Professional Documents
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Character of Sound
Character of Sound
Character of Sound
of SOUND
2. Reflected sound
3. Absorbed sound
4. Diffused sound
5. Diffracted sound
6. Transmitted sound
7. Sound dissipated
within the structure
8. Sound conducted by
the structure
SOUND REFLECTION
Sound Reflection: Sound reflected off a surface,
usually one which is hard, rigid, and/or flat
Law of REFLECTIVITY:
Angle of Incidence equals the angle of reflection
Angle I
Angle R
SOUND REFLECTION
AUDITORIUM CEILINGS
AUDITORIUM ACOUSTICS
SOUND REFLECTION
Law of REFLECTIVITY:
Sound waves in contact with convex and concave surfaces
will reflect off these surfaces in different directions
SOUND ABSORPTION
Sound Absorption: Sound waves absorbed into a material
upon contact; change energy into some other form
Sound Absorption Coefficient ( ):
Fraction of energy of the incident sound absorbed by the surface;
rates the efficiency of sound absorption of a material at a
specified frequency
Noise Reduction Coefficient (NRC)
Arithmetic average of sound absorption coefficients at the
frequencies 250, 500, 1000, and 2000 Hz, expressed to the
nearest multiple of 0.05
Surface Absorption:
METHODS of ABSORPTION
Frictional
Flexural
Resonating
SOUND DIFFUSION
Sound Diffusion: Occurs when sound waves are
dispersed equally in a room
Uniform distribution of sound in a room creates a
Homogenous Field
SOUND DIFFUSION
Providing a random application of reflective
and absorptive finishes
Providing an alternating application of
reflective and absorptive finishes
SOUND DIFFUSION
Providing diffusers (prefabricated materials
with irregular surfaces or angled and curved
fronts so that when mounted, they stop
parallel wall interference).
SOUND DIFFRACTION
Sound Diffraction: An acoustical phenomenon which causes
sound waves to be bent or scattered around such obstacles
as corners, columns, walls, and beams
Also a phenomenon
where sound passes
through an opening
resulting in a change of
propagation, as
influenced by the ratio of
the sound wavelength to
the size of the opening
SOUND DIFFRACTION
SOUND REFRACTION
Sound Refraction: Change of sound wave direction as it
moves from one material to another of different density
Sound propagation velocity / media
material
speed
Air
344 m/s
Water
1410 m/s
Wood
3300 m/s
Brick
3600 m/s
Concrete
3700 m/s
Steel
4900 m/s
Glass
5000 m/s
Aluminum
5800 m/s
SOUND TRANSMISSION
Sound Transmission: Sound which penetrates through a surface
RRm
TL
NR
Where
AR = absorption in
receiving room
S = surface area of
common wall
REVERBERATION
Reverberation: The prolongation of sound as a result of
successive reflections in an enclosed space after the source of
sound is turned off
Reverberation Time (RT): Time for the sound pressure in a room
to decrease 60db after the sound is stopped
RT = 0.16V / A
V = volume of the room
A = total absorption in Sabins
Optimum RT: The most favorable reverberation time for a
particular space and volume
REVERBERATION
Optimum
RT for
various
spaces
ACOUSTICAL DEFECTS
ACOUSTICAL DEFECTS
1. ECHO
3. SOUND SHADOW
4. CONCENTRATION
FLUTTER ECHO
GYPSUM BOARDS
VINYL TILES ON
CONCRETE FLOOR
SOUND CONCENTRATION
Sound Concentration: Also referred to as Sound Foci.
Sound reflections from concave surfaces concentrating
on a single area
Areas of cound concentration are referred to as Hot Spots
The intensity of sound at hot spots are always at the expense
of Dead Spots
COUPLED SPACES
Coupled Spaces: Two rooms adjacent to each other by
openings, with at least one space being highly reverberant
cr
lobby
fire exit
auditorium
storage
cr
fire exit
SOUND SHADOW
Sound Shadow: Occurs when an area does not receive an
adequate amount of direct sound
noticeable under a balcony.
WHISPERING GALLERY
Whispering Gallery: Also referred to as Creep.
High frequency sounds creeping along large
concave surfaces such as a hemispherical dome
MASKING
You know I can't hear you when the water is running!
This statement carries the essentials of the conventional wisdom
about sound masking
LOUDNESS
SOUND PROPOGATION
PITCH
Pitch = frequency of sound
Perceived
Sound
Dominant
frequencies
affect sound
perception