The songs in this book are from the following Eva Cassidy albums Songbird ‘Autumn Leaves, Fields of Gold, Over the Rainbow, Songbird, Wade in the Water, and Wayfaring Stranger Time After Time Ain't No Sunshine, Anniversary Song, At Last, \Wandered by a Brookeide, Penny to my Name, Time After Time, and Way Beyond the Blue Eva By Heart Nightbird, Say Goodbye, Songbird, Wade in the Water, and Wayfaring Stranger Eva Cassidy: Live at Blues Alley ‘Autumn Leaves, Fields of Gold and What a Wonderful World The Other Side Over the Rainbow Published 2002 © international Music Pubitions Ld Griffin House 161 Hammeromith Read London WG BES England Production Editor: Chris Harvey Executive Editor Elana R. Byrd Design Christina Davidson ! Cover Photo: Lary Matton Music transcription, copying & caligrapy Chriotina Davideon / Muclc Eating: Carotyn West Al artwork: Eva Cassidy / Photos: Hugh & Barbara Cassidy, family & fends aaaIntroduction by Hugh Cassidy, Eva's father There are several Eva Cassidy songbooks on the market, but this one was created especially for guitar and voice. Each guitar arrangement: in this book has been transcribed from the Eva Cassidy CDs. Eva left us no musical notation or even sheet music ‘rom which she learned. In addition, we have added some of Eva's drawings to create a very personalized songbook. The guitar was Eva's constant companion from an early age. | firet taught her guitar chorde when she was barely nine years old. wae at that time working a9 a base player in order to supplement ‘the family income. | voce Once Eva perfected her guitar chords, she was anxious to play her favourite folk and jazz tunes. Eva probably epent a great deal more time in her room teaching herself guitar techniques than she spent on her homework. Eva spent: countless hours absorving the unique talents of artiste in her own eclectic record collection and then she worked out: her own arrangements in her head. Iithigh school, and later at community college, Eva sang and played with various groups including Stonehenge and Excallber. She aleo performed ae a soloist, einging her wonderful arrangements and accompanying herself on guitar.Eva would have liked the look of the hand-copied music — she was a very gifted artist ae well ae a musician, The illustrations in this book were all done by Eva and include marty of her whimsical sketches, caricatures and beautiful pictures. When we were approached initially about Eva songbooks, limmediately thought: that: there should be a book specifically designed for guitar players. We were fortunate in finding Christina Davidson and we were able to work closely with her in creating this book. Christina ie a music copyist and calligrapher with years of experience creating music for various publications. She also turned out: to be a big fan of Eva's work. Thie guitar songbook ie a testament to Christina Davideor’e talente and also her appreciation for Eva's style and arrangements, The guitar arrangements are very simple and playable, Eva used basic first-position chords and Chrietina has provided inetruction as to where the capo should be placed in order to play each song, in key, along with Eva on her CDs. Eva loved suspensions and employed a finger-picking style which is very pleasing, You will experience her simple, yet effective arpeggios and folk patterns when you work with the tablature portion of each gong. Make eure that you read the gloseary at the end of the book for an explanation of the tablature and other notes from Christina.The selection of songs was carefully considered. . Of course, we wanted to include Over the Rainbow as first: heard on “The Other Side” and released in 1992. This now famous arrangement: by Eva ie also on the later CD entitled “Songbird.” Fields of Gold was recorded in 1996 on Eva's firet solo record entitled “Live at Blues Alley.” It was also later released on “Bongbird.” Eva's version of this song is the one of the most requested tunes for compilation albums, ama” AHMAD JAMAL NEW YEAR'S EVE CELEBRATION. srg Ae EVA CASSIDY Eva grew up in the 60s and 705. Asa youngster, her mother and | were playing LP's by Pete Seeger, Buffy St. Marie and Ray Charles, just to name a few. Iwas working with Eva and her brother Dan and sisters Anette and Margaret to create a family group to perform at holiday ana family functions. During this period of time, Eva gained appreciation and love for spirituale and folk melodies euch a6 Wade in the Water, Do Lord (retitled Way Beyond the Blue) and Wayfaring Stranger. At the time Eva's illness was diagnosed, she was planning a solo tour of Eastem Canada, Iceland and Europe and | know that. her repertoire included these selectione.