Misa Immaculada Concepcion

NIHIL OBSTAT: Rev. Fr. Leo Nilo C.
Mangussad
Minister of Liturgical Music
IMPRIMATUR:
DATE:
+ Gaudencio B. Cardinal Rosales, D.D.

Archbishop of Manila
30th October, 2007
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Alejandro D. Consolacion II
Misa
Inmaculada
Concepcion
for cantor, congregation and mixed voices;
with brass, percussions and organ
VOCAL SCORE
Copyright August 2007 by Alejandro D. Consolacion II

Published and Owned by the Manila Cathedral-Basilica.
All Rights Reserved
It is illegal to photocopy music.
PUBLISHED BY :
Cathedral-Basilica of the Immaculate Conception
MANILA METROPOLITAN CATHEDRAL-BASILICA
Cabildo cor. Beaterio, Intramuros, Manila
Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192
Mobile: 0917.400.9131, 0928.743.0067
E-mail: mlacathedral@yahoo.com, mlacathedral@hotmail.com
www.manilacathedral.org
Alejandro D. Consolacion II 2007
Published and Owned by the Manila Cathedral-Basilica
All rights reserved. No part of this publication may be reproduced, stored in a
retrieval system, or transmitted, in any form or by any means, without the prior
permission in writing from the publisher/owner or as expressingly permitted by
law. Inquiries concerning reproductions outside the scope of the above should be
sent to the publisher/owner .
Permission to perform or to record the works (except in the course of divine
worship) should be obtained from the Manila Cathedral-Basilica.
First published 2007
Cover design by Matthew Niel Hebrona
Cover is a detail of 6W$QQHRIWKH,PPDFXODWH&RQFHSWLRQcirca 1627
Composers photo by Ferdie Espeleta
Music originated on Sibelius
INSTRUMENTATION
(a) Large Ensemble:
3 Trumpets in Bb
2 Tenor trombones
Bass trombone
Tuba
Timpani and Percussion (2 players)
Organ
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2 Trumpets in Bb
Timpani and Percussion (1 players)
Organ
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CONTENTS
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MISA INMACULADA CONCEPCION

Panginoon, Maawa Ka
55
Papuri sa Diyos
57
Alleluia
22
64
Santo
27
66
Misteryo ng Pananampalataya
29
68
Dakilang Amen
30
68
Ama Namin
30
69
Aklamasyon sa Ama Namin
34
71
Kordero ng Diyos
35
71
Mary Crowned with Living Light (QWUDQFH+\PQ
38
73
Remember, O Mary Immaculate 2IIHUWRU\+\PQ
41
74
Holy Mother of our Savior &RPPXQLRQ+\PQ
44
76
Holy Mary, Now We Crown You )LQDO+\PQ
48
78
MARIAN HYMNS
FOREWORD
Minor Basilica of the Immaculate Conception
CABILDO cor. BEATERIO, INTRAMUROS, MANILA, PHILIPPINES
Tels. 527-1796, 527-3093, 527-3889, 528-3876 Fax: 536-0192
Alejandro D. Consolacion IIs new composition, entitled 0LVD,QPDFXODGD&RQFHSFLRQ, launched at the 2nd
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RIWKHQHZO\UHVWRUHG3LSH2UJDQRIWKH0DQLOD&DWKHGUDO%DVLOLFD0&%DQGDWWLQJUHYHODWLRQRIKRZ0&%V
acknowledged role as the launching venue of new liturgical compositions in the Archdiocese of Manila becomes
a functional reality.
Indeed, in restoring the historic, half-a-century-old MCB Pipe Organ to its original form and function
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which in the 1960s and 70s was home to big concerts, generally featuring popular liturgical songs. Central to
our objectives is to make the pipe organ an instrument of inspiration, its wonderful sounds a compelling invitation
to talented local musicians, especially conductors and composers, to come up with more songs that are best sung
with the pipe organ accompaniment. It is important to note that the MCB Pipe Organ is the biggest in Southeast
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Our decision to make the Manila Cathedral-Basilica Pipe Organ Festival an annual event emphasizes MCBs
desire to echo resoundingly the continuing call for greater support to the MCB Pipe Organ and the challenge for
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come up with a new song and launch it at the 2nd MCB Pipe Organ Festival came at a time when the CathedralBasilica was conceiving the plan of commissioning someone to compose a Marian liturgical song that would
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Immaculate Conception. In a way, he came as a handy catch, and we commissioned him to the projects thereby.
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through the marvel of music and the magical melody of the soul.
Through the annual MCB Pipe Organ Festival, we hope to offer a continuing venue for the launching and popular propagation of more compositions of this kind in the future and from different composers.
Our invitation continues and we await more responses.
(SGD.) MSGR. NESTOR CERBO

Rector
PREFACE
The Manila Cathedral-Basilica is not only the seat of the bishop; it is also the center and the inspiration for the
liturgical life in the diocese. Liturgical services are not private functions, but are celebrations of the Church,
which is the sacrament of unity, namely the holy people united and arranged under their bishop. (Constitution on
the Sacred Liturgy, Sacrocantum Concilium n. 26)
Bearing this in mind and the organ being the perfect instrument to be used in the liturgy, the Cathedral had its
pipe organ restored in 2006 and organized a yearly festival wherein the focus is the liturgy. Special attention is
given to the music performed during the celebration of the Eucharist on December 8, this being the feast day of its
patron saint, Mary the Immaculate Conception, and December 10, the anniversary of the dedication of the PostWar Manila Cathedral - Basilica.
For a long time, the singing of a choir during the liturgy eliminated the participation of the assembly; the people
were simply to listen. With the initiation of the 2nd Vatican Council, the possibility for the community to participate became evident. The advent of contemporary/new music eventually eliminated the art-music of the choir.
The highlight of the Second Manila Cathedral-Basilica Pipe Organ Festival (2007) is the newly composed
Mass in Tagalog together with a set of Four Marian Hymns by Alejandro D. Consolacion II. The Mass is written
for congregation, cantor and choir with organ and brass. The diversity of talents present in the Church is recognized resulting in a festive and rich harmonious accord.
In most parishes, the Ordinary of the Mass is entirely sung by the congregation. In this composition, however,
the community, cantor and choir alternate, accompanied by the organ. A healthy balance between listening and
participating is explored in this composition, adding a rich polyphonic music to and thus enriching the simple
congregational singing. The alternate singing becomes the outward evidence of a church, working as the Body of
Christ, with its many parts making up a single unit.
May this 0LVD,QPDFXODGD&RQFHSFLRQ encourage the many choirs in our parishes to sing in Four Parts (Mixed
Voices), challenge the quality of playing among our organists, and enjoin the congregation to participate and be
one in worship.
(SGD.) LEO RENIER
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It was March 2007 that I received an invitation from Msgr. Nestor Cerbo, rector of the Manila CathedralBasilica (MCB), to compose a congregational mass for the use of the Cathedral. It was also during this time that
I received my new appointments as Titular Organist of the Union Church of Manila and as sub-organist at the
MCB. Being offered this chance to write works that will highlight the glorious Cathedral organ was also a good
opportunity for my dream of composing works for choir and organ to come into fruition. I am deeply humbled
and honored for this possibility.
Since this is a congregational mass, writing simple melodies that will be easily remembered by the community
was my goal, melodies that will stimulate the senses and uplift the congregation to join in singing with one accord
in the worship of God.
The 0LVD,QPDFXODGD&RQFHSFLRQ is written in two versions. The original is for Cantor, Choir and Organ with
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and keyboard. This may be used in small churches that do not have choirs to tackle singing in voices. I wrote
the accompaniment for organ, later on transcribing the original organ part for a keyboard instrument to give
consideration to churches that use the keyboard or piano. The inclusion of chords above the piano accompaniment
will be useful for amateur organists and will encourage other instrumentalists to join in worship.
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feelings in the celebration. The cantor leads the community. The choir parts were written in simple harmonization
encouraging both amateur and professional choirs to showcase their God-given talents.
The last section of this book includes four hymns for Mary, the Immaculate Conception. I wrote these to
preserve hymn singing during the liturgy. I personally believe that the teachings of the church and its theology
are located in hymns. Hymnody has been my mission for the past year after being made aware of the weakening
of hymn singing in churches not only in the Philippines but also worldwide. Most of the Marian text was drawn
from the Liturgy of the Hours.
It is my fervent hope that parishes will be able to utilize all these works, the 0LVD,QPDFXODGD&RQFHSFLRQ and
the Marian Hymns, to enrich their church worship and for the community to be able to participate more in the
liturgy.
My deepest gratitude I give to the people who have contributed wholeheartedly to this mission, namely;
Msgr. Nestor Cerbo, for his dedication and enthusiasm in propagating the liturgy through music; Leo and Donna
Renier, for their perpetual support and guidance; Cealwyn Tagle, for his continuous and enduring encouragement
especially in organ music; Ferdinand Bautista, Holland Buela and Jonathan Ayson, for their constructive listening
and editing of the initial music score; Matthew Niel Hebrona, for his creative graphic designs; Ferdi Espeleta,
for sharing his talents in photography; Jean Arevalo, for her uplifting lyrics and for patiently and meticulously
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God, the source of all wisdom.
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ALEJANDRO D. CONSOLACION II
commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

