Now Here This Keyboard Conductor

KEYBOARD-CONDUCTOR
NOW.
HERE.
THIS.
NOT FOR SALE
PROPERTY OF
4/21/2014
601 West 26th Street Suite 312 New York, NY 10001

Tel 800/400.8160 or 212/564.4000 Fax 212/268.1245
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NOW. HERE. THIS.

BOOK BY
HUNTER BELL AND SUSAN BLACKWELL
MUSIC AND LYRICS BY
JEFF BOWEN
BASED ON THE COLLABORATION BY
HUNTER BELL, MICHAEL BERRESSE, SUSAN BLACKWELL,
HEIDI BLICKENSTAFF, JEFF BOWEN, AND LARRY PRESSGROVE
Now. Here. This. was originally produced by the VINEYARD THEATRE,
Douglas Aibel, Artistic Director, Jennifer Garvey-Blackwell, Executive Producer,
New York City, 2012
Development of Now. Here. This. was supported by the Eugene ONeill Theater Center
during a residency at the Cabaret and Performance Conference of 2009
601 West 26th Street Suite 312 New York, NY 10001

Tel 800/400.8160 or 212/564.4000 Fax 212/268.1245
www.rnh.com
Now. Here. This. Book 2013 Hunter Bell and Susan Blackwell. Music and Lyrics Jeff Bowen
(Composer/Author), Invisible Jet Music (ASCAP) (Publisher), Imagem Sounds (ASCAP) (Administrator).
International Copyright Secured. All Rights Reserved. Used by Permission.
COPYRIGHT WARNING
Professionals and amateurs are hereby advised that this material is fully protected by
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performance of any kind or nature by professionals or amateurs, recitation, lecturing,
public reading, radio or television broadcast, cable television, videotape, audio recording,
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of the copyright owners is an infringement of copyright thereby entitling the copyright
owners to injunctive and other relief to the full extent of the law.
(R&H.4/21/2014.RS)
TABLE OF CONTENTS
1.
2.
2A.
3.
4.
5.
5A.
6.
6A.
6B.
6C.
7.
8.
9.
10.
11.
12.
13.
14.
15.
What Are the Odds.............................................................................................................................. 1

More Life .......................................................................................................................................... 14
Museum Transitions.......................................................................................................................... 24
Dazzle Camouflage ........................................................................................................................... 26
Give Me Your Attention ................................................................................................................... 34
Members Only .................................................................................................................................. 44
Bees ................................................................................................................................................... 55
I Rarely Schedule Nothing ................................................................................................................ 56
Cacophony ........................................................................................................................................ 63
Hall of Human Origins...................................................................................................................... 66
Turtles ............................................................................................................................................... 67
Archer ............................................................................................................................................... 68
Thatll Never Be Me ......................................................................................................................... 72
Kick Me ............................................................................................................................................ 80
That Makes Me Hot .......................................................................................................................... 85
Then Comes You .............................................................................................................................. 91
Golden Palace ................................................................................................................................. 100
Get Into It ........................................................................................................................................ 109
This Time ........................................................................................................................................ 118
Bows and Exit Music ...................................................................................................................... 125
Appendix
11. Then Comes You (Piano Only Version) ......................................................................................... 128
CAST OF CHARACTERS
Man 1 (Bari-tenor, B to G#)
Man 2 (Tenor, C to A)
Woman 1 (Alto, E to C)
Woman 2 (Alto, E to D)
Keyboard/Cond.
WHAT ARE THE ODDS?

# 4
& 4 ..
Allegro misterioso h = 60
Play 2x
# 4 .
& 4 .
P MYSTERIOUS
w PAD

J
? # 44 ..
5
#
&
5
&
?#
9
&
&
#
#
wack

is
&
13
&
#
#
Music and Lyrics by Jeff Bowen
..
WOMAN 1:
Four
point
fif - ty se - ven
bil - lion years a - go, a
..
w
J ..
J #
In the black sits a qui - et - ly
ti - ny speck ap - pears out in space.
#
J J
spin - ning
sphere
where some - thing
#
J J
a - bout to take place.
?#
#
13
..
Vamp
w
J
CUE OUT:
M2: "My mind is spinning."
..
#
J J
Half-time feel h = 74
WOMAN 2:
What
..
.
.
D
m
B
+Bass
.. w
..
are the odds
Vamp CUE OUT:
A/D
?#
that this
j
.
pla - net would be the per - fect dis - tance from the sun?
G/D
..
M1: "I am Batgirl."
..
..
..

Bm
.. w
..
Keyboard/Cond.
17
&
17
&
17
WHAT ARE THE ODDS?
WOMAN 1:
What
?
+Bass
are the odds?

D
?#
w
&
# .
& .
22
Vamp CUE OUT:
..
..
&
26
..
&
lone - ly and some - what in - com - plete
26
&
26
&
# .
#
j j

& w
G/A
first a - mi - no ac - id sits a - lone in
j j

(Gtr)
# .
.
.
.
.
&

? # .. w
WOMAN 1:
22
Bm
they're a - bout an oc - til - lion to
Tempo I, pi mosso h = 66
The
22
one.
? # ..
Sci - en - tists say
W2: "...making myself cry."
#

#
a pud
dle feel - ing
j j

w #
J J
J
&
WOMAN 2/
WOMAN 1:
j
j
and when he
j j

least
j
.
ex - pects
it
he
sud - den - ly
j j
.
# w
J J
J
2
finds
him - self
Keyboard/Cond.
30
&
V
30
&
#
#
WHAT ARE THE ODDS?
j
# j j w
me - tab - o - liz - ing from the
j
j
b n
+Drs,
Bs
# .
&
j
j
he sud - ly
?#
# WOMAN 1:
&
And soon he
WOMAN 2/
41
MAN 2/
MAN 1:
#

V
41
&
?#
And soon he
.
.
A sus
ELECTRIC
PIANO
and ev - 'ry
cel - e - brates a new
.
G
.
.
.
J
w
ww
through all of the
o - ceans.
makes his way
.
.
through all of the
F
.
.
mil - li - sec - ond he
his
D/C
He's a part of
o - ceans.
sur - prise
..
J
j
.
makes his way
|
F
to
Majestically h = 82
j j
j
ti - plies
# 3
V
. j
J
&
j
# j w
35
35
MAN 2/
MAN 1:
And then
30
&
heat.
Accel.
He's a part of
n
n
+Gtr,
Drs, Bs
w
birth.
A sus
ev - 'ry plant
and

ev - 'ry plant
.
.
and
Keyboard/Cond.
47
&
V
47
&
j
j
w
di - no - saur
di - no - saur
the earth.
on
saur.
.
.
n ..
Oh,
oh,
that
n ..
#
V
#
&
saur.
53
Oh,
#
& .. w
a - mi - no
a - mi - no
n.
n.
w
door.
cresc.
..
What
What
Dm
? # ..
A7
n.
n.
oh,
woh hoh
oh,
woh hoh
key
the

.
.
is
C/E
.
.
the
key
that
will
will
.
.
Din - o -
Din - o -
w
w
pen
the
#
.
.
Dm
#
pen the
n #
that
a - cid
is
n #
a - cid
hoh!
C/E C
hoh!
are the odds
MAN 2/
MAN 1:
door.
Play 4x
oh,
WOMEN:
(Chorus holds "oor"

thru repeats).
# . w b
.
# w b ..
#
& ..
oh,
Oh, oh, oh,
CUE OUT:
W1: "Is anyone out there?"
WOMAN 2:
58
58
that
?#
oh,
Oh, oh, oh,
the earth.
D/C
? # .
.
&
on
# w
J
J
+Gtr,
Drs, Bs
53
WHAT ARE THE ODDS?
..
n
n
f
Dm
..
.
+Dr. fill last x
are the odds
n
that all this
n
n
that all this
n.
pre - his - tor - ic faun - a gets to
pre - his - tor - ic faun - a gets to
Keyboard/Cond.
63
&
V
63
&
have so much
# b

have so much
# b ..
n .
+Gtr,
Drs, Bs
Bb
? # b
67
&
WHAT ARE THE ODDS?
n
fun?
What
are the
What
fun?
n
J
odds?
n
n
are the
odds?
Dm
quin - de - cil - lion tril - lion to
# b
& n
Bb
? # b
# 6
& 4
-
? # 46
n
n
Wi - ki - pe - di - a
says a
44 b
es in - to Earth and though
it
n
n
brings
gi - ant - ass
rock
crash -
44
But then a
Dm
44
>
But then a
44
it
22 ww
22
es in - to Earth and though
# 6
V 4 n
71
one.
# 6
& 4 n
ww
says a
one.
Am
71
Wi - ki - pe - di - a
n.
# n 2 w
V
2
67
2
n 2 w
quin - de - cil - lion tril - lion to
>
>

> > >
n
44
Dm
rock
j 46
n
3
j
j
2
j
n 4 n 44
the end
to
an
e - ra,
new and bi -
44 b
the end
to
an
e - ra,
new and bi -
44 b
brings
B bmaj7
46
crash
J 46
gi - ant - ass
44
46
42 n 44
J
J
J
3
n
J
J
Bb 6
D sus
42 nn 44
J
3

> >
42
44
n
3
Keyboard/Cond.
WHAT ARE THE ODDS?
# 4 . j
& 4 b .
zarre
Moderate surf rock h = 85
75
n
3
one
is a - bout
be
gin.
#
.
V 44 . J
# n n b w
#
.
& 44 b ..
J
+Gtr,
j
Drs, Bs

.
? # 44
.
>
zarre
is a - bout
one
75
80
be

>
MAN 2:
Vb
Her - mit
80
& b b
P
? b # J
gin.
nb
j
#
n b (Bass)

crabs and
ba - by tur - tles start crawl - lin' 'round
j
#
#
J

J J
&b
?b
it, there are
lots of spun - ky mon - keys that are
j
#
swing - in' through the jun - gle
MAN 1:
# J
The
air.
j
#
V b J J
fore we know
and be -
85
85

J J
ev - 'ry - where
j
#
Keyboard/Cond.
89
Vb
WHAT ARE THE ODDS?
bum - ble
bees
start
zoom in' a round with
Gtr
89
& b
89
&b
?b
Dm
93
&b
j
#
liz ards get to geth - er and in - vent
93
& b
?b
97
& b .
j
#
bee tles and the birds
..
.
the bi
os - phere

b
&
F
?b
Gm
Dm
Gm
And then the
j
#
mix.
And soon The
MAN 2/
MAN 1:
Dm
97
+Drs,
Bs
j
#
WOMAN 2/
WOMAN 1:
in the skies.
nate
dom i
the birds
the feath - er to be - come
And then the
flies.
97
&b
Vb
tur tles and the monk eys and the
beet - les and the dra gon
Vb
&b
the
93

J
J
And soon The
Keyboard/Cond.
WHAT ARE THE ODDS?
& b b J ..
101

b ..
b
V
J
Turt - les and The Monk - ees and The
Bea - tles and The Byrds dom - i - nate the Bill
board
Hot One - Hun - dred
charts
Turt - les and The Monk - ees and The
Bea - tles and The Byrds dom - i - nate the Bill
board
Hot One - Hun - dred
charts
& b ...
101
..
.
.
b ..
.
b ..
j
b

b
&
101
+Drs,
Bs
?b
Gm
.
& b .
105
..
b
V

J
in
J
in
& b .
105
#
J
J
nine - teen six - ty
six!
#
J
J
Dm
nine - teen six - ty
109
&
109
&
?
w
j
A7
#
J
n
n
# n
# # n #
n
f
j

MAN 2:
Gtr

j
b

j Dj

? b D sus j

109
six!
&b
J
J
105
Eb
Years
whiz
j #
by like Bo - die
Am

J J
Mil - ler
ski
ing.
The
#
J
Keyboard/Cond.
WHAT ARE THE ODDS?
j
V

J J .
113
earth is run - ning ram - pant with the
( )
&
113
113
&
+Drs,
Bs
hu - man
be
#
J
V 42
44
& 42
44
& 42 #
mom and your
dad would find one
117
? 42
121
&
V
121
###
J
###
###
44
w
# www
44
D9
F maj7
rod
and
mad?
E7
j b
wants his in - de - pen - dence,
he turns
2
4
42
42
MEN:
#
j # #
# n

Your
###
# n
###
###
Am
j
j
dad drives a hot
no ther on a pla - net gone

F#m
+Gtr,
P
Drs, Bs
? ###
j
&
that your
Am
117
117
2
4
ALL:
And what are the odds
- ing.
WOMEN:
Your
n
twen - ty and he's
n
rea - dy to roam.
n n b n n n b

G
Bb
Keyboard/Cond.
125
&
V
###
###
WHAT ARE THE ODDS?
mom watch - es Mod
j
n
3
Squad with
her dis - con - tent - ments, she
# # # n n
n
&
125
+Gtr,
Drs, Bs
? ###
129
&
V
###
###
D2
home!
# # # n
&
n
? ###
They head out
F maj7
too
to their new
gets a
hank - 'rin'
leave
MEN:
that it's time to leave
j
n
G6
j n J
So
that it's time

n n
j
n n
She leaves her val - ley.
he leaves his moun - tain.

