Professional Documents
Culture Documents
Art Auction Feb
Art Auction Feb
MUMBAI
SHUFFLE AT SOTHEBYS
NICOLA TYSON
FEBRUARY 2016
LONDON SALES
PREVIEW
DESIGNS
ON LIFE
THE ART OF
ILLUSTRATION
EYES ON
ASIA
A Measured
Market Outlook
A Medium
on the Ascent
Shanghai and
Regional Markets
TOM WESSELMANN (1931-2004) | Blonde Vivienne (Filled In), 1985/1995 | Alkyd oil on cut-out aluminum | 50 inches diameter
DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PARIS | GENEVA | AMSTERDAM | HONG KONG
Irving Penn, Opticians Shop Window (B), New York, 1939 Cond Nast Publications, Inc.
Irving Penn
Personal Work
EXHIBITION
PARIS: 10 - 11 FEBRUARY
LONDON: 22 - 23 FEBRUARY
COPENHAGEN: 25 - 29 FEBRUARY
Hammershi
AUCTION
COPENHAGEN: 1-10 MARCH 2016
ART, ANTIQUES AND DESIGN
FEBRUARY 2016
FEATURES
56 IN THE STUDIO: NICOLA TYSON
Known for her figurative practice in
a range of media, the British-born artist
prepares for a show of drawings at
Petzel in New York.
BY CHLOE WYMA
ASIAN MARKET FOCUS
DEPARTMENTS
12
14
16
19
27
31
34
38
44
CONTRIBUTORS
FROM THE EDITOR
ART PARTIES+OPENINGS
IN THE AIR
MOVERS+SHAKERS
DATEBOOK
MUST-HAVES
DEALERS NOTEBOOK
CULTURE+TRAVEL
MUMBAI
KRISTINE LARSEN
76
SCANDINAVIAN DESIGN
& FOCUS ON JOSEF FRANK
Auction: February 17 2016
UPCOMING
PIASA
118 rue du Faubourg Saint-Honor
75008 Paris - France
+33 1 53 34 10 10
UPCOMING AUCTIONS
AND RESULTS
WWW.PIASA.FR
FEBRUARY 2016
N.C. WYETHS
WILD BILL HICKOK
AT CARDS, 1916,
WHICH SOLD AT THE
COEUR DALENE ART
AUCTION IN JULY 2007
FOR $2,240,000.
MARKETWATCH
MUMBAI
SHUFFLE AT SOTHEBYS
23 REPORTER
94
BY JUDD TULLY
47 ON THE BLOCK
AUCTIONS IN BRIEF
98
DATABANK
NICOLA TYSON
FEBRUARY 2016
LONDON SALES
PREVIEW
DESIGNS
ON LIFE
THE ART OF
ILLUSTRATION
EYES ON
ASIA
A Measured
Market Outlook
A Medium
on the Ascent
Shanghai and
Regional Markets
ON THE COVER:
Le Moteur, 1918, an oil on
canvas by Fernand Lger,
rolls onto the block with an
estimate of 4million
to 6million ($69million)
at the Impressionist and
modern art sale at Christies
London on February2.
COLUMNS
86
TO BENEFIT
ORGANIZED BY
March 16, 2016 PARK AVENUE ARMORY AT 67TH STREET, NEW YORK CITY
F O U N D E D
1 9 6 2
ON PARK AVENUE
Gala Tickets 212.766.9200 , EXT. 248 OR HENRYSTREET.ORG/ARTSHOW
#TheArtShow
ARTDEALERS.ORG/ARTSHOW
ERIC BRYANT
E D I TO R I N C H I E F
Ellen Fair
M A N AG I N G E D I TO R
Penny Blatt
C R EAT I V E D I R ECTO R
DAVID GURSKY
P R ES I D E N T, G LO BA L D EV E LO P M E N T
PUBLISHER
tel +1 646 795 5621 dgursky@artinfo.com
UNITED STATES
Kathy Murphy SV P, SA L ES & B US I N ESS D EV E LO P M E N T
tel +1 646 795 5622 kmurphy@artinfo.com
Steven Schoenfarber B RA N D SA L ES M A N AG E R
tel +1 646 795 5649 sschoenfarber@artinfo.com
Bridget Moriarity
S E N I O R E D I TO R
Judd Tully
E D I TO R AT LA R G E
M A R K ET E D I TO R
Nancy E. Sherman
10
INTERNATIONAL
Anne-Laure Schuler SV P, I N T E R N AT I O N A L B RA N D SA L ES
CO PY E D I TO R
F RA N C E , B E N E LUX , F R E N C H - S P EA K I N G SW I TZ E R LA N D
tel +33 14 006 0310 jruffin@artinfo.com
Sara Roffino
Cline Roullet B RA N D SA L ES M A N AG E R
S E N I O R ASSO C I AT E E D I TO R
Danielle Whalen
E D I TO R I A L ASS I STA N T
A RT D I R ECTO R
Sid Ghosh
Nartwanee Chantharojwong D O N T B L I N K M E D I A
Rena Ohashi
CO N S U LT I N G D ES I G N E R
( T H A I LA N D )
tel +66 265 20889 nartwanee@dontblink.co.th
Kristine Larsen
P H OTO E D I TO R
Jacqueline Mermea
ASSO C I AT E P H OTO E D I TO R
Tracy A. Walsh
D ES I G N P R O D U CT I O N D I R ECTO R
Jonny Leather
P R O D U CT I O N M A N AG E R
CO N T R I B U T I N G E D I TO R S
Steven Canavan
Agnes Hu
Daniel Zilkha
FO U N D E R
D EV E LO P M E N T; P U B L I S H E R , B LO U I N A RT I N FO. CO M
Florine Rousseau
distribution@artinfo.com
Gilbert Stuart
Portrait of George Washington (detail)
Oil on canvas, 1798
Presale Estimate: $150,000$250,000
Sold: $1.025 Million
CONTRIBUTORS
Ekta Marwaha
12
Alasdair Nichol
As vice chairman and head of
the ine art department at
Freemans auction house in
Philadelphia, Nichol is a
regular appraiser on pbss
Antiques Roadshow, where
he specializes in American
paintings, drawings, and
sculpture. Born in Scotland,
Nichol began his career with
Phillips in Edinburgh before
moving to the companys
salesrooms in Glasgow and
London. In 1997 he ventured
to New York to head the
ine art department at Phillips;
he joined Freemans in
1999. Since arriving in the U.S., I have sold many examples of
illustration art and have twice held the world-record auction
price for a work by N.C. Wyeth, says Nichol, who offered
his expertise to Art+Auction for our article on illustration art
(page86). His contribution reminded him what a peculiarly
American collecting area illustration art is, and how relective it
is of the American character and psyche.
Danielle Whalen
Born and raised in Rhode Island, Whalen
moved to New York in 2007 to study
writing at Eugene Lang College. She then
pursued photography at the School of
Visual Arts and graduated with a bfa
degree in visual and critical studies before
joining Art+Auction last year as an editorial
assistant. On page40, she writes about
Modernism Week, the annual design
and architecture event in Palm Springs,
California. Whenever I speak to dealers
and collectors, theres not only a deep
historical knowledge about the objects
they collect but also a strong emotional
connection. Collecting is as much about
feeling as anything else, she says. Whalen
continues to take photographs, inspired
by trips abroad and by the streets of New
York City. She is currently polishing her
foreign language skills, particularly in
German, with aspirations to learn French.
Chloe Wyma
An associate art editor at Brooklyn Rail, Wyma is currently pursuing
her Ph.D. in modern and contemporary art at the City University
of New York Graduate Center. A resident of Queens, she also teaches
art history at Baruch College as an adjunct professor. On page56,
Wyma writes about her visit to the studio of artist Nicola Tyson.
