CAPPADOCIA BOUTIQUE HOTEL

A thesis submitted in partial fulfillment of the requirements for the degree of Master of
Arts at Corcoran College of Art + Design

By

Hessa M. AlSagri
Bachelors of Fine Art
Marymount University, 2011

Thesis Advisor(s): Jonathan Healey, IDEC, ASSOC, AIA, Advisor

Emily Bishop, ASID
Interior Design Department
Spring, 2014
Corcoran College of Art + Design
Washington, D.C.

UMI Number: 1556455

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Copyright: 2013-2014 Hessa M. AlSagri

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ABSTRACT

CAPPADOCIA BOUTIQUE HOTEL

Hessa M. AlSagri, MA
Corcoran College of Art + Design, May 2014
Thesis Advisor: Jonathan Healey, Emily Bishop.

This thesis investigates the study of subtractive architecture, It examines

sight condition to inspire a unique design with a sustainable structure in a harsh

environment. The idea of subtractive architecture through a geological mass refers back
two thousand years ago, the Nabataeans started to be recognized with this idea. The
Kingdom of Nabataeans, with its capital city Petra in Jordan, expanded to dominate
Madain Saleh. Madain Saleh, known as Al-Hijr, carving colossal tombs into sandstone
outcrops that remain monumental and strange more than two millennium later.

Turkey has been an international tourist destination for many years now, and the

boutique hotel industry there has been growing to meet the needs of high end clients.
Cappadocia, Turkey is a historical city located in the central parts of the nation. Many
attractions bring tourists to this city both from within Turkey and international travelers.

The design proposes to to develop a hotel that is unique in its interior and

structure that would create a whole experience to the guests. This research will include
studying dwelling issues, the appropriate structure, lighting studies and ways of applying
sustainable designs into the interiors.

ACKNOWLEDGEMENTS

No one walks alone on the journey of life. Just where do I start to thank those that joined
me, walked beside me and helped me along the way. Continuously urged me to be an
Interior Designer.
First and foremost, I would like to thank to my advisers of this project, Jonathan Healey
and Emily Bishop for their immense guidance they provided. I would like to convey my
sincere gratitude to them.
Professor Chris Haggerty, Fine Art Department, Marymount University. Thank you for
your unending encouragement, trust and confidence in me.
My dearest Mom and Dad, who called me our little designer since the 7th grade. I can
not express enough thanks and appreciation for all your support. Mohammed, my caring,
loving and supportive husband. My eternal appreciation for listening to my continuous
nagging and whining, and your continues support. Your encouragement throughout my
study and especially when the times got rough are much appreciated. Thank you.
Sagri, Ghanam, Nora, Ali and Maha, my beloved siblings, thank you for believing in me.
Abdulrahman AlMofadhi, my father-in-law, you shared your knowledge, your ideas, and
numerous tips all of which inspired this project. without you this project would not been
possible. Thank you.
I dedicate all my success to each one of you.

TABLE OF CONTENTS

Page
List of Figures
Chapter 1: Touring Turkey
I. Turkey
II. Cappadocia
III. Hot Air Balloon
IV. My Approach
Chapter 2: Defining Boutique Hotels
I. Boutique Hotels
II. Traveling Trends
Chapter 3: A Nabataean Brief History
I. The Nabataeans
II. Madain Saleh
Chapter 4: Case Studies
I. Juvet, Norway
II. Sala Silvermine, Central Sweden
III. Mira Mira Accomodation, Australia
IV. Magic Mountain, Chile
V. Kelebeks Hidden Kings Valley, Turkey
VI. Katpatuka Cave Hotel, Turkey
VII. Aged to Perfection
VIII. Jarvis Winery, Napa
Chapter 5: Site
I. Topographical Study
II. Site Analysis
III. Site Findings
Chapter 6: Programing
I. Ratio Study
II. Space Programing
Chapter 7: Structure
I. Arches
II. Parabolic Arches
Chapter 8: Lighting
I. Defining Minerals
II. Crystal Properties
III. My Approach
IV. Material Palette of the Geology

IV
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Chapter 9: Sustainable Design Strategy

Chapter 10: Material Performance
Chapter 11: Design Research
I. Entrance
II. Passageways
Chapter 12: Data Collected Design Resolution
I. Entrance
II. Lobby
III. Loft Suite
Chapter 13: Findings
Chapter 14: Contribution
Chapter 15: Appendix
Illustration References
Bibliography

III

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LIST OF FIGURES

Figure

Page

Fig. 1 Turkey
Fig. 2 Cappadocia
Fig. 3 Goreme Museum
Fig. 4 Zelve
Fig. 5 Derinkuya
Fig. 6 Uchisar
Fig. 7 Avanos
Fig. 8 Hot Air Balloon in Cappadocia
Fig. 9 Siq Petra
Fig. 10 Madain Saleh
Fig. 11 Exterior View
Fig. 12 Sala Silvermine
Fig. 13 Sala Silvermine Suite
Fig. 14 The Cave House - Entrance
Fig. 15 Magic Mountain - Exterior View
Fig. 16 Kelebeks two Chimneys
Fig. 17 Katpatuka Cave Hotel- Exterior View
Fig. 18 Jarvis Interior Structure
Fig. 19 Jarvis Interior
Fig. 20 Topographical Study
Fig. 21 Study Area # 1
Fig. 22 Study Area # 1 view
Fig. 23 Study Area # 2
Fig. 24 Study Area # 2 view
Fig. 25 Study Area # 3
Fig. 26 Study Area # 3 view
Fig. 27 Study Area # 4
Fig. 28 Study Area # 4 view
Fig. 29 Study Area # 5
IV

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Fig. 30 Study Area # 5 view

Fig. 31 Study Area # 6
Fig. 32 Study Area # 6 view
Fig. 33 Access to private spaces from exterior

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Fig. 34 Access to private spaces from interior