for cantor, congregation and mixed voices; with brass, percussions and organ
Panginoon, Maawa Ka
Voices
Organ

p espress.
Sw.

Ped.
cresc.
mp
Ka.
Pa

no - on,

ngi - no - on,

ngi - no - on, ma - a
wa
ma

a
ma - a
wa

wa
Ka.
Ma - a
mp cresc.
SOPRANO
ALTO

TENOR

BASS
mp cresc.

Copyright 2007 Alejandro D. Consolacion II

Published/owned by the Manila Cathedral-Basilica
Photocopying this copyright material is ILLEGAL.

wa
Ka
with CONGREGATION
Ma - a

Ka.
Pa
ngi -

14
Pa

p legato
Ch. 8' and 2'

CANTOR SOLO
Moderato ( q = c.105 )
wa

Ka

sa

a

poco dim.

poco dim.
sa

CHOIR only

23
mf espress.

min.
Kris

Solo

Ka.

Ka

ma - a

Sw.

Kris

a

dim.

p

to,
ma -

Ma - a
dim.

wa

Ch. 8' and 2'

Sw.

Ka.
min.
Kris
wa

ma - a

Ka.

Man.
Ped.
sa
wa

to,

cresc.
cresc.

mf

39

mf espress.

wa
to,

3

31

DESCANT SOPRANOS
47
mp espress.
Pa
ALL VOICES
and CANTOR unis.
mp espress.

Pa


wa

Ka.
Pa
wa
Ka.
Pa


-
ngi -
wa

54

no - on,

ma

-
Ka.
Pa
wa
Ka,
ma

61
Ka,

sa

ngi - no - on,

ma

-

a
wa
Ka.
Ka.
with CONGREGATION

unis. poco cresc.

min.

Ma - a
wa
poco cresc.
Ma - a

wa

Sw.

wa

Papuri Sa Diyos

CANTOR
Jubilant ( q. = c.70 )
Voices
Organ
Pedal

mf sempre marcato
Gt.

pu - ri
sa

Diyos
sa
Ka - i - ta - a - san, at sa
mp

lu - pa'y

sa

Diyos
sa
Ka - i - ta

Pa -

ka - pa - ya

2.

Pa - pu - ri

mf

13

Sw.
2.
with reeds.

1.

1.

a - san

at

sa

lu -

cresc.
pa - an.

cresc.

pa'y
ka -
5
20

pa - ya

an.

34

lu - pa'y

f sempre marcato

Pa - pu - ri
sa
Diyos
sa
Ka - i - ta

ANTIPHON
mf unis.
CHOIR and
CONGREGATION

Gt.

pa

27

-

a - san
at sa

Gt.

brightly
Sw.

ka - pa - ya - pa - an.

Pa - pu - ri

sa

Diyos
sa
Ka - i - ta -

41
div.
a - san
at sa lu

pa'y
ka

-
pa

ya

ff

pa

an.

div.

48

ff

ff sempre marcato

mf
CANTOR

1. At sa

54

lu
- pa'y
ka - pa - ya - pa - an

Sw.

mf

Pi - nu - pu - ri

69

f with CONGREGATION

Si - na

Si - na

Ka

sam - ba
sam - ba

Ka
Ka

na

na - min,

ra - ngal
Ka

na - min,

Ka

Ni - lu - lu - wal - ha - ti

cresc.

Ni - lu - lu - wal - ha - ti
na - min,

Di - na

trmpt.

- min,

Ped.
61

sa ma - nga ta - ong may ma - bu - ting ka - lo - o - ban.

Ka

na - min,

na - min,

Gt.

Sw.

8
77

Pi - na - sa - sa - la - ma - tan

Ka

Pi - na - sa - sa - la - ma - tan
Ka

na - min
da - hil

cresc.

cresc.
sa

da - ki -

na - min
da - hil
sa
da - ki -
la

la

84

Mong

Mong

kal

kal

wal
wal
ha

ha

ti - an.

ff

ti - an.

ff

ff marcato

ff

-
cresc.

90
ANTIPHON
mf unis.

sa Diyos
sa
ka - i - ta

Pa - pu - ri

97

a - san

104
ka - i - ta

div.

Pa - pu - ri

sa

Diyos
sa

div.

mf brightly

at sa lu - pa'y

a - san

at sa
lu

pa'y

ka

pa

ya

pa

10
110
ff
CANTOR mf

2. Pa - ngi-

an.
ff

ff marcato

118
no - ong Diyos,

mf

Ha - ri ng

Ped.

126

no - ong
He - su - kris -

to,

Pa - ngi-

Bug - tong
na
A - nak,

poco cresc.

La - ngit, Diyos A-mang Ma - ka - pang - ya - ri - han sa la - hat.

Sw.

11
134

with CONGREGATION
Pa

f
ngi - no

ong

Pa

ngi - no -
ong

Diyos,

Kor - de

ng

f

Diyos,

Kor - de
ro
ng
Diyos,
ro

Diyos,
A-

A-

142

nak

nak
ng
ma,
A -
nak
ng

ng

A -

A -
ma,
A -

nak

A -

ng

A -

12
150

ff

ma.

ff
ma.

ff

ff marcato

157

ANTIPHON
mf unis.

Pa - pu - ri

sa

Diyos
sa
ka - i - ta - a - san at sa lu - pa'y

mf unis.


13

165
div.

Pa - pu - ri

sa

Diyos
sa
ka - i - ta - a - san

at sa lu

div.

pa'y
ka

172
pa

ya
pa

ff
an.

ff

178

poco rit.

poco dim.

ff marcato

14
Andantino ( q. = c.52 )
182

p
CANTOR

ng ma - nga ka - sa - la - nan ng
I - kaw na nag - a - a - lis

Andantino ( q. = c.52 )
Sw.

p legato

189

I - kaw na nag - a - a - lis
mp unis.

Ma - a - wa Ka sa

a - min,
ma - a - wa Ka sa

ng ma-
a - min.

mp unis.

mp moving

CHOIR and
CONGREGATION

san - li - bu - tan,

15
196
nga

ka - sa - la - nan ng san - li - bu - tan,
mp unis.

