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Nelson's Pillar
Nelson's Pillar
Nelson's Pillar
For the similarly named monument in London, see stonework elsewhere, and its memory is preserved in nuNelsons Column.
merous works of Irish literature.
Nelsons Pillar (also known as the Nelson Pillar or simply The Pillar) was a large granite column capped by 1
a statue of Horatio Nelson, in the centre of O'Connell
Street (until 1924 Sackville Street) in Dublin, Ireland. 1.1
Completed in 1809 when Ireland was part of the United
Kingdom, it survived until March 1966, when it was
severely damaged by explosives planted by Irish republicans. Its remnants were later destroyed by the Irish Army.
Background
Sackville Street and Blakeney
1.2
Trafalgar
3 History 18091966
3.1 18091916
The Pillar quickly became a popular tourist attraction;
Kennedy writes that for the next 157 years its ascent
was a must on every visitors list.[38] Yet from the beginning there were criticisms, on both political and aesthetic grounds. The September 1809 issue of the Irish
Monthly Magazine, edited by the revolution-minded Walter Watty Cox,[39] reported that our independence has
been wrested from us, not by the arms of France but by
the gold of England. The statue of Nelson records the
glory of a mistress and the transformation of our senate
into a discount oce.[12] In an early (1818) history of the
city of Dublin, the writers express awe at the scale of the
monument, but are critical of several of its features: its
proportions are described as ponderous, the pedestal as
unsightly and the column itself as clumsy.[33] However, the Hibernian Magazine thought the statue was a
good likeness of its subject, and that the Pillars position
in the centre of the wide street gave the eye a focal point
in what was otherwise wastes of pavements.[40]
4
feet (52 m) it was taller than its Dublin equivalent and, at
47,000, much more costly to erect.[43][n 9] It has no internal staircase or viewing platform.[44] The London column
was the subject of an attack during the Fenian dynamite
campaign in May 1884, when a quantity of explosives was
placed at its base but failed to detonate.[43]
In 1853 the queen attended the Dublin Great Industrial
Exhibition, where a city plan was displayed that envisaged the removal of the Pillar.[12] This proved impossible, as since 1811 legal responsibility for the Pillar had
been vested in a trust,[45] under the terms of which the
trustees were required to embellish and uphold the monument in perpetuation of the object for which it was
subscribed.[46] Any action to remove or resite the Pillar, or replace the statue, required the passage of an Act
of Parliament in London; Dublin Corporation (the city
government) had no authority in the matter.[47] No action
followed the city plan suggestion, but the following years
saw regular attempts to remove the monument.[12] A proposal was made in 1876 by Alderman Peter McSwiney,
a former Lord Mayor,[48] to replace the unsightly structure with a memorial to the recently deceased Sir John
Gray, who had done much to provide Dublin with a clean
water supply. The Corporation was unable to advance
this idea.[49]
3 HISTORY 18091966
lar attempt, with the same result, was made in 1891.[12]
Not all Dubliners favoured demolition; some businesses
considered the Pillar to be the citys focal point, and the
tramway company petitioned for its retention as it marked
the central tram terminus.[51] In many ways, says Fallon, the pillar had become part of the fabric of the
city.[52] Kennedy writes: A familiar and very large if
rather scruy piece of the citys furniture, it was The Pillar, Dublins Pillar rather than Nelsons Pillar ... it was
also an outing, an experience.[53] The Dublin sculptor
John Hughes invited students at the Metropolitan School
of Art to admire the elegance and dignity of Kirks
statue, and the beauty of the silhouette.[54]
The year 1894 saw some signicant alterations to the Pillars fabric. The original entry on the west side, whereby
visitors entered the pedestal by a ight of steps taking
them down below street level, was replaced by a new
ground level entrance on the south side, complete with a
grand porch. The whole monument was surrounded by
heavy iron railings.[32][n 10] In the new century, despite
the growing nationalism within Dublin80 per cent of
the Corporations councillors were nationalists of some
descriptionthe pillar was liberally decorated with ags
and streamers to mark the 1905 Trafalgar centenary.[57]