Fig. 35 Ratio Study

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Fig. 36 Arches Shapes

Fig. 37 Parabolic Arch Thrusts
Fig. 38 Light Through a Crystal
Fig. 39 Interior Color Palette
Fig. 40 Exterior Color Palette
Fig 41 . Sustainable Design Strategy
Fig. 42 Materials & Color Pallete
Fig. 43 Entrance Section-Perspective View
Fig. 44 Entrance Marble Stools
Fig. 45 The Waitomo Glowworm Caves
Fig. 46 Proposed Passageway Design
Fig. 47 Entrance Design Rendering
Fig. 48 Entrance water feature design rendering
Fig. 49 Entrance Stairs & Elevator design rendering
Fig. 50 Lobby design rendering
Fig. 51 Reception area deisgn rendering
Fig. 52 Reception seating area rendering
Fig. 53 Lobby intimate & private seating area rendering
Fig. 54 Loft suite design rendering
Fig. 55 Loft suite- First level rendering
Fig. 56 Loft suite- Bedroom rendering
Fig. 57 Loft suite- Bathroom rendering
Fig. 58 Loft suite- Bathroom toilet rendering
Fig. 59 Circulation & Space planning Diagrams
Fig. 60 Floor Plans
Fig. 61 Sections

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Fig. 62 Natural Light access through openings in ceiling

Fig. 63 Natural light access through suite balconies
Fig. 64 Outdoor view from the suite balcony
Fig. 65 Dancer duplicated to lighting fixture

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Fig. 66 Dancer movement defused onto a partition structure

78

VI

CHAPTER 1

Touring Turkey

I. Turkey

Turkey, a country that lies on the continent of Asia (Figure 1). Serves as a bridge

between different rich cultures and as a home for significant civilizations. It lies on the
center connecting three different continents, Asia, Europe and Africa. The country has
been a stepping stone between Europe and Asia, and among the ancient civilizations
of Greece, Rome, and Persia1. Turkey today is the result of the different influences
throughout history. Starting with the Byzantium that turned to Constantinople, the base
for Eastern Roman and the center of the Orthodox Christian church. Constantinople then
transformed into Istanbul after centuries. Istanbul is the capital of the Othoman Empire,
based on Islamic Caliphate. With all these changes, different cultures appeared overtime.2

II. Cappadocia

Turkey has been an international tourist destination for many years now, and the

boutique hotel industry there has been growing to meet the needs of high end clients.
Cappadocia (Figure 2), Turkey is a historical city located in the central parts of the nation.
Many attractions bring tourists to this city both from within Turkey and international
travelers. There are both cultural events and locations that create this draw as well as
natural and historic sites that are within the direct vicinity of this city.3 Two museums in
particular draw tourists in are not museums in the traditional sense, but rather open air
museums that put on display historic sites.

1 Shields, Sarah D. A Country in Two Continents. In Turkey, 11. National Geographic,

2009.
2 Shields, Sarah D. Turkey. National Geographic, 2009. 4.
3 Cappadocia Turkey. Cappadocia Turkey.http://www.cappadociaturkey.net/.

The first of these is the Goreme Museum (Figure 3) which is a collection of rock cut
structures dating back as far as one thousand years ago. This site is so popular that it is
claimed to be one of the first locations tourists visit in Cappadocia.4 Another such site
is that the one called Zelve (Figure 4), which attracts visitors due to the ghost-town like
environment of its ruins.5

Many other natural sites in Cappadocia are fascinating as well, like the

underground caves and tunnels found in neighboring Derinkuyu (Figure 5). This ancient
city was built centuries ago and is purported to have even been used as an escape route to
flee from Romans. The site lays only 30 minutes outside of Cappadocia so its closeness
makes it a great tourist attraction for those coming to the city.6 Uchisar (Figure 6) is even
closer to Cappadocia, and is located only about 10 minutes away from the city. Boasting
the highest point in Cappadocia it is also located by the Uchisar Castle. The castle has
rooms connected by tunnels and passages as well as an interesting pigeon house on the
north side of the castle.7

4 Goreme Open Air Museum. Cappadocia Tours. Goreme Open Air Museum,
Goreme, Cappadocia. http://www.goreme.com/goreme-open-air-museum.php.
5 Zelve Open Air Museum. Zelve Open Air Museum, Goreme, Cappadocia. http://
www.goreme.com/zelve-open-air-museum.php.
6 Derinkuyu. Produced by History Channel. Performed by Giorgio A. Tsoukalos.
Derinkuyu. August 2, 2012. http://www.youtube.com/watch?v=zS7Adv3DFXg.
7 Uchisar Castle. Uchisar, Uchisar Castle, Cappadocia. http://www.goreme.com/uchisar.php.
3

In addition to the natural and historic draws for tourists to the region, there are also
locations that cater wholly to visitors. Avanos (Figure 7) is a close town that sits on the
Red River and is oriented completely to catering to tourists. Famous family run pottery
businesses and clothing boutiques offer tourists a chance to immerse themselves in the
rich heritage of the surrounding locations, and even take a piece of that home with them.8

Cappadocia is a location that aims to create a memorable and luxurious

accommodation along the more rustic landscape and scenery of the city. The draw for
tourists is that it gives an air of exclusivity to a trip and the individual. The themes and
amenities are a breath of fresh air for those hoping to create more individualized and
unique traveling experiences. The accessibility of large chain brands in many markets has
created the drive for many consumers to look for smaller more exclusive experiences, and
a boutique hotel provide that to them.