‘The Cassidy family record collection aleo included LPs ry Louis Armstrong, Ella Fitzgerald and Aretha Franklin. Many people have remarked at Eva's wide-ranging selection of material, but | know ‘exactly which artiste and which LPs piqued her interest, From this genre of music, we include: What a Wonderful World, Autumn Leaves and At Last. Eva had an attraction to several tunes written by Chrietine McVie. Songbird, the tune, is included in this book and the arrangement: is absolutely true to Eva's recording of it. | personally like the tenderness and message of Steve Digman’e Anniversary Song. Steve hired Eva to do a demonstration recording of his original material, and we were most delighted, after Eva's passing, when we heard that thie tune would be made available for Eva's CD entitled “Time After Time.” Ihave always felt that: the simplicity of guitar and voice i6 one of God's many gifts. Whether one plays guitar at home, alone, for the sheer joy of making music -- or whether you join with others around a campfire or at family gatherings, it’s food for the zoul. | hope that this book of Eva's special material will become dog-eared over the years, a9 you too enjay the wondrous experience of "making music.” Beet regarde, Hugh CassidyThe Eva Cassidy SONGBOOK for GUITAR Ain't No Sunshine 17 Anniversary Song 14 At Last 10 Autumn Leaves 6 Fields of Gold 36 | Wandered by a Brookside 21 Nightbird 40 Over the Rainbow 27 Penny to My Name 44 Say Goodbye 48 Songbird 5i Time After Time 55 Wade in the Water 63 Way Beyond the Blue 66 Wayfaring Stranger 33 What a Wonderful World 59 All artwork is by Eva Cassidy Photos are from the Cassidy Family & friends Music & verses are hand-lettered by Chrietina Davideon Published 2002 © nterational Music Publications Ls Gifs House 161 Hammeromitn Road London W8 BD Eneart Repraducing ho mic ary for ileal and frida by the Copyright, Designs and Patents Ac, 1268Autumn Leaves 25 oung by Eva Cassidy The falling leaves drift: by my window, the falling leaves of red and gold. | see your lips, the summer kisses, the eunburried hands | used to hold. Since you went away the days grow long, and a0on I'l hear old winter's ong. But | mies you most of all, my darling, when autumn leaves start to fall Since you went away the days grow long, ‘and soon Il hear old wittter’s eong. But | miss you most of all, my darling, when auturtn leaves start to fall, | miss you most of all, my darling, when autumn leaves otart to fall.Autumn Leaves Words by Jacques Prevert Slowly, with expression Music by Joseph Kosma [Capo tot fret] English Translation by Johnny Mercer 120g) sa fini She ae aie Dm 6 5 € fy EEE Am Hi Bmo FAH Am a 01947 Enoch Et Gi, France Peter Maurice Music Co Ltd, London WC2H OGY7 weet pat tah & Dm7 G HHH ~ Csus? fe f)2) leaves: es my win- dow, the fall - ing leaves Am Bmé Am? HE Amo REE Dm red and gold. I see your lips, G Csus? Fmaj7 Dm? > — the sum-mer kis-ses, the ___sun-burned hands E. Am Bmé Amo — f= used to hold. Since youEsus ERT pp HI ep Am? Bmo = Am? the days grow long, —_____ and went a -way Dm7 soon I'll hear. old win-ter's song, But E <—~, ——_—. “i Dm7 E? Am HE Am/y nis, you most of all, my Amfet FRE 7 E S aad = JS SSS KS dar ~ ling, when au-tumn leaves —_. start to ie D.S. | 2. Am7 Bmé Am? Am? Bmo Am9 fall. 2) (Inst.) fall. — Dm? e7 Am Anfe Amjet —. ——__— miss you most of all, my— dar - ling, FT Et%t a Am? Bme Am? — a —— oO oa when au-tumn leaves start to fall.10 At Last 230 oung by Eva Caseldy At last, my love has come along, my lonely days are over and life is like a song, Oh, yeah. At last, the skies above are blue, and my heart: was wrapped in clover ‘the night | looked at you. found a dream that | could speak to, a dream that | could call my own. | found a thrill to press my cheek to, a thrill that I have never known, oh, yeah. You smiled, oh, and then the spell was cast, and here we are in heaven for you are mine at last, for you are mine at last.At Last Slow blues, in 2 Words by Mack Gordon, [Dpen = no capo} Music by Harry Warren ‘ rar) of & . Em # Am?” FE Am7 e777 G Em Am7 Eby D? 6 Em my love has come a - long, | Am7 D7 c Em are o -ver | my lone - ly days Am? er D7 G e? ¥ oy / : _— and life is like. a song. OH (©1942 Leo Feist Inc and EMI United Partnership Ltd, USA ‘Worldwide print rahe controled by Warner Bros Pubtzations In/IMP LéaAm? $a et D7 & Em The skies a- bove are blue, Am? D7 c Em a and my heart was wrapped in clo -ver. Am7 D7 G C7 > ie night I looked at you, — 6 Fain? SE am TEE pr BR I found a dream ________ that I could Gmaj7 § Gok pe? fee pe speak to, a dream that I Bm7 He Bm, Hat Em Hi A could call__ my own. =X found a thrill _______ to press my> Fa intr” HR Em eee yeee tt AT ay cheek to, a thrill that IT —______ have ___ nev-er Am? HH ony G Em = >- known, — oh — yeah. you smiled, Am7 eb7 Dz G Em : le | oh, and then the spell was cast, D7 ae 3 ——— and here we are —___ in hea-ven eb7 D7 G & See — for you are mine, ______— at last, ——~—______ Amr Slower ey D7 (we) 6. 5 = for you are mine ________—_ atAnniversary Song 9 oung by Eva Cassidy Today has been a special day, an anniversary, a request, ‘that you play your piano as the evening sun slowly sets. I never thought I'd get this old dear, never had a reason to live €o long, and the Lord's been like my shadow, even when | was wrong, No, | never thought it would turn out this way. A birthday with apologies for all the tears and regrets, and \'ve always saved your poetry for these years when you forget. never thought: I'd get this old dear, never had a reason ta live 60 long, and the Lord's been like my shadow, even when | was wrong. No, | never thought it: would turn out: this way. So sing with me softly ae the day turns to night, and later Ill dream of paradise with you. Love you and goodnight.Anniversary Song Worde & Music by Steven Digman Slowly & gently [Open —no caps] Cc me VERSE: @ ie 1) To - day 2) birth-day Gp FR Am | cfs spe-cial day, — an an-ni-ver-sa~ ry, a re-quest, that you pol-o - giés for all the tears and re-grets, and I've c oe Am —— play______ your’ pi - an-o —____ as the eve-ning sun al-ways— saved your po-et~ ry —— for these years — when CHoRUS' oh G Dr GS slow-ly sets. I nev-er thought rd get this old? dear, you Broget. 