Professional Documents
Culture Documents
Neighbor Film Plan
Neighbor Film Plan
g h b o r
TABLE OF CONTENTS
Confidentiality Statement & Legal Disclaimer
About The Film
Cast
Directors Statement
Team
Our Partners
Audience
Market
Budget
Production Timeline
CONFIDENTIALITY STATEMENT
& LEGAL DISCLAIMER
The provisions of this plan are privileged and confidential.
Unauthorized reproduction or distribution of this business plan or any
of its contents in any form or under any circumstances without prior
written consent is prohibited. The information contained herein is:
(i) provided by the principal founders of the business and (ii) publicly
available from directories, publications and websites, as mentioned
in the body and the footnotes where possible or appropriate. In
some cases, non-publicly available information was used, including
independent research, studies or paid services from individuals and
organizations. While the information set forth herein is deemed by
the Company to be accurate, the Company shall not be held liable
for the accuracy of or any omissions from this Business Plan or for
any other written or oral communication transmitted to the Recipient
and any other party in the course of its evaluation of transactions
involving the Company.
Any person or entity seeking to make an investment in the business
should not rely on the information set forth in the plan as complete.
In addition, the analyses contained herein do not claim to be appraisals
of the assets, or the valuation of any entity. The business makes no
guarantees regarding any benefits received from investment, nor
the legal, tax or accounting effects of any transaction; and this Plan
does not constitute an offer to sell, or a solicitation of an offer to buy
securities. In furnishing the Business Plan, the Company undertakes
no obligation to provide Recipients of the Business Plan with access
to any additional information or to update this Business Plan or to
correct any inaccuracies that may be contained herein. There exists
substantial information with respect to the business and its future
prospects, and there are a substantial number of risks associated
with an investment in the business, which are not set forth in the
plan.
SYNOPSIS
THE CAST
The cast for Neighbor will be a combination of well known, talented
actors and actresses both from LA and the Bay Area. Here are three
of our exceptional performers.
BRUCE BEATTY
Larry camped out in the same alley every night. He always
kept to himself and never bothered anyone, until he saw an
injustice unfold right before his eyes.
He did everything in his power to stop it but trying to stop a
kidnapping almost cost him his life.
He was beaten down inches before death. With all the strength
he could muster, he picked himself up to hunt down the
perpetrator.
Everything within compelled him to take a stand, to right this
wrong and rescue a helpless child.
He never expected to uncover a hidden crime in a perfectly
landscaped suburban neighborhood.
Will Larrys story be accepted or twisted? Is he an
acceptable witness or possible suspect? Things are not
always what they seem.
ANJELAH JOHNSON
Anjelah Johnson started out as an internet
sensation with a sketch about a Nail Salon
on Youtube video, which led to many stand
up and television opportunities. She has
starred in films such as Our Family Wedding
(2010), Enough Said (2013) with James
Gandolfini and Julia Louis-Drefus, and her
own stand up comedy show available for
streaming on Netflix.
DOVE MEIR
Originally from Philadelphia, Dove begun
his acting career in New York City. He had
recurring roles on N.C.I.S., Major Crimes, and
The Mindy Project, as well as USA networks
Dig. He was nominated for Best Actor in the
Burbank Film Festival for his leading roll in
the film Boots.
THE TEAM
TONY GAPASTIONE
Writer | Producer | Director
Originally from Chicago, Tony has been acting in theater, commercials,
and film for over twenty-five years. Check out his work on TONYGAP.
COM. His first short film, 1440 and Counting, starring Emmy Winner
Loretta Devine and Jeremy Ray Valdez, which he wrote and directed,
found success on the festival circuit and encouraged him to continue
making movies. Hes passionate about affecting change through
storytelling and loves building relationships on and off set. Tony lives
a full, crazy, and adventurous life in Redwood City California with his
wife and three kids.
Contact: tony@soncitymedia.com
DANIEL EMMANUEL
Executive Producer
Daniel prides himself on his vision, resourcefulness and reliable
network to provide a creative and cooperative environment. Daniel
holds memberships with SFFS, AFI, Scary Cow Film Co-Op, MMTB,
and has teamed with the Bay Areas best independent professionals.
Daniel works part-time at DTC Lighting & Grip, gaining a
hands-on education, while freelancing with production companies
with projects for various outlets. Daniel has current projects ranging
from development, to narrative scripts at various stages of the writing
process. Daniel currently resides in San Jose, CA with his wife and
three children.
OLA SOLER
MATTHEW MAYOTTE
Producer
Director of Photography
A San Francisco Bay Area native, Matthew has always held in high value
art and aesthetics. Fascinated from a young age by cinema and story,
Matthew followed his pursuit of the greatest way to tell story; through
moving image. Rooted in the likes of vintage Italian and French
auteurs and invested in todays modern filmmaking movements,
Matthew grows his own cinematic voice from commercials, music
videos, feature-length theatrical documentary, to exploratory short
format art; using visionary intuition and advancing technology.