Cappadocia has an extensive tourist market and therefore many accommodation

options to house visitors. Tourism in the region has seen steady growth, making the
location a lucrative one for hotels. Boutique hotels specifically do well in the region
since they are able to capitalize on the old world feel of the city to create unique luxury
experiences for clients. With nearly 100 hotels accommodations in the area, the market
for this part of Turkey is quite competitive. This also allows the boutique hotels to assess
their competition and offer luxuries that make it stand out to consumers. Those seeking to
come to the region are many times looking for an authentic experience and this has

8 Avanos. Avanos, Venessa, Cappadocia. http://www.goreme.com/avanos.php.

4

caused many cave hotels to also operate alongside traditional hotels. This central region
in Anatolia has a varied and extensive hotel business built to accommodate the influx of
tourists from around the world.
III. Hot Air Balloon

Cappadocias climate is known to be regularly clear skies and balanced breeze,

which makes it an ideal area for hot air ballooning.9 Air ballooning (Figure 8) is one of
the most common and unique activities in Cappadocia, it started sixteen years ago for a
former Club Mediterranee as a tour balloon for the guest. After ten year, the club was
sold and the two balloon pilots started their own business called Kapadokya Balloon.
The business is successfully still running today.10 Oberhue pictures the air balloon
experience as she wrote: Here you do not simply take off, soar across the landscape
for sometime and then come down again; here the flight rather resembles a permanent
ropeway trip. The balloon basket with its passengers moves through deep valleys, over
the peaks of the nearby mountains and through the treetops of green orchards. There is
steady rise and fall as if the vehicle were held by invisible rails.11

9 Wiley, John. Getting to Know Cappadocia. In Cappadocia, Ankara and the Interior,
Turkey. Frommers Shortcuts, 2010.
10 Wadenpohl, Michael. Leisure Activities. In Cappadocia: A Travel Guide Through
the Land of Fairy Chimneys and Rock Castles, by Susanne Oberheu, 156-60. Norderstedt: Books on Demand GmbH, 2010.
11 Wadenpohl, Michael. Leisure Activities. In Cappadocia: A Travel Guide Through
the Land of Fairy Chimneys and Rock Castles, by Susanne Oberheu, 60. Norderstedt:
Books on Demand GmbH, 2010.
5

Figure 1. Turkey

Figure 2. Cappadocia

Figure 4. Zelve

Figure 3.
Goreme Museum

Figure 5. Derinkuyu

Figure 6. Unchisar

Figure 7. Avanos

Figure 8. Hot Air Balloon in

Cappadocia
6

IV. My Approach

The design approach is to have a redundant and extended experience of the

landscape, nature and the outdoors. As the guests experience the great outdoor activities,
such as the hot air balloon adventure. Now, the journey does not end with the ride, but
continues to be part of nature while staying with in the geological mass. That is, staying
in Cappadocia boutique hotel.

CHAPTER 2

Defining Boutique hotels

I. Boutique Hotels

Staying in a nice hotel has been a common occurrence for nearly a century now.

While in the past these experiences were reserved for only the select few, it has become
more and more common across a cross section of social and economic backgrounds.
Staying in a hotel is now considered the most basic expectation for travelers. While other
markets like Inns and Bed and Breakfasts are also popular, they are not the go to choice
for the average traveler. With the rise in accessibility of travel millions more are taking
trips now than in previous decades. The hospitality industry has risen to the occasion
spending huge sums of money to ensure the appropriate market research is being done to
keep them competitive.

This industry is quite competitive with chain hotels competing with smaller

location specific hotels. This has driven hotels to find ways to stand out to potential
consumers. This effort has increased the type of decorations and amenities a hotel offers
as well as the level of training and education staff receive to stand out positively to
consumers. This has created an entire academic field of hospitality as well as national
coalitions and organizations dedicated solely to the industry and the billions that it
generates every single year. The hospitality industry shows no signs of slowing down
and actually has consistently created new concepts and ideas to attempt to corner specific
markets in addition to their general client base.

Boutique is the term applied to small hotels in luxury urban or resort settings 12.

12 McDonough, Brian. Luxury Hotels. In Building Type Basics for Hospitality

Facilities, 52. New York: Wiley, 2001.
9

A boutique hotel usually seen around a historical structure or a large estate, operating
as a small business rather than a commercial operation.Boutique Hotels are one such
method that those in the hospitality industry have spearheaded to capitalize off certain
demographics of travelers. Boutique Hotels are a luxury experience and are touted around
the world as an experience that caters to the desires of the consumer in every possible
way. These hotels are the first class option for those looking to travel, but with a uniquely
different experience with respect to their accommodations. These hotels have been
around since the 1980s and their popularity has grown over the last few decades. They
are themed and specific accommodations that provide additional amenities as a standard
procedure for patrons. These hotels are mainly popular in large cities across the USA and
Europe, as well as China, Hong Kong and Japan, just to name a few. In addition to these
large locations, boutique hotels have also gained popularity in smaller niche cities that
draw tourists from around the world like Phuket and Reykjavik.

There are two types of boutique hotels in destination. First, A boutique hotel in

city destination. This type is found in populated cities such as, New York, London,
Miami, Los Angeles. Here technology is very important in two ways. One, connecting the
guests with the hotel, for example in music and lighting. Two, for guests convenience,
such as computers, wifi, TV, phones and so forth. The second type is, a boutique hotel in
a resort destination. This type is seen in islands and mountains. Technology here is less
important, this hotel offers the hides the appearance of technology and electrons, and
encourages more spa, yoga and physical activities. Where the guests are more connected
to the environment.13
13 Anhar, Lucienne. The Definition of Boutique Hotels. Hospitality Net. December 13,
2001. http://www.hospitalitynet.org/news/4010409.html.
10

What is unique about a boutique hotel is that its design and furnishing reflects the

personality of hotel owner. The hotel environment should offer a unique experience to the
guests, from the distinct geographic location, to the extraordinary design.14 This market
has been growing over the last few decades. Travelers are going to locations more and
more remote and exotic as the world becomes more interconnected and less foreign to
them. This has been accomplished with the advent of channels, magazines, TV shows and
online campaigns aimed specifically at offering those who want it, the chance to travel to
the most exotic and remote parts of the world. This is great news for boutique hotels since
they tend to be much smaller in size and scope than traditional large chain hotels. These
boutique hotels are generally small individual owned businesses, or small chains of
localized and specialized groups. The intense popularity of these boutique hotels can
be seen however by the fact that even large hotel brands like Starwood have created
boutique style hotels to carve out a piece of that market.