3 Em [RE Am er = & ~—-— = 2s ee —=— | SS eo = nev-er had a rea-son to live so long, and the © 2000 Simply Grand Music in, USADm G Em 3 e-ven when__ I __ was > Lord's been like my sha - dow, 1. * Am F fet Det Fd wrong. No, I nev-er thought it would turn out __ this en ze 6 ork IF am way 2A wrong. No, ———~p- Fe Dit G 67 nev-er thought it would turn out this way. So c eff Am > > = sing— with me soft-ly____________ as_ the day CT F Em turns to night, and la-ter I'll dream of _ par-a- dise. with Dm Se Hoc ie you. I love you and__ good ~ night.7 Ain't No Sunshine 26 sung by Eva Cassidy Ain't no sunshine when he’s gone, it's not warm when he's away. Ain't no sunshine when he’s gone, and he's always gone too long anytime he goes away. I wonder this time where he's gone, wonder how long he's gonna etay. Ain't no eunehine when he's gone, and this house just ain't no home anytime he goes away. Well, know, know, I kriow, | know, I know, | kntow, | know, | know, I know, know, | krtow, | know, | know, | know, I know, | know, | know, | know, when he’s gone, always gone too long anytime he goes away, anytime he goes away, anytime he goes.Ain‘t No Sunshine Moderate Blues Words & Music ky Bill Withers {Open — ro capo] ‘This arrangement docs not include the guitar eolos played by Eva's band members Am Dm? Am? FEA C HE Dmv HH Am Dm? Am? Dm? Am7 Fata # = Bis aria FER Ar HA Dm? Am? Dm? — & (No chord) Dm? Am? CC Ain't no sun-shine _ when he's gone, Dm? 5 __ Am? CC Dm? Am? 6 its not warm___ when he's a - way. 8.1971 interior Musi, USA FEMI Music Publishing id, London WC2H OGYDm7 Am? Bia 3 ‘ Ain't no sun- shine when he's gone, and he’s al - ways gone _ too Bis ar Dm? Am? a ee, i > Jong __________ an- y~ time __ he goes a ~ way. Dm? $ (No) Amt Dm? Am7 ¢ 3 I won-der this time_where he's gone, Dm? Am7 © Dm? Am? c = — ae t = $ : won-der how long he’s. gon-na_ stay. Dm? Am7 Bis Ain't no sun~shine when hes gone, and this house just ain't _ no__ Bris AZ Dm7 Am7 a —— home an-y-time____ he goes a - way. DS. IF Dm? $ (Ne) Dm? $ ime.) (+o Instrumental) Well, I know, I know, L know, I know, —20 (Nn. ) np te - —— eo I know, I know, I know, ___ I know,__._- I ____ know, (NC) —_— = he = f ——— —————— LI know, IL know, I know, I know, I know, = Ne) Dor FE . 4 £ € ¢ +£ & € ———_—$— fe e=e4 SS ~ know, L know, I know, I know ______ when _ he's Gm? Ge Bhs Fig Az i gone, al- ways gone too long an-y- time. Dm? Am7 BE c TRAY abs ar e —— he goes a- way, —__ an - y - time Dm? Am? © Bia AT Dm7 Am? & he goes a- way, __ an ~ y-time Bs AT Dm? Am? Dm? tes he goes, _— mm, ah.a | Wandered by a Brookside a9 oung by Eva Cassidy lwandered by a brookside, | wandered by a mill. I could not hear the water, the murmuring it was still, Nota sound of any grasshopper nor the chirp of any bird. But the beating of my own heart, was the only sound | heard. The beating of my own heart, was the only sound | heard, ‘Then silent tears fast growing, when eomeone stood beside. Abhard upon my shoulder, | knew the touch wae kind. He drew me near the mirror, we neither spoke one word. But the beating of our own two hearts, wae the only ound | heard. The beating cf our own two hearts, was the only sound | heard.22 | Wandered By A Brookside Worde Traditional, Music by Barbara Berry Slow ballad [Capo Br fret) ea xo cfs g a gH ATH S DAH Dee HH GF 000% | =) se 1) r wan- dered by 2) si - lent tears > #@ Deaf] Gun” FEE Hf Pt brook - side, —____ I wan - dered by grow- ing, ——____ when__ some - one stood “hie arrangement © 2001 inverational Music Publications Ld, London WO BBSa ae ar HE > FRR opps fH ® # could not hand up p Ha Fan HE Em/pé wa- ter, the = mur-muring it was shoul-der, — I knew the “touch was D etl cas Ei grass~ hop ————— of an mir~ ror, ther spoke24 Steet to Copa But the But the 2 En/e DA was the on raf 2 TH ye FH Gant ly sound r Ew/p Hi Diet Gsust fi heart___ was the on~- ly sound T heard.25 DER past fy ale te vate a Em HF b Mm nana na na_ nana na, > HD EEE da da_ da. 1 00x we 0x sxonor 120 a ev0x yo x zeeep Ent FH Emp, Ar HE 6 fe =H Em a rot ee » a DSFal Coda tite Hehe xg 7 RR ao ARE cE A Ar ay aA la dada da da dada___ da26 3 D/pt Fe CODA Ke ox we xox ot Di ra Gus? § Die ppt E our__ own_— two hearts _____ was the Es Gsus? ¢ ATE Gus? $ ze sia 2 Do on - ly sound__ I heard.27 Over the Rainbow a6 eung by Eva Cassidy Somewhere over-the rainbow way up high, in a land that | heard of once, once in a lullaby. Somewhere over the rainbow skies are blue, and the dreams that you dared to dream really do come true. ‘Someday Ill wish upon a star and wake up where the clouds are far behind me. Where troubles melt like lemon drops away above the chimney tops, that’s where youll find me. Somewhere over the rainbow skies are blue, oO and the dreame that you dared to dream really do come true. IFhappy little bluebirds fly above the rainbow, why, oh why can't I?Words by E. Y. Harburg, Music by Harold Arlen Slowty & Freely es Gesu: HE HE Am? HE Cp HD a L Gsust HE Em Bm? [Ee 67° Et the rain- bow cH Cm Eat Gast OF (© 1900 EM Catlogue Farcrership EMI Fit Cataog nc and EMI Unita arcnroip i, USA Wortdvde print rights controled by Warner Bros Publzations Inc/IMP LidHet cH Cm7 Gus? # 5 S that I heard of a ) eps Am FHP prs oy, Csus? Am? Fas Dey F once ina lul - la ~ by. Some. = where 0 ~-ver’. the rain- bow__ skies are blue, Cm? Gsus* Gsusyeg Em Arm the dreams that you dared to dream30 D7sus Dit Gsus? Am? Det Gsus* (like Intro) real-ly do___ come true.