She is as brilliant and funny in person as she is in her paintings,
Wyma says. What I thought would be a straightforward interview
became an hours-long,
digression-illed conversation spanning feminist
art and theory, punk and
the ybas, and the struggle
to develop a personal
artistic idiom apart from
artistic trends. Of
particular interest to the
art historian was their
discussion of Trial
Balloon. The irreverent,
all-female space that
Tyson founded in the 90s
became a lash point for
New Yorks underground
lesbian scene, she says.
| BLOUINARTINFO.COM
CLOCKWISE FROM TOP LEFT: SWANN AUCTION GALLERIES; KRISTINE LARSEN; CHLOE WYMA; FREEMANS AUCTION; EKTA MARWAHA
FROMTHEEDITOR
Eric Bryant
KRISTINE LARSEN
14
Editor in Chief
| BLOUINARTINFO.COM
ART PARTIES+OPENINGS
4. Franz Humer
2. Maria Baibakova,
Marc Spiegler
3. Richie Shazam,
Steve Nishimoto
1. Wangechi Mutu,
Isolde Brielmaier
5. Larry Warsh,
Christopher Missling
7. Mathias Rastorfer,
Isabelle Bscher,
Jennifer Flavin Stallone,
Sylvester Stallone,
Krystyna Gmurzynska,
Lucas Bscher
6. Tanya Selvaratnam,
Lucy Walker
8. Jean Shafiroff,
Chuck Close
14. Calum Sutton
16
MOSTLY IN MIAMI
Eye-popping moments at some of our favorite art world evenings: the New Museums annual Next Generation
dinner, honoring artists Njideka Akunyili Crosby and Josh Kline, at the Bathhouse Studios in New Yorks
East Village (1, 10, 11, 18); a dinner at the home of Don and Mera Rubell for the opening of No Mans Land:
Women Artists from the Rubell Family Collection at the familys eponymous museum in Miami (2, 6, 17, 19, 21);
the performance of Dimensions, a collaboration between musician Devont Hynes and artist Ryan McNamara,
at the Prez Art Museum Miami (3, 24); Galerie Gmurzynskas buffet dinner at the Villa Casa Casuarina
in Miami Beach, with Sylvester Stallone and curator Germano Celant (4, 7, 9, 14, 16); the VIPopening of Art
Basel Miami Beach at the Miami Beach Convention Center (5, 8, 12, 13, 15, 20); and the Cultivists first
annual event at the Miami Beach fair, a luncheon for its members at the Setai hotel (22, 23).
| BLOUINARTINFO.COM
IMAGES PATRICK MCMULLAN: JARED SISKIN (2, 3, 6, 17, 19, 21, 24); PATRICK MCMULLAN (4, 5, 7, 8, 9, 12, 13, 14, 15, 16, 20).
BILLY FARRELL, BFA (1, 10, 11, 18); CARLY ERICKSON, BFA (22, 23)
Martin Lewis, Shadow Dance, drypoint and sand-ground, 1930. Estimate $30,000 to $50,000.
SWANNGALLERIES.COM
INTHEAIR
Strength in Numbers
Following last summers announcement by the Syndicat
National des Antiquaires (sna) that the venerable Biennale des
Antiquaires will become an annual event after its 2016 edition
at the Grand Palais in September, the four-year-old Old Masters
centric Paris Tableau fair has decided to team up with its
erstwhile rival.With organizational changes within the sna
The stand of noted Old Masters dealer
and its decision to annualize the biennial, dealers who had been
Didier Aaron at Paris Tableau 2013.
participating in Paris Tableau saw a potential to revive Paris as
a capital of the arts by joining forces to strengthen that event rather than having us continue to
go it alone, says Paris Tableau president and Italian Old Masters dealer Maurizio Canesso.
With a revamp of the biennale spearheaded by Dominique Chevalier, who was elected president
of the sna following the ouster of Christian Deydier, event organizers expect the fair to offer
a formidable alternative to the European Fine Art Fair (tefaf), held each March in Maastricht.
FROM TOP: PARIS TABLEAU; HBO FILMS; STUART FISHER AND THE ESTATE OF RUTH FELICITY KLIGMAN
Philanthropist, collector, and political activist Barbara Lee, commenting on her $42million
gift of works by female artists to the Institute of Contemporary Art/Boston in December.
BLOUINARTINFO.COM
that drew on
Snowdens
leaked classified
documents,
and Poitras made
the Oscarwinning 2014
film Citizenfour,
which brought
the National
Security Agencys
mass surveillance
programs in the
wake of 9/11 squarely into
the American consciousness.
This month, the Berlin-based
Poitras, who trained at the San
Francisco Art Institute and
the New School, underscores
the realities of life in a surveillance state with the opening
of her first solo museum
exhibition, Astro Noise, at
the Whitney Museum in New
York. Portions of the Snowden
archive will be presented
within the five installations.
Pollock and
the Polar Bear
All you have to do is look at the
work to know its authentic,
says Colette Loll of Art Fraud
Insights, commenting on
skeptics who question the
attribution of Untitled
(Red, Black, and Silver), 1956,
to Jackson Pollock. Representatives of the estate of Ruth
Felicity Kligman have long
argued that the canvas on panel
was painted as a gift for the
artists mistress just weeks
before his fatal car crash. To
secure the attribution, Loll and
estate trustees invited forensic
scientist Nicholas Petraco
of the John Jay College of
Criminal Justice in New York to
analyze the painting to identify
trace elements that could place
its creation in Pollocks East
Hampton home and studio.
Among the findings was a hair
from a polar bearits skin used
19
Untitled (Red,
Black, and
Silver), 1956,
a 20-by-24inch canvas
on panel
attributed
to Jackson
Pollock.
INTHEAIR
Wall Rocket,
2013, a
lithograph by
Ed Ruscha,
is among
recent gifts
the artist has
made to the
Tate museums
in London.
20
In December, Tate
director Nicholas
Serota said
that 78-year-old
American Pop
artist Ed Ruscha
had given
a wonderful
Christmas
present to the
whole nation,
in announcing
a major gift of
his work to the
British institution. The artist has donated 18 print
editions and promised to donate one impression
of all future prints made in his lifetime to the Tate
collection. Currently, the museums hold 7 of
his paintings, 23 unique works on paper, and 111
prints, most of which were donated to Tate by
British dealer Anthony dOffay in 2008.
Art historian
Andrew
Graham-Dixon
with the
unfinished
Isleworth
Mona Lisa, one
of several
versions of the
celebrated
Louvre painting that some
have claimed
to be the work
of Leonardo
da Vinci.
$28,165,000
Price realized for a 24-foot-wide bronze Spider, 199697,
by Louise Bourgeois, on November10 at Christies
New York. It was an auction record for Bourgeois and the
highest price ever paid for a sculpture by a female artist.
Cases Closing
Still Making Waves
After 500 Years
Margaret Schwartz
Meanwhile, a long-running
lawsuit filed against New Yorks
Knoedler Gallery, which
was accused of selling a fake
Willem de Kooning painting
to collector John Howard
in 2007, has also been settled.
Amid a flurry of forgery
accusations
that surfaced in
2011, the gallery
shuttered its
operation
after 165 years
in business.
Knoedler and its
former director
Ann Freedman
have settled
the case with Howard for an
undisclosed amount, but they
still face a 2012 suit brought
against them by Sothebys
chairman Domenico De Sole
and his wife, Eleanore, who
purchased a Mark Rothko,
above, from the gallery in 2004.
| BLOUINARTINFO.COM
CLOCKWISE FROM TOP LEFT: ED RUSCHA; U.S. ANTIQUE SHOWS; CLARICK GUERON REISBAUM LLP; RICHARD RANKEN, BBC, AND BRINKWORTH FILMS
Anglophilia
BOND # 7900405194
This property is listed for sale by Barry Sloane (BRE#01024594) and Marc Silver (BRE#01875513) of Sothebys International RealtyBeverly Hills Brokerage
(BRE#00899496) 9665 Wilshire Blvd #400. Beverly Hills, CA 90212. (310) 786-1844. Licensed Auctioneer Peter Loughrey (BOND#7900405194) of Los Angeles Modern
Auctions (LAMA) is the provider of auction marketing services and is not a licensed brokerage and is not directly involved in selling real property. The services referred to
herein are not available to residents of any state where prohibited by applicable state law. See Auction Terms & Conditions for full details.
Opens March 26
ALEX DA CORTE
FREE ROSES
ANSELM KIEFER
Through 2033
SOL LEWITT
A WALL DRAWING RETROSPECTIVE
Opens April 16
SARAH CROWNER
BEETLE IN THE LEAVES
Opens February 13
RICHARD NONAS
REPORTER
Slim-down at Sothebys
THE AUCTION HOUSE TRIMS ITS GLOBAL STAFF AND
HIRES A RAINMAKER AMID A DROP IN SHARE PRICE
the highly
publicized $432.8million
multiday sale of works from
the estate of onetime
Sothebys owner A.Alfred
Taubman in November, the
houses newbie CEO, Tad
Smith, sent out a companywide e-mail on November13
announcing a voluntary
program to reduce the head
count of its 1,600-person
workforce and associated
compensation costs. Clearly
the auction giant was reeling
from the relatively lackluster
Taubman sell-off, which it had
guaranteed to the tune of
$515million, anticipating
that the haul would have
brought in a total closer to
the high end of its $420.2million-to-$602.6million presale estimate. As it stands,
the sale total only cleared
the low bar with the buyers
premium included.
Just how much Sothebys
is destined to lose on its
financial bet wont be known
for months to come. Two
pricey buy-ins from the
Taubman Masterworks sale
on November4 were an
Edgar Degas pastel, Femme
nue, de dos, se coiffant,
188688, which failed to sell
IN THE WAKE OF
accounting uncertainty.
