Brecht Kirstie Davis

Wanting to change the world.

Plays as episodes like a film travel anywhere.
Humour/violence/comedy/music The Jewish Wife.
Warm up
Eye contact look, then look away. Look abruptly, then look away. Stare then
look away. Mix them all up.
Stalking caring. Stalking not-caring.
Confrontation look till 1 breaks.
Hiding. Scarf of doom nobody wants it. This is all about spontaneity/narrative.
You can show captions to audience.
Archtypes: king breathe in with every step/very controlled/no fear of danger.
Sound?
Prince: muscle up/moving in diagonal lines/aggressive/shoulders forward/give
him sound.
Trickster: pickpocket on the periphery ready to strike.
Virgin: closed body language on periphery again. Tempo-rhythm.
Child: open no fear or sense of danger.
Anything high status = chest out forward leading nose/chin/shoulders/belly.
Feet: gossip, argument, say goodbye forever, flirt, signalling spy. Same with
hands.
Traffic Incident by Fo.
1)
2)
3)
4)
5)
6)
7)

Actor run over by car.

Driver blames pedestrian.
Pedestrain blames the first pedestrian.
Another passer-by blames 2nd pedestrian.
Someone turns up acting as if they are a doctor.
Policewoman.
Actual doctor.

Start with the 2 pedestrains and driver. Now play the argument.
He said, she said. Bus stop dialogue can be bland. Say what you are doing.
Perform.