Tang - ga - pin Mo ang a - ming ka - hi - li - ngan,

201

na na - lu - luk - lok
ff with conviction

ff

sa
ka - nan ng

A - ma,

mf

ff with conviction

CHOIR
I - kaw
ONLY
li - ngan.

mp unis.

tang - ga - pin Mo ang a - ming ka - hi-
Ma-
16

207
a - wa Ka sa

mf
Man.

mf
rit.

min.

mp

Gt.
f marcato
Ped.
Jubilant ( q. = c. 70 )
a -

a - min.

Sw.

mf
Ma - a - wa Ka sa

214
Ma - a - wa Ka sa

rit.

a - min.___
mp
TENORS
and BASS mf

3. Sa - pag-

222

kat

Sw.
mf

I - kaw

cresc.

la - mang ang ba- nal,

I - kaw
la - mang ang
Pa - ngi - no - on.

mf

I - kaw

Gt. f

230
la -
mang,

Sw.

O He - su - kris - to,

237

f with CONGREGATION

f

Ka - sa - ma
Ka - sa - ma

Ped.
244

ti - an

ti - an

Sw.

ang
Ka

ta

-

ng Es - pi - ri - tu
San - to,
sa
as

San - to,
sa

Ka

ta - a - san.

lu - wal
lu - wal

Trmpt.
ha -

ha -

Gt.

f

ng Diyos

ng Diyos

Ka
17

sop div.

Gt.

A - ma,
A -

A - ma,

men,

ng
Diyos

A -
men,
ng
Diyos
A-

A-

18
252

ma,

men.

ma,

men.

ff

SOPRANOS DESCANT
259
CHOIR, CANTOR
and CONGREGATION
f unis.

Pa - pu - ri

sa
Diyos
sa
ka - i - ta
Pa - pu - ri
FINAL ANTIPHON

sa
Diyos,

Pa - pu - ri.

f sempre staccato

a - san
at sa

19
266

At

sa
lu - pa'y
ka

lu - pa'y

Pa
ya

Pa
pu - ri.
Lu
cresc.
a - san

at sa
Lu

cresc.
pa'y

pa'y
ka
sa
Pa - pu - ri
sa
Diyos
sa

div.

pa

-
pa

ka
pu - ri

div.

pa - an.
pa - an.

ka - i - ta

Diyos,

272
pa

ka - pa - ya

ya
pa

ya
pa

20

278

an.

an.

285

poco a poco cresc.
A -
men.
ff

poco a poco cresc.
A -
men.
ff
poco a poco cresc.

ff

A-

A-
men.

men.

ff

21

292

fff

A

fff
A

non rit.
fff

men!

men.

men.

non rit.

A -

A -

297

men!

sfz

22
Alleluia

1.

Jubilant ( q. = c.70 )
Voices
Organ
Pedal
Gt.

lu

-
ia,

Sw.

al - le -

Al - le - lu

lu

-
ia,
al - le

al - le

ia,

lu - ia,
2.

al - le

lu

Al - le -

mf

13

CANTOR
2.
f sempre marcato
mf

1.

ia.

lu

ia.

21

With CONGREGATION

Al - le - lu
mf
Al - le - lu
mf

Al - le - lu

lu

lu

lu

lu

ia,
ia,
le
al
le

ia.
ia,
ia,
al
le

lu - ia,

-
lu -

ia,
lu - ia,
lu,

ia,
al - le

lu - ia,
al

le

le
le -

al

al

-
al
ia,
ia,
lu - ia,

lu - ia. Al - le - lu

al - le - lu - ia.

-
Al - le - lu
al - le

-

al - le

al

le
Al - le
Al

lu -
ia.
lu -
ia,
le
lu

al - le
le

ia,

al - le
ia,
al - le - lu - ia.

lu
al

27

al - le
Al - le - lu

ia,
mf
al - le
mf

ia,

Al - le - lu
23
ia,
al - le -

lu - ia.
Al

le

lu -
ia,

24
33

al

ia,
al

al

lu

-
ia,
al

al

le

-
le

le
38
le

le

lu

ia.

lu
lu

ia.

lu

ia.

"Ma - pa

lad ang ma - nga

ia.

ia.
Sw.

Nag -

mp legato

lu

wi - ka ang Pa - ngi - no - on,

CANTOR

ta - ong
nag -

25
42

ti

-
ti - pon
sa
A - king

Al - le

- lu

- lu

Al - le
- lu
mf

Al - le
- lu
mf
Al - le

- lu
ia,
al - le -

ia,
al

ia,
ia,
al
al
lu -
ia.

al
le - lu

lu - ia,
le - lu,

al - le
ia,
le - lu - ia,

al - le - lu -

ia,
mf

mf
Al - le

With CONGREGATION
Al - le

Nga - lan."

45
cresc.
al - le
al - le - lu - ia,

le - lu - ia,
al - le

al - le

lu

lu

-
lu

-
lu

Gt.
mf

Sw.

26

52

ia.
ia,

Al - le - lu
al - le
ia,
lu - ia. Al - le - lu
al - le - lu - ia.

al - le - lu - ia.

Ped.

le

Al

lu
lu
le
lu

lu
lu

lu -
ia,

lu -

-
lu
le
lu
ia,

-

ia,
al - le
al -
ia,
al -
al

ia.
ia.

lu - ia,
al -

ia.

ia.

poco rit.

le - lu - ia.
al

le
le
Al

le

al - le

ia,
Al - le
58

al - le
ia,

ia,
al - le - lu - ia.

ia,

rit.

poco

ia.
ff

2

2

27
Santo
Triumphantly ( q = c. 115 )
Voices
Organ
10

CHOIR and CANTOR
f proclaiming

San - to, San - to,

Ped.
ri - han, Na - pu - pu - no ang

la - ngit at

18

CHOIR
to,
Pan - gi - no - ong Diyos

ng
na ma- ka -pang - ya-

ka - lu- wal - ha - ti

an
Mo.

cresc.
Ho - sa - na, ho - sa - na sa

mf

Ho - sa - na, ho - sa - na sa
ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa
ka - i - ta - a - san. Pi -

f with CONGREGATION

lu - pa

Trmpt.
Gt.

San

ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa
mf

ka - i - ta - a - san. Pi -

mf

28
27
CANTOR and
CHOIR

nag - pa - la

Nga - lan ng

sa

ang na - pa - ri - ri - to

ff with CONGREGATION
Ho -

ff
Ho -

sa -

sa -

na

na

ka

ho - sa - na
sa
sa - na,

sa
ka

ka

i - ta

i - ta

ka

i - ta
rall.

i - ta

sa

ho - sa - na
ff
sa

ff

-

a
rall.

a - san.
a - san.

san.
san.

ho -

Ho - sa - na,

Ho - sa - na,

on.

-

poco cresc.

Pa - ngi - no -

sa - na,

40

34
poco cresc.

ho -
29
Misteryo ng Pananampalataya
Moderato maestoso ( q = c.90 )

Cantor
Soprano
Alto
Tenor
Bass
Organ

Man.

Kris

Si
Kris

Ped.

Man.

to'y na - bu - hay.

to'y na - bu - hay.

Si Kris - to

na - ma - tay.
Si

Kris - to'y na - bu - hay.

na - ma - tay.
na - ma- tay.

Si
ay

Ped.

Si Kris - to

Gt.
ay

ay

Si Kris - to
f
Si Kris - to
CANTOR with
BASSES

Trmpt.

with CONGREGATION

Man.

ay
ba - ba - lik sa wa -

30
12
ff

Si
Kris - to
ff

kas ng
Kris - to
ba - ba - lik
sa
ay
ba - ba - lik
sa

wa - kas ng

ff

-
pa - na
hon.

wa - kas ng

pa - na
hon.

rit.

ff
pa - na - hon.

ay

Si

rit.

