Professional Documents
Culture Documents
Anti Heroes 2009 English
Anti Heroes 2009 English
They are both starving, though KH is not doing it on purpose, at first. At points he decides to
get himself used to starvation. HA is doing it because he wants people to pay attention to him
and it is how he earns a living, the other, because he can’t afford it. Both are desperate for
attention in an alienating world. Both are starving artists, starving for their work. HA fasts 40
days – religion, KH very bipolar about it. Alienation – HA puts self in own literal cage, KH
largely social alienation. Religion, living space, self-torture, failing artists
I must be just incredibly thin. My eyes were sinking deep into my skull.
What, exactly, did I look like? The devil only knew why you had to be
turned into a veritable freak just because of hunger! (Hunger, p. 87)
At one time the whole town took a lively interest in the hunger artist; from
day to day of his fast the excitement mounted; everybody wanted to see
him at least once a day; there were people who bought season tickets for
the last few days and sat from morning til night in front of his small barred
cage… (Hunger Artist, p., 268)
Conscience, you say? No nonsense now; you’re too poor to afford a conscience. You’re
hungry, don’t forget, you’ve come on a matter of importance, the one thing most needful. (H 82)
“… during his fast the artist would never in any circumstances, not even under forceable
compulsion, swallow the smallest morsel of food; the honor of his profession forbade it. (HA 268
– 269)
I dragged myself out, sick with hunger and hot with shame. Why, this
would have to stop! Things had really gone too far with me. … I had
lowered myself to the crassest sort of panhandler. This one day had
brutalized my mind through and through, spattered my heart with
shamelessness. … And what good had it done me? Wasn’t I still without a
piece of bread to stick in my mouth? (H 91)
Nothing annoyed the artist more than such watchers; they made him
miserable; they made his fast seem unendurable; sometimes he mastered
his feebleness enough to sing during their watch for as long as he could
keep going, to show them how unjust their suspicions were. But that was
of little use; they only wondered at his cleverness at being able to fill his
mouth even while singing. (HA 269)
He thought it over again. I had already set my mind on going along, and I began to fear getting
chased to shore again. (H 196 – 197)
“… his inner dissatisfaction always rankled, and never yet, after any term of fasting – this must
be granted to his credit – had he left the cage of his own free will. (HA 270)
If only one had a bite to eat on such a clear day! … I lost my appetite instantly and felt nauseous
and drank some water. (H 6)
Besides, he was tired, he was comfortable sitting in the straw, and now he
was supposed to lift himself to his full height and go down to a meal the
very thought of which gave him a nausea that only the presence of the
ladies kept him from betraying, and even that with an effort. … (HA 271)
With ever-increasing rage, grinding my teeth in response to my fatigue, sobbing and cursing, I
continued to rant and rave, paying no heed to the people passing by. (H 88)
“… it could happen, especially when he had been fasting for some time, that he reacted with an
outburst of fury and to the general alarm began to shake the bars of his cage like a wild animal.
(HA 272)
I was completely taken up with my own tales, wonderful visions hovered before my eyes, the
blood rushed to my head and I lied like a trooper. (H 24)
This perversion of the truth, familiar to the artist though it was, always unnerved him afresh and
proved too much for him. (HA 273)
Hunger was raging fiercely inside me and I was in great pain. As I sit thus
looking into vacancy, a figure is gradually revealed to my fixed stare, one
that I finally see quite distinctly and recognize: it is the cake vendor by the
Elephant Pharmacy. …I walk over to the corner, aim for the woman and
take my stand in front of her. I smile, nod familiarly, and frame my words
as if it were a matter of course that I would be back some day. (H 192)
And when once in a while some leisurely passerby stopped, made merry
over the old figure on the board, and spoke of swindling, that was in its way
the stupidest lie ever invented by indifference and inborn malice, since it
was not the hunger artist who was cheating, he was working honestly, but
the world was cheating him of his reward. (HA 276)
This empty room, where the floor rocked up and down at every step I took,
was like a horrible, broken-down coffin. There was no proper lock on the
door and no stove in the room; I used to lie upon my socks at night so they
would dry a little before morning. The only thing I had to amuse myself
with was a small red rocking chair where I used to sit in the evening, dozing
and musing on all manner of things. (H 4)
An overseer’s eye fell on the cage one day and he asked the attendants
why this perfectly good cage should be left standing there unused with dirty
straw inside it; nobody knew, until one man, helped out by the notice board,
remembered about the hunger artist. They poked into the straw with sticks
and found him in it. (HA 276)
Define anti-hero
A character in a story that is at least partially developed, i.e. not a foil, who is not the antagonist
but possesses antagonistic, non-heroic qualities. Their flaws are also more pronounced than
the hero or antagonist.
Hunger
He wants to be seen as a heroic figure but hunger, fatigue and want drive him more than any
noble quality. He wants to be generous – he steals, he wants to be friendly – he accosts
strangers, wants to be helpful – dumps the cripple.
This empty room, where the floor rocked up and down at every step I took,
was like a horrible, broken-down coffin. (4)
It was as though a vein had burst inside me – one word follows another,
they connect with one another and turn into situations; … a wonderful
sense of pleasure takes hold of me. I write as if possessed, filling one
page after another without a moment’s pause. My thoughts strike me so
suddenly and continue to pour out so abundantly that I lose a lot of minor
details … I am working at full blast. They continue to crowd in on me, I am
full of my subject, and every word I write is put in my mouth. (30)
I said to myself that no idiot could have done all this; I was, thank God, as
much in my senses as anyone. (164)