The changing political atmosphere had long been signalled by the arrival in Sackville Street of further monuments, all celebrating distinctively Irish heroes, in what
the historian Yvonne Whelan describes as deance of
the British Government, a challenge in stone. Between the 1860s and 1911, Nelson was joined by monuments to Daniel O'Connell, William Smith O'Brien and
Charles Stewart Parnell, as well as Sir John Gray and the
temperance campaigner Father Matthew.[58] Meanwhile,
in 1861, after decades of construction, the Wellington
Monument in Dublins Phoenix Park was completed, the
foundation stone having been laid in 1817.[59] This vast
obelisk, 220 feet (67 m) high and 120 feet (37 m) square
at the base,[60] honoured Arthur Wellesley, 1st Duke of
Wellington, Dublin-born and a former Chief Secretary
for Ireland.[61] Unlike the Pillar, Wellingtons obelisk has
attracted little controversy and has not been the subject
of physical attacks.[62]
On Easter Monday, 24 April 1916, units of the Irish Volunteers and the Irish Citizen Army seized several prominent buildings and streets in central Dublin, including the
General Post Oce (GPO) in Sackville Street. They set
up headquarters at the GPO where they declared an Irish
Republic under a provisional government.[63] One of the
rst recorded actions of the Easter Rising occurred in
the vicinity of the Pillar when lancers from the nearby
Marlborough Street barracks, sent to investigate the disturbance, were red on from the GPO. They retired in
confusion, leaving four soldiers and two horses dead.[64]
In 1882 the Moore Street Market and Dublin City Improvement Act was passed by the Westminster parliament, overriding the trust and giving the Corporation authority to resite the Pillar, but subject to a strict timetable,
within which the city authorities found it impossible to
act. The Act lapsed and the Pillar remained;[50] a simi- During the days that followed, Sackville Street and partic-
3.3
In an independent Ireland
5
Senate, favoured its re-erection elsewhere, but thought it
should not, as some wished, be destroyed, because the
life and work of the people who built it are part of our
tradition.[12]
Sackville Street after the Rising, with the intact Pillar in the background
3.3
In an independent Ireland
DESTRUCTION
inspire Protestants in Northern Ireland to ght for a reunited Ireland.[86] In the North the possibility of dismantling and re-erecting the monument in Belfast was raised
in the Stormont parliament, but the initiative failed to gain
the support of the Northern Ireland government.[87]
Destruction
stump.[12] Reactions among the general public were relatively light-hearted, typied by the numerous songs inspired by the incident. These included the immensely
popular "Up Went Nelson", set to the tune of "The Battle Hymn of the Republic" and performed by a group
of Belfast schoolteachers, which remained at the top of
the Irish charts for eight weeks.[93] An American newspaper reported that the mood in the city was one of gaiety, with shouts of Nelson has lost his last battle!"[94]
Some accounts relate that the Irish president, amon de
Valera, phoned The Irish Press to suggest the headline:
British Admiral Leaves Dublin By Air[95] according
to the senator and presidential candidate David Norris,
the only recorded instance of humour in that lugubrious
gure.[96]
in 2009
The Pillars fate was sealed when Dublin Corporation issued a dangerous building notice. The trustees agreed
that the stump should be removed.[12] A last-minute request by the Royal Institute of the Architects of Ireland
for an injunction to delay the demolition on planning
grounds was rejected by Justice Thomas Teevan.[97] On
14 March the Army destroyed the stump by a controlled
explosion, watched at a safe distance by a crowd who, the
press reported, raised a resounding cheer.[98] There was
There was an air of inevitability about Horatio Nelsons a scramble for souvenirs, and many parts of the stonework
5.2
Replacements
were taken from the scene. Some of these relics, including Nelsons head, eventually found their way into
museums;[n 12] parts of the lettered stonework from the
pedestal are displayed in the grounds of the Butler House
hotel in Kilkenny, while smaller remnants were used to
decorate private gardens.[100] Contemporary and subsequent accounts record that the armys explosion caused
more damage than the rst, but this, Fallon says, is a
myth; damage claims arising from the second explosion