Ped.
Dakilang Amen
Moderato maestoso ( q = c.90 )
Cantor
Soprano
Alto
Tenor
Bass
Organ

a - men.

with CONGREGATION
Trmpt.

a - men.
men,

Man.

men,

men,

a - men.

Ped.

Man.

31
6

A
- men, a

Ped.

- men, a

ff
ff

men.

men.

men,

-
men,

men,
a - men, a

Man.

a - men. A

a - men. A

- men,

ff

Ped.

men, a

rit.

ff
men.

men, a
men, a

men.

12

A

men.
men.

rit.

32
Ama Namin
Voices
Organ

Andante ( q = c.67 )
mf

Sw.

mf espress.

12
Mo,

lu - pa pa-ra ng sa
la - ngit.

17
ka - nin sa a - raw -

a - raw.
At pa

Big

yan

Sun - din ang lo - ob

Mo po ka - mi nga - yon

Ped.

Ma - pa - sa - a-min ang ka - ha - ri - an Mo,
di - to sa

Sam- ba - hin ang Nga - lan Mo,

Sw.

Ch.

A - ma na - min, su - ma - sa - la - ngit Ka,

7
CANTOR. CHOIR and

CONGREGATION

ng a- ming ka-

ta - wa - rin Mo ka - mi

sa
a- ming ma- nga sa - la,

pa - ra

33

22

nang
pag - pa - pa - ta - wad
na - min
sa nag - ka

27
ming

ka - sa - la sa
a - min.

i - pa - hin - tu - lot sa tuk - so,
at i - ad - ya

cresc.

dim.

ma,
sa la - hat
ng ma - sa

ka - mi

mf

sa
h'wag Mo
po

sa la - hat ng ma- sa

ff

sa-

ma.

ka -

mf unis.
cresc.
cresc.

Mo

33

mf unis.

At

dim.

poco cresc.

poco cresc.
34

Andante ( q = c. 67 )

Cantor
Soprano
Alto
Tenor
Bass
Organ

f
ti - an,

ti - an,

Sa - pag - kat
sa 'yo

f

Sa - pag - kat
sa 'yo

nag - mu - mu - la

nag - mu - mu - la

ang ka -pang -ya - ri - han

ang ka -pang -ya - ri - han

at kal - wal - ha -

at kal - wal - ha -

f with CONGREGATION
Ped.
ff

mag - pa - sa - wa-lang hang - gan.

ff

mag - pa - sa - wa-lang hang - gan.
ff

A

men.

men.

men.

A

ff

men.

35
Kordero Ng Diyos
Voices
Organ
Pedal
CANTOR
Andante religioso ( q. = ca. 42 )

mp espress.

Kor - de - ro ng Diyos na nag - a - a - lis

Sw.

mp legato espress.

mf legato
san li - bu- tan,

with CONGREGATION

Ma - a - wa Ka, ma - a - wa Ka

mf legato

mf legato

ng ma - nga ka - sa - la -nan ng

sa

mp

min.

Kor - de -ro ng Diyos na nag-
min.

CANTOR

sa

Sw.
mp

36
With CONGREGATION

a - a - lis
ng ma - nga ka-sa - la- nan ng san-li-bu - tan,

mf legato
12

18

min.

mf legato

CANTOR

Kor - de - ro ngDiyos na nag - a

sa

cresc.
mf

mf legato
sa

a - lis
ng ma - nga ka - sa - la - nan ng
I-

I-

min.

37
23

pag - ka - lo - ob Nin - yo

pag - ka - lo - ob Nin - yo

sa
a - min
sa

a - min

28

p

ang

ang
ka - pa - ya - pa
poco rall.

ka - pa - ya - pa

poco rall.

an.

an.

mp

That in all things, God may be glorified!!!

August 28, 2007
Mary Crowned With Living Light
38
ENTRANCE HYMN
Words from the Stanbrook Abbey

Additional words by Jean C. Arevalo
Organ

Moderato semplice ( q = ca.100 )

Man.

7

Ped.
ALL
VOICES

13

19

In our fal - len

race,
Hea- ven sings your praise,

Copyright 2007 by Alejandro D. Consolacion II

Published/Owned by the Manila Cathedral-Basilica

Word.
all.

Free from sha - dow, you

Ma - ry mag - ni - fies

Mys - te - ry of
Fa - ther, Son and

ref - lect
your name

Tem - ple of
the Lord,
Lift us when we fall,
Shel - ter of the

Mo - ther of us
li - ving light,
of our God,

Place of peace and

ho - li - ness,
Who were named, u - pon the Cross

1. Ma - ry, crowned with

2. Vir - gin Mo - ther

(Choir and Congregation)

mf

sin - less life,

Ho - ly Ghost,

ple - ni - tude of grace.

through e - ter - nal days.

25
f broaden

Ma - ry crowned with

f broaden

li - ving light,
li - ving
light,
Hand - maid of

His Son,

36

the

Lord,
Cho - sen
Mo - ther

30
of

Sa - viour of
us
all.

1.
Ma - ry, Mo - ther
of

His Son,

Cho - sen from us

all.

1.

man.
39

40
2.

41
all.

2.

45

48

rit.

Remember, O Mary Immaculate
41
OFFERTORY HYMN
Text based on St. Bernard's Memorare

Paraphrased by Msgr. Nestor Cerbo
Allegro e legato semplice ( q = ca.130 )

Organ

mf

7

Ped.

CANTOR or MALE VOICES

mf fluidly
1. Re - mem - ber,

13
ne

you

con - fi - dence,
Im - ma - cu - late
Mo - ther
to
ver
was

humb

ly

known,
come,

Im - ma - cu - late

we
ry

it

that
Ma

Vir - gin,

such great

that
a - ny - one
Im - ma - cu - late

who comes
to
Vir - gin,

be -
42

19
pro - tec - tion
was left
your

fore you

we

stand,
cresc.

25

32
course to you.

pray
for

pray for

sor- row- ful.

ted.

us
who have

us
who

con - ceived with - out

sin,

pray for
us,

re -
re -

Ma - ry

have

as - sis -
yet

cresc.

sin,

Ma - ry con - ceived with - out

un
sin - ful

With Choir

43
39

pray

for

pray

44

1.

us.

48
1.

2.

2.

2. With

Holy Mother Of Our Savior
44
COMMUNION HYMN
Words by Jean C. Arevalo
Voices

Moderato e dolce ( q = ca. 85 )

Organ

Mo - ther of our

10

beau - ty
and the grace

15
Bles

bes - towed on

are
you,

you.
Ho - ly Mo - ther of our

a - mong
all

wo - men,

is
your

Ho - ly

Oh how great

in you,

From

Spi - rit dwells
sed

the

Sa - vior,

mf sempre legato

5

SOPRANOS
mf dolce
and ALTOS

Sa - viour,

God had cho- sen you.

21

Bles - sed

vir - gin,

your

31
Mo

- ther
of
your faith

is
e - ver - las - ting,

heart

God,
re - mai - ning e - ver

Bles - sed

cu - late.

Lead
us with your

Ma - ry,

2nd time to

gen - tle hand
to

ry,

Ma -

Im - ma

Im - ma -cu - late

45

Ma - ry,

26

Christ,
His On - ly

46

36
Son.

we

2. Ho - ly Mo - ther of our

41
Sa - vior,

SOPRANOS
and ALTOS mf
ask

your in - ter - ces - sion,

Come and help your
chil - dren,
who

46
seek

From

you,

51

ALL VOICES
to rise from shame.

a - mong

Ped.

all

Sa - viour,

Bles

wo - men,

sed
are

you.

God had cho - sen

56

Christ,

47

His
On

-

ly
Son.

60
rall.

