Time is experienced differently than it is objectively measured. A musical composition has a structural duration but is experienced by the listener in an intangible, flowing manner. Stockhausen argues that composition must consider both objective structure and subjective experience of time to fully realize musical form.
Time is experienced differently than it is objectively measured. A musical composition has a structural duration but is experienced by the listener in an intangible, flowing manner. Stockhausen argues that composition must consider both objective structure and subjective experience of time to fully realize musical form.
Time is experienced differently than it is objectively measured. A musical composition has a structural duration but is experienced by the listener in an intangible, flowing manner. Stockhausen argues that composition must consider both objective structure and subjective experience of time to fully realize musical form.