Am
f
j
ALL:
133
..
ww
# # #

&
E sus
F
? ###
j
.
&
..
home!
###
ww
129
133
3
3
j
j

j
n n
do - mains.
n
#
E 7#9
They
10
meet one night
at a
j
n
Am
bo - wl - ing
al - ley, it's
n
J
G
j
n
Keyboard/Cond.
137
&
V
###
###
&
###
###
141
Then one
night some - thing
hap - pens to them
af - ter
love at first sight
at
Fan - ta - sy Lanes!
Then one
night some - thing
hap - pens to them
af - ter
F maj7
n
#
E 7#9
A m/G #
# j
#
Am
G sus

J
j

D
n
n
Broader
fries.
j
n
..
# n n # n
fries.
Your fath - er and moth - er get
up on each oth - er,
shar - ing a
# # #
&
malt
E sus
? ### .
.
&
Fan - ta - sy Lanes!
141
###
at
shar - ing a
145
love at first sight
# # # n
&
n
? ###
137
+Gtr,
Drs, Bs
WHAT ARE THE ODDS?
Poco rall.
malt
and French
and French
Your fath - er and moth - er get
up on each oth - er,
n n n
J
A
C
j
.
n
.
n
n bn
n nn
F 7#9
Half-time feel h = 74
n n n b b ALL:
b
some - thing starts to

b n b
### b n n n nnnbb
b n n
b # n
&
3
f 3
D7
n
? ###
n
b
nbb
.
145
11
grow
.
# b n
and nine months
F 7b9
n.
la - ter
Eb
you
Keyboard/Cond.
b
&bb
WHAT ARE THE ODDS?
149
b ...
b
& b .
149
? bb
M
B b/D
Bb
f What
b
& b b
f Cm
? bb
b
.
154
b
&bb
158
are the odds
b
& b b
Cm
b
&bb
162
are the odds
What
b
&bb
162
? bb
Cm
are the odds
j
.
G7
n b
a Sam - my
So - sa hom - run?
A bmaj7
www
C m/G
+Dr. fill
www
Ab
get through Mus - so - li - ni and At - til - la the
C m/G
Hun?
+Dr. fill
n
that the
G m/B b
that we would
life would take off like
G m/B b
Cm
pen your
n ....
F m7
that hu - man
G m7/B b
A b/B b
ww
w
eyes.
What
158
? bb
Cm
and you o
world
...
Power Rock, a bit fasterh = 78
b
&bb
154
en - ter this
Poco accel.
Mil - ky Way looks like
12
tas - ty
Ab
cin - na - mon
ww
ww
C m/G
bun?
+Dr. fill
Keyboard/Cond.
WHAT ARE THE ODDS?
b
&bb
N
166
What
b
&bb
166
? bb
b
V b b .
MEN:
one.
b
& b b
170
? bb
&
bbb
b
V b b
? bb
..
..
uh
...
.
Bb
A b2
.
.
..
n n
Jil - lian Ga - zil
Jil - lian Ga - zil
lion to
lion to
n n
un.
Ann
Ann
13
Bb
un.
to
Rit.
G7
A bmaj7/G
..
.. n
J
C 7sus/G
A b2
...
. J
An Ann
An Ann
uh
b
& b b
B b2
175
Cm
..
..
.
Jil - li - an Ga - zil - lion
a - bout an Ann
A bmaj7
Prob - ab - ly
WOMEN:
B b2
one.
175
Cm
b
&bb
170
are the odds?
.
.
G+
Jil - li - an!
.
.
one.
one.
..
.
B b2
Cm
w
w
ww
Jil - li - an!
C m9
U
w
www
w
w
Gtr. ad. lib.

to cutoff
>
>
Keyboard/Cond.
MORE LIFE
CUE:
M1: "Shush-its starting."
Music & Lyrics by Jeff Bowen
Freely and ethereal {h = c 60}
# 4 w
& 4
V/O: The Universe--
Cosmic Pad
# 4P
& 4
7
# w
& www
ww
ww
wwww
ww
won - der what else
is
hid
16
20
&
w
# w
w
w
ww
w
there
ww
w
ww
ww
that no
w
w
V/O: "...since the dawn of time."
b

J
#
J
one
has dis-cov - ered
ww
w
yet.
www
ww
w
w
w
w
w
w
w
wwww
wwww
w
14
j
w
ww
#
w #
w
ww
?#
&
w
w
#
&
28
w
w
ww
ww
ww
ing out
# ww
? # ww
w
ww
ww
# MAN 1:
b
# Gtrw
& ww
wwww
w
16
G6
ww
# w
&
ww
w
ww
w
ww
w
w
w
?
&

ww
www
w
Keyboard/Cond.
35
&
MORE LIFE
# w .
& w
35
ww
?# w
F
42
&
42
&
ww
w
ww
I won - der if there are stars
ww
w
with ex - pec - ta
#w
A sus
Gtr
ww
w
ww
w
tions that hav-en't been met.
www
b www
ww
w
ww
w
ww
C7
ww
w
ww
w
V/O: Yet by viewing these billions of years as a series of moments--the big bang--the formation of our sun
?#
E WOMAN 2:
ww
ww
ww
ww
WOMAN 1:
I won - der
ww
ww
G
49
&
49
&
if
# b ww
the sun gets ti - red of burn
#
& b wwww
w
? # ww
53
&
ing
and what mag
w
ww
C7
n-w
w
w
b www
ww
w
b- ww
ic fuel is
ma - king it
thrive.
ww
Gtr
49
53
#
#
?#
C7
ww
w
ww
ww
ww
w
ww
ww
15
ww
MAN 2:
won - der
Keyboard/Cond.
H
58
58
&
MORE LIFE
rubato
# bw
how long we'll just keep on turn
# Gtr
& b wwww
Cw7
? # ww
58
62
&
V
62
&
#
#
Each day I walk a - long roads

MAN 1:
Each day I walk a - long roads
(Bass)
66
&
V
66
&
#
#
my feet are al - ways a - ware
..
.
...
...
.
through this
town
town
b n
mind's
b n
a mil - lion mi - les a - way.
...
.
16
WOMAN 1:
...
b n
mind's
and to my dis - may,

of the ground but my
jb

and to my dis - may,
Elec. Piano
C7
of the ground but my
through this

# n
Jil - li - an is still a - live.
Tamb.

# n
if Ann
ww
w
der
A sus
that wind
my feet are al - ways a - ware
?#
ww
that wind
ww
w
..
.
+Gtr,
Drs, Bs G
F
?#
and I won
WOMAN 2:
ing
ww
w
Groovy Pop q = 134
j
b
a mil - lion mi - les a - way.
C7
My
j
j

MAN 2:
My
Keyboard/Cond.
70
&
&
?#
74
&
tion
.
.
tion
&
ply my - self with end - less dis - trac
?#
78
&
ply my - self with end - less dis - trac
.
.
.
.
# b
V
74
and I'm try
if
I will find
won - der
if
I will find
#
&
78
f Em
?#

time when I
live
But I sup -
j
..
.
W2
W1:
ic - 'lly run
ning in
place. M2 I
M1:
that I'm bas
ic - 'lly run
ning in
place.
..
D sus
.
.
with a
mind
that is
free of con - ges
tion.
with a
mind
that is
free of con - ges
tion.
17
But I sup -
pace.
that I'm bas
A sus
live
pace.
time when I
.
.
#

V
so it's clear
won - der
in' hard to pick up the
so it's clear
tion
in' hard to pick up the
C7
tion
and I'm try
brain wants to find sat - is - fac
+Gtr, C
Drs, Bs
brain wants to find sat - is - fac
#
V
70
MORE LIFE
Bm
Keyboard/Cond.
82
&
MORE LIFE
So ma - ny ho - urs are spent
#
V
So ma - ny ho - urs are spent
#
&
?#
82
+Gtr, E m
Drs, Bs
L
86
&
86
&
?#
90
&
&
?#
that it does
is just
flood me
j
n
find it?
tions
What
#

A
like?
What will it
18
like?
C7
will it feel
find it?
feel
..
J
like?
What will it
ques - tions
.. b
r
b
it?
will it feel
Where will I
What
r
b
Where will I find
it?
j
n.
want - ing some - thing and all
flood me with ques
Where will I
#
V
90
is just
like:
(Bass)
that it does
# n ..
J
#
#
want - ing some - thing and all
like: Where will I find

ww
And
is it com
ing?
j
j
j
.
.. b

..
J
feel
like?
C7
ww
And when is it com
j j
ing?
j j
j
n
Keyboard/Cond.
MORE LIFE
2:
# WOMAN
&
j
j

94
I'll fin - 'lly get a - round to
2:
# MAN

V
94
&
I'll fin - 'lly get a - round to
+Gtr,
Drs, Bs
?#
..
.
G
F
what I
when I
mus
j
j
what I
want
when I
...
ter up mo - ment - um and
98
#
V
But it's e - nough to just get
through a
MAN 1:
98
&
?#
102
&
j
n
ww
Aah.
&
?#
won - der if I'm start - ing to doubt
.
.
day
full of
...
non
non
b n
W1:
# b
V
102
through a
N W2
full of
But it's e - nough to just get
..
.
day
..
j .
drive.
# n
drive.
ter up mo - ment - um and
C7
j .

# WOMAN 1:
&
mus
b n ....
want
sense
have to sur - vive.
...
.
C7
b b
.
.
are
Feel
ings of con - tent - ment that last.
feel
ings of con - tent - ment that last.
C7
19
j
j
n
M2
M1:
j j

..
..
j
j b
j
J b n
there
have to sur - vive.
Aah.
j
j

sense
j
n.
j
b
There's
j
..
.
There's
Keyboard/Cond.
106
&
V
106
&
#
b
some - thing that's out
got - ta be
some - thing that's out
got - ta be
?#
&
#
#
there
there
&
V
V
want a mag - ic dog
#P
&
+Gtr,
? H.H.
#
&
&
V
#
#
#
takes
or
WOMAN 2:
.
.
care
of
ly - hap
hap
some - thing
..
py at
last!
py at
last!

.
.
D sus
more.
it - self
that does-n't
want
bark
or
and has a tren - dy

MAN 2:
want
to
be
more
name
like Max
de - si
like
some - thing
bite
j
.

Mis - ter Win - ston Spar - kles.
I
want
less
re - spon
si
bi - li - ty.
j
.

I want a pair of jeans that make me look
All - Star Com - ics num - ber
&
?#
A sus
# - - red. I want a pair

V
113
j
.
tru
me
want
MAN 1:
me
110
113
that
WOMAN 1:
j
j j
j

that - 'll make
that - 'll make
.
.
+Gtr,
Drs, Bs C
110
MORE LIFE
eight!
of jeans that make me look
want e - nough
mon - ey
20
so
awe - some.
awe - some. I want whit-er teeth and I
can
re
b
ti - re and
tra -
Keyboard/Cond.
116
&
&
MORE LIFE
want
j
.
j
.
at - ten - tion please.
your
I wan - na be - lieve
# .
V
V
116
&
want to be
?#
119
&
&
V
V
119
&
want
#
#
some - one
to
care

vel
the pla
net with my
con

fi
dent,
suc - cess
and
?#
me.
rise
ful,
hus - band - for - ev
wan - ted and
fic
to
see
I want
noth - ing
bove.
+Bass
to leave
be
it
all
to the South
Pa -
lands
Ground
the
So
ci - e - ty
Is
21
a - shamed
love!
to
want to be
wan - ted and
I want
I want to take leave
loved.
er.
I'm
I want to feel pret - ty, I
j
.
ful,
suc - cess
ci
of
in a porn - like or - gy with - out all the stig - ma that us - 'al - ly fol - lows.
con - fi - dent,
take
of.
Dove.
Keyboard/Cond.
MORE LIFE
P W2
# W1:
.
& .
# ..
122
I
M2
M1:
+Gtr,
Drs, Bs
?#
126
&
want
# ..
#
want
# ..
# ..
& .
I
126
?#
want

130
r
#Q
&

V
130
&
#
#
f
?#
Where will I find
j
n.
ww
more
life!
n ...
www
C 7sus4
ww
ww
w
b ..
more
ww
life!
b ...
.
C7
r
b
What
will it feel
find it?
like?
What will it
#

.
22
ww
w
ing?
more
www
life!
..
ww
life!
n ..
it?
Where will I
ww
A7
more
A7
b ..
want
# ..
& .
122
ww
.. b

..
J
feel
like?
C7
j
.
ww
And when is it com
j
j
j
n

Keyboard/Cond.
134
&
&
?#
R
138
&
&
it?
What
Where will I
r
b
What will it
Band out!
like?
.. b
will it feel
find it?
Freely and ethereal {h = c 60}
..
J
And when is it com - ing?
When is it com - ing?
feel
Cosmic Pad
?#
142
Where will I find
#
V
134
MORE LIFE
Pw
?#
ww
ww
ww
ww
ww
23
ww
V/O: "...our moment in the universe."
ww
w
ww
w
www
ww
w
U
w
ww
ww
w
Keyboard/Cond.
MUSEUM TRANSITIONS
CUE:
MAN 1: "I love museums."
Swing! = q = 128
A "TURTLES"
4
& b 4
Mand.
& b 44
F
Gm

HONKY TONK F
PIANO
? b 44
+Drs, Bs
Gm
#
n## #
#
n## #
#
n## #
CUE:
MAN 2: "Live it up Turtle!"
B
&
"BIRDS"
####
Funky Pop q = 120
A sus
####
&
? ####
+Drs, Bs
(ala Jackson 5)
A sus/B
(Play only if there is no guitar)
CUE:
W2:"...related to Ronnie Milsap."
C "RONNIE MILSAP"
# WOMAN 2:
&
&
nnnn#
nnnn#
nnnn#
42
2
4
Gtr
#
&
? # pw
And
they
be
- lieve
Gtr
me.
Bell
.
ww
ww
w
w
24
42
42
MUSEUM TRANSITIONS
CUE:
MAN 2: "...killing billions of birds annually."
"HALF-CAT"
# 2
4
& 4 j 4
12
&
# 2
4
? # 42
16
&
16
&
16
&
#
#
4
4
# 2
& 4
12
tell
my
1st grade best friend
A - my

Da - vis
I was born
half
cat.
And I
44

p
44 w
w

Gtr
don't think she be - lieves
?#
42
me.
42
44
But at
least
44
got
her

>
>
at - ten - tion.
nbb 3
b 4
nb 3
bb 4
42
44 > >
nbb 3
b 4
42
44
n b b 43
b

> >
E "OCEANS" Easy Waltz .= 60
44
44
b
& b b 43 b 44
F
j
? b b 43
44
b
& b b 43
bb b 3 Gtr
& 4 J
19
19
25
b.
Keyboard/Cond.
DAZZLE CAMOUFLAGE
CUE:
MAN 1 : "Aw, give me a break."
Allegro animato q = 124
&
bb
Play 4x
b 42 ..
Gtr.
b
& b b 42 .. n ...
B b maj7
HONKYTONK
PIANO
? b b 42 ..
b
6
b
&bb
b
& bb
+ Latin Bell
..
day..
b
& b b n
11
..
To - day..
day is
a - bout... To - day is
n
+Dr. Fill
.. n
..
WOMAN 2/
WOMAN 1/
MAN 2: (concert)
Daz
C m9
+Ride Bell & Conga
26
a - bout..
To -
G7
To - day is about...
3
3
r .. j r j r
+Sn. & Conga
b j rj r
&bb
? bb
..
.. ..
.
b
& bb
..
A b6
11
11
B b maj7
CUE OUT:
MAN 1: "its difficult to say. No..."
Vamp
..
? bb
b
.. n ..

.
A b6
..
To
b
& b b n
..
zle
G m7
.
.
.
Keyboard/Cond.
DAZZLE CAMOUFLAGE
b
& b b n
>
Cam
17
>
- ou
b
& bb
17
flage.
MAN 1:
am
knock
C m6
b
& b b n
? bb
b
b
&bb
..
.. .
Eb
j
n ...
..
..
b
& b b
Eb
..
2x
..
..
J
wah!
Ab
F sus
Doo
b
& b b .
..
..
CUE OUT:
Vamp M1: "...with just a hint of moose knuckle."
29
29
j
.. ..
P

..
J ..
G m11
b
& b b n ..
G m7
(M2 joins 2nd time.)
Doo
G m9
..
.
.. .
wah! (sung 1st time only)

2x's
b
&bb
? bb
b
29
them
WOMAN 2/
WOMAN 1/ Play
MAN 2: (concert)
dead!
23
23
? bb
ing
Gm
b
& bb
17
23
F sus
27
A b m6
.. n
n
A -
..
A bm
.. b .. b
b
F
.. b .
..