__ Some - day. rt Gsus? Am? Dick wish up-on a star___ and wake up — where the clouds are far___be- noe wo Gous? Em cn Ht =z SHE Gsus* —— hind __—me.__ where ____ trou~bles Gsus* Ft ie melt like le-mon drops a-way a-bove the chim-ney tps, ___ that's ie feel Bm Bm/xg FE Ani D7 where. you'll find me. GUITAR, we 0 a oe TH DHEA em “iD 8m fa # 67 Ht HE Cn? ep “ap3 Gopy HE RE Di Bm Am? Des Some - Dt clouds are far__ Gsus? Fer Gsus® (ike Intro.) —— trou-bles day T'll wish up-on a star__ Gsus* Em on be - hind me. melt like le-mon drops Am7™ vat os Ha Am7 and wake up where the D7 “HD pty HE where _ a-way a- bove- Wn the chim-ney tops, thats where you'll___ find___ me.32 Gsus* Em Bm7 CG Some = where oO = ver the rain- bow skies are blue, —__ and Cm7 Gsus* Em Am7 —. the dreams that you dared__ to dream____ real - ly Disus Dek Gsus* ao, eo come. true. ___ If — hap-py —— lit-tle Gsus* 7 us) Am = Det blue-birds fly a-bove the rain-bow, why, oh why can't Csus * ab “tit tt —— I?Wayfaring Stranger as oung by Eva Caseidy | am a poor wayfaring stranger, while journeying through thie world of woe. Yet there's no sickness toll or danger in that bright land to which | go. 1im going there to eee my father, rm going there no more to roam, Tim only going over Jordan, tm only going over home, | know dark cloude will gather o'er me, | know my way is rough and steep. Yet: beautiful fields lie just before me that God's redeeming vigils keep. {Im going there to see my mother, m going there no more to roam. I'm only going over Jordan, 'm only going over home, I'm going there to see my mother, I'm going there no more to roam. I'm only going over Jordan, I'm only going over home. I want to wear that crown of glory, when | get home to that: good land. I want to shout: salvation's story in concert with the blood-washed band. I'm going there to eee my Savior, Im going there no more to roam. Tim only going over Jordan, 'm only going over home. I'm only going over Jordan, t'm only going over home.34 Wayfaring Stranger Traditional Arranged by Eva Cassidy Moderate Folk (or Blues, ali) [Capo tet fret] ‘Thio arrangement is Eves folk version that che played ae a solcit. \ TE Arm it (repeat pattern) \ i1)I am a poor way-far - ing — stran- ger, 2)L know dark clouds —_____ wil 94 thee oer a 3) I want to wear ______ that crown of — glo ~ ry, Am & Dm An this world of woe while jour-ney-ing through LT know _ my way is rough and = steep. ____ wher I get home. to. that good land. Am G Am — yet there's no sick - ness, toi! or dan - ger____ yet beauti-ful fields _______ We. just’ be - fore me —__ I want to shout _______ sal - va - tion's sto - ry —__ Am Dm e7 HE Am in that bright land _________ to whieh L GOH aes that God's ré - deem = tng vi - gils keep. —___ in con-cert with _________ the blood-washed — band. __ (© 200) international Music Publications Ld, London WG BBS35 Am G F c HH o i ——_ I'm go-ing there sto see my — fa - ther, I'm go-ing there ________ to see my mo-ther, I'm go- ing there ________ to see_my Sa - vior, e F Esus FH — ee 3 —— I'mgo - ing there __________ no more_ to roam. E Hf F Am Im on- ly go - ing o- ver Jor - dan, home. Tim on-ly go - a ing o- ver Be ce, MO home. I'm on-ly go 5 ing 0 ~ ver Jor - dan > Lim on-ly go = ing 0 - ver home.Fields of Gold 18 sung by Eva Cassidy Ooh, you'll remember me when the west wind moves among the fields of barley. You can tell the sun in his jealous eky when we walked in fields of gold. 50 she took her love for to gaze awhile among the fields of barley. In his arms she fell as her hair came down among the fields of gold. Will you stay with me, will you be my love among the fields of barley? ‘And you can tell the sun in his jealous sky when we walked in fields of gold. never made promises lightly and there have been come that: Ive broken. But | ewear in the days still left we will walk in fields of gold, We'll walk in fields of gold, Many years have passed since those summer days among the fields of barley. See the children run as the sun goes down as you lie in fields of gold. You'll remember me when the west wind moves among the fields of barley. ‘You can ‘ell the sun in his jealous sky when we walked in fields of gold. When we walked in fields of gold, when we walked in fields of gold.a7 Fields of Gold Moderate ballad Words & Music by Gordon Sumner {Capo 7h free} = Bm Bm/a Gus? HHH D/p F Dit HP >i = ERR Bm fe Bry, fa GFA Gaus? # you'll re- mem-ber me when the west wind moves frie He ar > he Ady ft om Bmp you can tell__ the sun in his AT Jjea-lous sky when we walked in fields of gold. So she = 21998 Steerite sd Magnetic Fubiching Léa, London WC2H OGY38 % Ben atc BH ar He Bra ‘a-mong the fields of- 1) took her love for to gaze a-while among the fields oF 2) 3) years lave passed since — these sum-mer days Ack be am & Bry, RH CHE ge HE p He bar-ley. In his arms she fell— as her hair came down barley. See the ehtil- dren run— as the sun goes down ot a im Av D Bm Bm/A Em a- mong the fields of gold. — will you Stay with me,— will you asyou lie in fields of gold.