Holy Mary, Now We Crown You
48
FINAL HYMN
Text by Melvin Farrell, S.S.
FANFARE
Stately ( q = ca. 80 )

Organ
Solo Tpt. f

Ped.

11

fff

cresc.

19

15
ff

mf

OPTIONAL INTRO

49
VERSE 1 (Choir and congregation)
f

23
Andante ( q = 90 )
ALL VOICES
1. Glo - rious Queen, look down in kind - ness, while be - fore your throne we stand,

29
Watch our
homes and guard our land.

35
No - ble Vir - gin,

f

may our tri - bute
win your love

Bring God's bles- sing to your chil - dren,
Ho - ly Ma ry, now we crown you,

Ho - nored Queen of

and
gain us grace.

all our race;

mf

VERSE 2 (Choir only, in harmony)
41
2. Gate

f

of

Hea - ven,

(Organ doubles voices)

you were Mo - ther

to
the

King

of

heav'n

dim.

and earth;

dim.
50

45
mf poco cresc.

Now,
be Mo - ther

to
to
your sub - jects,

your

In
our

souls,
give
Je - sus

birth.

mf poco cresc.

49

Ho - ly
Ma - ry,

53

now
we

crown you,

Ho

Vir - gin,
may
our
tri - bute

of
all

61

race;

win
your
love
and
gain
us
grace.

cresc.

our

FANFARE 2
57
- nored Queen

No - ble

cresc.

66

3. Queen
of
while

Mold
our hearts

74

CHOIR SOPRANOS

Ho

ly

No
Ma - ry,

ble Vir - gin,
No - ble Vir - gin,

we

crown you,

may our tri - bute

Ho - nored

your love and

win your love and

all
our

Largamente
ff
gain us grace.

us grace.

ff
race;

ff

men.
men.
race;

Queen of

a - bove.
our

all
gain

Queen of
Ho - nored

homes

our

our tri - bute win

may
reach
God's love,

now

we

-
Till
of

His glo - ry

gran - deur

now we crown you,

78
speaks the

Ho - ly Ma - ry,
ALL OTHER VOICES

seek

to

cre - a - tion

Ped.

70
Man - kind,

51
VERSE 3 (Choir and Congregation)

f ALL VOICES

that in all things God may be glorified!!!

October 2007
commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

version for Cantor, Congregation (Unison) and Keyboard
Panginoon, Maawa Ka
Voices
Keyboard

Moderato ( q = c. 108 )
p legato
Pa
mp
Ka.

Pa

wa
Ka.
Pa

Fm

Eb9
15

wa

Ma

Ab/G
Fm7

wa
wa

Gsus

Kris
Cm
Cm/Bb
Copyright 2007 Alejandro D. Consolacion II

Published/owned by the Manila Cathedral-Basilica
to,
Ab

mf
sa

a

Fm7

ma - a

ngi - no - on, ma -

mf espress.

Fm9/D
Ka
CANTOR
min.

Ka,
23

with CONGREGATION
Ab

Cm/Bb
Cm
Cm

cresc.

8
CANTOR

Eb/G
wa

2nd time to

cresc.
Ka.

56

29
Kris
ma
G/F

35
to,
Fm

wa
Ab

Ka.
Ma - a

wa

Fm7

ma -

G7

to,

sa
Gsus4
Ka

Cm9

Fm7

min.
min.
Cm
Kris
Fm/D
Cm
47

Ka.

wa
with CONGREGATION
43

dim.

p

Eb9

Ab9

57
Papuri Sa Diyos
Voices
Keyboard

ANTIPHON
pu - ri
Eb

sa Diyos

sa
Eb/d

Eb
sa

22
an.

Eb
mf marcato

Diyos
sa
Ka - i - ta - a - san

Ab
Eb/G

cresc.

Cm7

at sa

Eb/Bb
lu -
pa'y
Fm

ka
Ab

Pa -
pa -

Pa -
Bb7

Ab/Eb

Gm7
cresc.

Db/F


lu - pa'y
mf
Eb

Cm/Bb
Eb/d

2.
Eb

14
pu - ri
Ab/Eb
ka - i - ta - a - san, at sa
Cm7

Eb

Bb/Eb
mp

1.

mf marcato

6
CANTOR AND
CONGREGATION

ya

Bb4

Eb9/Bb Fm/Bb
pa -
CANTOR

1. At
CANTOR

2. Pa - ngi -
Ab/C
Eb Bb Eb Bb/D
Eb

Bb/Eb
Ab/Eb

sa

58

30
lu -
pa'y
ka - pa - ya - pa - an
no - ong Diyos,
Eb

mf

Ha - ri ng

Ab/Eb

ong
Bb7

44
na - min,

nak.
He - su -
Ab/C

na -
Eb/Bb

sam - ba
Pa

ngi - no

f with CONGREGATION
kris - to,

min,

Ka
na - min,

ong
Bb
Eb

f with CONGREGATION
Si - na

Ka

Ab/C
Pa - ngi - no Eb

Pi - nu - pu - ri

Eb

may ma - bu - ting ka - lo - o - ban.
La - ngit, Diyos A - mang Ma - ka - pang - ya - ri - han sa la - hat.
Ab/Eb
37

sa ma - nga ta - ong

bug - tong
na
A -
Di - na

ra - ngal
Db/F

Ka

Ni - lu - lu - wal -
Diyos,
Kor - de
Bb
Cm
Gm Ab
Cm

51
ha - ti

ro
Ka
ng

na - min,

Pi - na - sa - sa- la - ma - tan
Ka

A -
ma,

Diyos,

A - nak
ng
59
na - min
cresc.

da - hil

A -
Gm
Ab
Fm7

Ab/G
Eb/G

58
sa

da - ki

la

Mong

kal - wal

nak

ng

ha

ti - an.

ff
ff
A -
ma.
Ab
Bb/D
Fm7 Bb Eb

Ab/G

64

mf marcato

to ANTIPHON
to ANTIPHON

Eb Bb

Ab/C

Bb/D
Ab/C
Eb

Eb

60

70
Andantino ( q. = c. 52 )

CANTOR

I - kaw

Ebm
Bbm/Eb

p legato

Ebm

Db/Eb

Ebm

Bbm/Eb

76

Ebm

Ebm
Abm/Eb

Ebm
Ebm/Db

Cb

Db/Eb
a - min,

sa
Abm

ma - a - wa Ka
Ebm/Bb

ng ma -
Ebm

with CONGREGATION
nga ka - sa - la - nan ng san - li - bu - tan, Ma - a - wa Ka sa

Ebm

na nag - a - a - lis

Db7/Eb

CANTOR

a - min.
I-

Ebm

with CONGREGATION
82
mf
kaw na nag - a - a - lis

Ebm Db/Eb

ng ma - nga ka - sa - la - nan ng san - li - bu- tan. Tang - ga - pin mo ang a - ming ka - hi - li ngan,

Ebm
Ebm

88

Db/Eb

Ebm

Abm

Cb/Gb

mf
I - kaw na na - lu - luk - lok
cresc.

Db/Eb
Ebm

Ebm/Gb

Ebm/Bb
CANTOR
pin mo ang a - ming ka - hi - li - ngan.

Abm
tang - ga -
ff

sa ka - nan ng A - ma,

Ebm
Ebm

Db/Eb

Ebm

ma -

95
CANTOR
mp rall.
with CONGREGATION
a - wa Ka
sa
a - min,
Ebm

mf marcato

1.
Ab/Eb

110
la - mang ang
118

ang
ka
Pa - ngi - no - on.
ta
as
ta - a - san.
Fm7
Bbsus4
Bb

CANTOR

mf
2.
cresc.
3. Sa - pag - kat

mf
I - kaw
Eb

Eb/Bb
Cm7

Ka - sa - ma
O He - su - kris - to
Eb/D

- mang,

Eb

mf
f with CONGREGATION

la - mang ang ba - nal,

I - kaw la

Eb/Bb

Cm/Bb
Fm7
Bb7
Eb
Db
Bb7

f

Bbmsus4
Eb
Eb

Bb/Eb
min.