Keyboard/Cond.
C
b
& b b
>
maze
34
DAZZLE CAMOUFLAGE
b
& b b .
34
F m7
b b
b
&
34
>
ment,
&
bb
Cam
b .
F m9
b b
b
&
39
Eb
E b/F
b b
b
b
CUE to go on:
M1: "...don't tell her."
..
.. ..
..
..
..
..
Vamp
b
& bb
B b maj7
B b/E b
b
& b b n ...
P
+Bell
? b b
b
ooh
n
.
n
.
Dot.
A b6
..
.
28
..
Shaker
MAN 1: One day, I am leafing through the Encyclopedia trying to find a picture of Michelangelos David, when
I stumble across a passage about
Wah
43
43
boys.
b
& b b n
43
for
>
joys.
toe
? bb
b
>
el
>
>en
39
39
? bb
b
b
& b b
>
>he
MAN 1: You know what

moose knuckle is, dont you?
Dot.
G7
Keyboard/Cond.
DAZZLE CAMOUFLAGE
b
& b b n
.
Dot.
n
.
b
& bb
49
Dot.
49
Dot.
Dot.
b
& b b n
b
& b b n
> >
Cam - ou
55
55
&
b n
b
& b b n
3
? b
bb
b
& b b
flage.
Eb
+ Gtr,
Drs, Bs
? bb
b
World
War
Ab
Range
29
Ab
b
b
G MAN 1: "...confused the enemy's rangefinders."
.
Eb
.
.
J
One.
Wah!
..
J

G m7
~~ ~~~
~~~~~~
~
Ooh
b
& b b ..
63
Ooh
zle
+Ride Bell & Conga
63
C m6
55
bb
Daz
C m9
49
? bb
find
ers.
Eb
Keyboard/Cond.
b
&bb
70
DAZZLE CAMOUFLAGE
Eb
Ooh
b
& b b b
3
+ Gtr,
Drs, Bs b
? bb b
b
70
~~~~~
~~~~~~~
MAN 1: "...a light bulb goes off."
b
&bb
77
ooh
STOP ON:
M1: "... faggot."
..
..
..
..
..
...
>
cam -

> >
Class clown

F m9
F
? bb

b
&bb
83
b
&bb
83
? bb
b
b .
& b b ..
>
cam -
88
b
&bb
88
? bb
b

> ou
flage.
MAN 1(as Dumb Jock Teacher):

Look at me! I teach Drivers Ed!
~
~~~~~~~
>ou - flage.
Cm
MAN 1(as jaded teen):