— you'll re - mem~ ber me — when the & Ar D Ace be my love —— a-mong the fields of bar-ley? And you— can west wind moves — a-mong the fields of bar-ley. = — you can to CODA Bm Bmp G Det Em Az tell_ the sun in his jealous sky— when we walked_in fields — of D G A HE D Diet Se geld. —— LT nev-er made pro-mi-ses light - ly ————39 Bm Biya Gsus* f D ol — A = "rt & f 2 eee ee a = j se and there have been some _____ that I've bro~ ken. GS A Bm 6 AT = ee = fel But I swear in the days still lefe__ we will walk in frelds____ of rm Day Bm Bm/A 6 AT D vs Me 2 fy ¥ I aid gold, we'll walk in fields_ of gold. 2) (Inst.) 2. F D.S.% al Coda és D Bm Bua © rt =D Pant fr ee ae a 2 fe a> é gold. Ooh 3) Man -y o D G AT 5 CODA Me E = — 5 gold. when we — walked____ in fields____ of Brn Bra G a D Mie 3 = es Tan oe ao gold, when__ we walked in fields of gold. e—- =a reNightbird 130 9ung by Eva Caceidy Some old hotel room in Memphis, | see the city through the rain. Tim just chasing me my time and remembering some pain. You see there once was a boy, and on the streets he'd surely dle. So the nightbird took him in, and she taught him how to fly. See the nighttbird softly fly. Why does she fly alone? le the moonlight just a flame for her memory? Now she’s gone. ‘Two bit bare and honkytonks, any pleasure can be found. You can get just what you want if you lay your money down. ‘And lonely eailors do their drinking, my, my, my, how the brave men do die. ‘And the nightbird ells her pleasures, bringing teare to my eyes. See the nightbird softly fly. Why does ehe fly alone? lo the moonlight just: a flame for her memory? Now she's gone. So | guess Il go out walking, Lord, let the rain keep fallin’ down, | guess Ml go and chaee some memories, in the dark side of town See the nightbird coftly fly. Why does che fy alone? le the moonlight just a flame for her memory? Now she's gone, For her memory? Now she's gone. For her memory? Now she's gone.A Nightbird Words & Music by Douglas MacLeod Moderate Country ballad [Oper'—ro capo} 5 epee a ihe He cn “HRY Bm A DB 1) Some old ho-tel room in Mem-phis, 2) Two bit bars __ and honk-y tonks, I see the cit-y through the rain. an-y plea - sure can be found. —__ I'm just chas - ing you'can get just oo Ae fH |«-Em 7 me my__ time —— and re-mem- ber-ing some. — pain. what you want —_ if you lay_your mon - ey down, —_— © 1981 Cahoun Strest Music Bug Music Lt, London Wi4 OLJ42 you see there once was, a boy, And lone - ly sail~ ors do their drink ~ ing 3)4) so iL guess I'll go out walk - ing, Bm A 6 3 and on the streets hed sure - ly die —— my, my, my, how the brave men do die. — lord, — let the vain keep —_— fallin’ down. Bm A G D/pé FHEE — —. So the night-bird took him = in, ——_____— mmm, — And the night-bird_—__ sells her plea-sures, mm, __ I guess I'll go and __ chase some = mem-o-ri€s, ___ mm, — A —— sand she taught him how_to fly. — bring- ing tears ___ to my eyes. in ~ the dark - side of town. CHORUS A G ae a + See the night-bird soft - ly fly. _ why does she fly a- > HR = Ra lone? _______ Is the moon - light’ just a flame —_c Gc => 3 for___ her memory? Now she's gone. Be Tnstrumental) DS. Fy 4 D Cm D 4 es — — —# = et Ss SS} —— gone. ___ —— gone, mm Cc G D = —~ 3 for her mem-ory? Now she's gone. Slower Gc D = a PB as 3 for__ her mem-ory? Now she's gone.Penny To My Name ‘as eung by Eva Cassidy Bill and | got marvied following our firetbora, Daddy left his gas and convenience store just- before he died. And | was only nineteen when I had my third baby. Sometimes | think maybe | should have left here long ago. Travelers are stoppin by, check their oll and their PS. Gas up and away they fy, movin’ down the line, But this beat-up truck and worn out shoes, always givin’ me the blues. ily suckin’ down the booze, nearly ev night. Ive never seen the city lights, how they must shine 60 bright. Not unlike this country night, the sky's black ae coal. And this gae station mountain home, not a thing to call my own. How | wish | was alone with a penny to my name. Strangers see this mountain here is beautiful beyond compare, but it’s just a dumb old mountain there, | see it evry day. IF | could see @ sunset: sky, over fields of grain or ocean tides. City ekyline in the night, Ml be dancir’ ‘til the dawn. Ive never seen the city light, how they must shine 60 bright. Not unlike this country night, the sky's black as coal. And this gas station mountain home, not a thing to call my own. How | wish | wae alone with a penny to my name. Bill and | got married following our firstzorn, Daddy left his gas and convenience store just before he died. Maybe Bill and | comeday will find a chance to get away. Until then it’s here I'l stay, wishin’ on a star. Ive never seen the city lights, how they mut: shine 60 bright. Not unlike thie country night, the sky's black as coal. And this gas