The key element in designing a boutique hotel is the attention to exceptional

quality and precise detail.15

II. Traveling Trends

Travel trends for many age groups have changed over the last 2 decades to include

much more traveling than was previously done. More disposable income has created
more travel amongst those in their both their student years, and those well past those
years. Economic highs and lows have obviously affected the trend from time to time,
however much of the boutique business has remained unchanged.
14 McDonough, Brian. Luxury Hotels. In Building Type Basics for Hospitality
Facilities, 51-52. New York: Wiley, 2001.
15 McDonough, Brian. Luxury Hotels. In Building Type Basics for Hospitality
Facilities, 61. New York: Wiley, 2001.
11

The market for boutique vacations and hotels has also increased and even stayed

steady over the last decade. This is likely due to the fact that these travel locations, and
these types of businesses were insulated from the worst of the market downturn because
their client base was also insulated from it. The groups mentioned in terms of age, range
from those able to travel due to a limit on their financial obligations, or the ability to be in
industries as well as socio-economic backgrounds that afford them ability to do so. These
groups spend carefully but also in a manner to afford themselves the best
experience when the decision has been made to travel. The forecast for these groups in
terms of travel looks positive and is expected to grow.

12

CHAPTER 3

A Nabataean Brief History

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I. The Nabataeans

The idea of carving into a geological mass for interior uses is not a modern

invention. Two thousand years ago, during the 6th century BCE, a new civilization
became recognized in Southern Jordan, known as the Nabataeans. Who started
relocating from Arabia, creating one of the most stunning sites in the world known
as the Nabataeans capital Petra16. Petra was known for its magnificent carved
buildings, tomb and temples from solid sandstone rocks. As a result of Petras located,
that is surrounded by sandstone mountains, the Nabataeans were very skillful in water
conservation, they built an extensive system of dams, canals and reservoirs17 . In
Solving the Enigma of Petra and the Nabataeans, Corbett talked about great sandstone
structures and the exhibition of the rock-cut facades, he said The facade, popularly
known as the Khazneh, or Treasury, appears first only as a faint vision, its architectural
details and full dimensions crowded out by the darkened walls of the Siq (Figure 9). But
as you leave the Siq and enter the large open courtyard that sits before the Khazneh, you
begin to realize, with astonishment

16 Taylor, Jane. Petra and the Lost Kingdom of the Nabataeans. Cambridge, MA: Harvard
University Press, 2002.
17 The Mysterious Nabateans. Jordan - History. http://www.kinghussein.gov.jo/his_
nabateans.html.
14

and wonder, the immensity of the monument that towers above you18. He described the
architecture to be Classical Western Architecture, yet he believed that this design seems
out of place because of its desert landscape location.

II. Madain Saleh

Madain Saleh (Figure10) was know as Al-Hijr, dates back to the Nabataean

civilization. It lies in Northwest of Saudi Arabia, a ... crossroads of ancient civilisations,

pilgrims, explorers, trade caravans and armies 19. The Nabataeans were known for
their magnificent carved tombs into sandstone outcrops. From there, architecture and
sculpture flourished in the area.20 The kingdom of the Nabataeans with its capital Petra
in Jordan expanded to dominate Madain Saleh, they innovated in carving stones, drilling
wells in the rocks, digging rainwater tanks and carving interior spaces for worship. The
delicate and detailed entrance portals and the smooth surface of its spectacular facades
reflects the great skills of their masons.21

18 Corbett, Glenn J. Solving the Enigma of Petra and the Nabataeans. Biblical
Archaeology Society. August 08, 2012. http://www.biblicalarchaeology.org/daily/
ancient-cultures/ancient-near-eastern-world/solving-the-enigma-of-petra-and-thenabataeans/.
19 Walker, Jenny. Expats. In Oman, UAE & Arabian Peninsula., 328-29. Footscray,
Vic.: Lonely Planet, 2007.
20 Saudi Commission for Tourism and Antiquities. Sites in Saudi Arabia. SCTA. March
2009. http://www.scta.gov.sa/en/Antiquities-Museums/InternationallyRegisteredSites/
Documents/English.pdf.
21 Arabian Rock Art Heritage : Madain Saleh. Arabian Rock Art Heritage : Madain
Saleh. http://saudi-archaeology.com/sites/madain-saleh/.
15

Figure 9. Siq Petra

Figure.10 Madain Saleh

16

CHAPTER 4

Case Studies

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I. Juvet, Norway

A landscape hotel with rooms embedded in the forest, seven glass box dwellings

with detached Guestrooms. Juvet landscape hotel is based on three ideas: 1- nature and its
experience, 2- The cultural history of the area, and 3- A reflection of Norway today, based
on architecture and engineering skills.22

In an interview by Welcome Beyond with manager Knut Slinning, he was asked

to describe the essence of Juvet. He described the experience I have a feeling that it does
something with people. The first thing they see when coming here is this well-restored
farmhouse. Then they walk along and the beautiful river makes this turn, a very humble
turn as if it is saluting the farm before it bends down again. Then they come past the
barn and they first see the buildings scattered around the forest, you can actually see all
of the big windows coming in from the outside. At this point they usually get this wow
impression on their face. It is so strong. I can almost see and feel that they are lowering
their shoulders, overwhelmed by the view. It is a harmonious marriage where nature and
modern design bring out the best in each other. And the cabins are built on stilts, we are
only guests in nature so it is a good idea to be able to take the hotel away again.23

22 Juvel Landscape Hotel. Interview by Welcome Beyond. Boutique Hotel. 2013.

http://www.welcomebeyond.com/property/juvet-landscape-hotel/#location.
23 Juvel Landscape Hotel. Interview by Welcome Beyond.
18

This connection to nature is being applied to the proposed hotel design, as

mentioned earlier, the hot air balloon experience above the mountains and the different
exotic scenery. The idea of being part of nature continuously and not just during activity
times in the outdoors.