Losses from the Taubman
sales may be mitigated
when 300 or so lesservalued lots hit the block this
year at events including
a single-owner sale of Old
Masters in late January,
estimated at $21.2million to
$30.3million. But it is clear
that the projected shortfall
helped hammer Sothebys
stock down to a year-end
low. In mid December, shares
in the house, which trade
on the New York Stock
Exchange under the ticker
BID, had dropped to $26.50,
having already declined
a precipitous 38percent
the month before. The figure
was a far cry from the
share price of $47.28 in
June 2015, two months after
Smiths hire and investor
Dan Loebs successful
boardroom putsch to shake
up management and
shore up the companys
profitability profile.
The gist of Smiths Dear
John letter was that if the
voluntary buyouts fell short
of the intended goal, layoffs
would ensue. I certainly
understand, he wrote, that
announcing a cost reduction
PATRICK MCMULLAN
BLOUINARTINFO.COM
Marc Porter
professional development
and leadership opportunities
for those who will steer
Sothebys into the future.
Along with Smiths staff
lean-out notice, the firm
simultaneously filed a
Securities and Exchange
Commission Form 8-K
formally announcing Costs
Associated with Exit or
Disposal Activities. Then, on
December14, Sothebys
released an amended form
8-K saying that it had
reached its goal of shaving
5percent of its global
workforce (amounting to 80
employees) at a cumulative cost of $40million.
Bundled into that number
which averages out to
approximately $500,000
per employeeare severance costs based on the
participants position, years
of service, and base pay,
as well as, for some, the
continued vesting of equity
rewards, according to
the filing. Those payments
will be made in lump sum
amounts as soon as
possible after termination.
The grand total will no
doubt be reflected in what
is expected to be Sothebys
red inkdrenched fourthquarter results for 2015.
While Sothebys had yet
to identify those taking
23
REPORTER
Tad Smith
JUDD TULLY
| BLOUINARTINFO.COM
SOTHEBYS
24
MOVERS+SHAKERS
LOS ANGELES
CLOCKWISE FROM TOP LEFT: TWO IMAGES, SPRUETH MAGERS; SOTHEBYS; FINE ART AUCTIONS PARIS; PAUL KASMIN GALLERY
NEW YORK
PARIS
TOKYO
Virtual Sphere
French Relations
Eric Gleason
BLOUINARTINFO.COM
DANIELLE WHALEN
27
Mori Seguchi
MOVERS+SHAKERS
LOS ANGELES
LONDON
A New Lens
Genevieve Janvrin
Retrograde Motion
Christopher
Heijnen
Franklin
Parrasch
Bases Covered
Bonhams has hired Ingrid Dudek, who previously served as vice president and
international senior specialist in Asian 20th-century and contemporary art at
Christies. Based in New York, the new director of modern and contemporary art for
Ingrid Dudek
Asia has been charged with developing an American consignment and buyer base
for the houses Hong Kong sales. Meanwhile, Tokyo-based Ryo Wakabayashi has been given a
similar task in Japan and Korea. Wakabayashi, former ceo of Mizuma Art Gallery, joins
Bonhams as senior specialist in modern and contemporary art, Asia. Dudek and
Wakabayashi are also working to cultivate a collector base in Asia for the postwar
and contemporary art sales in New York and London. According to Magnus
Renfrew, deputy chairman and director of ine arts for Asia, the houses efforts on
this front have already been paying off.Thirty-six percent by value of work from
our London sale of postwar and contemporary art earlier this year found buyers
in Asiaa signiicant increase from last year, says Renfrew. DARRYL JINGWEN WEE
Ryo Wakabayashi
| BLOUINARTINFO.COM
CLOCKWISE FROM TOP LEFT: PHILLIPS; ANDREW STANBRIDGE; TWO IMAGES, BONHAMS
28
IN BRIEF
T H R O C K M O R TO N F I N E A R T
NORTHERN DYNASTIES
March 3rd - April 23rd, 2016
Catalogue Available: Northern Dynasties, $50
Image: Standing Buddha, Northern Wei to Eastern Wei Period
ca. 530-550 CE, Marble with Gilt and Polychrome, H: 28 1/2 in. w/base
DATEBOOK
FEBRUARY 2016
31
PA L M S P R I N GS
BLOUINARTINFO.COM
is timeless and classic, with clean lines, and it its into houses that
have good eye appeal, says James Claude, a Palm Springs dealer
who has traded in midcentury design for 22 years. His gallery,
A La Mod, co-owned with Miguel Linares, is returning for its
fourth fair.
Many baby boomers are at a position in life now where theyre
able to afford these items, says Claude, who has noted increasing
attention to modernist design. All of a sudden, the 1980s are
popular, he adds. I think its bringing back memories of childhood
for people in my age bracket, or even younger, just like it did for
the people who were buying 1950s furniture and were in their 50s
some 20 or 30 years ago. DANIELLE WHALEN
DATEBOOK: AMERICAS
M EX I CO C I TY
N EW YO R K
Ciudad Caliente!
traying from
the traditional
semiannual
photography sales
that take place in April and
October, on February17
and 18, Christies offers a
large, off-cycle sale featuring
approximately 200 lots
seized from Philip Rivkin,
who pleaded guilty in
June 2015 to fraud charges
stemming from his ownership of a Houston-based
biodiesel company. The
auction highlights prominent
American photographers
from the late 19th and 20th
centuries, including Alfred
Stieglitz and his followers,
such as Paul Strand,
Edward Steichen, and
Edward Weston, whose
Shell, 1927, pictured here, is estimated at
$250,000 to $350,000. Works by key
European modernists, such as Henri CartierBresson and Josef Sudek, are also available.
Darius Himes, international head of the
department at Christies, is confident that
the sale will bring the top collectors of
the category. The first day, an evening sale
features roughly 50 works, with the remaining
pieces offered in morning and afternoon
sessions the following day. Regardless
of Rivkins status, Himes points out that
provenance should not be overlooked, as
many of the works at one time belonged to
LOS A N G E L ES
BREAKING
NEW GROUND
Los Angeles Modern
Auctions (LAMA) joins forces
with Sothebys International
Realty to sell the boutique
houses i rst-ever real estate
lot. The George Sturges
House, designed by Frank
Lloyd Wright in 1939, leads
LAMAs February21 modern art and design sale, which includes more than
75 lots from the estate of Jack Larson, the actor and playwright best known
for his role as reporter Jimmy Olsen in the 1950s TV series Adventures of
Superman, who passed away this past September. In addition to the house,
lots from the collection of Larson and his partner, the late James Bridges,
include works by Andy Warhol and Alex Katz, whose 1962 oil on Masonite
Heres to You is estimated at $80,000 to $120,000. DW
| BLOUINARTINFO.COM
32
Flash Mob
DATEBOOK: MUSTHAVES
2
34
6
5
ETHNIC ARTS
The San Francisco Tribal & Textile Arts Show, which runs February19 through21 at the Fort Mason Center, provides
ample opportunity for collectors to expand their holdings of ethnographic art from around the globe
1. PRESTIGE HAT, from the Bamileke or Bamun people, in cotton and wool,
| BLOUINARTINFO.COM
William N.
The World
According
to
CPLY
COPLEY
D E N BOSC H , N ET H E R LA N DS
ON THE RISE
36
MADRID
ounded in 1982, ARCOmadrid has built an international reputation that has consistently attracted
dealers and collectors from throughout Latin America, Europe, and North America. In the past
five years, weve especially emphasized the link between Latin America and Europe, says fair
director Carlos Urroz, highlighting one of the ways in which the fair has buoyed itself against
the Spanish economic crisis, which started in 2008 and didnt begin to wane until mid 2015. The result,
according to Urroz, is that more than 60percent of sales at the fair are to non-Spanish clients.
As Madrid regains its footing following several years of economic turmoilwhich saw the closing of
long-standing galleries including Soledad Lorenzo and Oliva Arauna in the historic art district of ChuecaJusticiaa younger generation of dealers is setting up shop around Doctor Fourquet Street, close to the
Reina Sofa. Its both generational and geographic that the gallery scene is changing, says Urroz. Galleries are coming from Barcelona and other parts of Spain. Its really becoming a hub for contemporary art.
ARCO runs February24 through 28 at the Feria de Madrid, with nearly 200 galleries, including Madrids
La Caja Negra, which is bringing Jos Pedro Crofts 2015 Untitled etching and collage, seen at left.