station mountain home, not a thing to call my own. How | wish | was alone with a penny to my name, penny to my name,Penny To My Name Moderate Country Words & Music by Roger Henderson [Open ~ no capo} cH Fait ° en = ff cH maj? BEA Bill and I got’ mar - ried —__ fol-low-ing — our I Fimaj7 Dm Bi first -born, __ Dad-dy left his gas_— and con- ve-nience store G e just be-fore he died. And IT was on - ly c Frnaj? Dm nine-teen when I had —_ my third ba - by, — Some-times _ I think ‘iis arrangement © 2001 Inernational Music Publications Ltd, London WB 80Smay-be I should have left here long— 4 - go VERSE: ae . CH Fmaj7 FE ‘tt 1) Trav-elers are stop-pin’ by, _____ cheek their oil and thelr 2) Stran-gers see this moun-tain here is beau-ti - ful —_ be- 3) Bill and I got mar-ried fol low- ing our Fai? Dr RS. & Gas up and a - way_— they fly, yond com - pare, _— but it's Just a dumb old moun- tain there, First-born, Dad -dy left his gas and con - venience store G c mov-in’ down the line. —_____ But this beat-up truck and (1) see it ev - ‘ry day, ___ If I could see 8a just be-fore he died. —____ May-be Bill — and C Fmaj? worn out shoes, al - ways giv-in’ me the blues. sun-set sky, o-ver fields of grain _—__ or 0 ~ cean tides, I some-day— will__ find a Chance to___ get. a ~ way. ____ Dm Gc Bill-y suck-in'__ down_the booze, near-ly ev — 'ry night. —___ Cit-y ‘sky-line — in__ the night, I'll be dane-in’ 'til the dawn, ___ Un-til then it's __ here I'll stay, wish-in' on a star.47 CHORUS: Fe ; c _ ¢ F Tie nev-er seen the cit-y lights, how they must shine 50 bright. — c F Em Ht Dm black as Not un-like — this coun-try night, the skys 67 B E . & coal. And this gas sta - tion moun-tain__ home, Cc F c not a thing to call my own. How I wish__ £ 1. F Er Dm GT C (like Iwrro.) Fmaj7 was a-lone__with a pen-ny__to my name. Fe & DSF PD, a ood penny to__ my name. Dm G c pen-ny____________ to my name.Say Goodbye 139 9ung by Eva Cassidy It’s funny how the distance can make you feel close, of the things you lost are the things you want moet. ‘The weather's fine here, a perfect: shade of blue. | queso that’s why I've been thinking of you. 60 Il call you up just to tell you why, why I left you and said goodkye. Oh it must be the mood 'm in, fim thinking of you again. | call you up just to tell you why, why | left: you and sald goodbye. | know you're different: now and | guess Ive changed too, and | thought what once was right, was €0 wrong for you. Yesterday | was talking and | heard your name. ‘The weather's fine here, with a slight, chance of rain. So Il call you up just to tell you why, why I left you and said goodbye. (Oh it must be the mood I'm in, I'm thinking of you again. | call you up just to tell you why, why I left you and said goodbye. Time makes you sorry for the things that you've cone. Sometimes you walk away and sometimes you run. ‘The weather's fine here, I can feel a slight chill. Some things change babe, and some never will. So Ill call you up just to tell you why, why | left you and said goodbye. (Oh it must be the mood 'm in, fm thinking of you again. | call you up just: to tell you why, why I left you and eaid goodbye. | call you up just to tell you why, why | left you and eaid goodbye. | call you up just: to tell you why, to say | love you and to eay goodbye.49 Say Goodbye Moderate, in 2 Words & Music by [Open - no capo] Steven Digman & Andrew Hernandez Dn HH CF Git FHF Dm C G oF VERSE: Dm c cS id 1) It's fun-ny how the dis-tance cant make you feel__ close, 2) [know you're different now__ and I guess I've changed too, 3) __ Time makes you sor-ry for the ‘things that you've done. Dm c Gc € of the things you lost are the things you want —__ most. and T thought what once was right, was So wrong for you Sometimes you walk a-way and some-times you run. —__ Dra Cc ce F The wea-ther's fine __ here., ‘3. per-fect shade — of blue. —__ yes-ter~ day I was talk-ing and I heard your ___ name. The wea-ther's fine — here, I can feel a slight —__ chill. Dm c G F, I guess that’s why I've been think~ ing of you.— So Lil The wea-ther's fine here, with a — slight chance of rain. So I'll Some — things change babe, and some —— never will. So I'll CHORUS: FE G c Dm _— call you up____ just to tell____ you why, (© 2000 Steven Dignan Von Ard Publishing, USAwhy T left — you and said good - bye. Cc Am Bae a G Am Oh its must be the mood _ I'm in, Im c G E SG think-ing of you a-gain. I call___ you up just to tell c Dm iF Se you why, why © left you and £2 (ad lib a verse before verse 3.) [3 F cf FE c said said good - bye. good - bye. ___ I F G Cc Dm call you up to tell ___ you why, —___ to EA & e G a say I love you and to say good - bye5 Songbird 9 sung by Eva Cassidy For you, there'll be no cryin’ For you, the sun will be chining, ‘Cause | feel that when fm with you, it’s alright. know its right, And the songbirds keep einging like they know the score. ‘And Ilove you, [love you, | love you like never before. To you, | would give the world. To you, Id never be cold. ‘Cause | feel that when I'm with you, it’s alright. | know it’s right. And the eongbirds keep singing like they know the ecore. ‘And | love you, love you, | love you like never before, like never before, like never before.52 Songbird Slowly, with