing specific types of evidence from the poems to archaeological evidence from ancient
Greece, and draw our own conclusions about the relationship between myth and history.
5. Requirements:
Daily:
-Appear in class on time.
-Complete assigned readings on schedule.
Weekly
-Complete administered quizzes with competence.
-Participate in discussion with enthusiasm.
Semester:
-Read quite a lot (or ideally all) of the Iliad.
-Complete midterm on basic concepts.
-Compose 5 pages of well thought out and carefully argued analysis.
6. Grading:
30%: Weekly Quizzes (n = 10)
15%: Class Participation & Citizenship
20%: Midterm Exam
15%: Critical Oral History Paper
20%: Final Exam
Grade Scale: A = 94-100; A-= 90-93.9; B+ = 87-89.9; B = 83-86.9; B-= 80-82.9; C+ = 77-79.9;
C = 73-76.9; C-= 70- 72.9, etc. You need to cross the threshold decisively to receive the next
higher grade. Dont expect your grade to be rounded up.
Policy on Late Work:
1. You have a short paper due on MARCH 2nd papers that are late with no excuse will be
docked letter grade per day late. However, if you really cannot hand something in on
time, please get in touch with me before the due date so that we can work out an
alternative solution.
2. Quizzes cannot be made up unless there is a viable excuse and unless arrangements have
been made with me before the day of the quiz.
7. Explanation of Assignments
A. Class Participation
Grade assigned based on regular attendance and classroom engagement.
B. Weekly Quizzes
On Friday of most weeks, a quiz will be administered. The quiz will consist of ONE short essay
question. The question for each quiz will be sent round to the class via email the night before
the quiz. Students will have 15 minutes to write their answer out when they arrive in the
classroom on quiz day, and the essay topic will form the jumping-off-point of a group discussion
that will comprise the rest of the class period. No make-up quizzes will be administered unless a
student provides a reasonable excuse for an expected absence BEFORE the date of the scheduled
quiz.
C. Midterm Examination
There will be one examination in week 8. This will consist of straightforward factual questions
based on class readings and lectures. There will be a review session.
D. Critical Oral History Paper (5 pages)
Oral Poetry as History Critical Thinking Project:
During WWII, the Greek island of Crete was heavily occupied by German forces. In April of
1944, as part of the resistance effort, two British soldiers kidnapped a German commanding
officer from his base near modern Heraklion and smuggled him off of the island with the help of
Cretan guerillas. The events of the kidnapping were quite dramatic and full of swashbuckle, and
have since been made into a popular nonfiction book (Ill Met by Moonlight) and an English
language fictionalized film (Night Ambush/Ill Met by Moonlight).
While conducting ethnographic research in Crete in 1952, the scholar James Notopoulos
discovered that oral heroic poets practicing in a modern Cretan village remembered the Kreipe
kidnapping from their own experiences. Notopoulos asked one of these bards to sing a song
detailing the capture of the German general, and recorded its details. We thus possess two
distinctive records of the kidnapping of General Kreipe - one written according to historical
accounts recorded by the British kidnappers and one sung as remembered by a Cretan participant
in the events eight years after they transpired.
For this assignment you are asked to read about the historical details of the Kreipe kidnapping
and to compare them to the details of the episode as the eyewitness Cretan bard sang them eight
years after the kidnapping. You will consider what the example of the transformation of the
Kreipe episode into oral poetry does for your understanding of the relationship between Homeric
epic and early Greek history. Your paper will address differences between the events of the
Kreipe kidnapping as we know them from historical events (Moss) and as they are portrayed in
the song sung by the Cretan bard (Notopoulos). You will spend 4 pages making a comparison
between the poem and the historical events: I would suggest writing approximately one page on
each of the following four topics: Characters, Plot Details, Physical World, Depiction of Society.
On the final page of your assignment, you should reflect on what this example teaches you about
the way in which Homeric epic might relate to Greek prehistory. Does the example make you
more or less likely to accept the Homeric poems as evidence for Greek history? Why or why
not?
E. Final Exam
The final exam will consist of three parts: (1) factual questions covering basic plot and character
points of the Iliad (2) short answer questions concerning the history of Homeric scholarship, and
(3) questions about the reality behind the truth of the Trojan War. You will be expected to
know the main beats of these topics (narrative and major characters of Iliad and Odyssey;
Schliemann, Linear B decipherment, Finley, the positions taken by the main post-Finley figures,
&c.) but you need not worry about niggling details (particular points of scholarly arguments,
exact book-by-book plot of the epics, &c.). Two in-class review sessions will be held during the
final week of classes.
Finnegan, R. 1992. Oral Poetry: Its Nature, Significance and Social Context. Bloomington.
Nagy, G. "Orality and Literacy," Encyclopedia of Rhetoric (ed. T. O. Sloane; Oxford 2001) 532538.<http://chs.harvard.edu/cgibin/WebObjects/workbench.woa/wa/pageR?tn=ArticleWr
apper&bdc=12&mn=3457>
Oinas, F. 1978. Heroic Epic and Saga: An Introduction to the World's Great Folk Epics.
Bloomington.
Page, D. 1959. History and the Homeric Iliad. Berkeley.
Palaima, T. 2010. "Linear B," in E. Cline (ed.) The Oxford Handbook of the Bronze Age
Aegean. Oxford: 356-372.
Parry, M. 1903. "Studies in the epic technique of oral verse-making I: Homer and the Homeric
style," HSCP 41: 73-147.
Visser, E. 2006. "Homer and Oral Poetry," Mycenae to Homer 427-437.
Week 5. Iliad Part II and the World of Odysseus
2/9: The Plot of the Iliad (Part II)
Primary Text:
Selections from the EPIC CYCLE
Required Secondary Reading:
[Selections from] Finley, M. 1954 (2002). The World of Odysseus. New York.
2/11: Moses Finleys World of Odysseus
Required Secondary Reading:
Finley, M. 1974. "Schliemann's Troy - One Hundred Years After," Proceedings of
the British Academy 60: 393-412.
2/13: Discussion and QUIZ #4: (on Iliad books 10-24)
Additional Readings for Fun
Burkert, W. 1995. "Lydia between East and West or how to date the Trojan War," in F.
Montanari (ed.) Omero tremilla anni dopo. Rome: 343-405.
Finley. M. 1970. Early Greece: the bronze and archaic ages. New York.
Finley, M. 1982. Economy and Society in Ancient Greece. New York.
Raaflaub, K. 1997. "Homeric society," in New Companion 625-648.
Week 6. Current Debates
2/16: Taking Homer out of the Dark Age: 8th Century Greece and the Trojan War
Primary Text:
(Catch-Up week for Iliad)
Required Secondary Reading:
Morris, I. 1986. "The Use and Abuse of Homer," Classical Antiquity 5: 81-138.
Snodgrass, A. 1974. "An Historical Homeric Society?" JHS 94: 114-125.
2/18: Discussion and Debate: is Homers history real?
Secondary Reading: (choose one)
Osborne, R. 2004. "Homer's Society," in R. Fowler (ed.) The Cambridge
Companion to Homer. Cambridge: 206-219.