Additional programming throughout the city to mark the fairs 35th edition includes contemporary art
interventions in non-contemporary venues such as the museums of Romanticism and archaeology. SR
| BLOUINARTINFO.COM
FROM TOP: GROENINGE MUSEUM, BRUGES, BELGIUM; JONATHAN GARNHAM; JOSE PEDRO CROFT AND LA CAJA NEGRA, MADRID
CA P E TOW N
DATEBOOK: AMERICAS
QDEALERS NOTEBOOK
Stephen Ongpin
THE ESSENTIALS
IN THE BEGINNING
38
AGE: 53
HAILS FROM: Manila, Philippines
PRESIDES OVER: Stephen Ongpin Fine Art,
London
GALLERYS SPECIALTY: Drawings, watercolors,
and oil sketches from the 15th to the
20thcentury
MOST RECENT SHOW: Master Drawings
from the 16th to the 20thCentury, Dickinson
Roundell Inc., New York, January 2016
LO N D O N
Paper Source
A distinctive feature of our fair is
that no one period dominates, says
Lucy Russell, a director of Works
on Paper, the seventh edition
of which runs February11 through
14 at its new venue, the Royal
Geographical Society. Visitors
seem to enjoy the juxtaposition
of something quite earlylike the
15th-century woodcut by Albrecht
Drer brought by Elizabeth
Harvey-Leeand something by,
say, a contemporary Japanese
artist like Toko Shinoda, whose
work is being shown by the Tolman
Collection. Russell says that
there has been a rising interest in
20th-century material. Another
trend to emerge, she adds, is the
increasing presence of dealers who
lack a brick-andBooks for the
mortar gallery;
Paris Review,
1998, by Howard in fact, more
Hodgkin at
than half of the
Zuleika Gallery.
44 participants fit
this descriptionamong them the
Oxford-based, online-only Zuleika
Gallery, which debuted its collection
of 20th- and 21st-century art in
October, and Freya Mitton,
who since 2012 has specialized in
20th-century British art. Mitton
returns to the fair this year with a
range of works by the likes of Julian
Trevelyan and Mary Fedden. An
oil by Fedden can fetch between
15,000 and 20,000 [$2230,000],
but a work on paper, while not
cheap, is in the range of 5,000
to 15,000 [$7,00022,000],
says Mitton. A loan exhibition of
never-before-shown paintings and
drawings by the popular British
author Laurie Lee accompanies the
works for sale.
BRIDGE T MORIARIT Y
| BLOUINARTINFO.COM
CALDER FOUNDATION
HAROON MIRZA
Haroon Mirza, The National Apavilion of Then and Now, 2011. Courtesy hrm199 Ltd and Lisson Gallery. Photo: Omar Mirza
CALDER FOUNDATION
M A N I LA
Early Expat
40
D H A KA , BA N G LA D ES H
Cultivation
of the New
international artists,
| BLOUINARTINFO.COM
FROM TOP: TINA KENG GALLERY; RAFFY NAPAY AND ART FAIR PHILIPPINES; MANIR MRITTIK
www.blouingalleryguide.com
*NYC only for a limited time
DATEBOOK
42
Up through February 27 at
Dag Modern is The Naked
and the Nude: The Body in
Indian Modern Art. Bringing
together 96 works by 37
artists, the exhibition surveys
the diverse ways in which
Indian artists have used
the nude, in its variant forms,
as a vessel for a diverse
range of ideas and emotions.
F F.N.Souza, Untitled, 1965
4
> NEW YORK
A two-volume irst edition
of the Federalist Papers
from 1788 hits the block
with an estimate of $90,000
to $120,000 as part of
the Printed & Manuscript
Americana sale at Swann
Auction Galleries. Also offered
is a newly discovered seventh
edition of the Bay Psalm
6
> BOSTON
One of the best collections
of Western art in Montana
goes under the gavel at
Skinner. The holdings of
the late Van Kirke Nelson
a prominent Montana
physicianand his wife,
Helen, comprise approximately 175 lots of Plateau
and Plains Indian artifacts,
including a Blackfoot
mans shirt from around
the 1870s, with an estimate
of $125,000 to $175,000.
> CLINTON,
NEW YORK
The Wellin Museum of Art at
Hamilton College presents the
largest survey in the United
States of Yun-Fei Ji, a Beijingborn watercolor painter.
His compositions, made in the
style of landscape paintings
from the Song Dynasty,
depict contemporary issues
of Chinese society. Yun-Fei
Ji: The Intimate Universe,
running through July 17,
includes more than 25 of
Jis pieces, made since 2006.
A Yun-Fei Ji, The Village
and Its Ghosts, 2014
12
> LOS ANGELES
Now in its fourth year, the
LA Art Book Fair runs
February 12 through 14 at
14
> CHICAGO
Van Goghs Bedrooms at
the Art Institute of Chicago
centers on the troubled artists
famed stay in a violet-walled
room in a yellow house
in southern France. Drawing
on three paintings Vincent
van Gogh made of this space
between 1888 and 1889, the
show includes nearly 36 works
B
11
> ROTTERDAM
Art Rotterdam Week runs
February 10 through 14 with
pop-up shows, an architectural
tour of the 1920s-era Van
Nelle Fabriek, the irst
exhibition of Ugo Rondinones
sculptures in the Netherlands,
and an evening dedicated
to Allen Ginsberg, hosted
by Galerie West and held at
the Arminius conference
center with a performance by
the Mondriaan Quartet. Also
part of the weeks events
are two fairs: Art Rotterdam
and the Rotterdam Contemporary Art Fair.
> CHICAGO
C
15
> MUSCAT, OMAN
idf Oman, now in its third
year, includes exhibitors
both local and international
showing examples of interior
design, decor, and furnishings,
with a special section of more
than 50 Italian vendors. The
fair will occupy Muscats
Oman International Exhibition
Centre through the 17th.
| BLOUINARTINFO.COM
CLOCKWISE FROM TOP: YUN-FEI JI AND JAMES COHAN, NEW YORK; SWANN GALLERIES; THE ART INSTITUTE OF CHICAGO
NOW ON VIEW
> STOCKHOLM
The Stockholm International
Antiques Fair hosts a roster
of more than 200 dealers
in ine art, contemporary
design, antiques, and
curiosities at the Stockholm Exhibition and
Congress Center, running
through February 21.
18
> PALM BEACH
Georgia OKeeffe, Marguerite
Zorach, Florine Stettheimer,
and Helen Torr are the
subjects of a survey at the
Norton Museum of Art
exploring the role played by
identity and gender in the
work of these four female
modernists and the inluence
each had on the others.
19
> HOUSTON
The work of the late William
N. Copley is the focus of The
World According to CPLY at
the Menil Collection through
July 24. The artists irst
museum retrospective in the
United States, the show traces
the self-taught painters career
from the 1950s to the 90s,
with roughly 100 examples
of his paintings and works
on paper. Copley was also
an avid collector, and the
exhibition is complemented by
artworks that he once owned.
24
> MADRID
CLOCKWISE FROM TOP LEFT: SKINNER; PHILADELPHIA MUSEUM OF ART; WRIGHT; DAG MODERN
BLOUINARTINFO.COM
43
> MARRAKECH
The sixth Marrakech
Biennale is organized around
26
> VIENNA
Chagall to Malevich: The
Russian Avant-Gardes,
running until June 26 at the
Albertina, includes 130 works
by 20th-century Russian artists,
such as Natalia Goncharova
and Wassily Kandinsky alongside Kazimir Malevich and
Marc Chagall. The exhibition
traces the creative processes
of the artists and their varied
stylistic development.
CULTURE+TRAVEL
44
Mumbai
Home to the Bollywood film industry, the city previously known as Bombay also serves as Indias financial powerhouse while containing Asias
largest forest in an urban space. Amid extremes of rich and poor, the community comes to life during the annual Kala Ghoda Arts Festival, a nine-day
event commencing February 6 and showcasing a display of art, music, theater, and literature in venues across South Mumbai. BY EKTA MARWAHA
SEE
161 KALAGHODA
91-22-2284-3989
jehangirartgallery.com
Q The Chhatrapati
Shivaji Maharaj Vastu
Sangrahalaya is a
museum that appeals to
both art and history
enthusiasts, situated
across from the National
Gallery of Modern Art
| BLOUINARTINFO.COM
FROM TOP: TRUSTEES, CHHATRAPATI SHIVAJI MAHARAJ VASTU SANGRAHALAYA, MUMBAI; GARRETT ZIEGLER VIA FLICKR
45
CLOCKWISE FROM TOP LEFT: OBEROI HOTELS & RESORTS; HARINI CALAMUR VIA FLICKR;
OBEROI HOTELS & RESORTS; JUST.IN VIA FLICKR; WIKIPEDIA
STAY
Q Set in the citys
heritage precinct, the
Residency Hotel is
less than a mile from the
Chhatrapati Shivaji
Terminus station
and a short walk from
attractions like the
Colaba Causeway. The
hotels faade evokes
an old-world charm
with its triumphal stone
architecture. The on-site
restaurant has a colonial feel with wooden
seating and arched openings to the street; inside,
vintage photographs
decorate the walls.
26, CORNER OF D.N.
ROAD AND RUSTOM
SIDHWA MARG
91-22-6667-0555
residencyhotel.com
BLOUINARTINFO.COM
EAT
Q The Kala Ghoda Caf
is a quaint coffee
shop located in the heart
of Mumbais cultural
district. Its cozy,
art-lined interiors create
a gallery-like setting.