Figure 11. Exterior View

19

II. Sala Silvermine, Central Sweden

155 meters underground suites in historic Sala Silvermine. Worlds best preserved

mines and deepest rooms, The corridors are cold, damp and dark. Guests would need a
guide to get them to their suite as its a maze of dark and damp passageways. The Sala
silvermine is a great investigation on understating the relationship between different area
and the connection during passageways. The idea of privacy and intimacy is being study
for the purposes of the proposed hotel design.24

Figure 12. Sala Silvermine

Figure 13. Sala Silvermine Suite

24 The Worlds Deepest Hotel Room. Spot Cool Stuff Travel RSS. Accessed October 1,
2013. http://travel.spotcoolstuff.com/unusual-hotel-review/sweden/sala-silvermine-cavesuite.
20

III. Mira Mira Accommodation, Australia

A mouth of a gaintscutured sunshipe face in the entrance to an underground cave

suites of two bedrooms. Warmth of mother earth provides a cool interior in the summer
yet warm in the winter, which makes this place a grate escape all year long.25
What is unique about this structure and the proposed structure is the stable interior
temperature throughout the year. This is a study of thermomass and the understanding of
a cool temperature during the summer yet a warm temperature during the winter.

Figure 14. The Cave House - Entrance

25 The Cave House. Mira Mira. http://www.miramira.com.au/the_cave_house.

21

IV. Magic Mountain, Chile

Magic Mountain Hotel was originally a space for people to stay while they hunt,

fish and use the resources in that area. The owner was inspired by a book for the Hotels
name The Magic Mountain. The guestrooms are hidden inside a conical stone tower,
with a waterfall coming down from the roof.26 The architecture and furnishings of the
mountain are an intellectual wonderland of shapes and forms. Only mother nature herself
could come up with such complex lines, colors, and textures.27

The most unique element about The Magic Mountain is its location Located

within the Huilo Huilo Private Natural Reserve, the hotel is nestled among the natural
world. Among the things at the reserve are the Huilo-Huilo Falls, Pudu, the worlds
smallest deer species, and the longest zip line system in South America.28

Magic Mountain is built from local wood and stones. Only thirteen rooms in in

the hotel, all equipped with modern amenities, and a great view of the forest throughout
the large windows. Instead of using room numbers, Magic Mountain named the rooms
after different local species of birds. When its time to relax, the huge dug out tree trunks
that are used in Magic Mountain for hot tubs are the best escape. Placed on a deck that
overlooks the forest.

26 Dobson, Steve. Magic Mountain Hotel. Magic Mountain Hotel in Panguipulli Chile.
http://www.unusualhotelsoftheworld.com/magicmountainhotel.
27 Need Help In Chile? The Magic Mountain Hotel in the Huilo Huilo Reserve. http://
www.allsouthernchile.com/seven-lakes-siete-lagos-huilo-huilo-chile/133/257-the-magicmountain-hotel-in-the-huilo-huilo-reserve.html.
28 Kiri, Dylan Thuras, and Seth Teicher. The Magic Mountain Hotel. Atlas Obscura.
http://www.atlasobscura.com/places/the-magic-mountain-hotel.

22

A great spot to relax at the end of the day.29 A great study to understand the use of natural
elements in the design, and how these elements keeps the person connected to nature.

Figure 15. Magic Mountain - Exterior View

29 Need Help In Chile? The Magic Mountain Hotel in the Huilo Huilo Reserve.

23

V. Kelebeks Hidden Kings Valley, Turkey

Located in the heart of Goremes historical village, with a breathtaking view

looking at Cavusin and Uchisar. Before 1993, Kelebek was a family home made of
stone-arched and cave rooms. Over time, wind, rain and natural surroundings created
two chimneys. During the Medieval times, those chimneys were used as chapels. Later
the family used it to store grapes, raise pigeons and as a small library. Today, the two
chimneys are part of the thirtysix hotel rooms.30 The investigation here focuses on the
idea of excavating to make an interior space, and the process of it.

Figure 16. Kelebeks two Chimneys

30 Yavuz, Ali. Kelebek Cave Hotel, Cappadocia. Kelebek Cave Hotel, Cappadocia.
http://www.kelebekhotel.com/index.php.

24

VI. Katpatuka Cave Hotel, Turkey

katpatuka hotel is a cosy cave hotel, with only seven guestrooms of exotic

interior features. These rooms were used before as a winery by the villagers. Variety of
attractions is close by such as the air museum, Uchisar Castle and sunset point.31 The idea
of subtraction is the main study here, where an object is dugged in and the parts that were
taken out would be in use in a different area and form.

Figure 17.Katpatuka Cave Hotel- Exterior View

31 Mustafa. About. Katpatuka Cave Hotel. http://katpatukacave.com/en/

About/4IQCRVGX7X/.

25

VII. Aged to Perfection: Marchesi Antinoris Sustainable Winery

A 625-year-old Italian wine maker Marchesi Antinori build the Chianti Classico

Cellar outside Florence, in Bargino. Part of it is a visitor center ( a restaurant, wine

shop, and museum) and the other part is the working winery. It is consist of a multilevel,
129,00-square-foot structure that is mostly concealed belowground. This allows
coolness and temperature control. Grapes harvested from the adjacent vineyard are
crushed at ground level, then piped down to fermentation vats entirely by gravity,
eliminating the need for electrical mechanisms. Water is depurated and recycled.32
Exploring and understanding the design structure behind this winery helps understanding
the ideal ways for applying sustainable design in such structure. Sustainability, and a
modern underground interior is the main focus in this study.