Contact: ola@soncitymedia.com
JAYSON JOHNSON
GABRIEL LOMELI
Line Producer
Producer
A native of Stockton, California, Gabriel is a creative visionary with
a strong background in education, professional development, and
media production. Working as a media director after graduating from
SJSU in 2008, he helped establish the structure and model for the first
Adobe Youth Voices Peapod Academy sponsored by Adobe Systems
and the musical group, the Black Eyed Peas. Currently, Gabriel is
working full-time as a Lecturer at the School of Design at Stanford
University. He is also the founder and creative director of his own
creative media agency by the name of Conclave Concepts.
Contact: gabriel@conclaveagency.com
JOHN W. SNYDER
JESSICA ATTARD
Composer
Producer
After Graduating from CSUEB in 2014 with a Studio Art Degree
(emphasis in Animation), she has dedicated her time on working in
all aspects of film. Jessica has worked as a Storyboard Artist, Talent
Chauffeur, Script Supervisor, production coordinator, and now
Producer. She has a passion for bringing all the pieces of a production
together and seeing the crew function as a team.
Contact: jattard1982@me.com
MATTHEW WATERS
Sound Designer
Matthew is an Emmy award winning sound Designer on HBOs Game
of Thrones. His credits include work on such films as: Life as a House
and The Butterfly Effect. His TV credits include Cold Case, Sundance
TVs original show Rectify, and currently Black Sails on Starz.
IVAN REYES
Music Supervisor
Ivan is an accomplished musician, audio engineer, and producer with
extensive experience in both the non-profit field and commercial
recording industries. From Los Angeles to New York, Ivan has produced
top acts in hip hop, latin, Urban and R&B genres. He was recognized
as a Silicon Valley emerging leader at the age of twenty-four. Years
later he continues to collaborate with top performers of the music
industry and recently founded, Templo Audio, a creative approach
to sound, strategy, and style for all music production projects.
OUR PARTNERS
REDWOOD CITY PARKS AND ARTS
FOUNDATION - FISCAL SPONSOR
BAATC efforts equip and engage individuals, civic groups, and nonprofits with best practices to sustain in the fight against human
trafficking in the San Francisco Bay Area and beyond.
As a partner in Neighbor, The Bay Area Anti-Trafficking Coalition
endorses the project and promotes it to increase the exposure of the
movie and has provided our production team with financial support.
WWW.RWCPAF.ORG
HTTP://WWW.BAATC.ORG/
3STRANDS GLOBAL
HTTP://NOTFORSALECAMPAIGN.ORG
HTTP://WWW.3STRANDSGLOBAL.COM
SHEILA CEPERO,
REDWOOD CITY
PARKS AND ARTS FOUNDATION
BOARD MEMBER
CHRIS BETH,
BRIAN WO,
WARREN DALE,
THE AUDIENCE
THE MARKET
Some recent examples of short films that turned into feature films are:
By definition, a short film is any film, narrative, documentary or
experimental, that tells a complete story in no more than 15 minutes.
Short films have always been one of the preferred platforms for new
independent filmmakers to explore the medium and step into the
film industry. The nature of their format allows emerging directors
to develop creative ideas without the elevated costs of filmmaking.
In 2015 more than 60% of the films submitted to the Sundance Film
Festival were short films. In the past 10 years the festival had an
average of 49,497.5 attendees per year(1). The growing interest in
short film has led to creation of film festivals that exclusively for the
exhibition of short films like SF Shorts or LA Shorts Fest that screen
over 100 short films every year.
Short films are not regularly programmed to be screened on movie
theaters outside film festivals. However, thanks to online streaming
platforms like YouTube and Vimeo, short films have acquired an
important audience that consume these type of films on a regular
bases. Future Shorts, a YouTube channel dedicated entirely to the
streaming of independent short films, has over 263K subscribers and
the website Statsheep.com estimates that the number of subscribers
to this channel will increase by 14,365 by June 2016. Vimeo Staff
Picks video channel, which features a big amount of independent
short films, has over 191K subscribers. Online platforms are an ideal
distribution channel for short films because they allow filmmakers to
show their work to a broader audience with less or even no additional
costs.
In general terms, short films are not big sources of revenue for the
filmmaker, but they are often the starting point in the development
of very commercially successful feature films.
OUR BUDGET
PRODUCTION TIMELINE
ETIN
PRODUC
FEBRUARY
TIO
N
K
AR
JANUARY
MARCH
UC
OD
ST
POST-PR
FUNDRAISING
CASTING
LOCATION SCOUTING
SET DESIGN
SOUNDTRACK DEVELOPMENT
CA
TIO
APRIL
PRE-PRODUCTION
MAY
$57,400
JUNE
S T UN
AR
TR
AV
EL
AUGUST
POST-PRODUCTION
EDITING
SOUND MIXING
MUSIC COMPOSING
COLOR CORRECTION
LO
CAT
ION
EQU
IPM
EN
PRODUCTION
CAST
STUNTS
CAST TRAVEL
LOCATION EXPENSES
EQUIPMENT
ART DEPARTMENT
POST-PRODUCTION
MARKETING
OFFICE EXPENSES
JULY
SHOOT
$5,000
$11,000
$4,000
$5,000
$2,800
$8,700
$3,000
$13,000
$4,000
$900
SEPTEMBER
OCTOBER
FINISHED FILM
FILM SCREENINGS
WWW.NEIGHBORFILM.COM
tony@soncitymedia.com
NEIGHBORFILM