On offer are a range of
coffees, teas, and
small bites, along with a
breakfast menu that
includes both traditional
RAMPART ROW
LEVEL 2, 30K
BALLARD ESTATE,
DUBASH MARG
OPPOSITE NEW
APOLLO BUNDER
91-22-4915-0000
CUSTOM HOUSE
91-22-6665-3366
theirishhouse.in
91-22-2261-5264
tajhotels.com
THE WORLDS
LEADING MEDIA GROUP
FOR ART, CULTURE, TRAVEL, LUXURY & STYLE
@artinfodotcom
@ARTINFO
@blouin_artinfo
@blouinartinfo
@blouinartinfo
ONTHEBLOCK
BY JUDD TULLY
FEBRUARY 2016
47
HENRI MATISSE
La leon de piano, 1923
Oil on canvas
IMPRESSIONIST
& MODERN ART
EVENING SALE
SOTHEBYS LONDON
February 3
EST. 12MILLION
TO 18MILLION
($17.826.7MILLION)
LO N D O N
SOTHEBYS
BLOUINARTINFO.COM
afford to be selective and wait for something that really ticks the boxes for
people, Vincze observes. If something is
not quite right, theyll wait for another
moment and let other pieces slide.
Despite the cautious atmosphere, the art
market soldiers on, collectors ready to pick
and choose whatever is best and brightest.
ONTHEBLOCK
FEBRUARY 2
CHRISTIES
46million; $69million),
brimming with strong color, crisp
geometry, and the symbolic power
of the postwar Machine Age.
In November 2001 a larger version
with the same title and from the
same year sold for $16.7million,
then an artist record, at Christies
New York as part of the Ren
Gaff single-owner sale.
Another highlight from the
WorldWarI era, Ernst Ludwig
Kirchners Expressionist Bahnhof
Knigstein, 1916, is pegged at
1.5million to 2million
($2.23million). The valuation
reflects the fresh-to-market
status of the work, which has
been in the same German
collection since it was acquired
directly from the artist the
year it was painted.
An iconic 1928 Marc Chagall,
Les maris de la Tour Eiffel,
depicting the artist and his wife,
Bella, flying across Paris, the Eiffel
Tower prominent in the background, is estimated at 4.8million
to 6.8million ($710million).
<
| BLOUINARTINFO.COM
FEBRUARY 3 O SOTHEBYS O
IMPRESSIONIST & MODERN ART
FEBRUARY 3
SOTHEBYS
BLOUINARTINFO.COM
49
ONTHEBLOCK
FEBRUARY 9 O PHILLIPS O
20TH-CENTURY & CONTEMPORARY ART
50
| BLOUINARTINFO.COM
FREE
UNLIMITED SEARCHES OF
basi.artinfo.com
ONTHEBLOCK
52
FEBRUARY 11 O CHRISTIES O
POSTWAR & CONTEMPORARY ART,
INCLUDING WORKS FROM THE
COLLECTION OF MARC CORBIAU
| BLOUINARTINFO.COM
Subscribe to the
INTERNATIONAL MAGAZINE
for ART COLLECTORS
One Year
12 ISSUES
$144.95
U.S. Price (Canada: add +$20. International: add +$40)
20%
OFF NEWSSTAND
PRICE
DETAILS TO SUBSCRIBE:
BlouinArtinfo.com/subscriptions
custsvc_artauct@fulcoinc.com
844 653 3989 (US) / 973 627 5162 (outside the US)
Please indicate your promotional code X16ARA
ONTHEBLOCK
54
FEBRUARY 10 O SOTHEBYS
CONTEMPORARY ART
| BLOUINARTINFO.COM
Subscribe to
BLOUIN LIFESTYLE
Where Luxury Meets Art
One Year
10 ISSUES
$69.95
U.S. Price (Canada: add +$20. International: add +$40)
20%
OFF NEWSSTAND
PRICE
DETAILS TO SUBSCRIBE:
BlouinArtinfo.com/subscriptions
custsvc_blouinls@fulcoinc.com
844 653 3989 (US) / 973 627 5162 (outside the US)
Please indicate your promotional code X16BLA
INTHESTUDIO
BY CHLOE WYMA
57
the Body
From photographs of Londons postpunk scene in the early 1980s to
sculptures hewn from an apple tree that fell in her yard in Upstate NewYork,
Nicola Tysons work has long challenged the limits of the figure
BLOUINARTINFO.COM
INTHESTUDIO
CLOCKWISE FROM TOP: TWO IMAGES, NICOLA TYSON AND PETZEL, NEW YORK
58
| BLOUINARTINFO.COM
59
BLOUINARTINFO.COM
Preparing a suite
of works for the
upcoming show at
Petzel gallery.
INTHESTUDIO
A collection of
Portrait Heads
from 200203, right,
being compiled
for inclusion in the
catalogue for the
exhibition at Petzel.
Below, from left:
Tysons explorations
of the figure include
Nude, a 2005
oil and charcoal on
linen, and Kiss,
a 2015 graphite on
paper piece.
avian sculptures molded from Crayola Model Magic (a lightweight, fast-drying childrens clay) that she exhibited in 2011,
the timber sculptures are Tysons irst serious foray into
making large-scale objects. I dont want to be pigeonholed
as a painter because I actually want to develop sculpture
now, she says. I really want to make things in space.
In 1979, at the age of 18, Tyson enrolled at the Chelsea
School of Art in London to study graphic design. Just
before enrolling there, she began photographing the nascent
postpunk scene surrounding Billys nightclub, a gay dive
and discotheque in the Soho neighborhood. Exhibited at
White Columns in New York in 2012 and at Sadie Coles HQ
in London in 2013, her snapshots of Londons young,
broke, and glamorousincluding a teenage Boy George
document a transitional moment in British subculture,
as the dark nihilism of punk gave way to the sartorial theater
of the New Romantics. Punk had gone mainstream and
most of the big players were off touring, Tyson explains.
The younger fan base, people like myself and Boy George,
| BLOUINARTINFO.COM
60
61
BLOUINARTINFO.COM
INTHESTUDIO
Right: Self-Portrait
Singing, 2002, one
of Tysons first
monoprint works,
from the Portrait
Heads series.
Below: A selection
of works on paper.
| BLOUINARTINFO.COM
62
63
64
BY HUNTER BR AITHWAITE
| BLOUINARTINFO.COM
65
66
BANK/MABSOCIETY
| BLOUINARTINFO.COM
ART LABOR
67
Bund, the old city center that is home to the Rockbund Art
Museum, Bank, and other spaces sequestered in the colonial
buildings lining the waterfront; the industrial M50 district,
a few miles northwest of the Bund with a collection of studios,
commercial spaces, stores, and places like Vanguard Gallery;
and the French Concession, the citys garden district in the
southwestthe site of several spaces, including Art Labor,
James Cohan Gallery, and Leo Xu Projects. These three neighborhoods represent different moments in Shanghais evolution
an international banking and trade hub, a colonial outpost,
and a manufacturing center. While todays art spaces in these
districts do not identically mirror these classiications, they
offer their own refracted portrait of the citys history, its present
moment, and predictions for its future.
Set in a colonial villa halfway down an unassuming lane off
Yueyang Road is the Shanghai branch of the James Cohan
Gallery, which has been directed by Arthur Solway since its
inception in 2008. Known for a program that dovetails artists
from the West, greater Asia, and China as perfectly as the
gallery loors period parquet woodwork, it has long set the bar
for contemporary art in the city. When the gallery opened,
Shanghai was an unexpected choiceWestern galleries had
already set up shop in Beijing and Hong Kong, but James Cohan
was the irst New York gallery to build an outpost in mainland
China, three months ahead of Pace. To me, it seemed the ideal
place to base ourselves and to travel throughout the region,
Solway says. Beijing didnt really appeal to me. Shanghai felt
much more international, with its long history of commerce and
BLOUINARTINFO.COM
LIKE EVERYTHING IN
CHINA, ITS WILDLY
UNREGULATED, STILL
FILLED WITH A LOT
OF COWBOYS AND
OUTRIGHT SCAM
ARTISTS, BUT THERE
IS A STALWART AND
SERIOUS LITTLE
SCENE CARRYING ON.
MARTIN KEMBLE OF ART L ABOR
FIVE SHANGHAI
ARTISTS TO WATCH
3
XU ZHEN
JIN SHAN
68
YING YEFU
5
ZHANG DING
AAAJIAO
| BLOUINARTINFO.COM
CLOCKWISE FROM TOP LEFT: BANK/MABSOCIETY; XU ZHEN AND JAMES COHAN GALLERY, SHANGHAI; SHANGHART GALLERY; AAAJIAO AND LEO XU PROJECTS; YING YEFU AND ART LABOR.