amounted to less than a quarter of the sum claimed as a
result of the original blast.[101][102]
5
5.1
5.2 Replacements
On 29 April 1969 the Irish parliament passed the Nelson
Pillar Act, terminating the Pillar Trust and vesting ownership of the site in Dublin Corporation. The trustees received 21,170 in compensation for the Pillars destruction, and a further sum for loss of income.[109] In the debate, Senator Owen Sheehy-Skengton argued that the
Pillar had been capable of repair and should have been
re-assembled and rebuilt.[110]
Aftermath
Investigations
For more than twenty years the site stood empty, while
various campaigns sought to ll the space. In 1970 the
Arthur Grith Society suggested a monument to Arthur
Grith, founder of Sinn Fin, and Pearse, whose centenary would fall in 1979, was the subject of several proposals. None of these schemes were accepted by the Corporation. A request in 1987 by the Dublin Metropolitan Streets Commission that the Pillar be rebuiltwith a
dierent statuewas likewise rejected.[111] In 1988, as
part of the citys 1,000th anniversary celebrations, the
Smurt Millennium Fountain was erected close to the
site. This was commissioned by a Dublin businessman
Michael Smurt in memory of his father; it incorporated a bronze statue of a woman, sculpted by amonn
O'Doherty. The monument, known colloquially as the
Anna Livia, was not universally appreciated; O'Dohertys
fellow-sculptor Edward Delaney called it an atrocious
eyesore.[112][n 13]
1988 saw the launch of the Pillar Project, aimed at encouraging artists and architects to bring forward new
ideas for an appropriate permanent memorial to replace
Nelson. Suggestions included a 110 metres (360 ft) agpole, a triumphal arch modelled on the Paris Arc de Triomphe, and a Tower of Light with a platform that would
restore Nelsons view over the city.[115] In 1997 Dublin
Corporation announced a formal design competition for
a monument to mark the new millennium in 2000. The
winning entry was Ian Ritchie's Spire of Dublin, a plain,
needle-like structure rising 120 metres (390 ft) from the
street.[116] The design was approved; on 22 January 2003
it was completed, despite some political and artistic op-
7 See also
6
Cultural references
Notes
8.2
Citations
[11] The change had rst been proposed by Dublin Corporation in 1884, but had been rejected at the time by the
streets residents.[78]
[12] About ten days after the initial explosion Nelsons head
was stolen from a corporation yard by students from the
National College of Art and Design, as a fund-raising
stunt. The head was exhibited, for a fee, at various locations including stage performance by The Dubliners and
The Clancy Brothers. It crossed the Irish Sea, and was
rented for display in a London antique shop. It was returned to Ireland in September 1966, ultimately nding a
home in the Dublin City Library and Archive in Pearse
Street.[99][95]
[13] A popular name for the Anna Livia was the oozie in the
jacuzzi. In 2001, during regeneration work in O'Connell
Street, the fountain was demolished and the statue removed, eventually to be re-sited in the Croppies Acre
Memorial Park.[113][114]
8.2
Citations
10
[81] Fallon 2014, pp. 7071, quoting from The Blueshirt, 1 [114] TheJournal.ie 25 February 2011.
March 1935.
[82] Fallon 2014, p. 77.
8.3
8.3
8.3.1
Sources
Sources
Books
11
Pakenham, Thomas (1992). The Year of Liberty:
The History of the Great Irish Rebellion of 1798.
London: Phoenix Books. ISBN 978-1-85799-0508.
Steinman, Michael (1983). Yeatss Heroic Figures.
Albany, NY: State University of New York Press.
ISBN 0-87395-698-2.
Thackeray, William Makepeace (1911). Irish
Sketchbook of 1842. New York: Charles Scribner.
Townshend, Charles (2006). Easter 1916: The Irish
Rebellion. London: Penguin Books. ISBN 978-014-101216-2.
Warburton, J.; Whitelaw, J.; Walsh, Robert (1818).
History of the City of Dublin from the Earliest Accounts to the Present time II. London: T. Cadell and
W. Davies. OCLC 65244719.
Whelan, Yvonne (2014). Landscape and Politics.
In Jackson, Alvin. The Oxford Handbook of Modern Irish History. Oxford: Oxford University Press.
ISBN 978-0-19-954934-4.
Hickman, Baden (9 March 1966). Guards on Monuments after Dublin Explosion. The Guardian. p.
6. (subscription required)
Lenihan Condemns Pillar Outrage"". The Irish
Times. 9 March 1966. p. 1.
Nelson to Leave Sackville Street. The Manchester
Guardian. 26 March 1926. p. 9. (subscription required)
Riain, Michel (Winter 1998). Nelsons Pillar.
History Ireland 6 (4). Retrieved 5 March 2016.