32 McMenamin, Mark. Aged to Perfection: Marchesi Antinoris Sustainable Winery.

Interior Design RSS. June 1, 2013. http://legacy.interiordesign.net/article/564413-Aged_
to_Perfection_Marchesi_Antinori_s_Sustainable_Winery.p

26

VIII.Jarvis Winery, Napa.

Jarvis winery is part of a 45,000 square feet of cave tunneled into Vaca

Mountains, Napa. Due to the temperature and high humidity level of caves, it was typical
for wineries to use caves. Jarvis winery was the first in this country to create a cave large
enough that it could hold the entire winemaking operation. The main principle behind the
Jarvis winery cave construction is the use of a parabolic shaped tunnel.33 William Jarvis
explained: The Romans made extensive use of the arch in portals, bridges, aqueducts,
temples and in the famous Roman Colosseum. The Roman semicircle arch is quite strong,
but in terms of load bearing, it has a weak point at its top; the parabolic-shaped arch as
employed in Venice does not have this weakness. It was used to beautiful advantage in
the palaces of Venice. The parabolic arch can support nearly equal loads at all points. It is
also more elegant.34 Also a waterfall is placed in the main corridor to humidities barrels
in all parts of the cave.

One of the most important studies for this proposed hotel design is the study of

the interior structure. The structure that would hold the great weight of the cave, as the
use of parabolic arch example. And the idea of using water in the interior for a cool,
humid space. The next chapter will be discussing the structural use of the parabolic arch
and the reason it was chosen.

33 DAgostini, Daniel, and Molly Chappellet. Jarvis Winery. In Into the Earth: A Wine
Cave Renaissance, 80-85. Plano, TX: Panache Partners, 2009.
34 DAgostini, Daniel, and Molly Chappellet. Jarvis Winery. In Into the Earth: A Wine
Cave Renaissance, 81. Plano, TX: Panache Partners, 2009.
27

Figure 18. Jarvis Interior Structure

Figure 19. Jarvis Interior

28

CHAPTER 5

Site

29

I. Topographical Study

Analyzing the site by creating a topographical map (Figure 20) was the next

approach. Six different areas were examined within Cappadocia geological mass.
Looking at the advantages and disadvantages for each area to deter man the best location
for the proposed boutique hotel. The topographical analysis is based on different factors,
the geological mass hight that range between 0m to 40m, the geographical location of
the studied areas within the whole mass, the mass formation in a specific area, and the
different view directions and the sun path.

Figure 20. Topographical Study

30

II. Site Analysis

The first study is seen in (Figure 21), an area with approximately 30 meters as

the highest point, it is looking North West with a view of (Figure 22) breathtaking land
formation. What is unique about this area is the separate dwellings that may be used to
create different areas for the proposed design. Second, is an area in the lower part of
Cappadocia mountain, with a highest point of 20 meters (Figure 23). This area is with a
magnificent view of volcanic chimneys (Figure 24), looking North West. The formation
of this area may create a passageway that starts from the bottom going to the top.

The third area (Figure 25) that was studies is also in the lower part of the mass,

with a beautiful view (Figure 26) looking South West. The formation of this particular
area is very delicate and attached structures. Fourth is an area in the highest point of the
mass (Figure 27), with 40 meters as the highest point. This area looks North to a great
view (Figure 28) and consist of separate dwellings. A disadvantage here is the hight of
this area, which makes it difficult for travelers to reach.

The fifth study is an area in the middle of the geological mass (Figure 29), in

the lower area, looking West to a spectacular volcanic formations (Figure 30). But just
like the area discussed before, it is hard to reach. Last, is an area located in the top of
the mountain (Figure 31) with the highest point of 40 metes. Which makes the hight a
disadvantage since it is hard to reach. A view os looking South East to amazing landscape
(Figure 32).

31

Figure 21. Study Area # 1

Figure 22. Study Area # 1 View

Figure 23. Study Area # 2

Figure 24. Study Area # 2 View

Figure 25. Study Area # 3

Figure 26. Study Area # 3 View

32

Figure 27. Study Area # 4

Figure 28. Study Area # 4 View

Figure 29. Study Area # 5

Figure 30. Study Area # 5 View

Figure 31. Study Area # 6

Figure 32. Study Area # 6 View

33

III. Findings

After analyzing the six different areas, only two had the best characteristics to fit

the proposed design. The first option (Figure 21) emphasize the idea of access to private
spaces from the exterior. As the separated dwellings here allows a certain circulation
between the different areas. (Figure 33) explains the relation between the areas. How the
guests enter the lobby first to check-in, then go out to reach the separate suites front he
outside.

The second area (Figure 23), is different in access, were access to the private

spaces is from the exteriors. This layout creates more of a passageway design, everything
is connected from the inside through the lobby (Figure 34). A guest would walk through
passageways leading him/her from the lobby to a specific suite.

Figure 33. Access to Private

Spaces from Exterior

Figure 34. Access to Private

Spaces from Interior

34

CHAPTER 6

Programing

35

Cappadocia geological mass area is about 360,000 sf. The proposed boutique

hotel area is between 25,000 sf - 30,000 sf.

I. Ratio Study

A ratio study below (Figure 35) explains the relation between the number of

rooms, the number of guests and the number of staff needed.

Figure 35. Ratio Study

12 suites, 30 guests ( 6 rooms takes only two guests per room, and 6 rooms takes

up to three guests per room, as there will be soda bed in the suite that allows an extra
person to these rooms.). Four House-keepers, Two receptionists, one concierge, one valet,
one luggage handler, three cooking prep assistants, two chefs, one waiter and two back of
the house cleaners.