OPPOSITE: BOTH IMAGES, JJY PHOTO AND LEO XU PROJECTS
69
Opposite: Installation
view of Mu Jin and
Tobias Rosenbergers
Gas Station VII, 2014,
at Vanguard Gallery.
| BLOUINARTINFO.COM
FROM TOP: JAMES COHAN GALLERY; SHI JINSONG AND JAMES COHAN GALLERY
VANGUARD GALLERY
71
purchasing art in different ways as well. Some are still conservative in their choices, sticking to paintings, but Borysevicz
points out that the game is changing. Many have branched
out into video or other media, and they are all watching one
another. WeChat social media has intensiied the dialogue and
buying trends, he says, referring to the countrys latest social
media app. They compare, launt, get advice, and make
purchases instantaneously.
The social aspect is not to be overlooked. Much of Art021s
success has been due to the society connections of cofounders
Ying, her partner David Chau, and Bao Yifeng, a PR powerhouse entrenched in luxury branding and celebrity. Leo Xu
identiies the new generation as smart and casual. Many
collect wine, design pieces, and contemporary art at the same
time. They start with local artists and more accessible works
but constantly engage themselves in activities to see and hear.
After a while they extend to international and then understand
they should select for their own interest and personal relevance.
This is not to say that they take collecting lightly. More and
more, Solway says, I see that these midlevel collectors are
discerning and educated; they do their homework. They want
to understand the person, the artist, who is making the work.
Thats good news.
Most of the murmurs in town have to do with sustainability,
but perhaps this city isnt the proper case study for stability in
the art world. For centuries it has been marked by both opulence
and turbulence. I arrived in Shanghai in 2007 and have never
felt a heightened sense of stability, Borysevicz says. Right now
Shanghai is on an upswing. There are a lot of resources being
reshufled and channeled here, but sustainability has always
been an odd elephant in modern Chinas room.
BLOUINARTINFO.COM
72
NATIONAL
SPOTLIGHTS:
SINGAPORE
INDONESIA
INDIA
| BLOUINARTINFO.COM
Singapore
PUBLIC SUPPORT
THE COLLECTORS
BLOUINARTINFO.COM
73
Indonesia
| BLOUINARTINFO.COM
India
THE COLLECTORS
BLOUINARTINFO.COM
75
76
THE
NEXT
NEW
THING
BLOUINARTINFO.COM
| BLOUINARTINFO.COM
A Willow sculpture,
ca.1960, by Harry
Bertoia, cascades
into a corner of the
sun-drenched foyer.
Opposite: Among the
works in the Eibers
60-foot-long living
room are, from left:
Pillola lights, 1968, by
Studio Da; a 1996
Iride Metamorfosi lamp
by Pierluigi Nicolin
for Artemide; a 1970
Paramount lamp by
Lapo Binazzi; a one-ofa-kind desk, 1987,
by Ettore Sottsass;
Binazzis Scarica
Elettrica lamp from
1970; and a ca.-1988
Knife lamp by Pesce.
79
BLOUINARTINFO.COM
markets with his iance and her parents, Ralph and Terry
Kovel, publishers of a well-known series of price books for the
antiques market. Before that, I thought only poor people
bought used furniture, he recalls. Newly married and unable
to afford the Art Deco pieces they admired, the couple began
buying midcentury design long before the term came into
use. Their irst collections included Russel Wright brushedaluminum and Chase chrome piecesacquired for ive
dollars eachand furniture by George Nelson and the
Eameses. It was so cheap it wasnt listed in our price book,
comments visiting mother-in-law Terry.
The Eibers moved to Miami in 1988, when the area was
just beginning its explosive growth, before its emergence
as an art center. They purchased a 5,000-square-foot house
on Biscayne Bay designed by Morris Lapidus, the architect
best known for the Fontainebleau Hotel and the comment
Too much is never enough. One of only two private homes
| BLOUINARTINFO.COM
81
BLOUINARTINFO.COM
A quartet of works
by Pesce leading into the
living room includes
his Aida lamp, 2004, on
the floor beneath an
Industrial Skin piece from
2000, and a 1991 wall
sculpture of Caravaggio
glass overlooking a resin
bowl table, ca.2002.
Opposite: In the expansive
living room is a custom
Miami Sound bookcase, by Pesce, from
1996, on the back wall;
Yonel Lebovicis
Welders lamps, 1990, at
far right; and a 1980
glass-topped Tavolo con
Ruote, by Gae Aulenti.
82
| BLOUINARTINFO.COM
BLOUINARTINFO.COM
| BLOUINARTINFO.COM
85
BLOUINARTINFO.COM
The Golfer, by
Norman Rockwell,
created ca.1920
as a cover for the
Saturday Evening
Post, was one of very
few cover illustrations by Rockwell
to be rejected. Its
currently for sale at
M.S. Rau Antiques
in NewOrleans
for $5.85million.
86
THE ART OF
ILLUSTRATION
llustration art is a vast ield, one that encompasses the original art commissioned for mass-produced
print publications, including comics, picture books, magazines, posters, advertisements, and more.
Unlike other art forms, these images are produced with a speciic commercial purpose, such as
illustrating a story or gracing the cover of a magazine. In the current marketplace, illustration arts
high-end practitioners, such as Norman Rockwell, Maxield Parrish, and Jessie Willcox Smithall
of whom worked during what is considered the golden age of illustrationhave a reputation for
stealing the show in sales of American art. The record for a representative work belongs to Rockwell,
whose 1951 painting Saying Grace garnered $46million at Sothebys New York in December 2013.
But trying to pinpoint what uniies illustration art visually and thematically is challenging. Inevitably it will be of a
igurative nature, but other than that, in terms of chronology and subject matter, it can embrace anything from ancient times
to science iction, says Alasdair Nichol, vice chairman and head of ine art at Philadelphia-based Freemans auction house.
What unites all the artists, he says, is a shared skill in draftsmanship: Ultimately, these were commercial artists
working to a brief, and so the ability to draw welland quicklywas paramount. Today, collectors prize these works for
their technical precision, their evocative images, and their vibrant colors.
| BLOUINARTINFO.COM
Prized Period
The golden age of magazine and book
illustration spanned the years from
roughly 1890 to the 1960s. This growth
arose from advances in printing, such as
the development of high-speed presses,
the increased abundance of pulp-based
paper, and the evolving sophistication
of wood engraving
Howard Pyles undated
techniques. Howard
Washington with a visitor
Pyle is widely credited
at Valley Forge, My dear,
said General Washington,
as the father of
Captain Prescotts
American illustration
behavior was inexcusable,
sold for $66,000 at
art. Already well
Northeast Auctions in
established by the
NewHampshire in 2008.
1890s, he turned
to teaching, founding the nations first
illustration school at Drexel University
in Philadelphia in 1894. He went on
to establish his own school, and his
students, who included Parrish, Smith,
and N.C. Wyeth, became known as the
Brandywine School. Pyle started with
these great, swashbuckling narratives
that set the stage for Rockwell, J.C.
Leyendecker, and Parrish, says Aviva
Lehmann, director of American art,
New York, for Heritage Auctions.
Today, of course, work by Rockwell
Growth Indicators
FROM TOP: NORTHEAST AUCTIONS, PORTSMOUTH, NEW HAMPSHIRE; SWANN AUCTION GALLERIES, NEW YORK
BLOUINARTINFO.COM
87
International Flavor
| BLOUINARTINFO.COM
88
The genre of illustration art extends across the globe, from the
Americas to the U.K. to the rest of Europe and beyond. The tradition of illustration art is an international concept, says Beaman.
You have artists who were commissioned in the U.K. in terms
of story illustrations, and in the Russian tradition you have a lot
of propaganda art, she says. In Britain, there is a long tradition
of illustration art dating back to the Middle
A Rabbits Tea Party,
Ages and even earlier. England during the
189293, below, set
10thcentury was one of the most productive art
a record for the iconic
British childrens
centers in the world at the time, and illustrated
illustrator Beatrix
manuscripts have famously carried on since
Potter when it landed
a price of $117,000
then, says John Huddy, founder, owner, and
at Christies London
managing partner of Illustrationcupboard, a galin December 2014.
lery in London. Christine von der Linn, director of
art, architecture, press, and illustrated books with Swann Auction
Galleries, also points out that there are Czech and Polish artists
who make up the category.
When Nichol studied fine art in the U.K. during his youth, he
noticed that the art form was being looked down upon in standard
academic training. I was once told that one of my canvases was
too illustrative. This was not intended as a compliment, he says.
There is less snobbery in the States, and this may be because
many of the greatest exponents of American fine artWinslow
Homer, Edward Hopper, all the way through to Andy Warholwere
at some point in their careers illustration artists.
Maxield Parrish
Parrish is one of the best-known artists in the categoryand of the 20th century.
His distinctive technique, using layered paint and varnishes in hues including
the Parrish blue seen in the background of this piece, used as a cover for Colliers,
make his whimsical works immediately recognizable. Cinderella, Sleeping
Beauty, Poems of Childhood, and Arabian Nights are among his notable works.