Cb/F

a -
mp

I - kaw
Ma - a - wa Ka sa

Ebm

Eb

Cb/F

mf
a - min.

Cb/F

102
ma - a - wa Ka sa
61

Cm7

San - to,
Gm Ab

Bb7
Cm

f

62

sa

Ka

ng
Diyos
lu - wal

ha - ti - an
ng

Diyos
A - ma,
A -
Cm Gm Ab
Fm7

men,

A - ma,

men.
Eb/G
Fm7 Bb7 Eb

Ab
Ab/G

140

Eb

147
pu - ri
Bb7

Bb/D
Ab/C
Eb

sa
Diyos
sa
ka - i - ta

CANTOR and
CONGREGATION mf
Pa -
Eb
mf marcato
FINAL ANTIPHON
Ab/C

Bb/D

-
a - san,

at sa

lu - pa'y
ka - pa - ya -
Fm7
Eb/D Ab/C Eb/Bb
Eb
Db/Ab

63

153

pa -
an.

159
lu
pa'y

ka
sa
Diyos
sa
Ka - i -
ta

pa

ya
pa

Eb/G Ab Eb/Bb Ab/Bb

167

an.
174

a -

men,

Fm7

a - san
at sa
mf marcato

men,

Fm/Eb

Ab/C
Eb
Bb/D

Eb
Bb/D
Ab/C
Eb
Ab

Eb
A-

Eb/D
Ab/C
Eb/Bb

Fm7

cresc.
Eb

Pa - pu - ri
Db7
Ab Bb

a -

Eb4/G

men,

Db7

64

180

Keyboard

Cb

Eb9

ff
Eb

sfz

1.

2.
Eb
Bb/Eb
Ab/C

Eb/Bb

lu
ia,
Eb

13

Al - le - lu
Db
Bb7

ia,

al - le
Eb/D

Eb
al - le
Cm7

ia,

Eb/Bb

Db

lu - ia,
Cm7

lu

Ab/C

al - le
Eb/Bb
Eb/G

Ab

Al - le -
Eb
ia.
Eb

lu

Bb7

Bb7

CANTOR

al - le - lu -
Eb/D

mf marcato

Alleluia

6
A - men!

Voices

ia.
Eb

65

21

CANTOR and
CONGREGATION

Al - le - lu
Db/Eb

27
ia,
al - le

Al - le - lu
ia.
Eb

34
lu

Fm7

pa

Bb7

Gm

ta - ong

Ab

ia,
to 2nd ending

al - le - lu - ia,

Nag

al -

Gm7

Fm7
"Ma -

Ab

wi - ka ang Pa - ngi - no - on,
nag - ti - ti - pon sa

Eb/D
Cm7

ia.

lad ang ma - nga
le

CANTOR
Eb

Cm7

40

Fm7 Gm7

al

Eb/G
Eb

Ab Bb7
le
lu - ia,

Bb7

Eb

lu
Fm7 Eb/Bb
Eb/G
Ab

Db/Bb

A - king Nga - lan."

Eb/G

Al - le -

66

44

lu - ia.
Absus4

Fm7

Keyboard

Fm7
lu

ia.

Bb7

Eb

no

14

ong Diyos
na

San

to,
San

an

Mo.

to.
Pa -ngi -
Db

la - ngit at

CANTOR and
CONGREGATION

lu - pa
Fm7

Ho - sa - na, ho - sa - na

Absus4
Bbm

E/G#

Db/C

Gb

Db
ka - lu - wal - ha - ti

to,
Gb
ng

ma - ka -pang - ya - ri - han, Na - pu - pu - no ang

C#
Db

CANTOR
San

Santo

le

Triumphantly ( q = c. 115 )
Voices
Al - le
Bb7

Eb/G

2nd ending

Ab7

Db

sa

67

21
ka
Gbm

Ab7

sa - na,

sa
Nga - lan
sa
ka

sa
ka

i - ta

ng

i - ta

C#

-

a - san.

Pa - ngi - no -

-
Bbm
on.
Absus4

-

Gbm

Ab

Gb

CANTOR
i - ta - a - san. Pi - nag - pa - la
E/G#
Ab/Db
Gbm

ho - sa - na
Db

Ab

Ho -
sa - na

ka
Gbm
Fm7
40
CANTOR and
CONGREGATION

na - pa - ri - ri - to

sa

Db

Ab

34

i - ta - a - san. Ho - sa - na, ho - sa - na
28
ang

san.
Db

Ab

Ho - sa - na,

Db

ho -
68
Misteryo ng Pananampalataya / Dakilang Amen
Voices

CONGREGATION
Si Kris - to ay na - ma- tay.

A
men, a - men.
Si Kris - to ay na - ma- tay. Si

A
men, a - men. A -

Keyboard
bu - hay.
men.
Si
A
Kris
-

to'y
men, a

Si
A
Kris - to ay
men,

Si
A
Kris - to
-

Kris - to'y na men, a -

CANTOR

CONGREGATION
kas ng pa - na - hon.
- men, a
men.

na - bu - hay.
men.

12

CONGREGATION
7

CANTOR
CANTOR
ay
men,

ba - ba - lik sa
a - men. A

ba - ba - lik sa
a - men, a
wa - kas ng pa - na - hon.
men, a
men.

wa -
69
Ama Namin

Voices
Keyboard
Bbm9
Bbm

F/Bb

F/Bb

11
Ab7

16
yon
DbM7
Bb/D

Bb

di - to sa

Eb
a - raw
Fmsus4

Ebmsus4

Big
Ebm

a - raw.

At
Ebm/C
Mo po ka - mi nga -
Bb

yan

Cm

la - ngit.

Bbm

EbM7
Bbm9

Ma - pa - sa - a - min ang ka - ha - ri - an Mo,
Bb/D
lu - pa pa - ra ng sa

ng a - ming ka - ka - nin sa

Sun - din ang lo - ob Mo,

Ebm7Bb
Nga - lan Mo.

Bbm

Sam - ba - hin ang

Bbm9

la - ngit Ka,
Ebm7/Bb

Fsus4/Bb
A - ma na - min, su - ma - sa -

6

CANTOR and
CONGREGATION
pa
Bb/D

ta wa - rin Mo ka Asus4

A7

70

20
mi
sa

pa - ra nang pag - pa - pa -ta - wad na-min
a - ming ma - nga sa - la,

F

Dm

26
h'wag Mo
po
ka - ming
Bb/F

Dm7
Eb9

i - pa - hin - tu - lot
sa

sa

Ebm9

Eb/Bb

tuk -

la - hat

sa

a - min.
At

ng ma - sa
Ebm/Bb

so,

at
Eb/G

sa - ma,
sa

Dm7
Gm

F/A

Eb/G

Ebm/Gb

la -

i - ad -

ma.
Bb

sa nag - ka - ka - sa - la sa

ng ma - sa
Bb/D

Gm
hat

34

Eb/G

Bb#4

ka - mi
Mo

Bb9

30
ya

Bb


Voices
Keyboard

Eb/F
F7
Bb9

Bbaug

pa - sa - wa - lang hang - gan.
Bb/F

sa 'yo nag - mu -mu - la ang ka - pang - ya - ri - han at kal - wal - ha - ti - an,
Sa - pag - kat

CANTOR and
CONGREGATION
Eb

F7

Keyboard

Bb/A

Eb/G

mag -

Eb/Bb
men,

Eb/Bb
Bb

men.