36

II. Space Programing

The first space the guest will experience is the entrance. The entrance will be

an open area, the arrival and departure lanes will have a minimum width allowing two
vehicles to pass by at the same time. A separate counter will be located near the main
entrance, which will control left luggage and car park attendants. Then the guests will
move on to the lobby area. Guests and visitors shall have an immediate view of the bar,
featuring lobby seating, the reception desks and the concierge desk. All should be clearly
identifiable. The front desk and the concierge will have a joint counter. This space is an
estimate area of 2145 sf.

The lobby is the heart of the hotel, that leads guests to all other areas, such as the

lounge, pool and suites. The lounge surface area has a space of 1600 sf, next to a large
scale pool that allows a full scale swimming. Each suite is separated from the other, with
its private path and a unique design. The suite has a private balcony and pool. The surface
area here is about 1035 sf excluding balcony and bathroom.

The staff private areas includes the kitchen, storage and laundry. Keeping the

kitchen area away from the public spaces, yet close from the lounge area for serving.
A full kitchen equipped to serve meals and snacks. The hotel personnel must feel that
they work in an appropriately designed back of the house, that allow to provide luxury
services to the guests.

37

CHAPTER 7

Structure

38

I. Arches

It is clear that the buildings from ancient times had a great and advanced

knowledge of the structures of angles and arches. The even dance are all the historical
monuments that were built decades and centuries ago, that we still see today.35 Arches
were used for underground structures for ancient civilizations. Such as the Persians,
Egyptian, Greek, Babylonian and Assyrian. They were used for drains and vaults that
were underground. The Romans were the first who used arches above ground.36

II. Parapolic Arches

Arches come in many different shapes and sizes (Figure 36), yet the parabolic

arch is the strongest arch of all, for its uniformly distributed load.37 A parabolic arch
is known to be very simple, yet very complex at the same time. The characteristics
of a parabolic arch can be discovered with a simple equation. This equation finds the
maximum hight of a parabolic arch which in an area : y= ax2+ c.38 The parabolic curve,
or arch, was formally discovered by the ancient Greek. The mathematical genius of this
curve is that the focus of the curve and the curve to the directrix is the same length 39.

35 Brake, Chris. What Types of Angles & Arches Are the Strongest? EHow. January
12, 2011. http://www.ehow.com/list_7778477_types-angles-arches-strongest.html.
36 Carrero, Zuledy, and Arelis Croquer. Arch., 6.
37 Brake, Chris. What Types of Angles & Arches Are the Strongest? EHow. January
12, 2011. http://www.ehow.com/list_7778477_types-angles-arches-strongest.html.
38 Mattam66. Finding the Maximum Height of Parabolic Arch. YouTube. September
03, 2012. http://www.youtube.com/watch?v=Ew0T_2arwDI.
39 Parabolic Arch. StudyMode.com. 06, 2008. http://www.studymode.com/essays/
Parabolic-Arch-152166.html.
39

As a result the arch is able to hold the pressure that is applied to the arch. The parabolic
arches (Figure 37) carry all horizontal thrust to the foundation and so do not need
additional elements40. Theoretically these arches were considered the strongest ever
created.41

Parabolic arches are known to be the recommended shape when it comes to

long-span arches.42 Twelvetrees explains in Rivingtons Notes on Building Construction

that The parabolic arch is used when the rise required exceeded the span of the arch43.
Parabolic arches was defined in a different way in FCS construction planning L2, This
is an arch that is shaped like a parabola. This is the shape of the path that something
would take if you would throw it up into the air and it landed on the ground as mall
distance away from you44.

Parabolic arch is self supported and an adoptable structure, it can hold a great

amount of weight with the right studies and calculations. It is an aesthetically appealing
structure and has an important function. In some cases, the arch would be used as a
statement and a symbol of greatness.

40 Carrero, Zuledy, and Arelis Croquer. Arch., 8.

41 Parabolic Arch. StudyMode.com. 06, 2008. http://www.studymode.com/essays/
Parabolic-Arch-152166.html.
42 Allen, Edward, and JosephB Iano. Brick Masonry Arches. In The Architects Studio
Companion: Rules of Thumb for Preliminary Design, 85. New York: Wiley, 2002.
43 Twelvetrees, W. Noble. Arches, Vaulting, and Domes. In Rivingtons Notes on
Building Construction., 122. Vol. 1. London: Longmans, 1915.
44 South Africa, Pearson. Loads, Arches and Joints. In FCS Construction Planning L2,
157. FET College Series.

40

Figure 36. Arches Shapes

Figure 37. Parabolic Arch Thrusts

41

CHAPTER 8

Lighting

42


I. Defining Minerals

In Johnsens book, Minerals of the World, he defines minerals as an element

or chemical compound that is normally crystalline and that has been formed as a
result of geological process.45 Minerals are created naturally, without any human
interference. A crystal is defines as a solid bounded by place faces that are an external
expression of an internal order in which the chemical constituents are located in a regular
three-dimensional lattice: a crystal lattice.46 This crystalline material has two main
characteristics. One, the chemical composition, meaning what the elements is made of.
Second, how the elements are ordered in the crystal. A crystalline material is known to
be homogeneous, meaning having the same physical and chemical properties, even when
formed in different environments.47

A mineral will form appropriately under certain limitations of conditions, such

as the pressure, temperature and acidity. There are about four thousand minerals on the
earth, each is unique with its chemical components and crystal structure. Though, many
minerals relate to one another, rather by having the same chemical compound or by
having the same crystal structure.48

45 Johnsen, Ole. What Is a Mineral? In Minerals of the World, 11. Princeton, NJ:
Princeton University Press, 2002.
46 Johnsen, Ole. What Is a Mineral? In Minerals of the World, 11. Princeton, NJ:
Princeton University Press, 2002.
47 Johnsen, Ole. What Is a Mineral? In Minerals of the World, 11. Princeton, NJ:
Princeton University Press, 2002.
48 Johnsen, Ole. What Is a Mineral? In Minerals of the World, 12-13. Princeton, NJ:
Princeton University Press, 2002.