This field trip sucks.
>
>
Girl - friend
Wah!
Eb
Doo
Cm
F m9
~~~~~~~
>ou - flage. ~~~~~~~~
Cm
+Bell
~~~~
~~~~~
F m9
...
>
cam
U
.
.

Vamp
Cm
(Shaker)
77
>
Cool
Wah!
b
&bb
>
Joe
CUE:
M1: "...I become... Dazzle Me!
30
Fm
Ab
Keyboard/Cond.
DAZZLE CAMOUFLAGE
b
& b b .
95
Gtr
Eb
b
&bb
? bb
b
95
M1: "...The hours I spend holding hands with girls..."
b
& b b .
99
Fm
b
& b b j

j
? b b

b
99
Gm
j

j
& b b n
b
&bb
j

j
b
& bb
? bb
b
j
+Cowbell
Cm
bb
b
&
? bb
Ab
Cm
105
111
Fm
K MAN 2: "Batman, do you love me?

j
105
111
Bb
A b m6
G7
n
n
G7
n n
j
n ..
J
G7
C m6
n n
31
Keyboard/Cond.
DAZZLE CAMOUFLAGE
b
& b b n
116
b
&bb
116
? bb
122
&
bb
b

&bb
? bb
b
+Dr. Fill
b
& b b .
129
Eb
( )
bb b .
.
&
129
b
& bb
135
..
.
G/B
()
bb b n
&
135
? bb
b n
Ab
Ab
.
Eb
n
32
Bb
.
J b ..
CHORUS:
(chanting) Ed Grimley! Ed Grimley!
.
J
.
J
Cm
.
.
G/B
Cm
3
3
b. .

.
.
Bb
b.
F7
W1: "Do Kermit the Frog!"
...
Bb
122
? bb
+Ride Bell & Conga
Keyboard/Cond.
DAZZLE CAMOUFLAGE
N
b
&bb
141
bb b

&
Daz
C m9
+ Gtr, Drs
? bb
149
&
bbb
&
bbb
? bb
? ##
Cam - ou
Adagio tenerezza
+ Gtr, Bs
&
C m9
flage.
n n n # # 44
n n n # # 44
n n n # # 44
CUE:
M1: "After the pancake supper..."
? # # 44
.
.
##
daz
G m7
..
..
...
n.
..
..
..
..
..
.
.
.
.
.
.
.
.
.
.
.
SOFT HORNS
162
zle,
C m6
G m7
#
& # 44 n ....
156
.
.
.
.
.
.
b .
+ Gtr,
Drs, Bs
zle
149
141
M1: "...that Shane Fessler was right."
..
..
.
.
..
.
.
.
...
n.
.
.
33
..
..
.
.
..
..
.
Keyboard/Cond.
GIVE ME YOUR ATTENTION

CUE: MAN 2: I have a good turtle joke!
# # # # 4Funky Pop q = 120

&
4
# # # # 4Gtr. .
&
4 ..
PIANO
? # # # # 44
4
####
&
####
time
? ####
A sus
&
&
&
####
####
? ####
8
&
####
&
####
for
.
..
a show on the liv
.
..
Row
the
.
..
Boat
F .
Christ
floor.
n n
"Green - sleeves"
n
.
on the
drums,
n n
G sus
j
n
make
.
..
is done
it's
my
.
..
cous - in
Al
.
..
li - son
sing
my
n n
make
cou - sin
Rod
dy
play
PLAY
din - ner
mas
+Drs, Bs
Bs.
and then I
. .
..
A - shore"
B sus
D m7
B sus
A sus
? #### n
ing room
"Mich - ael
.
..
B sus
. U
..
WOMAN 2:
n n
Cj
n
F maj7
n n
know - ing full well
F maj7
j
n
that
34
no
n n
C sus
j
n
bo - dy
want
to hear
Keyboard/Cond.
10
&
10
&
####
####

B
"Green - sleeves" on the drums.
.
B (no chord)
P
? ####
#
.
15
&
####
# # # #
&
er
C #m
? #### .
####
&
# # # #
for
&
? ####
24
&
####
F
E
my
68
..
.
C #m
p
68 .
A maj7
as
D6
E m/D
dore
n.
35
..
.
when
A/B
+Cym
elf
..
and oh
yeah,
I've
..
J .
..
.
n n n # 43
C #m
j n n .. n .

C maj7
n. n.
. & n.
. ? n. n.
n.
.
to my - self!
me
..
.
j
.
lov - a - ble Christ - mas
n n ...
C maj7
dressed
n.
n.
..
.
A maj7
to
...
J
mak - ing it
j
. j . .
not
the e - lev - en o - clock
..
.
fam - i - ly
me
.. ..
. .
j j

num - ber
? #### n .
be - fore
giv - en
..
.
..
.
j
.
n j
# # # # ..
&
n.
riff - raff
..
.
j
n .
24
j
j j
.
.

J J
this
j
.
plan all
+Gtr, Bs
en - ter
19
15
19
hard
Moderato q. = 80
j 68

P
nU .
n.
n.
n.
D7
n n n # 43
n n n # 43
Keyboard/Cond.
C
CUE:
W1: "...loudest birdcall in the world."
# 3
& 4
30
# 3
& 4
30
Band tacet
? # 43
way
in
man
#
& 44
? # 44
>
G
>
>
G
>
#

&
&
>
?#
>
40
&b
blues,
j.
?b
# ...
La - dies and Gs
>
G
>
your at - ten - tion, please. I'm a
cray - ons,
..
.
..
Dm
Dm
n b ..
..
Bs.
+Drs, Bs
the pur - ples, browns,
..
.
and
6 j 44 j
2
j j
4
4
the per - fect
A7
n j.
.
n - .
F
j
n
.
n - .
I take my
col - ors to draw on
an at
40
&b
44
.. .

n b . Gtr.
.
n j
n - >
F G
j
n
n - >
nb .
.
ball of awe - some you can't ig - nore!
OUT:
Vamp CUE
M1: "...for vocalizations in crows."
37
37
4
4
4
4
Give me your at - ten - tion please! It's what I want and what I'm look - in' for!
ger...
D Tempo Primo
34
# 4
& 4 b . . n
34
CUE:
M2: "Let's open presents,
shall we?"
.
..
Dm
/F
ten - tion get - ting
bruise. I give my
46
j
n
46
36
PLAY
self
44
a beau - ti - ful
2
4
4
2
4
4
Keyboard/Cond.
big black
eye
2
& b 4
n
44
?b 2
4
F
G7
&
48
&
##
&
##
? ##
grabbed my
arm
as I was
try - ing to tie
j j

pulled my hand
#
& #
j
j
E m/G
A sus
back,
F # m7
pulled it
so
##
&
? ##
#
n#
G7
n##
A7
my
Gm
lace
j w
ww
j w
F # m7
and when I
that
shoe
hard
G6
hit
my
self
in
face.
the
CUE:
M1: "If unanswered, its calls will get louder and more persistent."
55
55
Dm
that this
j
.. #
.
j j
j 44
. .
lie as I cry
j
j
j j
D
/F #
p
? ##
52
##
&
52
Bb
12
8 .
mean girl at school
# #+Gtr
dad comes in I'll spin a
12
J 4
n
8
4

48
#
4
4 n #
and when my
#
& #
48
j 12
8 .
2
& b 4 j
44
n n n
And he'll be - lieve me. And I'll
n
n
n
to - tal - ly get
nnb .
.
n U n n b .Gtr. ..
. .
his at ten - tion.
n
n
37
n n b ..
..
Ev - 'ry day af - ter kin - der - gar
-ten,
Safety until W2 joins
..
..
Keyboard/Cond.
58
&b
-
58
&b
Gtr.
?b
Bs.
Mis - sus Thor - ton
..
.
B b sus

picks
me
up.
60
&b
60
&b
She gives me juice in
..
.
?b
dix
ie
cup.
B b sus
62
&b
sure
b.
they
give her
mon
My
par - ents
neigh
bor.
And she's
G b maj7
make
me
her,
I'm
b b
PLAY
ey.
door
C sus
next
Mis - sus Thor - ton's our
..
.
C sus
stay
with
b
b
b
J
Db
b b j
nice
e - nough la
dy,
but her
62
& b b b
b
?b
E bm

b
A b sus
j
b
& b . "

64
house smells a lit - tle
64
&b
fun - ny.
No Chord
? b n
+Kick
And she's
"
"
G b maj7
b
b
Db
b
J

al - ways ta - king naps,
..
38
Bb
so I'm
al - ways pret - ty bored.
..
Bb
Through a
Keyboard/Cond.
67
& b b b
b
hole
in her
fence
b b
see
can
my own
back - yard
b .
and I wan - na
get
there.
Mis - sus
67
& b b b
b
b
+Gtr, G maj7
Drs, Bs
?b
Db
. b b
.
b
Ab
w
w
70
&b
Thor - ton's snor - ing in

70
&b
?b
b b
E b m7
j
b
the ham - mock and I'm
back
at
mom
and dad.
73
& b ..
? b .
.
C sus
b
& b bbb
75
lone - ly and
75
&
bbbb
? bb b b w .
bb
I'm an - noyed.
b b
E (b5)
Gently
this as my chance
to get
B bm
/F /E
/A
j
b
bb b b 12 b
b 8
wan
der
in - to
her kitch - en.
am
B maj7
b b b b b 12
8 bw.
Her lin - ol - e - um floor
see
b b b b b 12
8
So
so I
Ab
j
b
mad,
Gb
73
&b
b b
b b
get - tin' kind
stretch - es out
for a
.
mile
j
and
. .
B bm
G b6
.
.
39
Keyboard/Cond.
bb
& b b b .
I'm
not
78
bb
& b b b .
78
B bm
j
j .
j j j .
j
j ..
j j j .
b
leav - ing
? b b b j
bb
J
G b maj7
see
des - troyed.
A sus
it
nnb 4
nn 4

I pour
nnn b 4
n 4
.
.
n n n b 44
n
b.
Tempo Primo
bleach all
& b 44
o ver the floor.
81
Gtr
? b 44
Bs.
..
Then I pour
Bb
dance a - round Miss Thor - ton's.
& b b b
Ab
The
..
air is full
Eb
Then I make sure
PLAY B b
Bb
Bb
of Clor
ox
and the
j j

but it's not my
& b
n
G subito p
?b

fault
42
that
42
C7
44 w
w
40
of Mor
ton's
Ab
as I
b b
no - one was pay - ing at - ten - tion.
44
ground is full
& b 42 r 44
b .
salt,
locks
j j

87
87
door
b b
the
j j
j
& b b b
84
salt all o ver the bleach.
84
?b
j
"
& b 44
81
un - til
Eb
42 44
So I
42

44
42
44
Keyboard/Cond.
4
& b 4 . j
sneak
out
& b 44 #
91
front
? b 44
D7
the
door
and I
walk home
Cm
to my
house.
And
C (no3)
Moderato misterioso
b
& b b b b 12
8
la - ter that night my mom's wash - ing my hair in
the

94
bb b b 12
& b 8
94
b
& b b b b j "
phone rings and then my heart stops
right in
mid
"
96
bb b b
J .
& b
&
98
&
bbbb
b .
leaves
the bath - room
for a
mo - ment
then comes
b w.
bw .
? bb b
bb
ww ..
ww ..
42
8
b b b b b 12
Gb
.
.
back.
B bm
E m6
scrub.
She

? bb b
J .
bb
bbbb
b b b b b 12
8
Gb
98
42
tub.
The

? b b b 12
bb 8
96
"
B b m7
+Gtr, Bs
j b b b b b 12
8
" 42
91
.
.
.
.
WOMAN 1:
Did you
41
Keyboard/Cond.
bb
&bbb
100
j
.
leave Mis sus Thor - ton's house to - day?
w.
WOMAN 1:
WOMAN 2: "No."
Did you
bb
&bbb u
? bb b b w .
b b bw.
100
E (b5)
b
& b bbb
103
E (b5)
CUE:
L A tempo
W1: "...anything to
say for yourself?" WOMAN 2:
WOMAN 2: "No."
. .
.
. .
Then she
b
& b bbb
103
? bb b
bb
bw.
bw.
shakes her head and she leaves me a - lone in the
. j. . . 44
.
tub
and though the
.
. .
. .
Gb
B bm
G b maj7
+Cym
P
. . .
. .
. .
. .
Andantino trionfante
b
& b b b b 44 .
107
.
pour bleach and salt on her kitch - en floor?
w.
shamp - oo's drip - pin' down
4
. 4
.
. 4
. 4
Accel.
and it burns,
I should men
tion
that it
real - ly does - n't mat - ter 'cause at
b
& b b b b 44 .
..
+Gtr,
b
E b7
Gb
B bm
A b sus
Drs, Bs F D
? b b b 44
bb
107
110
&
bbbb
j n j n n n n n b b b b b
b .
.
least I
got her
at - ten - tion.
b
j n
& b bbb .
.
n .. n .
110
Eb
? bb b
bb
F7
Allegro con fuoco!
j
n ...
j
.
want more op - pur - tu - ni - ties to stand out from the crowd.
n n n n n b b b b b
>b
f B>m
nnnnnbbbbb
42
Eb
Keyboard/Cond.
bb

&bbb
J
114
j
n ...
>
E b B bm
>
j
.
Give me your at ten tion please, I shout it loud and proud!
j
n ...
j
.
I don't know why I need it or what I want at ten tion for,
bb
& b b b
>
B bm
>
? b b b
bb
b
& b bbb
that
when
get
it,
just
want
at
ten
tion
114
Broadly
118
bb
& bbb
know
118
b
& b b b b
? bb b
bb
F 7sus
&
bbbb
Gently
n
And one day
120
bb b b n www
&
b
+Gtr, Bs p B
? b b bBs. w
b
b
& b b b 46
124
b
& b bb
124
? bb b
b
ww
w
what
nnnnnbbbb
more!
nnn nnb b bb
n www
nnnnnbbbb
w
w
nnnnnbbbb
fin al
am wait ing for will
ly
ww
w
n www
be clear to me,
Db
44A tempo
w

when,
but
I
know
64
44
www
Fm
w
F sus/C
64
44 w
Ab
Rit.
Eb
F7
U
w
Dictated
118
120
Gtr.
but I
don't know
C7
w
then,
n
> >
>
all this
need
will
end.
ww
ww
43
F sus/C
+Bs slide
46
46
46
Keyboard/Cond.
MEMBERS ONLY
CUE:
W2: "...are eliminated from the ecosystem."
Fast Rock q = 176
#### 4 .
&
4 .
#### 4 .
&
4 .
CUE OUT:
W2: "...predators and social pressures."
..
Vamp
ELEC. PIANO
? # # # # 44 ..
&
(Drums)
#### .
all
####
&
####
&
cool.
on - ly
one
is for the
j j j

n
J
J
ma - ny, ma - ny times you've a - temp
n
J
j j
of them
+Gtr,
Drs, Bs
And
W1/ B
M1 (concert):
to pick
j
j

who are
>
but
J J
peo - ple
? ####
a - round the school,
>
10
10
..

There are hun - dreds of cliques
####
&
? ####
..
A
M2:
ted
and ma - ny, ma - ny
j
j
j
j
n

n

.

W1/M2/
14
M1 (concert):
# # # # n ..
&
J
J
J J
14
&
####
? ####
times
you
have tried,
you can
on - ly
get up
n n
close,
but
n n
you can't
B7
get in - side.
j j
j j j j
n n.
44
Keyboard/Cond.
19
&
19
&
MEMBERS ONLY
####
####
nn
J n nbbbbb
You
can't
nnnnbb b
b b
? ####

23
bb b b
& b
Db
nnnnbb b
bb
Mem - bers On - ly.
b
& b b b b
G bm
Db
b b b
b
& b
gar
b
& b bbb
27
G bm
ded
and
? bb
bbb
#
nnnnn## #
? # # # #
Gtr

J
J
you'll
be dis - coun
j
b
ted, dis - ap point ed dis - re -
Gb
P
A
#
nnnnn## #
(as mom): I told you, that jacket is too expensive.

#
#W2
& ##
####
&
for
Gb
M1: But mom, Its like the jacket. If I

dont get it, Im gonna die!
W1: But mom, these jeans are the coolest jeans ever. Please!
30
30
it's
D b/B
D b/B
#
nnnnn## #
'cause
door
the code,
dis - missed.
in that
27
get
b
J
J
Un - til you've cracked
23
? bb b
bb
45
Gtr
Keyboard/Cond.
34
&
####
MEMBERS ONLY
W2 (as mom): I am not spending that kind

of money on a pair of pants.
M2: Mom, its one shirt. You wont ever have to buy me another shirt ever again.
####

&

34
? # # # #
39
&
####
#### w
&
ww
said
no.
39
+Gtr
&
####
####
&
43
? ####
47
&
####
####
&
47
? ####
M2:
n.
of
awe
it's the place
where my life can be - gin.
an - y
+Gtr,
Drs, Bs
j
.
j j

j j

n J J
J
W1/
M1 (concert):
In
fi - nal - ly
to get in.
46
some - ness,
It will de - fine me

J
- thing
There's a place full
j .
B7
and I'll do
? ####

43
j
n
n
n.
W2:
or - der to hang
with
them,
Keyboard/Cond.
MEMBERS ONLY
# # # # n
J
&
51
####
&
you have to
51
+Gtr,
Drs, Bs
? ####
stu - dy them
# # # # n
&
W1/M2/
M1 (concert):
55
####
&
where they go
55
? ####
G
n.
b b b
b
& b
58
get
and ne - ver
n n
in - side that
? bb b
bb
Db
b
& b bbb
62
Db
? bb b
bb
And I'm
nnnnbb b
J
J
bb
are.
des - p'rate
nnnnbb b
bb
n
nn nbbbbb

+Dr. fill
Gb
ed
to

un - til
D b/B
brand
say,
that's
stop
n n
j j

b ..
J
not gon - na
D b/B
b b b J
b
& b
B7
62
let them know that you
door
b
& b b b b
58
watch - ing what they wear, what they
j

b ..
J
e - ver
from a - far
j
n
..
J
J
get
to
the
47
Mem - bers
G bm
On - ly.
top
of
the pop
u - lar, op -
Gb
Keyboard/Cond.
MEMBERS ONLY
b b
b
& bb
ti - mum
list.
65
bb
&bbb
65
G bm
+Gtr,
Drs, Bs
? bb b
bb
#
& #
69
69
&
##
&
73
&
#
nnnnn #
Gtr
nnnnn##
Gtr
M2: Thats totally not the right shirt!

Woman 2 (as mom): I thought thats what you wanted.
M2: There's no alligator on it. W1 (as mom): Oh, its the same thing! No one will care.
M2: Okay.
My
? ##
n.
#
& #
pop - u - lar - i
#
& #
f D
? # #
ty's gon - na
de
to - nate
...
.
j
n.
..
b.
like
neu
A7
G maj7
j .
j
n
78
78
##
##
#
nnnnn #
M1: Thats totally it! W1 (as mom): This is the last

jacket Im buying you until you're 50 years old.
Woman1: These are totally them! Heidi (as mom): I

cant believe I spent that kind of money on jeans.
? ##
73
48
.
b nn ...
Bb
.
b n .
j
n
n
tron
bomb.
j
n
C
..
.

w
ww
w
Keyboard/Cond.
#
& #
82
W1:
MEMBERS ONLY
my
Oh
j
n.
god!
This is great!
Thank
##

&
J
82
#
& #
Oh
82
Oh my Gah, Oh my Gah, Oh my Gah, Oh my Gah This is great!

my
God!
This is great!
? ##
J
86
#
& #
Mem - bers
#
& #
86
? # #
On - ly jack
# #
&
I got my cheap knock
? ##
&
##
ti
94
45
cket,
Now
I'm
im
I got my
ww
w
44
(Bass Fill)
what this
I got my
Bass
pos - si - ble
to
ig
means?
jeans!
49
Van - der - bilt
D'you know
44
M1:
44 J
mom!
W1/M2/
M1 (concert):
my
I - zod shirt!
j
n
n
you,
b.
got

45
off
Bb
45
#
& # #
E7
F
? ##
j
94
.