N.C. Wyeth
FROM TOP: SOTHEBYS; CHRISTIES; THE COEUR DALENE ART AUCTION; TWO IMAGES, SOTHEBYS
Howard Pyle
Experts consider Pyle the father of American illustration art. He founded the irst
school in the United States for illustration, and his familiar subjects include pirates,
cowboys, and knights. He produced work for approximately 3,500 publications,
including the Saturday Evening Post, Colliers, Harpers Weekly, Harpers
Monthly, and Ladies Home Journal. Also a writer, Pyle made the image at right to
go with a story of his own, The Ruby of Kishmoor.
BLOUINARTINFO.COM
89
over $500,000
90
over $350,000
over $150,000
over $50,000
| BLOUINARTINFO.COM
The Saturday Evening Post cover of November 24, 1928, Pilgrim and
Football Player, set an artist record when it realized $365,000 (est.
$100150,000) at Heritage Auctions in Dallas in May 2015. Between
1907 and 1928, Leyendecker created a variety of Thanksgivingthemed covers for the publication.
91
BLOUINARTINFO.COM
Subscribe to the
DEFINITIVE SOURCE of
CONTEMPORARY ART
One Year
12 ISSUES
$94.95
U.S. Price (Canada: add +$20. International: add +$40)
20%
OFF NEWSSTAND
PRICE
DETAILS TO SUBSCRIBE:
BlouinArtinfo.com/subscriptions
custsvc_modpaint@fulcoinc.com
844 653 3989 (US) / 973 627 5162 (outside the US)
Please indicate your promotional code X16MPM
MARKETWATCH
THE BUSINESS OF ART
FEBRUARY 2016
AUCTIONS IN BRIEF
94
DATABANK
98
THE ACQUISITION
PHILLIPS
To kick off New Yorks winter design sales on December15, Phillips presented three distinct
auctionsdesign, design masters, and a special sale of works by late 19th-century ceramicists
R.W. Martin & Brothersbringing in $7.3million. Ron Arads 1993 prototype for D-Sofa,
above, jumped handily over its $150,000 high estimate in the design masters sale, going for
$257,000. The following day at Sothebys, the important design sale totaled $9.4million,
with Alberto Giacomettis Grande Feuille, Version Fine floor lamp also surpassing its high
estimate to sell for $442,000 (est. $200300,000). Christies mini sale of 15 design masterworks
on December17 totaled $1.7million, with Claude Lalannes Les Grandes Berces bench,
designed in 2000, hitting $425,000 on an estimate of $250,000 to $350,000, while the houses
December18 design sale brought in a total of $5.2million.
BLOUINARTINFO.COM
104
AUCTIONSINBRIEF
BY LIZA M.E. MUHLFELD
HONG KONG
TOKYO CHUO AUCTION
NOVEMBER 2526: 2015
HONG KONG AUTUMN SALES
254 LOTS SOLD FOR
$HK120,555,075 ($15.6million)
TOP LOT: In the Classical
94
LONDON
Old Master
and British
Paintings
Christies kicked off this
semiannual sale series on
December8, when the house
offered 45 lots featuring
Northern Renaissance
and Flemish works. Pieter
Brueghel the Youngers
The Birdtrap, above, painted
during the late 16th to mid
17thcentury, and considered
by experts the artists
Lucchesino), notched
746,500 ($1.1million),
comfortably exceeding its
500,000 ($754,000)
high estimate. A Winter
Carnival with Figures on
the Ice Before the
Kipdorppoort Bastion in
Antwerp, an oil on oak
panel produced by Flemish
painter Sebastian Vrancx
during the late 16th to mid
17thcentury, surpassed
its 250,000 ($377,000)
high estimate to sell for
410,500 ($619,000). Only
26 lots (58percent) found
buyers, realizing a total take
of 6,455,000 ($9.7million).
Sothebys crushed that
total the following day, when
29out of 44 lots garnered
22,633,750 ($34million).
John Constables The Lock,
below, completed in 1824 and
one of the artists best-known
works, hit the market for
the first time in more than
150years and led the
sale, landing at 9,109,000
($13.7million) on an estimate
of 8million to 12million
($1218million). The masterpiece sold to a
European private
collector. The
Virgin and Child, an
oil on oak panel
by Jan Gossaert,
called Mabuse, and
painted sometime
during the 16th
century, set
an auction record
for the artist
when it took in
4,629,000
($7million)
(est.46million;
$69million).
The left wing
of the Dreux Bud
Triptych, The
Betrayal and
Arrest of Christ,
with the Donor
Dreux Bud
and his Son Jean
Presented by Saint
Christopher, presumably
painted by Andr dYpres
during the mid 15thcentury,
also set an artist record
at auction when it captured
965,000 ($1.5million),
solidly exceeding its
600,000 ($902,000) high
estimate. Museum-quality
works by the usual names
in the category also made an
appearance; they included
pieces by Pieter Brueghel the
Younger, Willem Claesz
Heda, and Francesco Guardi.
| BLOUINARTINFO.COM
PARIS
PIERRE BERGE & ASSOCIES
DECEMBER11: THE LIBRARY
OF PIERRE BERGE
148 LOTS SOLD FOR 11,687,380
($12.8 million)
TOP LOT: The French auction
TOP
5
MUNICH
MODERN ART,
POSTWAR,
CONTEMPORARY
ART
KETTERER KUNST
DECEMBER35
At the houses threeday sale series,
approximately
700 of 895 lots
found buyers,
for a sell-through rate
of 78.2percent
by lot. The series
totaled $25.5million
and topped last
years sales total by
more than $2million.
1
OTTO PIENE
Dynamisches Volumen,
oil, smoke, and fire
on canvas, 1961
$875,000
(est. $127,000)
2
ERICH HECKEL
Hgellandschaft,
oil on canvas, 1913
$796,000
(est. $467,000)
3
OTTO PIENE
the Confessions of Saint
Augustine, published in
Strasbourg circa1470, landed
at 318,078 ($349,000)
(est.150200,000; $165
220,000). In total, Bergs
trove includes 1,600 books,
manuscripts, and musical
scores dating from the 15th to
the 20thcentury. However,
only 182 works spanning
six centuries were offered
here, which attracted buyers
from 15 countries and 3
continents. The remainder
of the collection will be
sold in a series of thematic
auctions taking place
through next year.
BLOUINARTINFO.COM
Wave of Darkness,
oil, fire, and smoke
on canvas, 1964
$663,000
(est. $318,000)
4
GUNTHER UECKER
Dunkles Feld, nails
and black paint on
canvas on wood, 1980
$530,000
(est. $159,000)
5
LYONEL FEININGER
The Baltic (V-Cloud),
oil on canvas, 1946/47
$504,000
(est. $297,000)
DENVER
LESLIE HINDMAN
AUCTIONEERS
NOVEMBER 1112:
ARTS OF THE
AMERICAN WEST
552 LOTS SOLD FOR
$442,835
TOP LOT: Painting
HONG KONG
PHILLIPS
DECEMBER1: THE HONG KONG
WATCH AUCTION: ONE
278 LOTS SOLD FOR
$HK117,760,750 ($15.2million)
TOP LOT: The houses inaugural
95
AUCTIONSINBRIEF
483,000 ($512,000), more
than double its 200,000
($212,000) high estimate. All
of the 19 lots from the
collection sold for a total of
2.9million ($3.1million).
Not from the Delenne trove,
a carved statue of a young
man from Madagascar
set an auction record for a
piece originating from
that island nation when it
commanded 363,000
($385,000) (est.120
180,000; $127191,000).
The following day,
Christies sold only 65 out
of 100 lots offered, for a total
of 7,325,650 ($7.8million).
Unlike its competitor, the
house failed to secure a
leading collection to spearhead its sale. An undated
Fang reliquary figure
from Gabon, left, was the
star lot, cruising beyond its
3million ($3.2 million)
high estimate to realize
3,793,500 ($4million). A
mask from Saibai Island, off
the coast of northern Australia,
set a record for an Oceanic
mask when it went for
1,665,500 ($1.8million)
(est.750,0001.2million;
$796,0001.3million).
96
PARIS
African &
Oceanic Art
Perhaps due to a selection of
works from notable private
collections, on December2
Sothebys drove the two-day
sale series when 68 out of 84
lots found new homes for a
sales total of 5,932,500
($6.3million). The auction
was led by several works from
the collection of Ren and
Odette Delenne of Belgium,
who began acquiring African
art in 1958 after visiting the
Congolese pavilion at the
Brussels Worlds Fair. Undated
carved portraits of King
Pokam and his wife, Yugang,
right, rulers of the Bamileke
kingdom of Batoufam,
which were acquired by the
Delennes in 1970, secured
the top spot in the sale when
the hammer came down at
1,443,000 ($1.5million),
squarely within the carvings
estimate of 1.3million to
1.6million ($1.41.7million).