Ebm7
Bb

Kordero Ng Diyos

Andante religioso ( q. = ca. 42 )
Voices
71

CANTOR
Kor - de - ro ng Diyos na nag - a

Ebm
Abm/Eb

Ebm

Abm

Eb
Db/Eb

Eb

a - lis
ng ma -
Db/Eb

72

nga ka - sa - la - nan ng
Eb
Gb

Ma - a - wa Ka,
ma - a - wa Ka

Db

1.

10

min.
Ebm
Kor -
Ab7

15

20
an.
Eb
Bb

Eb

Ab/Eb
Eb9

Fm7

Ab/Eb
Kor - de - ro ng Diyos na nag - a
ka - lo - ob Nin - yo

Eb
Ab

Ab

a - min

Cb

a - lis

Eb/Bb
ang

Fm7

ka - pa - ya - pa
Eb/Bb
Ab/Bb

Eb2

ng ma - nga ka - sa - la- nan ng

Abm

Ebm

Ab

Eb/G
Bb7

Eb/G
Cb

Fm
sa

Ab/Eb

I - pag

min.
CONGREGATION

Eb/Gb

Eb/G
Abm
CANTOR
sa

Bb
2.

CONGREGATION

That in all things, God may be glorified!!!

August 28, 2007
73
Mary Crowned with Living Light

ENTRANCE HYMN
Words
Wordsfrom
from Stanbrook
Stanbrook Abbey
Abbey
Additional
words by
byJean
JeanC.
C.Arevalo
Arrevalo
additional words
Moderato semplice ( q = 100 )

Bb
Voice
Keyboard

Gm/F
ho - li - ness,

pon

Bb
Bbaug
Db
Ab
Mys - te - ry
us
all.
Fa - ther, Son and

Free from sha - dow, you

Ma - ry mag - ni - fies

Eb
li

ving light,

Copyright 2007 by Alejandro D. Consolacion II

Published/owned by Manila Cathedral-Basilica
Cm7
F7
Hand - maid of the

C7

Bb/D
F/Eb
Lord,
Cho - sen Mo - ther
F7

grace.
days.

Eb

ple - ni - tude of
through e - ter - nal

Bb9/D
Hea - ven sings your
F9

Gm
ref - lect
Your name

Dm
In our fal - len
sin - less life,

Ho - ly Ghost,

Ab

the Word.

Ebm7
of

of
peace and

Gb/Bb
Who were named, u -
Place of
of
Ma - ry crowned with

D/F#
the Lord,
we fall,

Mo - ther
race,
praise,

Shel - ter

Bb
Tem - ple of
Lift
us when
F/C

li - ving light,
of
our God,
Db

Eb
C/E
the Cross,

17

Gm
Gm/F

12
Gm
1. Ma - ry crowned with
2. Vir - gin Mo - ther

F/A

Bb/D
Eb
of His Son,

74
23

Bb/F
Sa - viour
F7
Bb
all.
Ma - ry, Mo - ther
of
us

Eb
Bb/D

F/Eb

Eb
Bb
Cho - sen
from us

all.

F7
of His Son,

Bb/F
Remember O Mary, Immaculate

OFFERTORY HYMN
Text
Memorare
Textbased
based on
on St.
St. Bernards
Bernad's "Memorare"
Paraphased
ParaphrasedbybyMsgr.
Msgr.Nestor
NestorCerbo
Cerbo

Allgro e legato semplice ( q = 130 )

Verse 1
Re - mem -ber

G/B
A/C#

D

a - ny - one

who comes

Vir - gin,
that ne

G/B
G/B
A/C#

to

your

ver
was
it
known,

was left

A7

that

D
un - as - sis -

G/B
G/B

pro - tec - tion

A

2.

Im - ma - cu - late

Ma - ry

14
2.
1.
1.
ted.

D7

75

22

A7

D7
course to you.

G/B

us,

A7

us.
for

such

great

come.

G/B

pray

Verse 2
Mo -

ther,
to

be - fore
we
humb

you

you

Vir - gin,

G/B

With
for

Im - ma - cu - late

re -

Im - ma - cu - late

con - fi - dence,

G/B

Bm7

who have

Em7
us
F#m7
sin,

with - out

pray

con - ceived
ry

A/G

Em7

G/B
pray for
Ma

sin,
Bm7

48

42

35
F#m7
Ma - ry con - ceived with - out
29
A/G
ly

we
stand,

76

54
A7
sin - ful

yet

D7
sor - row - ful.

Refrain

us.

Holy Mother of our Saviour

COMMUNION HYMN
Words by Jean C. Arevalo
Moderato e dolce = ( q = 85 )

Verse 1

great

Ab
is
Cm

your
Cm
Bles

Db
sed
are
you,

Bbsus7
be -stowed on
you.
dwells
in you,
Bb7

from
Ab
a - mong

Bb/D
Mo - ther of our

Oh,how
Eb
Ho - ly
Eb/G
Bb7

Bb
Fm7

C/G
Spi - rit

the

Ab/C

Ab

and the grace

Cm/Bb
Sa - viour,

Cm
Fm

Gm7
beau - ty
Sa - viour,

11
Eb/G

Bb/D

Eb
Gm7
Cm

all

wo - men,

77
Refrain
16

Gsus4
G7
mai - ning e

- ver vir - gin,

your
your faith

is
e - ver - las - ting,
Bb

Bb7/Ab

re -

Gb
im - ma - cu - late.

heart
Eb/G
Bles - sed

2nd time to
Ma - ry,
Mo
Abm

Bb7
Eb
Christ, His On - ly

Fm

Db7
- ther
of

Bb

Ab
and help

your

Gm7
gen - tle hand

Eb/G
Cm
Db

chil - dren,

who

to
Cm/Bb
Sa - viour,

Cm
Cm
Mo - ther of our
Come

Bb/D
Ho - ly

Eb/G

us with your
Verse 2 Eb
Lead

Ab
God,

Son.
Eb/G
your in - ter - ces - sion,

Abdim

Fm

Ma - ry,

ask
Bles - sed
Ab

Cm
Ebm

Eb/G

you.

37
Ab

32

Eb
God had cho - sen
27
Bb7

22
Fm
seek
we

to rise from

78
42
Ho - ly

Mo
Bb/D
- ther of
Bb
Sa
from

Eb

Cm7

sed
are

Fm7
Bb
God
had
wo - men,
Eb/G
you.
Eb/Bb
cho - sen

Ab
Abdim
Eb

Christ,
His
On

ly
Son.

Coda
Fm

Bles
all
- viour,
a - mong
Faug
Ab
Fm

Eb/G
you,
our

Cm

50
Eb
shame.
46
Bb

Holy Mary, Now We Crown You

FINAL HYMN
Words by Melvin Farell, S.S.
Andante ( q = 90 )
F
Bb/D

1. Glo - rious
2. Gate
of
3. Queen of

Queen, look
Hea - ven
Man - kind,
F/A
down
you
while
in
kind - ness,
were Mo - ther,
cre - a - tion

Bb
while be - fore
to
the King
speaks the gran -

your
of
deur
G/B
throne
heav'n
of

we stand,
and earth.
God's love.

79
Bring
Now
Mold
C/E

God's bles - sing

be Mo - ther
our hearts to

to
to
seek

- dren,
- jects,
- ry

Watch
In
'til
our
our
we
your chil
your sub
His glo

Bb

F/A
Bb
homes
souls
reach
and
give
our
F/C
C7

F/Eb
guard our land.

Je - sus birth.
home
a - bove.

Refrain
Bb/D

Ho
Eb
ly

Ma

13
Dm

A/C#
Bb/D

No - ble
Vir

ry,
Eb
Bb
now
we

Cm7

gin,
may
our
tri

Ho - nored Queen of
all
Eb
bute
win
your
love

Gm7
Dm7
Gm
crown you,
F7
C7
our
race;

Bb
and
gain
us
grace.

that in all things God may be glorified!!!