feeling Words & Music by Christine MeVie [Open = no capo} a 20. xo 0 He Fn faa 1 5| z 7 G He Cous® ER G EHH | CHE Cat cH cast ck 5 e “i. be-no ery-in’ G c Gm He Coust * ao 01978 Fleetwood Mac Musk, USA ‘MG Music Fublching Lt, London SVG BIWthe sun— will be shin ~ ing. ‘Cause I feel that when Im Em FE ~~ Ceus® & é oo with you, it’s al ~ right. I know its right CG D Csus™ And the song - birds keep sing-ing like they know the Em Csus? 2 —~ seore. ss And © = love___ you, I love___ you, £ me L Ds DBD DB? Hi & ce e = ——— s love you, like nev-er be - fore. —________ (ad lib guitar solo) Csus* ‘i eS fore 1 you, Csus* cG ic G To L would give the world.you, rd nev-er be cold. G Am Em Cause__ I feel__ that when_I'm with you, it's al ~ right. Csus* G c G I know it's right. —_ And the song- D Hit Csus* Em co _—. 3 _—— birds ________ keep sing-ing like they___ know the score Em Csus* D sft — 5 And 1 love you, I love— you, T love you, ike nev-er be~ G Csus™ G fore, ike nev-er be - fore like. nev -er be - fore.55 Time After Time a6 ung by Eva Cassidy Lying in my bed | hear the clock tick and think of you. Turning in circles, confusion is nothing new. Flashback to warm nights, almost left behind, a suitcase of memories, time after. . Sometimes you picture me, I'm walking too far ahead. You're calling to me, | can't hear what you have said. You say, “Go slow,” Ive fallen behind, The second hand unwinds. If you're lost you can look and you will find me, time after time. you fall | will catich you, Ill be waiting, time after time. f you fall | will catch you, | will be waiting, time after time, time after time, ‘After your picture fades and darkness has tuned to grey, watching through windows I'm wondering if you're OK ‘And you eay “Go slow,” Ive fallen behind. The drum beats out of time. IFyou're loet you can look and you will find me, time after time, If you fall | wll catch you, Il be waiting, time after time. If you fall | wll catch you, | will be waiting, time after time, time after time. Time after time. Oh, time after time, time after time.Time After Time Moderately, with a jazz feeling Words & Music by [Capo 2a fret] Robert Hyman & Cyndi Lauper ‘ental iif 2.09 a 7 yoo Csus iH ca f G/p Hous Aa (ont patera) tly - ing in my bed I hear 2) Some - times —__ you pie ture me, 3) Af - ter _____ your’ pie ture fades ¢ +4, — Csus clock tick and think of you. walk-ing too far a- head. —_ You're call - ing —__ dark-ness has turned to grey, wateh - ing through — Turn - ing in © 1984 Dub Nats and Rela Music Corp U aretChappet ase London WE 008 and Sonn Mcdle using London WW 2LP pel57 Csus cir - cles, con ~ fu - sion is ____ noth - ing new. to me, can't hear what you have said. And win-dows —_ I'm won-dering if you're 0. ~K. And ons i nf ae Flash - back you say, you say, F Csus* iE Gsus* Em Em7 al- most_ left be - hind, a suit- case____ of Ive fall - en be- hind. —_ the se - cond I've fall~ en be~ hind. The drum beats DSS Fem OF 6 |Pren F mem ~ or- ies, time af~ter— 2) hand un-winds. If you're 3) out of time. If you're Gsus? Am & lost you can look and you will — find me,F CG cf Gsus* time af - ter time, If you fall I will catch you, I'll be Am G F G c If you wait ~ ing, time _____ af ~ ter time. Gsus? Arm CG = 3 Se fall I will cateh__ you, I _—_ will be wait - ing, 2. ‘to Ino, F Gsust & EF 6 C, -analanses, time __ af-ter time. ___ cS c — z (op a —— mm, ——sttime_— after time. Ooh F 6 Am G F 6 (ie) C a time af-ter time, time af-ter time.59 What a Wonderful World 15 sung by Eva Cassidy | eee trees that are green, red roses too. Ill watch them bloom for me and you. ‘And I think to myself, what a wonderful world. hear babies cry, | watich them grow. ‘And they'll learn much more than Il ever know, and | think to myself, Oh, what a wonderful world, The colors of the rainbow so pretty in the sky, are also on the faces of the people passing by. | eee friends shaking hands saying “How do you do?” But they're really saying “I love you." | see trees that are green, red roses too. Vlwattch them bloom for me and you. And | think to myself, what a wonderful world, I think to myself, Oh, what a wonderful world,What a Wonderful World Words & Music by George Weiss and Bob Thiele ‘Slowly, In 2 {Open nc capo} D HR Dict G & D FF pet AT I see trees that are green, red ___ ee aneee xe D Em B D HEY ro-ses too. I'll __ watch them bloom refi Bm? EEE 1 ay +t for. me and you. And I think BP Em fee ar ie to COPA — my - self, —___ what a won der - ful (© 1067 (renewed) Herald Square Muck Co, assigned to Range Road Mucc Inc, Quartet Music inc and Abilene Music Ia, USA ‘Carin Music Corp, London NW BBO and Memery Lane Music Lt, Londen WC2Ha D Bm? EEE Em HEH A? : _ sees ee hear: ba-bies cry, ~ Em HA D RRS I ___ watch them grow. re fl And they'll learn___ much more — than I'l! ___ "om Bm? Be tai =~ hae ——_ = P= — =—_= SS { et ev-er know, and L think to ___my-self tn en Em AT D HHH Dype FH Oh, what 4 won - der-ful G AT D AT D world. D7 Em the co- lors Bm? _— of the rain - bow so pret-ty in the si2 Em AT D are al~- so on the fa-ces of the peo-ple pass-ing D Fm by. —_ rT see friends _____ shak- ing hands Bm? s+ On Bm7 say-ing “How do you lo?" But they're — real ~ ly Fem Em AT ast time to Coa -b- rT see say-ing —____ “I —__ love _____ you.” CODA em ar gu iey (we) self Oh, what a = won - der ~ ful world, — atom p G AT DWade in the Water a6 sung by Eva Cassidy Wade in the water, wade in the water children. Wade in the water. God's gonna trouble the water. Who's that yonder dressed in red? Wade in the water. Must be the children that; Moses led. God's gonna trouble the water. Oh, wade in the water, wade in the water children. Wade in the water. God's gonna trouble the water. Who's that yonder dressed in white? Wade in the water. Must be the children of the leraelite. God's gonna trouble the water. Oh, wade in the water, wade in the water children. Wade in the water. God's gonna trouble the water. Who's that yonder dressed in blue? Wade in the water. Must be the children that's coming through. Gad’s gonna trouble the water. (Oh, wade in the water, wade in the water children. Wade in the water. God's gonna trouble the water. ‘You don't believe I've been redeemed. Wade in the water. Must be the Holy Ghost lookin’ for me. God’ gonna trouble the water. Oh, wade in the water, wade in the water children. Wade in the water. God's gonna trouble the water.Wade in the Water Traditional Arranged by Eva Cassidy Moderate Blues {Capo ete] Ara co eo cf reat Amt e7 Ae Am CG F —E Am GS wade in the wa - ter, wade in the wa ter chil- dren Wade, —__ in the wa-ter. Am? $ (NC) e? God's gon-na trou~ ble the wa = ter. © 2001 Intemational Music Publications Ltd, Londen Wi BBSVERSE: Am Gc F Ee Am G 1) who's that yon- der____ dressed in red? __ Wade in the 2) Who's that yon-der_____ dressed in white? ___ Wade in the 3)4) Who's that yon -der____ dressed in blue? ___ Wade in the 5) you don’t be- lieve I've been re-deemed.__ Wade in the Pi — Am Sc F E wa - ter. Must be the chil-dren that Mo - ses led. __ wa - Must be the ehil-dren of the Is - rae- lite. wa - Must be the chil-dren that’s com - ing through. wa - ter. Must be the Holy Ghost __ look-in' for me. AmT E? , Am CG Uo CHoRUS: — God's gon-na trou- ble the wa ~- ter. Oh, wade. in the. F OE. Am & - E Am & wa- ter, wade in the wa-ter chil- dren. wade Last time: f Pe ele rae 3 in the wa- ter, God's gon-na trou-ble the wa - ter. (3rd verse: inst solo )Way Beyond the Blue 185 sung by Eva Caseidy Oh do Lord, oh do Lord, oh do you remember me? Oh do Lord, oh do Lord, oh do you remember me? Do Lord, oh do Lord, oh do you remember me, way beyond the blue, Oh | got a home in Glory Land that outshines the sun, Ive gat.a home in Glory Land that outehines the sun. | got a home in Glory Land that outshines the sun, way beyond the blue. Oh do Lord, oh do Lord, oh do you remember me? Oh do Lord, oh do Lord, oh do you remember me? Oh do Lord, oh do Lord, oh do you remember me, way beyond the blue.67 Way Beyond the Blue Gospel style, acappella [Optional guitar: capo 2nd fret] Oh do Lord, oh do Lord, ah AT He , oh Traditional ‘Arranged by Eva Cassidy rt. do you re-mem-ber me?_ Oh E do Lord, oh do Lord, Do Lord, oh ce B7 fee At Sa way be ~ yond —E A? E I got a home in E E7 He AT —_ sun, on Av E. out-shines___ the ___ sun. oh = do you re-mem-ber ot tae A TR Ar I've got a home in A do Lord, oh__ do you re-mem - ber = AH enesblue, ______ Al Glo-ry land that rT © 2001 international Music Pubications Ltd, London W OS out~ shines __ Glo- ry Land get me? F ohn “ER me pH the A that A a home in8 E ot chm Glo- ry__ land that out shines__ the ___ sun, E 87 E cab A oh way be - yond _________ the__ blue. EB AE AE A E E7 = do lord, oh do Lord, oh do you re-mem-ber__ me?___ 0h __ Av A Av A E A E A = =, 3 do Lord, oh— dolLerd, oh do you re-mem-ber__ me?__ Oh__ E AE Gt ck do Lord, oh do lord, ch do you re - mem-ber me, DS. ad ib verse gp A ———~. E B7 way be ~_ yond. the blue? Mm, & Slower E B7 E —, On CODA way ____ be - yond ________ the blue.Tablature: The six lines on the tablature staff represent the six stringe of the guitar — the first etring (highest) is the ‘top line and the 6th string (lowest) is the bottom line. The numbers represent the fret to be played on each string (1 = tat fret, 2 = 2nd fret, O = open string, etc.) Rhythm Ie shown using standard music notation. ue te WA 1 Chord Diagrams: Chord diagrams repreeent:-the oix etrings of the guitar 654321 x00 (verticle Ines) and the frets (horizontal lines). Thedote = FETT] «(TTT T] 3 indicate which frete are to be played with the left hand : + Open strings (included in the chor) are shown with a oe “0 above the appropriate string, Strings that are not to be played have an “x” above the string. ‘The first row in the diagram represente the first fret — whether the strings are all open or with capo. If the chordie played in a higher position, the fret number ic indicated on the left. All songe have been transposed to the capoed-key, 60 ‘that the notes and chord names correepond with what you are actually playingl The capo allows us to play eonge using chords that. are typical for the guitar, inotead of trying to play in the key of Eb or Db in open position!)1-84528-1 MN: M 19 AIN’T NO SUNSHINE ANNIVERSARY SONG aE AB eset AUTUMN LEAVES FIELDS Of GOLD | WANDERED BY A BROOKSID NIGHTBIRD OVER THE RAINBOW PENNY TO MY NAME SAY GOODBYE SONGBIRD UE eae ea WADE.IN THE WATER WAY BEYOND THE BLUE WAYFARING STRANGER WHAT A WONDERFUL WORLD SPIO!) qu $19.95,