Also from the Delenne
collection was a statue of a
male figure from the Kopar
village on the Sepik River of
Papua New Guinea. It brought
TOP
5
COLOGNE
MODERN
AND
CONTEMPORARY
ART
VAN HAM
NOVEMBER26
1
GABRIELE MUNTER
Farmhouse in the Rain, oil
on cardboard, 1914
$407,000
(est. $266372,000)
2
HEINZ MACK
Dynamic Structure White
on Grey, artificial
resin on canvas, 1958
$299,000
(est. $213319,000)
3
LOVIS CORINTH
Roses and Lilac, oil on
canvas, 1918
$285,000
(est. $106159,000)
4
KARL HOFER
Still Life with Lute, oil on
canvas, 1929/30/31
$272,000
(est. $213319,000)
5
ANTONI TAPIES
Ochre with Six Collages,
mixed media
on wood, 1973
$252,000
(est. $106159,000)
PARIS
PIASA
NOVEMBER25:
KINETIC ARTLIGHT SHOW
73 LOTS SOLD FOR 736,661
($784,000)
TOP LOT: Honors for the
LONDON
SOTHEBYS
NOVEMBER24:
BERNHEIMER EVENING
22 LOTS SOLD FOR 1,362,000
($2.1million)
TOP LOT: Nicolas Lancrets
BLOUINARTINFO.COM
TORONTO
HEFFEL FINE ART
AUCTION HOUSE
NOVEMBER26: POSTWAR &
CONTEMPORARY
ART, FINE CANADIAN ART
135 LOTS SOLD FOR
$C23.4million ($17.6million)
97
DATABANK
A Mutable Market
LIKE THE BROADER MARKET for postwar and contemporary art, the market for works by
Chinese contemporary artists has been on the rise since the financial crisis of 200809. An analysis
of more than 100,000 auction lots sold since the beginning of 2000 shows the same strong
growth from 2009 through 2013 as was experienced in the pre-crisis years of 2005 through 2007.
By 2014, it was clear that the pace of growth had begun to slow. This led consignors to withhold works,
and as a result by the third quarter of 2015 we witnessed a precipitous drop in the number of works
hitting the auction blocka 37 percent decline in dollar volume compared with the same period a year
earlier. From our analysis, it is clear that this category correction is due largely to socioeconomic
conditions within mainland China, a result first and foremost of the draconian anti-corruption regulations initiated by President Xi Jinping. Secondly, there has been a pronounced slowdown in economic
growth and a drop in Chinese stock markets over the past 12 months. Yet such a correction was long
overdue, given the enormous increases in asset valuation since 2005, driven by a booming population
of local buyers and Western collectors and speculators, who envisioned the economic potential
for what had hitherto been a largely grassroots market for Chinese contemporary art. Despite the
downturn, the category is still popular with collectors. Of the top 100 contemporary artists worldwide
98
BY ROMAN KRUSSL
Top 50 artists
1,200
1,000
800
600
400
200
0
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
| BLOUINARTINFO.COM
99
90
Pricing index
Sales volume
900
80
800
70
700
60
600
50
500
40
400
30
300
20
200
10
SOTHEBYS
100
0
0
2005
2006
2007
2008
2009
2010
2011
2012
2013
FOR OTHER INDICES AND MORE THAN 4.8 MILLION FINE ART AND DESIGN AUCTION RESULTS, GO TO ARTSALESINDEX.ARTINFO.COM
2014
2015
GALLERY
LISTINGS
ACA Galleries
529 West 20th Street
5th Floor
New York, NY
+1 212 206 8080
info@acagalleries.com
www.acagalleries.com
Jack Stuppin:Homage to the Hudson
River School, through February 20.
Jack Stuppins vibrant, undulating
landscapes are passionate reactions
to nature and ardent appeals for
environmental consciousness. Nature is
the soul of his art. Stuppins conception
and execution are highly individual and
original. Using thick impasto, energetic
brushwork and brilliant colors he has
created his own particular style
Acquavella Galleries
18 East 79th Street
New York, NY
+1 212 734 6300
info@acquavellagalleries.com
www.acquavellagalleries.com
Hours: Monday through Saturday,
10-5pm
Please visit our website or contact the
gallery for current exhibition information
Alexandre Gallery
724 Fifth Avenue
4th Floor
New York, NY
+1 212 755 2828
inquiries@alexandregallery.com
www.alexandregallery.com
Martha Diamond: Recent Paintings
and Vincent Smith: Seventies New York,
through February 13. Lois Dodd: Night
and Day, February 25 through April 2
Bernd Goeckler Antiques, Inc.
30 East 10th Street
New York, NY
+1 212 777 8209
bgantiques@mac.com
www.bgoecklerantiques.com
Modern lighting, furniture, and accessories, specializing in 20th century
masters, including Max Ingrand,
Andr Sornay, Axel Salto and Gabriella
Crespi. Featuring select antiques from
the 18th and 19th centuries, as well as
the contemporary designs of Franco
Deboni, Roberto Rida, and Simone
Crestani
Gagosian Gallery
976 Madison Avenue
New York, NY
+1 212 744 2313
newyork@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Gagosian Gallery
980 Madison Avenue
New York, NY
+1 212 744 2313
newyork@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Gagosian Gallery
821 Park Avenue
New York, NY
+1 212 796 1228
parkand75@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Gagosian Gallery
555 West 24th Street
New York, NY
+1 212 741 1111
newyork@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Gagosian Gallery
522 West 21st Street
New York, NY
+1 212 741 1717
newyork@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Gagosian Gallery
456 North Camden Drive
Beverly Hills, CA
+1 310 271 9400
losangeles@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Gagosian Gallery
4 rue de Ponthieu
Paris
France
+33 1 75 00 05 92
paris@gagosian.com
www.gagosian.com
Please visit our website or contact the
gallery for current exhibition information
and hours of operation
Heritage Auctions
478 Jackson Street
San Francisco, CA
+1 800 872 6467
info@ha.com
www.ha.com
Monday through Friday, 9-5pm
Heritage Auctions has experts in
over 34 unique categories, including
California Art, Photographs, Fine Silver
& Vertu, Luxury Real Estate, Arms &
Armor, currency and other collectibles.
Visit www.HA.com for a full list of
categories and information on
upcoming auctions
Hirschl & Adler Galleries, Inc.
The Crown Building
730 Fifth Avenue
4th Floor
New York, NY
+1 212 535 8810
gallery@hirschlandadler.com
www.hirschlandadler.com
Hours: Tuesday through Friday, 9:30am
5:15pm; Saturday, 9:30am 4:45pm
Frank Walter: Lonely Bird, through
February 13. Frederick Brosen,
Recent Watercolors: Rome & Florence,
February 4 through March 12.
Eschewing tourist views of the oftdepicted Rome and Florence, Brosen
paints the ancient Italian cities as one
who calls them home. The rooftops
and back alleys, the corners of public
gardens and forgotten statues are
celebrated by this master watercolorist
Marlborough Gallery
40 West 57th Street
2nd Floor
New York, NY
+1 212 541 4900
mny@marlboroughgallery.com
www.marlboroughgallery.com
Hours: Tuesday through Saturday,
10-5:30pm
Please visit our website or contact the
gallery for current exhibition information
Marlborough Chelsea
545 West 25th Street
New York, NY
+1 212 463 8634
info@marlboroughchelsea.com
www.marlboroughchelsea.com
Hours: Tuesday through Saturday,
10-6 pm
Please visit our website or contact the
gallery for current exhibition information
GALLERY LISTINGS
Scholten Japanese Art
145 West 58th Street
Suite 6D
New York, NY
+1 212 585 0474
www.scholten-japanese-art.com
By appointment Monday through
Friday 11-5pm; some Saturdays
Scholten Japanese Art offers paintings,
screens, woodblock prints and netsuke
in a private setting
Swann Auction Galleries
104 East 25th Street
New York, NY
+1 212 254 4710
art@swanngalleries.com
www.swanngalleries.com
Swann was founded in 1941 specializing in Rare and Antiquarian Books
and today is the largest specialist
auctioneer of Works on Paper in the
world. Swann conducts approximately
40 sales a year, with departments
devoted to Books, Autographs, Maps
& Atlases, Photographs & Photobooks,
Prints & Drawings, Vintage Posters and
African-American Fine Art
Vallois
27 East 67th Street
Mezzanine level
New York, NY
+1 212 517 3820
valloisamerica@aol.com
www.vallois.com
Hours: Tuesday through Friday, 106pm; Saturday, 10-5pm
Please visit our website or contact the
gallery for current exhibition information
basi.artinfo.com
THEACQUISITION
Elena Pakhoutova on
the White Beryl
THE CURATOR OF HIMALAYAN ART MUSES ON THE RUBIN MUSEUMS
RECENT PURCHASE OF A TIBETAN ASTROLOGICAL MASTERPIECE
THE RUBIN MUSEUM of Art in New York has acquired a unique set of 96 painted
104
| BLOUINARTINFO.COM