b nn ...
(Gtr. Fill)
mom!
j
n w
W1:
w
Thank
et!
M2:
90
#

& #
90
you,
n.
J
M2/
M1:
J
-
nore
This
gua - ran -
D/A
Keyboard/Cond.
98
&
##
MEMBERS ONLY
tees
the
#
& #
hand me the
trus - tees
keys
that
Bm
j .
.
? ##
102
&

M1:
& j
Am
P
? j j
j j

&
M1:
Why are you wearing it?

107
& j
j j

112
&
M1:
& j
F
?
j
j j

j
j

50

W2:
I know.
Am
j j

W2: You do realize that this is Southwest

Florida and it's like a thousand degrees out, right?
Am
nn
j j

Am
j j

What's that smell?
nn
nn
Thanks, it's Members Only.
W2:
D/A
M1:
j j
door.
up that
I don't know.
Yeah.
112
What?
Nice jack - et.
W2:
(Play LH only if there are no drums)

107
Hey.
Hey, Tan - ya.
102
op - en
98
j j

M1:
j j
Gross.

W2:
I don't know.
Keyboard/Cond.
MEMBERS ONLY
CUE:
117 W2: "...wear deodorant, too."
&
U
E
117
&
bb W1:
j

b b j
b
+Gtr,
Drs, Bs
? U
b
&b
122
b
& b b j
127
&
? bb
b
&b
132
b
&b
132
? bb
Ab
j j
b
b
b
Gb
j j
b

too.
j
.
W1:
These?
U
F
Ab
j j
b
nn#

51
W1:
B bm
j j

W2:
They look good on you.
j

b
Ab
B bm
j j

b j j
j
Hey, Bet - sy.
Em

J
J
W2:
Hey...
j U
Cool.
think so.
j
n n #
Yeah, I
nn#
j j
b
Pa - ris?
P
CUE:
W2: "I dont even know where mine are."
M2:
Oh.
Ab
j j
b
j j
b
W2:
j j
b
um...
Ab
j j
b
Yours do
j

b
Gb
W1:
Where'd you get it?
Gb
Gb
Oh. Are those Gloria

Vanderbilts?
j
b
That's a cute top.
j
bb
W2:
W1:
j
b
know...
j j
b
j

b
I don't
Ab
Thanks.
j j
b
Ab
I think they make these

127 jeans in France, too.
Um...
j j

Oh, This?
B bm
bb
&b
W2:
122
? bb
j j

Oh, hey.
W2:
Hey, Vic - ki.
B bm
bb
j j

Keyboard/Cond.
MEMBERS ONLY
CUE:
136 M2: "There's so many of 'em."M2:
W2:
#
&
j j
What?
# j
&
C
?#
+Gtr,
Drs, Bs
# j
&
?#
Em
W2:
# j
&
Yes you are.
147
?#
R

J J
152
&
##
W2/
M2 (concert):
haul
got - ta
to
the

J J
Ed - i - son
mall
be - cause the
B m/A
52

J J
M2:
No, I'm not.

J J
CUE:
M2: "...you're in it for the long haul?"
##
##
##
"One, Two"
Em

J J
Yes it is.
Yes, you are.
F Bm
? ##
W2:
You're ly - ing.
j
W2:
#
& #

152
No, I'm not.

J J

J J
M2:
M2:
I cut it off.

J J
W2: Wheres
the alligator?
W2: Thats not an Izod shirt.
M2:
W2:
142
&

J J
Em

J J
No, it's not.
147
#
&
142
So, my Izod shirt is red

and white, just like your
swatch.
Noth - ing...
136
(Drums)
un - i
G maj7
form
is
chang - ing
Keyboard/Cond.
#
& #
MEMBERS ONLY
W2:
155
by the ho
ur.
#
& #
+Gtr,
got the
clothes
but what no - do - dy knows
j
n
is
all
of
155
? ##
Drs, Bs B m/A
#
& # .
159
159
&
##
? ##
S
up
j
b
keep
Eb
Bm
.
.
keep
up
.
n .
n.
# # M2/M1 (concert):
&

W2/W1
#
& #
163
Em
I won't tire til
ac - qui
re
#
& #
&
##
ply to the re - qui - red at - ti
? # #
re.
the
power.
Em
Plus, I'll get some
F #m
M2/
M1:
stone
.
# ...
de - si - red dis - play.

53
j
b

Bb
D7
b n ..
The en - ti - re
167
167
B m/A
to
b.
163
? ##
..
the
washed,
j

j

skin
I'll com -
F #m
# ...

tight
Keyboard/Cond.
#
& #
MEMBERS ONLY
171
# #
&
+Gtr,
G
Drs, Bs
? ##
175
&
Jor - dache
171
##
jeans
? ##
&
178
&
##
##
? ##
182
&
##
gay!
now.
The
I don't like who I
Bm
There's
j
.
to
..
..
there
bet
54
...
bet - ter
..
.
It's
be
is
ter
j

j

for
a - ny - where but
j
.
.
j
j # j
now.
out
am
some - thing
j
.
..
j
.
place
On - ly.
Gm
#
& # #
I'm
D7
right
Mem - bers
be
..
.
A sus
j
n
.
.
..
.
wan - na
that I'm
know
no - one will
182
? ##
so
where
178
w
w
not
&
D/A B m7
##
175
W2/W1
M2/M1 (concert):
w
# www
# www
than
this!
here.
Keyboard/Conductor
BEES
Music by Jeff Bowen
CUE: "...most diverse ecosystems on earth."
Allegro agitato q = 118
>
Gtr.
4 > .
& b 4
F
>
> .
# >
>
Bb
# n # n
4
&b 4
F
. . # . .

? b 44
Dm
.
& b
.
Bb
# n # n
&b
#
.
.
.

.
?b
Dm
55
Keyboard/Cond.
I RARELY SCHEDULE NOTHING
CUE:
SFX Alarm Clock
Moderate funky pop q = 118
4
&b 4
Dm
+Drum Track
? b 44
Bass
a.
m.
the
/F
Reach out my arm, stop
&b
/G
/B b
42
42
sing - in'.
/F
44

day at the farm.
din - gy starts
rin - gy
Dm
the a - larm, a - noth - er
Make my way
/C
44
44
to the show - er spray so I can splash
Dm
/F
& b 42 44 j j 12
8
a - way
&b
?b
thir - ty
& b . 42
?b
j

WOMAN 1:
Five
& b 44
the dis - ar - ray
/G
dry
my
& b 12
8
? b 12
8 .
my
curl
G # dim
#.
42
hair,
42
/B b
& b 12
8
+Gtr
Drs, Bs
with some Jean
Na - te. Then I
/C
hair,
tease
my
D m/A
hair,
spray
Bb
.
56
44
44
wash my hair, con - di
/F
my
hair.
44
tion my hair, blow
Dm
'Cause
I'm
44
44
Why?
Dm
12
8
12
8
cheer -
Keyboard/Cond.
11
&b
lead - in' for foot
11
&b
Gtr
?b
Dm
>
ball,
cheer
in'
/F
x x
la - dies bas
?b
D m/C
x x
-
ket ball.
&b
of
?b
/G
/B b
A - noth - er
day
/B b
Dm
fil - lin' up the day
fil - lin' it
up
with
/C #
Bs.
stuff.
I'm the
Dm
one
fil - lin' up the
/G #
/G
in
de - mand
I'm
bu - sy
and
Dm
for
of
/F
# n
of
/B
+ Conga
15
& b
I'm e - ven cheer - in'
15
day
>
Ho - ly Ha - des,
W2 (O/S):
W1 (half sing/half rap)
13
&b
for bas - ket - ball,
13
&b x
/F
got
/G #
/G
D
17
& b #
WOMAN 1:
some - thin'
planned but it ain't ev - er
17
& b
+Gtr
Drs, Bs
?b
/B b
/B
/C #
e - nough.
If you
need me to do
..
Dm

it,
I'll
say
"yes."
If you
..
A sus
ww
w
Bs. .
57
Keyboard/Cond.
19
&b
need me
to
& b ..
19
+Gtr B
Drs, Bs
be
there,
I'll
"yes."
If you
say
..
want me to
..
.
ww
w
meet
you,
I'll say
yes
'cause
..
.
&b
if I got noth - in to do...
?b
then...
I'd...
# n
# n
&b
cool
beat
while I
get full
25
&b
+Gtr
Drs, Bs
?b
Bs.
/F
beat
Dm
and you can
say what
you can,
& b 42 44
a fan
/G
but I'm
2
4

of
Du - ran
& b 42
Du - ran,
so I
? b 42
/C
put on Ri - o, that
44
44
Dm
is the key. Oh,
/F
58
and there ain't no doubt
/G
a - bout
/B b
it,
42
27
27
42
/B b

I need a
+Gtr
# n
guess I'd...
r
.
well,
21
& b #
25
C sus
? b www
21
my eye -
Keyboard/Cond.
30
&b
sha - dow
30
&b
+Gtr
Drs, Bs
?b
must
match
D m/C
my out - fit.
6
4
j
5
4 # n
6
4
46
And then I
slow - ly
5
j j j
4

45
& b 46 j j j
crawl
Care - ful
not
to
fall
down
the stairs.
What is
& b 46 # n
? b 46
j j j
this
stuff
& b j j j 44
.
rough
down
the stairs. But I
44
?b
44
36
&b
Dm
/F
and I'm
itch - in' for
3
24
44 3
j

Spe - cial
K,
it's
the way for me
36
&b
?b
make it to the kitch - en
& b # n
34
the stairs?
34
Some - thin's smel - lin'
down
# n

all
the stairs.
32
32
down
/G
/B b
to fuel up
42
42
my
/C
59
day
'cause I'm the
hon - or so - ci - e - ty pre - si - dent, the
44 ww
w
D (no3)
44 w
ww
Keyboard/Cond.
39
&b
stu - dent
coun - cil
pre - si - dent,
I'm
e - ven the pre
& b www
# nn www
?b w
ww
nw
39
+Gtr C (no3)
Drs, Bs
wat - ches o
- ver all coun - cil
pre - si - dents.
41
& b ww
B b(no3)
42
of
fil - lin' it
44
& b
46
up
with
stuff.
I'm the
one
day
cil that
fil - lin' up the day
of
fil - lin' up the
44
Dm
in
de - mand,
I'm
bu - sy
and
Dm
of
44

some - thin'
planned but it ain't ev - er
46
& b
coun
WOMAN 1:
&b
?b
A - no - ther
24

44
the
42 44 # n
?b w
w
?b
of
I
W2 (O/S):
W1 (half sing/half rap)
&b
day
si - dent
B (no3)
41
&b
e - nough.
I'll do
an - y - thing that
60
you're
as - kin'.
got
I'm the
Keyboard/Cond.
48
&b
em - pr - ess
of mul - ti - tas
&b
?b
kin'.
48
+Gtr B
Drs, Bs
And there ain't
Bb
be
like
Ro
?b
Bb
mie...
me,
I wan - na
CUE:
W1: "...her life looks pretty much perfect."
"
42
44
42
44
(Drum track)
24
slow
can
44
& b 44
53
that
50
&b
Vick - ie
noth - in'
50
&b
Af - ter a
& b 44
day
chock - full
53
? b 44
Dm
& b 43
& b 43
? b 43

home
to my fa
v'rite ac - tiv - i - ty
/B b
/G
of

ti
vi - ty.
55
D m/C
I come
/F
55
cre - a
of fes - tiv - i - ty,
put
44
.
chair
44 .
.
un
Dm
44
61
der
the
door,
/C
put my
43
43
43
Keyboard/Cond.
57
&b
hair
all
Chris - tian
Di - or
& b ..
? b n
57
/B b
/B
+Gtr
Drs, Bs
come
Miss
Vick - ie
Ro
59
&b
?b
62
# .
-
mie.
right
n #
when you think you
A sus
And then I
walk
& b
new
62
?b
& b 42
64
& b 42
64
? b 42
suit and got
mon - ey
like
Vick - ie.
my
44
eyes
44
#
A7
be -
slow - ly
talk
44 .
.
I'm
am
on

J
62
cute
my
an'
close
me,
like Vick - ie.
j j # n
Dm
like Vick - ie,
j
#
&b
know
slow - ly
and
59
&b
as
a bun - ny like
Vick - ie.
42
42
Vick - ie
B b maj7
.
.
la - nai...

J
A7
42
Keyboard/Cond.
CACOPHONY
CUE:
W1: "...but I can't hear the words she is saying."
Music and lyrics by Jeff Bowen
Moderate Funky Pop q = 118
b
& b b b b 44 ..
b
& b b b b 44 ..
? b b b 44 ..
bb
3
b
& b bbb
day
Vamp
Drum track plays vamp 2x
of
b
& b bbb
Give me
bbbb
day
your
at
ten
tion
n b
of
fil lin' up the day
.. ..
fil lin' up the
b
& b bbb

+Gtr,
Drs, Bs
day
fil lin' it up
please,
la dies and Gs,
fil lin' up the
day
of
63
..
..
..
stuff.
A noth er
your at ten
tion
please!
fil lin' it
up
with
n
n
A noth er
with
of
of
? bb b
bb
WOMAN 2:
bb b b F
& b
of
WOMAN 1:
j
..
fil lin' up the day
.. ..
ELECTRIC PIANO
n b
Play 2x
.. .. j
..
b
& b bbb

? bb b
bb
CUE DRUM TRACK:

W2: "...will finally be clear to me."
stuff.
A noth er
am
MAN 1:
n
n
Keyboard/Cond.
Cacophony
bb
&bbb
&
bbbb
Give me your
at
of
b
V b bbb .
of
la dies and Gs,
fil lin' up the
b
& b bbb

+Gtr,
Drs, Bs
WOMAN 2:
b
& b bbb
your
WOMAN 1:
at
.
ten
fil lin' up the day
where I wan na
day
I'm
not
tion
of
be
day
right now.
The
place
b
& b bbb

f (+ Crash & Ride Cyms)
? bb b
bb
of
tion
please!
up
with
stuff.
A noth er
be
right
now.
I'm
(M1 Continues monologue until m. 13) Oh, gimme a break,

I couldn't be more excited, I must say, etc.
la dies and Gs,
fil lin' up the
your at ten
fil lin' it
please,
where I wan na
of
dead!
them
n b
b b b MAN 2:
b
V b
of
b
& b bbb
Give me
ing
not
please,
MAN 2:
knock
day
tion
fil lin' up the day
b
V b bbb .
? bb b
bb
ten
n b

day
n
n
your at ten
tion
please!
fil lin' it up
to
be
with
is
stuff.
A noth er
for
n n
n n
64
Keyboard/Cond.
Cacophony
bb
&bbb
11
At
ten
tion!
b
& b bbb n
b
V b bbb
Fill
it
up, fill it up, fill
bb b b n b n b
& b
it up, fill
it
up,
it
up, fill it up, fill
it up, fill
it up...
fill
>

"
b
n
? bb b b n n n n

b n n n
bb
>
11
Mem
bers
On
ly.
n b
Mem
n b
65
bers
On
ly.
b n "
Keyboard/Cond.
HALL OF HUMAN ORIGINS

Music by Jeff Bowen
CUE: Lights Up.
Moderato grazioso {q = c 108}
#
& 44
# 4
& 4
.
ww
(El. Gtr.)
+Gtr
?# 4
4
espress.
44
24
44
2
4
4
4
42
+ Cym
ww
A
MAN 1: "The ability to focus during movies!"
7
&
# ww
& w
?#
..
ww
w
.
ww
ww
w
Play 2x
..
+Bass
..
44
# 2
& 4
4
4
w
w
? # 42

44
#
& 42
13
13
66
24
42
42

2
4
44 w
..
ww
w
2
4
4 ww
4
..
42
44
..
Keyboard/Cond.
TURTLES
CUE:
M2: "How did I get here again? "
& b 44

F
F
+Drs,
Bs
Music by Jeff Bowen
Moderate Swing! =
HONKY-TONK
PIANO
? b 44
Gm
67
Gm
Keyboard/Cond.
ARCHER
CUE:
MAN 2:"...pop in and out of
their shells all the time."
Easy pop shuffle ( = ) q = 128
& b 44
HONKY-TONK
+Mand,
PIANO
Drs, Bs
? b 44

>
F .
P

CUE:
M2: You guys ever work
with Kevin Bacon?
&b
?b
.
P
be
&b
Just
Dm
& b
? b .
he had a
puf - fy couch,
full of shrimp cock
com - fy
or a
Bb
D m/C
J .
B bmja7
where I
D m/C

.
68
stay
all the time
j
.
sheets.
with Arch
G m9
"
.
-
C 7sus
Or
C7
tail?
bed with thou - sand count

doub - le - you ho - tel
like the bed - ding at the
la - va lamp,
Bb
Gm
mi - ni fridge
Gm
some if in - side that shell
j j

&b

16
awe
& b .
?b

. >
F

Would - n't it be
may
j

" j
. J
J

&b
12

. >
F

MAN 2:
CUE:
M2: "I should try
more new things."

j
j
er.
C7
Keyboard/Cond.
20
&b
don't
20
ARCHER
real - ly know
what the
Dm
D m/C
& b
? b .
.
B b maj7
tin".
cra
& b J j j .
& b
27
?b
Gm
day,
'cause Arch - er's
& b j
3
31
or writ - ing books
& b
31
?b
Gm
.
.
up - state buil - ding the ca
Bb
when he's
not
Bb
fight - ing drag - ons in
He's
.
.
j
.

bin.
69
zy
since the
us
j

3
'lly
out on the yacht
space.
We
j
b

F7
27
wed - ding
.
J .
Things are real - ly
?b
"wo - man" or "Wes -
D m/C
"
& b
may - be
.
.
j j
it's
don't know.
D m7/G
think
23
G7
Dm
B b2
but
D m/C
& b .
doub - le - you stands for,
j
.
.
J .
23
Bb
just

.
.
bought an
a - part -
Keyboard/Cond.
ARCHER
35
&b
-
35
&b
ment
by
?b
Buck - ing - ham
Pal - ace last
year.
A b6
j .
.
b b
b.
39
&b
views are so beau
E7
39
ti - ful
?b
take
pic
43
&b
tures
of
the
light
&b
n
? b n.
b
&
nel.
C 7sus
& b

.
ning
Arth - ur real - ly
46
?b
wants
three
.
70
.
.
and
the
#
that

n #
n
send
'em
to
The Weath - er
Chan -
C 7sus

bed - rooms at
the
cab - in... Did I
just
say
Gm
G maj9/A
46
Em
E m/B
43
G maj9
~
#
~
~
~
~
# .~~~~~~ n
n
love the Eif - fel Tow - er and
rains
E7
& b #
n
.
.
when it
D
j j #

J
J
j
.
j
.
j
.
Keyboard/Cond.
ARCHER
50
&b
"Arth - ur?" What I meant was "Arch
50
Bb
j
.
&b
Arch - er
get his way
Bb
&b
pro
play
gym for his work
er
so,
71
three
er's
outs
j .
j
.
'cause Arch
j .
.
base - ball
j
.
A home
Gm
tia - ble
Gm
&b
I let
Gm
to tell him "no,"
Gm
how much I try
pop - corn.
&b
?b
non - ne - go
62
62
I like
Gm
&b
?b
is
58
mat - ter
j .
. .
ev - ery time.
&b
58
er." Yes, "Arch - er." No
j
j

j .
.
.
.
54
?b
C7
&b
? b .
.
54
bed - rooms it
is.
C 7sus
Keyboard/Cond.
CUE:
W1: "...running from everything else."
Ala "Walk on the Wild Side"
Brushes on Ride
THAT'LL NEVER BE ME
##
& # # # 44
#### 4
& # 4
? # # # # 44 j
#

&
####
####
& #
? ####
A
Moderate ballad q = 90
.
j
# j

1:
# # # # WOMAN
& #
j j

+Gtr.
j j

&
####
+Gtr,
Drs, Bs
? ####
7
There's a beau - ti - ful mo
# j

##
& # ##
? ####
star
on the
She start - ed life with a
sil
ver
spoon
and now
.
.
J .
# j
vie
co - ver of
72
a mag - a - zine.