O'Riordan, Billy (7 March 2016). The Fall of Nelsons Column Recalled...50 Years On. The Irish
Examiner. Retrieved 12 March 2016.
12
Online
EXTERNAL LINKS
Anna Livia monument oats to a new home. TheJournal.ie. 25 February 2011. Retrieved 13 March
2016.
White, L.W.W . (2009). Joseph Christle. Dictionary of Irish Biography. Retrieved 13 March 2016.
(subscription required)
Why some want to give Wellington statue the
boot. Independent.ie. 26 August 2003. Retrieved
16 March 2016.
9 External links
Nelson Pillar, 50th anniversary commemoration account, including numerous Pillar images taken before and after the bombing (Old Dublin Town)
13
10
10.1
10.2
Images
File:1stBaronBlakeney.jpg Source: https://upload.wikimedia.org/wikipedia/commons/8/8c/1stBaronBlakeney.jpg License: Public domain Contributors: http://www.npg.org.uk/live/search/portrait.asp?search=ss&sText=Baron&LinkID=mp57687&rNo=2&role=sit Original artist: James Macardell, after Sir George Chalmers
File:Butler_House_gardens,_Kilkenny_-_geograph.org.uk_-_1537832.jpg Source:
https://upload.wikimedia.org/wikipedia/
commons/2/29/Butler_House_gardens%2C_Kilkenny_-_geograph.org.uk_-_1537832.jpg License: CC BY-SA 2.0 Contributors: From
geograph.org.uk Original artist: Eirian Evans
File:Commons-logo.svg Source: https://upload.wikimedia.org/wikipedia/en/4/4a/Commons-logo.svg License: CC-BY-SA-3.0 Contributors: ? Original artist: ?
File:Fall_of_Nelson.jpg Source: https://upload.wikimedia.org/wikipedia/commons/6/68/Fall_of_Nelson.jpg License: Public domain
Contributors: National Maritime Museum Original artist: Denis Dighton
File:Nelson{}s_Pillar_destroyed.jpg Source: https://upload.wikimedia.org/wikipedia/en/e/eb/Nelson%27s_Pillar_destroyed.jpg License: Fair use Contributors:
National Library of Ireland Original artist:
Michael S. Walker (per NLI records)
File:Nelson{}s_Pillar_porch_design_1894.jpg
Source:
https://upload.wikimedia.org/wikipedia/commons/f/f8/
Nelson%27s_Pillar_porch_design_1894.jpg
License:
Public
domain
Contributors:
http://archiseek.com/2015/
1894-design-for-entrance-and-railings-nelsons-column-dublin/ (Original source The Irish Builder, April 15 1894) Original artist:
Design by George Palmer Beater (1850-1928)
File:Open_street_map_central_dublin.svg Source: https://upload.wikimedia.org/wikipedia/commons/a/a8/Open_street_map_central_
dublin.svg License: CC BY-SA 2.0 Contributors: OpenStreetMap Original artist: Kwekubo (<a href='//commons.wikimedia.org/wiki/
User_talk:Kwekubo' title='User talk:Kwekubo'>talk</a>)
File:Red_pog.svg Source: https://upload.wikimedia.org/wikipedia/en/0/0c/Red_pog.svg License: Public domain Contributors: ? Original
artist: ?
File:Sackville_St_Dublin_1842.jpg Source: https://upload.wikimedia.org/wikipedia/en/4/46/Sackville_St_Dublin_1842.jpg License:
PD Contributors:
The scenery and antiquities of Ireland, Vol 2 by J. Stirling Coyne. Published: London, G. Virtue
Original artist:
engr. by Bartlett, W. H. (William Henry), 1809-1854
File:Sackville_Street_(Dublin)_after_the_1916_Easter_Rising.JPG Source: https://upload.wikimedia.org/wikipedia/commons/1/
1f/Sackville_Street_%28Dublin%29_after_the_1916_Easter_Rising.JPG License: Public domain Contributors: Transferred from
en.wikipedia; transferred to Commons by User:Rcbutcher using CommonsHelper.
Original artist: Miller, James Martin & H.S. Caneld.
File:The_Spire,_Dublin.jpg Source: https://upload.wikimedia.org/wikipedia/commons/a/a9/The_Spire%2C_Dublin.jpg License: CC
BY 3.0 Contributors: Own work Original artist: me stesso
10.3
Content license