October 2007
SELECTED SACRED WORKS OF ALEJANDRO D. CONSOLACION II

CHURCH ANTHEMS
May God Guide Each Step
IRU0L[HGYRLFHVRUJDQ
Aba Ginoong Maria
O Salutaris Hostia
IRU0L[HGYRLFHVXQDFFRPSDQLHG
Alleluia
Pater Noster
Ave Regina Coelorum

IRU66$$XQDFFRPSDQLHG
Version for mixed voices is different for treble voices
IRU7UHEOHYRLFHVVWULQJV
Behold the Wood of the Cross
Pange Lingua
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Dona Nobis Pacem
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Regina Coeli
Cantate Domino
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IRU66$NH\ERDUGRURUFKHVWUD
Materials for orchestra is suitable for both versions
IRU7UHEOHYRLFHVVWULQJV
Salve Regina
IRU66$$XQDFFRPSDQLHG
Christ our Light
Sing to the Lord
Childs Prayer
Tantum Ergo
IRU7UHEOHYRLFHV
IRU6$NH\ERDUG
IRU6$7%XQDFFRPSDQLHG
*RGRI,QQLWH&RPSDVVLRQ
Veni Creator Spiritus
IRU6$7%RUJDQRUVWULQJVDQGKDUS
IRU66$RUJDQ
I Will Magnify Thee, O God and my King

Kyrie
IRU6$7%RUJDQRURUFKHVWUD
IRU66$RUJDQRURUFKHVWUD
IRU0L[HGYRLFHVRUJDQ
MUSIC FOR THE EUCHARIST AND SERVICES

IRU6$7%RU66$SLDQRRURUFKHVWUD
Misa ng Pagbabalik-loob
Let Christ Into Your Life
IRU8SSHUYRLFHVSLDQR
IRU6$NH\ERDUGRURUFKHVWUD
Worship the Lord in Beauty of Holiness
Mass of St. Scholastica
IRU66$SLDQRRURUFKHVWUD
IRU6$7%SLDQRRURUFKHVWUD
Lord God, our Father
IRU66$RUJDQ
Music for the Holy Eucharist, No. 1
IRU6$7%RUJDQRURUFKHVWUD
IRU66$RUJDQRURUFKHVWUD
IRU&RQJUHJDWLRQRUJDQ
Music for the Holy Eucharist, No. 2

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Lord Jesus, Sun of Righteousness
Nuct Dimitiis
Marys Lullay
Te Deum
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IRU6ROR%DULWRQHDQG&KRLURUJDQ
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For Inquiries:
(+63915) 861-8013 / (+63920) 920-2289
(+63922) 825-5326 / (+63922) 837-5326
adconz@yahoo.com
ALEJANDRO D. CONSOLACION II enjoys his dual career

as Organist and Composer. He studied piano under the tutelage of
J. Greg Zuniega. Professor Armando Salarza also contributed to
his musicianship as his pipe organ teacher. He studied composition
under Manuel Maramba, OSB and Dr. Jonas Baes at the St.
Scholasticas College, where he was a recipient of the Sister Baptista
Battig Music Scholarship.
AJ, as Consolacion is fondly called, is regularly invited to
write music for the International Bamboo Organ Festival, the San
Agustin Music Festival and the National Music Competition for
<RXQJ $UWLVWV 1$0&<$ +LV SUROLF FRPSRVLWLRQV YDU\ IURP
small to large-scale chorale works, music for solo instrument,
chamber music to orchestral and full length musicals. His chorale
works are widely performed not only in the Philippines but also
in the whole of Asia. His Alleluia (2002) was premiered by the
Asian Youth Choir at the Pablo Casals Hall in Tokyo, Japan and
was performed in and won Second Prize at the Sacred Polyphonic
Category by the University of the East Chorale at the 2003 Guido
d Arrezo Choir Competition held in Italy. Consolacions Childs
Prayer (2006), Four Marian Antiphons (2005), Ave Verum
(2004), Dona Nobis Pacem (2004), Pater Noster (2002) and Three
Eucharistic Prayers of St. Thomas Aquinas (2001) are among the
chorale works well-loved and popularly included in the repertoires
of Filipino choirs. Harmonia Ltd. in Japan did publications of his
music. His music for Violin and Piano Nocturne (2005) and Tanz
(2005) were commissioned competition pieces for the NAMCYA.
AJ has been the composer-in-residence for and accompanist of the
Mandaluyong Childrens Choir since 2004. The Las Pias Boys
Choir, who regularly commissions him, premiered most of his
works for treble voices during the yearly International Bamboo
Organ Festival.
As an Organist, he was invited to perform for her Royal Highness
4XHHQ6RDRI6SDLQGXULQJKHUYLVLWWR0DQLODLQ+HUHJXODUO\
performs as a pianist, organist, accompanist and conductor for small
and large crowds here and abroad. He held the position as Organist
for the Spanish Baroque Organ at the San Agustin Church (19992001) in Manila and the Church of the Holy Trinity in Forbes Park,
Makati (2001-2007). Presently, he is the Titular Organist of the
Union Church of Manila and Sub-Organist at the Sanctuario de San
Antonio Church in Forbes Park, Makati and the Manila Cathedral in
Intramuros where he also teaches and trains organists.
AJ is widely known and respected for his gift of
improvisation attributed to his lush harmonies,
chant-like melodies and witty syncopated
rhythms, which give his works a
unique spiritual language.
Cathedral-Basilica of the Immaculate Conception

Cabildo cor. Beaterio, Intramuros, Manila
Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192
Mobile: 0917.400.9131, 0928.743.0067
E-mail: mlacathedral@yahoo.com, mlacathedral@hotmail.com
www.manilacathedral.org

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NIHIL OBSTAT: Rev. Fr. Leo Nilo C.

+ Gaudencio B. Cardinal Rosales, D.D.

Copyright August 2007 by Alejandro D. Consolacion II

MISA INMACULADA CONCEPCION

Aklamasyon sa Ama Namin

Mary Crowned with Living Light (QWUDQFH+\PQ

Remember, O Mary Immaculate 2IIHUWRU\+\PQ

Holy Mother of our Savior &RPPXQLRQ+\PQ

Holy Mary, Now We Crown You )LQDO+\PQ

(SGD.) MSGR. NESTOR CERBO

(SGD.) LEO RENIER

MISA INMACULADA CONCEPCION

Copyright 2007 Alejandro D. Consolacion II

Ch. 8' and 2'

unis. poco cresc.

     

    

              

sa ma - nga ta - ong may ma - bu - ting ka - lo - o - ban.

La - ngit, Diyos A-mang Ma - ka - pang - ya - ri - han sa la - hat.

         

              

   

   

I - kaw na nag - a - a - lis

I - kaw na nag - a - a - lis

 

ka - sa - la - nan ng san - li - bu - tan,

Tang - ga - pin Mo ang a - ming ka - hi - li - ngan,

tang - ga - pin Mo ang a - ming ka - hi-

          

la - mang ang ba- nal,

      

              

poco a poco cresc.

poco a poco cresc.

poco a poco cresc.

      

              

   

     

   

lad ang ma - nga

wi - ka ang Pa - ngi - no - on,

CHOIR and CANTOR

San - to, San - to,

 

Pan - gi - no - ong Diyos

na ma- ka -pang - ya-

Kris - to'y na - bu - hay.

   

Sun - din ang lo - ob

  

Ma - pa - sa - a-min ang ka - ha - ri - an Mo,

Sam- ba - hin ang Nga - lan Mo,

A - ma na - min, su - ma - sa - la - ngit Ka,

CANTOR. CHOIR and

a- ming ma- nga sa - la,