..
.
####
& #

j r
she's on
the sil
ver
screen.
THAT'LL NEVER BE ME
Keyboard/Cond.
####
& #

&
####
+Gtr,
Drs, Bs
? ####
12
&
12
&
####
####
? ####
14
&
won - der what
&
####
+Gtr,
Drs, Bs
? ####
cloud nine,
.

J
but the
clo - sest that
I'll get
F #7
j j
j

j j
j j

# j

turn - ing through these
( )
E add2
pa
ges in the check out
line.
j j

# j
#
-
in' where
# w

E
# j
wants
She's got
a good thing
j j

to
go.
di - an
tel - lin' some jokes
go
'cause
in'
she's
go -
she
show.
.

J
is
#
.
on a
There's a fun - ny com - e
to that
j j

WOMAN 2:
# j
? ####
16
liv - in' on
.
.
J .
####
& #
&
be like
####
####
must
14
16
it
. .
73
Ev - 'ry - bo
dy
likes

and
her
.

j
her
THAT'LL NEVER BE ME
Keyboard/Cond.
18
&
18
&
####
####
? ####
per - son - al
#
ww
ty.
bet she's
j j

# j
####
& #
free of
&
####
? ####
free to be
&
25
&
####
####
? ####
j j

tions
and
she's
ly
G #m
# .
hap - py,
F # 7sus
# .
be.
wealth
..
if
G #m
could
G # min
have
F #7
j
.
j

74
I'd
be
me.
if
life
er,
her
j
.
W1:
..
were luck
on - ly
on ly I
..
er,
but that - 'll ne - ver be
If
j
j j j
were
. r

W2/W1:
# .
er she wants to
# j
on
( )
? ####
25
who - ev
####
& #
&
pec - ta
E add2
####
23
23
20
20
ex
F #7
j j

j Ej

.
j j

Keyboard/Cond.
28
&
####
WOMAN 2: "...Youd make a great lawyer. End of meeting."
####
& #
28
? ####
F#
####
& #
on - ly
? ####
33
&
33
&
####
####
? ####
36
&
####
G #m
j r
were
bold
er,
# .
if
run
the voice
that
says,
F # 7sus
####
& #
B
# j

.
.
j j

were
fas
ter,
.
.
...
j j

75
could out -
j j
j
j j

if
...

j j

er,
wis
j
.
were
on - ly
me."
G #m
"That - 'll nev - er be
F #7
on - ly I
G # min
36
? ####
If
j r
WOMAN 1:
..
B
j
j j j j
####
& #
31
. .

J
# j j j
31
THAT'LL NEVER BE ME
THAT'LL NEVER BE ME
Keyboard/Cond.
# # # # G
& #
39
39
&
39
&
####
####
+Gtr,
Drs, Bs
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WOMAN 1:
How'd
they
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lead
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get
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76
an
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THAT'LL NEVER BE ME
Keyboard/Cond.
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it's
field
77
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W2:
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####
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####
..
Meno mosso
55
55
WOMAN 2: "...so off I go, zip, zip, zip."
is
the
THAT'LL NEVER BE ME
Keyboard/Cond.
57
&
57
&
####
####
? ####
#
#
per - son who
I real - ly am
F #7
# j
# # # # W2:
& #
60
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62
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####
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Keyboard/Cond.
66
66
&
66
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70
&
70
&
70
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73
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Keyboard/Cond.
KICK ME
CUE:
MAN 1: "This could not be more my thing."
Moderately fast, with a strong beat q = 116
### 4
& 4
### 4
& 4
Dist. Gtr
This
is
ment that
&
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stand - ing here
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&
###
me
? ###
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&
don't say some - thing
D5
I'm
at a
ca - bin
in
the
just in - vit - ed
dumb.
woods where all
A cute mu - sic nerd
to come and stay
come,
A5
and hop - in' that I
dreamed would
###

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the mo
If full band, Piano tacet until m.17

F
+ Drs, Bs PIANO
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MAN 1:
r
.
the
. n
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get
a - way.
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F5 G5
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3
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3
10
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&
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Deep down in - side
I know
this is what pa - ra - dise

is,
week - end filled with board - games and sing - in' a - long
A5

80
Keyboard/Cond.
KICK ME
###

&
13
13
&
to the songs of Les Miz,
###
I got - ta grab this chance
### .
&
Fin - al - ly some - thing
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to

B m/F #
E5
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19
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16
&
D5
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cool
guy
D5
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81
and
let
my
in - ner
geek
shine
through,
Keyboard/Cond.
KICK ME
###
&
24
###
&
? ###
so
24
I can be in
charge of the buz
I'm gon - na break
Ta
D5
G5
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42
44
42
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###
&
35
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37
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A5
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in'
vi - de - o
of
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"Green
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star - ring Ger - ard
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let
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par - diu.
83
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42
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37
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Keyboard/Cond.
KICK ME
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F
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B5
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ing
MAN 1: ...Empty Chairs at Empty Tables.
pen a door?
E5
Dr. Fill
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wait
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hold - in' o
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gas?
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n. n
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G5
A5
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n. n
84
the
>
the ass.
B5
>
Keyboard/Cond.
THAT MAKES ME HOT

CUE:
W2: "...through the Earths crust, becoming lava."
# # 4Moderate Rock q = 116

& 4
## 4
& 4
? # # 44
..
That
Makes
..
..
Me
Hot.
Play 2x
n
P
D
(Tacet LH if Bass plays)
#
..
& # n
n
? ##
ALL (concert) :
n n
f F
n
+Gtr,
Drs, Bs

A
&
&
&
11
&
##
##
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11
D/C
##
##
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..
CUE OUT:
W1: "I am cutting and cutting and cutting."
..
r ..
n
W2:
..
n

n
n
Vamp
D/C
feels
like
she's
with
D7
heav
en
in
..
her
hands all
up
in
85
Scott...
n j
A7
G7
It
..
..
Keyboard/Cond.
THAT MAKES ME HOT
CUE:
W1: "Ive never known
how to cut hair."
singers
W2/M2/M1:
Q
#
& # n
14
14
&
##
That Makes
Me
+Gtr,
Drs, Bs
Hot.
#
& #
j.
..
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## .
& .
## .
& .
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&
##
##
? ##
25
&
W1/M2/M1:
thing
is beau
ti
ful
and then
..
n ...
D7
F
..

CUE:
W2: ...and notice his testicles
hanging out of his boxers.
25
..
n
Ev - ry
Vamp
22
Bm
CUE OUT:
W1: "I look lovingly at my fianc."
22
Q singers
n
W1/M2/M1:
That
Makes
Me
Play 2x
..
..
n
..
sud - den ly
it's
not,
A7
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G
D
P
? ##
18
..
G7
Hot.
n n
D
P
D/C
86
Keyboard/Cond.
29
&
##
THAT MAKES ME HOT

n n n
+Gtr,
G
Drs, Bs
? ##
32
&
##
? ##
D
D/C
2:
# #WOMAN
4
& 4
36
#
& # 44 w
W1/ This was not

M2: (concert)
..
..
way
CUE OUT:
M1: "...and she goes down hard."
Vamp
the
things
were
sup - posed
..
..
>
>
CUE:
M1: "...shoots out the
bottom of her pants."
42
44
f
24 . n 44
J
to go
down,
Aah,
sup - posed
to go
do
wn.
## 4
& 4
.
.
36
? # # 44
38
&
W2/
M1: (concert)
##
. w
. w
##
&
some - one make
38
&
##
? ##
Some - one
.
.
this mo - ment dis - ap - pear.
make
.
this
dis
Where is there
ap
pear.
a rock - et
Ahh,
that
will
.
will
87
Keyboard/Cond.
&
##
&
##
41
41
&
##
blast me
blast me
THAT MAKES ME HOT
..
out
of town
and
..
out
+Gtr,
Bm
Drs, Bs
get me
a mil - lion miles
M2/M1:
of town
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j
..
W2/W1:
and
Get
me
a - way
way
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n
n
&
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44
&
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n n n
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CUE OUT:
M2: "...apparently I had
not locked the door."
#### .
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&
47
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&

C # m Gtr. ad lib
P
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W2/W1/M1:
You
think you've cov - ered ev - 'ry - thing, but there's
..
n
..
E7
F
some - thing you
for - got.
B m7
50
r .. n
n
n
n n
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&
Vamp
47
E/D
A m7
STOP ON:
M2: ...and closes the door.
Play 2x
n
C+
E/B
88
.. .. ..
#
#
F#
.. ..
Safety
..
Keyboard/Cond.
CUE:
M2: "That lasts approximately no hours."
&
####
&
####
####
? ####
55
55
&
59
&
&
59
&
####
####
####
? ####
62
&
&
62
&
THAT MAKES ME HOT
####
####
####
? ####
2
4
42
42
4
4
This was not the

W1:
M2/M1: (concert)
way
things were
44

Aah.
J
M2:
w
w
ww
some - one make this mo - ment dis - ap - pear.
down,
to go
Ahh.
sup - posed
44
ww
f
24 . n 44
J
W2:
Where is there a rock - et
ww
will
Ahh
No hou - rs!
that
Ahh.
blast me
blast me
town
and
get me
a mil - lion miles
a - way
town
and
get me
a mil - lion miles
a - way
from
here?!
from
j
n ...
..
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out of
j
.
out of
89
here?!
C #m
Keyboard/Cond.
####
&
65
65
THAT MAKES ME HOT

MAN 1: I introduce myself to Betty Comden and I say, it's an honor
to meet you Miss Condom.
####
W2/W1/
M2:
That
Me
Makes
n
n
n
E
E/D
A7
f
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? ####
&
68
&
68
####
####
WOMAN 1: While playing the fair Rosalind in "As You

Like It", I straight up wet myself.
W2/
M2/M1:
Hot.
That
Makes
Me
n n n
E/D
A7
E
f
P
#
? ## #
&
call my math teacher mommy!

M1:
# # # # M2: I accidentally
&
n n
Hot.
That
71
####
n
&
n
n n
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E/D
P
f
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# # # # W2/W1:
n
&
# # # # M2/M1:
n
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&
74
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71
74
E/D
That
n n
f
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Me
Makes
Me
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Me
Hot.
n n
Makes
Hot!
A sus4
ww
n
W2: I got crabs!
>
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90
Keyboard/Cond.
THEN COMES YOU
CUE:
W1: "...seven billion people in the world."

Vocal Arrangement by Larry Pressgrove
Allegro dolce q = 106
& 44 ..
Play 2x
.. ..
WOMAN 2:
..
V 44 ..
..
..
& 44 ..
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triangle
&
&
.
Doot
.
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Here,
here at the start
Doot
Doot
Doo
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V .
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CUE OUT:
W1: "That's what's awesome."
& 44 ..
V 44 ..
Vamp
j
-
.. .. j
.. .. Bass
j
. -
Doot Doo
. J-
try to know
j j

Doot
Doo
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91
doot
j
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doo
j
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doo
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doo
j
.

.
J
J
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ing.
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j
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go
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where I am
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doo
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.
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doot
.
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WOMAN 1:Doo doot
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MAN 2: Doo doot
j .
..
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MAN 1: Doo doot
j .
..
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j
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Doo
..
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THEN COMES YOU
Keyboard/Cond.
9
&
Days,
&
.
Doot
.
V
days fill with dreams
Doot
& .
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13
& .
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&
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j
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When I
fi - nal - ly own
w .
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THEN COMES YOU
Keyboard/Cond.
17
&
can
go it
Bah
dat
dat
Bah
dat
dat
&
V V -
Bah
17
&
&
j
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j .
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21
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93
j
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daht
go to move,
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j
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j
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doo
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&
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21
lone,
n.
&
daht
Bah
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Bah

. Bah
Bah
j

daht
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daht
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THEN COMES YOU
Keyboard/Cond.
25
& . -
Bah
Bah
&
daht
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. .
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Bah
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daht
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.
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-
.
daht
Bah
j
.

Bah
Bah
. Bah
Bah
j
Bah
Bah

. -

. -
.
-
. .
daht
Bah

me.
for times in the sun
times in the sun
# #
times in the sun
THEN COMES YOU
Keyboard/Cond.
& J
j j

j j
j
I
pur - sue.
# j
33
that
& j
that
V n
that
pur - sue.
pur - sue.
j
j
& #
that
pur - sue.
33
When the lights
fade,
V w
V w
37
&
? w
fade,
n.
world
world
spin
spin
+Shaker, Ank. Bells
95
then comes
you.
then comes
you.
then comes
you.
then comes
you.
ww
w
by
I watch the
I watch the
lone in the shade,
j
a lone in the shade,
& w
When the lights
37
& w
by
ev - ery - day
and it's
filled

ev - ery - day
j

.
and it's
filled
THEN COMES YOU
Keyboard/Cond.
41
&
& j
with cur - i - os - i
V
V

J
&
? w
&
no - tice
&
V
- ty.
j
w
world
to
All of these peo
- ty.
world
& ..
w
they
see.
they
see.
ple
look
ing for some - one
.
.
to
j
j
.

96
ing for some - one
45
ple
no - tice
look
All of these peo
j j j j .
.
41
45
j
w
In
doz - ens
of
pla -
doz - ens
of
pla -
doz - ens
of
pla -
In
In
In
doz - ens
of
pla -
THEN COMES YOU
Keyboard/Cond.
48
& .
-
.
J
.
J
.
J
ces,
& .
ces,
V .
-
V .
-
j
& #

48
?
J
ces,
j

ces,
+Conga & Shaker
& .
52
& .
V
V
you
? .
you
& ..
52
.
J
you
you
..
past
thou - sands of
fa
past
thou - sands of
fa
past
thou - sands of
fa
past
thou - sands of
fa
.
J
.
J
ces,
.
J
ces,
ces,
j

j

.
J
ces,
..
al - ways see
see
I al - ways

al - ways see
al - ways see
and you
see
me.
and you
see
and you
see
me.
and you
see
me.
j

J
J
me.
w
w
+Conga
w .
w
97
.
j
.
j
ww
THEN COMES YOU
Keyboard/Cond.
56
& .
I
& .
stare out in to
stare out in to
space
stare out in to
space
V .
I
&
?w
j j

wan - ting some - one
to
j j

share
the

J J
space
V .
56
to
to
space
share
to
Just when
&
think
I'm
a - lone
on
the
the
share
the
view.
view.
view.
+Shaker
brink,
#
j

then comes
w
& w
?
98
w
#.
60
w
view.
j
#.
60
&
the
j j

to
j
#
stare out in
share
ww
w
you,
THEN COMES YOU
Keyboard/Cond.
G
63
& .
&
and
and
67
&
V
V

If
I just
stand

If I just

stand
stand
and reach out my hand,
If
I just
stand
and
you,
and
you,
ww
99
and
you.
U
U
and
you.
and
you.

j
(triangle)
I just
you,
If
67
A tempo
&
&
you,
and
63
&
you,
Rit.
and
#w
# ww
you.
Rit.
j
j w
then comes
you.
j
j w
then comes you.
w
J
J

J
J
then comes
you.
then comes
you.
w
w
w
j
w
w
w
w
Keyboard/Cond.
GOLDEN PALACE
CUE:
WOMAN 1: The subject is reading.
Andante h = 75
Acoustic Gtr. C
1

& C

&C
?C
Am
A
9
Big
o - pen
sun - light
MAN 2:
&
blue
skies,
&
? w
V
&
14
the
light
&

?
boun - ces
still
gets
eyes.
my
100
If
shut them
Big
blue
skies,
o - pen
MAN 1:
through.
off
Am
14
tight
14
wide,
wide,
GOLDEN PALACE
Keyboard/Cond.
19
&
sun - light boun - ces
off my eyes.
If
19
&
&
19
? w
Am
&
Big
blue
WOMAN 2:
If
&
25
? w
skies,
shut
&
29
&
C
? w
wide,
them
tight
the
light
shut
them
tight
the
light
light
gets
ces
off
my
through.
through.
101
gets
boun
through.
off my eyes.
still gets
still
Am
tight the light
still
sun
&
29
WOMAN 1:
If
o - pen
29
o - pen wide,
WOMAN 1:
shut them
&
&
25
Big blue skies,
MAN 1:
25
WOMAN 2:
eyes.
GOLDEN PALACE
Keyboard/Cond.
? ..
33
C Play 2x WOMAN 1: Its a warm night (etc.)...
? .. w
+Bass
Am
? & ..
37
? w
CUE OUT:
W1: "...puts on the same clothes he wore yesterday."
V ..
41
Vamp
& ..
41
? ..
45
#
&
reach
45
?#
..
..
Bm
..
from
you
Em
C maj7
E m/D
# MAN 2:
..
#
#
Way
up
Em
sits
102
high
E m/D
and me,
out
of
C maj7
+Gtr, Bs
MAN 2/
MAN 1:

a gol
den
.
pal
Em
C maj7
E m/D
ace,
GOLDEN PALACE
Keyboard/Cond.
49
49
&
have no
C6
?#
V
53
&
#
#
map,
have no
There
in
?#
Em
&
C maj7
E m/D
#
G
sci - en
are
E m/D
C maj7
C6
..
tists
and
mathe
Bm
.
J
ma - ti - cians
C2
the way.
des - tined to
?#
61
..
side
3
2:
# WOMAN

V
&
..
key.
57
57
..
W2/M2/M1:
Em
CUE OUT:
Vamp W1: "...top-of-the-world place."
..
..

E
53
WOMAN 2/
MAN 2/
MAN 1:
Em
B m/D
W1: "My father is an excellent mimic, etc."
? # Bs. out
Em
.
103
GOLDEN PALACE
Keyboard/Cond.
65
&
#
G
? # .
69
&
&
77
&
?#
Em
?#
.. ..

G D/C
C
D
CUE :
M1: "I can't."
?#
73
E m/D
C maj7
C/D
#
&
C 2/G
C maj7
E m/D
C/F #
Em
C 6/D
W2: "He fishes an old unemployment check stub, etc."
Em

E m/D
C maj7
C/E
C/D
Em

E m/D
C maj7
104
..
C/F #
C 2/G
+Gtr, Bs
C/E
..
Poco rit. last x
W2: "My father is working second shift, etc."
81
?#
CUE OUT:
W1: "...and he has to say in
front of everyone."
Vamp
GOLDEN PALACE
Keyboard/Cond.
I
85
# .
.
CUE OUT:
W1: "...writing on the back of a shoe box."
Safety
..
#
& .. ..
85
? # ..
C 6/D
#
V J
89
nov - el
#
&
89
C2
?#
93
93
&
&
?
ists
and
in
Em

E m/D
C maj7
D7
.
J
fine
mus i
WOMAN 2:
cians
side
are
build ing great
works
of art.
Em

E m/D
C maj7
There
C 6/D
#
#
Em

B m/D
Am
A m/G
F maj7
?#
97
..
MAN 2/
MAN 1:
n
n
W1: "Im home from school on winter break, etc."
Am
105
Am
Bs out
A m/G
A m/G
F maj7
F maj7
GOLDEN PALACE
Keyboard/Cond.
STOP ON:
M1: "Naw, now. I can't."
Vamp
& ..
101
F6
? ..
.

.
..
Play 2x
& ..
104
Am
? ..
+Gtr, Bs
A m/G
&
Am
A m/G
F2
&
CUE to MOVE ON:

W1: "...that populate
that place..."
Safety
F maj7
F6
.. ..
..
F6
U "
Rit.
A m/G
W1: "Girls who come from

what I come from."
Am
.. .. ..
L Meno mosso
F maj7
108
113
W1: "The Golden Palace is where the Beautiful People, etc."
www
Am
A m/G
www
Am
A m/G
www
BAND GOES BEFORE:

W1: "I see my hands resting on the keyboard..."
119
&
?
Tranquillamente
+Guitar
106
GOLDEN PALACE
Keyboard/Cond.
126
&
STOP ON:
W1: "...the words you are listening to right now."
CUE:
M1: "I can't."
U
w
A Tempo
..
& ..

Play 3x
131
W1: "I check to see if cell phone coverage, etc."
? ..
Play 3x
? ..
+Bass
& ..
139
&
?
CUE TO GO ON
. W1: "...New Hampshire."
Vamp
..
..
..
W1: "It is not over the horizon, etc."
Appassionato
..
? .. .
143
W2: "Everybody is waiting for him to read, etc."
& ..
135
Gtr out
..
107
GOLDEN PALACE
Keyboard/Cond.
..
Vamp
&

?
Scherzando
& ..
152
Vamp
& ..
CUE OUT:
W1: "...Reading."
Gtr
? ..
Bs out
..
..

o - pen wide,
w
.. w
w
w
Am
WOMAN 2/
MAN 2 (concert):
Big blue skies,
..
sun light boun - ces
&

V
If
I
MAN 1:
shut them
Big blue skies,
&
158

&
158
A m/C
? w
w
off
my eyes.
tight the light

If
shut them
still gets
o - pen wide,
w
w
through.
w
w
tight the light

off my eyes.
Big blue skies,

w
w
Rit.
still gets
through.
o - pen wide,
w
w
U
w
w
www
w
w
through.
108
WOMAN 1:
C +Bass
158
&
152
? .. ..
&

& ..
152
CUE OUT:
W1: "We all belong here."
? ..

..
..
147
w
w
Keyboard/Cond.
GET INTO IT
CUE:
M1/W2: "The Georgian Diamond."
Moderately fast q = 146
4
& b 4 ..
& b 44 ..
Vamp
&b
Drums
Can't you
& b
his
?b
Dm
14
&b
?b
nw
su - per fierce
D/F
lad
CUE OUT:
M2: "Modeling is
my destiny."
..
+Bass
..
get, get, get, get
in - to it.
.
.
so
get,
Bb
get,
get,
Get
in
to it.
j
j
j
who
did - n't have all the things that he wished he
.. ..
Bb
ww
..
Vamp
.. ..
G/B
G/B
+Drum Groove
is re - al - i - ty
D m/C
Dm
Gtr
CUE OUT:
M2: "..family's
rented beach house."
n
fan - ta - sy is re - al - i - ty, so
w
nw
fan - ta - sy
Once u - pon a time there was a
14
.. ..
.. ..
WOMAN 2:
& b
Vamp
.. ..
D m/C
&b
14
his
10
&b w
see
Dm
F
#
?b
see
SYNTH LEAD
WITH PHASER
you
.. ..
WOMAN 2/
WOMAN 1:
& b #
Can't
CUE OUT:
M2: "...Paper dolls."
.. ..
Vamp
.. ..
10
.. ..
CUE OUT:
M2: "...at the local
department store."
? b 44 ..
Bb
109
had.
ww
He spent
J .
C sus
Keyboard/Cond.
GET INTO IT
18
&b
ho - urs in his bed - room with the
& b
&b
22
Dm
D m/F

li - ving life in his head
ww
18
?b
door locked tight,
18
each and
ev - er - y night.
ww
.
J

Bb
slay the com - pe - ti - tion at the
loc - cal mall at se - ven to - mor
&
C sus
&b
.
22
He's gon - na
row.
MAN 2: (concert)
I'm a

b
&
22
?b
Am
Dm
W2/W1/M2 (concert):
26
& b .
fab - u - lous tech - ni - cian and I
ww
& b w
26
learned it all from Bren - da Va - car
ww
w
ro!

W2/W1:
.
.
He's rea-dy to score

&b
26
?b
Am
Dm
110
Keyboard/Cond.
GET INTO IT
D
30
&b w
and leave 'em
30
& b ww
?b

beg - gin' for
34
& b ww
&b
o - pens the door.
# ww
# ww
ww
www
ww
ww
34
when he
more
..
A7
?b
E
38
&b
W2/W1:
# n
Work it, work it.
# # n # n
b
&
J
J
38
f
?b
Dm
B b7
B b7
Dm
# n
Move it, move it.
# n
J
CUE SFX: Mall Muzak
42
&b
# # n # n
b
&
J
J
42
?b
Dm
B b7
.
.
ww
..
.
n
J
ww
nw
A sus
Aah.
Ahh.

111
Keyboard/Cond.
GET INTO IT
SFX OUT and CUE:
M1: "...winner today is... Ashley!"
47
W2/W1:
&b
Who needs re - al
47

&
> >
+Gtr, D m
P
Drs, Bs
?b

> >
i - ty
when you can live
D m/C
in a fan - ta - sy?
Get, get, get back
in - to it.
D m/B
Bb
51
&b
Who needs re - al - i - ty when you can live

Get, get, get back in - to it.
There's an
in a fan - ta - sy?
51
w

&b
cresc. poco a poco
F
D m/C
D m/B
Bb
A sus
? b Dm
n
>>
56
WOMAN 2:
& b j . j
off - cam - pus par - ty set for
Sat - ur - day night. He's
so
jim - mied up and ex - ci - ted that he got an in - vite.
He
56
.

J
&
Dm
?b
Bb
D/F
60
C sus
&b
knows to
60
&b
?b
j
.
be ad - mi - red he'll do what's re - qui - red so he clicks on V - H - 1 to get him self
in - spi - red.

J .
Dm
Bb
D m/F
112
C sus
Keyboard/Cond.
64
GET INTO IT
W2/W1:
& b .
b

b
&
See" him
?b
Am
67
& b .
?b
get
"In - to
the Groove" and
"Vogue" then "Take
na.
Ma - don -
.

On the
out - side I'm "Bust a Move", but
Dm
Am
&b
W2/W1/M2 (concert):
70

b
&
deep
in - side
I'm
Lo - la
Fa - la
na!
He's rea - dy to score
Dm
W2/W1:
.
.
70
?b
Bow" like
MAN 2: (concert)

&b
-
67
"You'll
64
B b7
I
73
&b w
and leave 'em beg -gin for more
73
& b ww
F
?b
..
when he o - pens the door.
ww
113
A7
ww
# ww
ww
Keyboard/Cond.
79
&b
# n
GET INTO IT
MAN 1: Youre amazing!

This is the highlight of my party!
# n
Work it, work it.
# # n # n
b
&
J
J
f Dm
B b7
?b

79
B b7
Dm
Move it, move it.
# n
J
CUE SFX: 80s dance mix

83
&b
# # n # n
b
&
J
J
83
?b
Dm
K
88
&b
B b7
CUE:
Man 1 exits.
Who needs re - al
&
> >
P
Dm
?b

> >
i - ty
88
92
&b
?b
Who needs re - al
ww
..
.
n
J
ww
w
A sus
Ahh.
i - ty
when you can live
in a fan - ta - sy?
in - to it.
Bb
when you can live
Get, get, get back
D m/B
D m/C
Ahh.
in a fan - ta - sy?
in - to it.

Bb
114
Get, get, get back
D m/B
cresc. poco a poco
Dm

> >
D m/C
92
&b
.
.
Keyboard/Cond.
L
96
&b
WOMAN 2:
The
96
&b
F
? b A sus

for our boy to
time has come
get
Dm
D/F
j
& b j
Sa - tur - day. He's got a crush on a guy named Matt and Matt is
100
.
J
&b
100
?b
C sus
way,
he's planned a
trip to Six
Flags
on
Bb
D m/F
. j
all he thinks of,
he's ho - pin' that they o - pen up the

Dm
GET INTO IT
Bb
M
104
&b
?b
B b7
They'll buy
.
&b J
Tun - nel of Love.
104
C sus
W2/W1:
cot - ton can - dy, toys and pos - ters.
He's all hap - py, gid - dy, and chat -
Am
108
MAN 2: (concert)
&b

.
.
E - ven though I hate the rol - ler
ty.
108

&
?b
Dm
Am
115
Keyboard/Cond.
GET INTO IT
111
&b

b
&

coast - ters, I'll
get
on
'em with
Mat
ty!
W2/W1:
He's gon - na
111
Dm
?b
114
&b
turn on the charm
114
& b ..
.
Dm
? b .
& b
118
tran - cing
as he ro - man - ces and
Am
man
ap
& b ww
C sus
?b
& b 44
peal,
chance Matt
#
4
b
& 4
P
? b 44
our boy has got en -
b b
b b
b
b
b
Bb
can
re
Db
42 j b
-
42
b n
b n
42
116
Eb
fuse.
# n
J
44
44
# n # n
J
J
j
# n
in arm,
..
Bb
there's not
arm
..
.
MAN 1: "Oh my god. I love this ride, etc."
122
woos, he and Matt will be
...
118
122
44
Keyboard/Cond.
GET INTO IT
126
&b
..
# # n # n
b
&
J
J
126
?b
..
..
Safety
STOP ON:
M1: "Stop! What are you doing?"
ww
n w
J
..
.
..
bbbb
..
bbbb
..
bbbb
CUE:
MAN 2: "Matt, I gotta get off this ride."
b
& b bb
131
W2/W1:
Who needs re - al cresc. poco a poco al fine
bb b b w
&
131
P
? bb b
b
i - ty when you can live
cresc. poco a poco al fine
in a fan - ta - sy?
w
n
.. n

w
n
MAN 2:
"Matt. I cannot breathe. Seriously. Get me off!"
b
& b bb
135
Who needs re - al
bb b b w
&
135
? bb b
b

in a fan - ta - sy?
i - ty when you can live
117
w
n
.. n

w
n
Keyboard/Cond.
THIS TIME
Cue: " I have been patient."
#### 4 .
& # 4 .
Play 2x
? # # # # 44 .. w
#
MONO
GRAND
? # # # # 44 ..
#
####
C # m7
D # m7
? ####
####
? ####
13
&
####
# .
C # m7
j
.
C # m7
j
.
E/F #
j
. .

? ####
#
? ####
# .
/F #
j
.
F #/E
C # m7
. .
this
j

.
a gen - tle
C # m7
G #m
.
This
j
.
118
a - dise
j
.
give
j
.
will I
G # m7/F #
j
.
start
in
when the rain
/F #
/E
time,
j
.
will I just
/F #
or
j
j
j

time
j
.
G # m7
par
D # m7
j
.

This
j
.
j
.
D # m7
j
.
E/F #
I'm stan
j
.
j
j
n
13
j ..
.
Is
ding here,
the
w

Now
E sus/A
to pour down?
WOMAN 2:
j

starts
G #m
.. w
#
. w
.
on - ly
the eye of
the
storm?
9
n
? # # # # w
#
&
j
j
j .
.
.
..
#
. w
sun - light
is soft and warm.
5
w
? # # # # w
#
&
Moderato espressivo q = 106
j
.
to swim
E maj7
j
.
B/F #
j
.
or
Keyboard/Cond.
THIS TIME
#### j
& #
17

? # # # #
#
will
start
to
17
? ####
G # m7
# .
#### .
& # .
21
G # m7/F #
j
.
drown?
F#
? # # # # ..
#
F #/E
+ Gtr
? # # # # ..
#
..
j ..
.
.
F#
j
.
####
? ####
29
&
####
C # m7
j
.
j
#
j

first
? ####
#
29
? ####
un - ex - pec - ted
C # m7
j
.
sound.
WOMAN 2:
j

.
wait - ing
#
B maj7/D # E/F
.
.
G #m
+Bass
+Cym
j
n.
119
..
j ..
j
.
a - lone
..
as the
j
.
j
.
j
j

for
the
slight
est move
or the
C # m7
j
.
D # m7
time
will I raise
/F #
j
.
j
.

This
E sus/A
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ing
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j
.
. .
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I'm walk
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j
.
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j
.
#
.
w
wind cir - cles all

a - round,
25
? # # # #
J
# J
&
j .
.
.
.
C # m7
+Gr/ Bs
j
.
..
F#
CUE OUT:
M2:"... I stop myself."
..
J
..
CUE OUT:
Vamp M2: "Actually, its kind of
spectacular. "
21
25
Vamp
j
j
my
/E
j
.
shield
when the hun -
/F #
j
.
Keyboard/Cond.
33
&
####
THIS TIME
# j

? ####
#
-
ters
spot
their prey.
33
? ####
G #m
/F #
F #/E
j
.
# .
j
j

This
time
will I stay
in the field
or
####
E/F #
G #m
/F #
j
.
&
? ####
41
&
####
G #m
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&
####
C # m7
want
C # m7
E/F #
j
.
+Cym
D # m7
j
.
C # m7
j
.
and what I can
j
.
D # m7
j
.
j
.
WOMAN 2:
? # # # # .
#
Now
and what I
j
. w
and who I
will
be.
.
J

45
? ####
j
.
. .
? # # # #
# J
B
j
. j
# w
41
45
j
.
# .
find
? ####
j
.
WOMAN 2/
MAN 2 (concert):
. r
# j j

.
will I
run
a - way
from who I
am
37
? ####
#
J
37
/F #
/E
C # m7
j
.

I'm
mov
D # m7
j
.
ing a - long
as
the
.
w
twi - light
be - gins to spread.
.
w
j
.
j
.
120
C # m7
j
.
F #/E

F#
j
. .
Keyboard/Cond.
49
&
####
THIS TIME
. .
.
I
take in this mo
ment
as the clouds ga - ther ov - er - head.
49
.
.
n
? ####
#
? ####
C # m7
j
.
#### .
& # .
53
D # m7
Vamp

? # # # # ..
#
? # # # # ..
# .
/E
53
G #m
57
&
####
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j
.
This
time
? # # # # ..
#
61
&
####
G #m
+HH
# .
? # # # # ..
#
61
G # m7
# .
will I see
j
.
/F #
j
.
true
will it blind
CUE OUT:
Vamp M1: "He is happy I am happy."
.. ..
..
F #/E
ning
G #m
..
streaks
E/F #
+Cym
through the gray?
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j
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view
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j
.
or
will it
G #m
j
.
121
..
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j
.
F #/E
light
j
j j j j

my
F#
..
.
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j .

..
j .. ..
when the light
j
n.
.. ..
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/E
j

time
..
j
.
E sus/A
+Cym
j
j
what's
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? ####
j
.
j
j
57
? ####
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WOMAN 2:
# .
j
.
.
CUE OUT:
M1: "...and then I think."
C # m7
E/F #
j j
.
W2/M2
M1 (concert):
. r
.

j
j

the way
to who I
Keyboard/Cond.
65
&
####
THIS TIME
? # # # #
# J
? ####
and what I
C # m7
#### .
& # .
j
.
be?
73
&
####
? ####
# j
73
? ####
77
&
####
C # m7
j
.
ques
tions
in
CUE OUT:
Vamp W1: "...and no one I'd rather be."
..
F #/E
j .. .. .
G #m
? # # # # J ..
#
I can em - brace
# j
.
are fad

Ev - 'ry - thing be - hind

G #m
E/F #
WOMAN 2:
/F #
..
122
/F #
..
sud - den - ly see
C # m7
me

F#
j
.
as
/E
&
And all
ing a - way
will
?.
.
/F #
and who I
me
/F #
77
? ####
j
.
. .
. .
D # m7
.. ..
j j .

..

these
/E
j
. .
+HH
j
.
B/C #
#### .
& # .
.
69
B
? # # # # ..
#
.
CUE OUT:
W1: "She asked me how I was."
Vamp
69
want
D # m7
+Cym
j
.
am
65
w
w
and what I can find
B/F #
and find the place where I fi - nal - ly find
G #m
Keyboard/Cond.
81
&
####
THIS TIME
j
.
n.
? # # # # n ..
J
#
me.
81
? ####
85
&
n
n nn# .
..
.
Now
nnnn#
&
# n j j .
.
&
89
&
&
93
&
#
#
?#
for - ev
..
B m7
..
j
.
j
.
Vamp
..
WOMAN 2:
..
nw
H
..
Now
C sus2/D
is the
.
.
j
n
n
j

on - ly
n
n
G +Gtr,
Drs, Bs
be - gins
to rise.
through these
..
Play 3x
A m/C
123
end - less
big
blue
skies.
A m7
j
.
..
...
..
..
..
..
n
n
j
b .

n
time,
here
b b
b
j
.
. J j
ver
A m7
CUE:
W2: "I love you."
..
C sus/F
B m7
STOP ON:
W2: "...and one day, it hits me."
new sun
A m7
as a
j
.
j
.
can see
#
&
?#
C/D
B m7
B m7/C
89
93
A m7
?#
with you
85
I run
G
+HH
nnnn#
+Cym
Eb
j
b
b
is the
n
n
G
.
.
j
n
n
Keyboard/Cond.
# j
&
97
97
&
?#
101
&
place,
Eb
A m/C
B m7
?#
109
&
?#
.
shine
this
time,
B m7
j
.
time
A m7
j
.
B m7
j
.
j

molto rall.
time,
B m7
sun
A m7
this
j

124
j
.
the
This
A m7
view.
C/D
A m7
C/F
n.
j
b
b
This
through.
to be.
Eb
A m/C
the
A m7
b
b
b
I can see
want
#
&

J J
B m7
109
j
n
n
.
.
time
will
all
# .
&
#
This
105
&
E b/F
j
b
#
&
105
is
n n
j
b
this
b
b
b
101
?#
on - ly
THIS TIME
A m7
j
.
j
w
time.
www
w
w
Keyboard/Cond.
Moderate Steady Groove q = 110
j
.. n ..
. .
# 4
& 4 ...
B
F G .
? # 44
.
&
?#
&
?#
C
. .
.. ..
Music by Jeff Bowen
n.
n.
...

n.
want
want
# . J
V
# .
J
I
want
j
#
want
# ..
& ..
fG A
j
?#
11
D sus
. j
b . j
more
more
life!
life!
And
And
we will have
we will have
.
J
J
n.
J
J
more
life!
.
J
. J
life!
And
we will have
more
life!
more
life!
And
we will have
more
life!
C sus7 G
. j
Em
accel.

125
j
b ... n
.
C7
. j

R
r
Where will I find
life!
more
j
bn ... n
.
b . j j
more
..
J.
with spirit q = 124 VOX OPTIONAL

# Upbeat,
. #
. #
&
J
J
J
# . j
&
Bm
BOWS AND EXIT MUSIC
Where will I find
it?
it?
Where will I
Where will I
..
.
&
&
16
r
b
What
V
16
What
&
?#
feel
like?
A sus
What will it
feel
like?
What will it
feel
feel
it?
will it
it?
like?
#

&
R
19
Now.
# . r
&

#
V
V
19
&
Where will I
?#
find
it?
And when is
like?
...
.
find it?
A sus
b
This.
What will it
feel
like?
feel
like?
and
Here.
b
b
will it
..
.
it com - ing?
What
it com - ing?
#w
Now.
And when is
Here.
Where will I
# w
C7
j
.
j
.
b .
# #
find
will it
#
V
find
BOWS AND EXIT MUSIC
This.
126
C7
b ....
b
b
22
&
&
#
#
BOWS AND EXIT MUSIC
when
when
is
is
V
when
V
22
&
#
#
?#
25
&
&
V
is
when
is
it
it
com
com
ing?
com
ing?
.
it
com
ing?
find
it?
Where
will I
find
it?
r
b
What
will it
feel like?
What
will it
feel like?
Here.
Now.
. r
Here.
A sus
This.
This.
This.
#
&
C7
U
w
#
V w
25
This.
# w
?#
will I
Now.
... ...

R
Where
ing?
.
it
U
w
b ....
ww
w
b
b
127
>
>
Keyboard/Cond.
(Piano Only Version)
THEN COMES YOU
CUE:
W1: "...seven billion people in the world."

Vocal Arrangement by Larry Pressgrove
Allegro dolce q = 106
& 44 ..
Vamp
& 44 ..
Play 2x
CUE OUT:
W1: "That's what's awesome."WOMAN 2:
V 44 ..
V 44 ..
.. ..
1:
.. .. WOMAN
j
- .
Doo doot
MAN 2:
.. .. j .
-
j .
-
doot
Doo doot
MAN 1:
doot
Doo doot
doot
.. ..
j
- w
doo
j
- w
..
..
..
doo
&
Here,
&
.
Doot
.
V
Doot
V .
Doot
here at the start
j
-
Doo
-
J
j
-
Doo
I try to know
Doot
Doo
Doot
.
Doot
.
&

?
. .
. .w
j
-
Doot
F a dd2
where I am
Doot
( )
.
Doot
.
Doo
128
( )
( )
F a dd2
j
-
Doo
-
J
go
.
Doot
.
j
-
Doo
Doot
Doo
Doot
j.
.
F a dd2 /G
j
-
Doo
-
J
Doo
..
doo
& 44 .. .. ..

? 44 .. Cw5
..
j
j
- . . - w
Doo doot doot
doo
ing.
j
-
Doo
-
J
j
-
Doo
Doo

F maj7
j

G
THEN COMES YOU
Keyboard/Cond.
9
&
Days,
days fill with dreams
&
.
-
J
Doo
Doot
Doo
.
V
Doot
Scared
&
V j
>Bah
V
13
&
e - ver be
Doot
Doo
oo
e - ver be
show
.
>
& .
D m7
of
.
>
Bah
what I
will find,
>
bah dah
J
Bah bah dah
j j

j
.
-
J
j
-
Doo
A m7
j j
J
j
ver
show
how will I
E7
129
ver
make
it
through?
make
it
ing.
make
it
When I fi - nal - ly own
through?
Am
j
J
J J
ver
j

>
ing.
j j j j
.
#
it
through?
how will I e
j ver make
# j j # j
.
how will I
#
.
e - ver be
oo
how will I
#
>
Bah dah
oo
Doo
j

>ing.
>

J
show
Doot
13
ing.
will e - ver be
.
>
show
> .
Doot
&

Doo
j
-
j
-
V .
that none of my seams
j
-
Doot
through?
j
j
D7
THEN COMES YOU
Keyboard/Cond.
B
17
&
&
-
Bah
V -
it
dat
dat
Bah
dat
dat
Bah
V 17
&
can go
dat
&
- .
J
&
j
- .
j .
-
j
- .
doot
j .
-
&
www
doo
doot
doo
C sus
C sus/G
Doo doot
doo
when I
doot
daht
Bah
daht
Bah
move,
daht
130
C sus/G
.
.
-
C sus/F
C sus/G
go to
j
- .
j
- .
Bah
doo
doo
. -
When,
doot
doot
Bah
j
- .
Doo doot

. Bah
Bah
21
C sus/F
? C sus
.
j
- .
Doo doot
j .
-
doo
Doo doot
you.
dah
doot
dah
dat
Doo doot
Then comes
j
- .
dah
j
- .
Doo doot
lone,
21
Bah
Bah
daht
. -
I
Bah
Bah
al - ways know
Bah
daht
Bah
daht
( )
F a dd9
THEN COMES YOU
Keyboard/Cond.
25
& . -
Bah
&
Bah
daht
. V

. .
Bah
Bah
Bah
daht
Bah
V . -
Bah
daht
daht
. - .
you're there be - side
Bah
Bah
me.
Bah
daht

. .
Bah
Bah
Bah
No,
Bah
daht
daht
Bah
F maj7
29
& . -
Bah
& .
Bah
the lay - ers that
Bah
daht
Bah
V
. Bah
daht
. V
Bah
daht
.
Bah
Bah
Bah
me.
Bah

. Bah
Bah
A m7/E
F maj7
131
daht
j .
Bah
can burst from the
bah
pack
j
#
>
pack
dah
> >
times in the sun
# #
j
j #
bah dah
D m7
. -
can burst from the
j

>Bah
daht
D m7
&

29
Bah
Bah
Bah
Bah
. -
hide
.
daht
&

C
. -
daht
. -
daht
you some - how see through
Bah
Bah
no mat - ter what I do,
Bah
25
Bah

. -

. -
times in the sun
E7
THEN COMES YOU
Keyboard/Cond.
& J
33
that
& j
j j
j
j j
j
j
V
j
V n
that
that
pur - sue.
pur - sue.
# j
pur - sue.
33
Am
A m/G
& w
& w
V w
V w
&
?
fade,
fade,
When the lights
J .
j j
.
D 7/F #
D7
lone in the shade,
.
D
G7
132
then comes
you.
then comes
you.
then comes
you.
spin
by
j

world

J
I watch the
you.
j

world
ww
I watch the
then comes
j
# j n

lone in the shade,
37
37
When the lights
pur - sue.
j
j
& #
that
ev - ery - day
by
filled
spin
and it's
ev - ery - day
and it's
filled
THEN COMES YOU
Keyboard/Cond.
41
&
& j
41
&
?
ing for some - one
to
V J
-
ing for some - one
ty.
j
w
j j

& .
no - tice
j j
.
.
they
see.
to
see.
no - tice
A m7
world
G7
j
w
..
world
they
133
of
J
J
44
All
ty.
of
& J
&
All
j
w
44
A m7/D

these
peo

these
peo
look -
ple
ple
look -
www
In doz - ens of pla -
THEN COMES YOU
Keyboard/Cond.
E
48
& .
-
.
J
.
J
.
J
.
J
ces,
& .
ces,
V .
ces,
V .
-
48
&
?
E m7
ces,
& .
52
& .
you
you
V
V
j

you
& ...
52
you
past
thou - sands of
fa
thou - sands of
fa
ces,
thou - sands of
fa
ces,
thou - sands of
fa
past
past
past
ces,
.
J
.
J
.
J
ces,
A m7
me.
and you
see
and you
see
me.
and you
see
me.
me.
w
w
j
.
134
al - ways see
al - ways see
see
al - ways see
E m7
and you
F/G
j j

j
j

al - ways see
.
J
THEN COMES YOU
Keyboard/Cond.
F
56
j
#
stare out in to
& .
I
D m7
space
stare out in to
V .
&
space
stare out in to
V .
56
& .
stare out in
space
to
space
E7
j j

j j

to
share
to
share
j j

share
to
Just when
think
I'm
a - lone
on
the
view.
view.
view.
view.
Am
the
#.
D 7/F #
A m7/G
brink,
#
j

then comes
w
& w
?
135
ww
w
#.
&
60
the
share
60
&
the

J J
to
the
D7
you,
THEN COMES YOU
Keyboard/Cond.
G
63
& .
&
and you,
and you,
&
Dm
A tempo
If I just
&
stand
you,
and
you,
and
you,
stand
If I just
stand
If I just
stand
If I just
& .
67
.
.
and
you.
and
you.
#w
you.
ww
D7
Rit.

j
you.
Em
and
&
and
63
67
and
Rit.
ww
w
136
j
j w
j
j w

J
J
then comes
you.

J
J
then comes
you.
then comes
you.
then comes
you.
w
w
w
w
w
w

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KEYBOARD-CONDUCTOR

601 West 26th Street Suite 312 New York, NY 10001

NOW. HERE. THIS.

601 West 26th Street Suite 312 New York, NY 10001

What Are the Odds.............................................................................................................................. 1

WHAT ARE THE ODDS?

Music and Lyrics by Jeff Bowen

bil - lion years a - go, a

In the black sits a qui - et - ly

ti - ny speck ap - pears out in space.

where some - thing

a - bout to take place.

are the odds

Vamp CUE OUT:

M1: "I am Batgirl."

WHAT ARE THE ODDS?

are the odds?

Vamp CUE OUT:

lone - ly and some - what in - com - plete

first a - mi - no ac - id sits a - lone in

they're a - bout an oc - til - lion to

Sci - en - tists say

W2: "...making myself cry."

dle feel - ing

WHAT ARE THE ODDS?

me - tab - o - liz - ing from the

cel - e - brates a new

through all of the

makes his way

through all of the

mil - li - sec - ond he

makes his way

are the odds

(Chorus holds "oor"

Oh, oh, oh,

Oh, oh, oh,

WHAT ARE THE ODDS?

are the odds

that all this

pre - his - tor - ic faun - a gets to

pre - his - tor - ic faun - a gets to

WHAT ARE THE ODDS?

quin - de - cil - lion tril - lion to

es in - to Earth and though

es in - to Earth and though

WHAT ARE THE ODDS?

Moderate surf rock h = 85

ba - by tur - tles start crawl - lin' 'round

it, there are

lots of spun - ky mon - keys that are

swing - in' through the jun - gle

WHAT ARE THE ODDS?

zoom in' a round with

liz ards get to geth - er and in - vent

bee tles and the birds

And then the

And soon The

the feath - er to be - come