43

Crystal geometry identifies crystals symmetry, forms and faces. When the

word symmetry is used with crystals, it means it has the same degree of harmony and
regularity. This symmetry is classified and defined into your different groups. First,
Plane of Symmetry, which is the relation to the plane. Second, Centre of Symmetry,
which is the relation to the point. Third, Axis of symmetry, which is the relation to
an axis. And last, Inversion Axis, which is the relation to rotary inversion. Symmetry
operation is defined as The action described by a symmetry element, a reflection,
rotation, etc.49
II. Crystal Properties

One of the main physical properties of crystals is hardness, which defines a

crystals resistance to being scratched. When talking about the optical properties of
crystals, we start with visible light. Visible light ranges from violet to red, this blend of
the spectrum results to a while light. When light hits a crystal, three actions accuse. First,
some of the light reflects. Second, some light enters the crystal and conform the internal
structure of it. The velocity of light reduction, that enters the crystal, is connected to
the change in the light rays direction. And third, the remaining light leaves the crystal,
the amount of light leaving depends on the thickness of the crystal and its chemical
components.50 These factors also determine which parts of the spectrum are absorbed
and which parts passes through.51

49 Johnsen, Ole. Crystallography. In Minerals of the World, 19. Princeton, NJ:

Princeton University Press, 2002.
50 Johnsen, Ole. Crystallography. In Minerals of the World, 60-65. Princeton, NJ:
Princeton University Press, 2002.
51 Johnsen, Ole. Crystallography. In Minerals of the World, 65. Princeton, NJ:
Princeton University Press, 2002.
44

A crystal is defined in three different terms depending on the amount of

light transmitted through. Transparent, is when large amount of light is transmitted.

Translucent, when a moderate amount of light transmitted. And opaque, when small or
no light transmitted. Lustre is The appearance of a crystal face in reflected light52.
The color of the crystal has a small affect on lustre. Though, color has two main causes
in minerals. First, is connected with refraction and the scattering of light as it passes
through53. Second, the absorption of parts of the incident light, which affects the
wavelengths of the light leaving the mineral.54

III. My Approach
Many lighting options can be used to set a boutique hotel apart from the

competition and the cave hotels in Cappadocia are able to benefit from the use of crystal
lighting to accomplish this goal. The properties in crystals allows light that enters it to be
split into many directions (Figure 38) causing a multifaceted look that creates exquisite
light that is both unique and luxurious in its effect. This ability of the lighting in crystals
to bounce off surfaces to create dimensional color is also important in creating an
atmosphere of intrigue.

52 Johnsen, Ole. Crystallography. In Minerals of the World, 66. Princeton, NJ:

Princeton University Press, 2002.
53 Johnsen, Ole. Crystallography. In Minerals of the World, 67. Princeton, NJ:
Princeton University Press, 2002.
54 Johnsen, Ole. Crystallography. In Minerals of the World, 67. Princeton, NJ:
Princeton University Press, 2002.

45

The unexpected appearance of crystal lighting can add to the experience of the consumer
by creating a contrast of clarity and refinement in the landscape of the hotel. The
modern feel of this type of lighting also highlights the disparity of the old and the new in
relation to the ancient structures of the region and the innovative and new boutique hotel
experience. Crystal lighting invokes an appreciation of the classical beauty seen in many
traditional hotels, while also offering a modern twist on this classic style.

Figure 38. Light Through A Crystal

IV. Material Palette of the Geology

Figure 39 and figure 40 shows the color palette of the geologys interior and exterior. This
will deter man the mineral choice for the lighting, depending on how the lighting color
through the crystal would reflect on the surface.

Figure 39. Interior Color Palette

Figure 40. Enterior Color Palette

46

CHAPTER 9

Sustainable Design Strategy

47

Figure 41 . Sustainable Design Strategy

It is very important to mention that to achieve sustainability couple of these were

considered. For example, furniture are sourced locally, the furniture are made in Turkey
and even some furniture are designed by Turkish designers. Textile are regional. And
the most important one is the use of an existing structure instead of rebuilding a new
structure or demolishing an existing structure to create a new one.

48

CHAPTER 10

Material Performance

49

Generally, the materials and color pallete shown provide the approach

of neutral colors, soothing colors and luxuries materials. It is very important to mention
that to achieve sustainability couple of these were considered. For example, furniture are
sourced locally, the furniture are made in Turkey and even some furniture are designed
by Turkish designers. Textile are regional. And the most important one is the use of
an existing structure instead of rebuilding a new structure or demolishing an existing
structure to create a new one.

Figure 42. Materials & Color Pallete

50

CHAPTER 11

Design Research

51

I. Entrance

The Entrance is the guests first impression, it is one of them most important areas

to make a hotel stand out. The entrance should be unique and allows the guests to have a
memorable experience as they enter the hotel. Cappadocia hotel will provide a welcoming
ambience as the guests first enter the hotel, proposed in figure 44, were they feel more
relaxed after a long active day in the outdoor activities. These activities and the terrain
is a big concern when entering the hotel with muddy shoes for example. There for, the
proposed solution here is to have a water fall starting from the arched ceiling coming down
both sides of the walls, were guests may set on the marble stools seen in figure 43, and not
just wash their effective day out, but also literally wash their feet and start the transition to
a more relaxing environment.

52

Figure 43. Entrance Section-Perspective View

Figure 44. Entrance Marble Stools

53

II. Passageways

The passageways in this hotel differentiates the experience from staying in other

hotels. These passageways are one of the final points and main areas in the design, as
walking through these tunnels are an experience by itself. The idea of the passageways
offers a transition from one area to another. For instance, from the entrance to the lobby, or
from public areas to private area (The Suites), it is another way to prepare the guest to enter
a new space. The passageways design is intimate using lighting system that duplicates the
idea of glow worm in the ceiling. Glow worm as seen in figure 45 is a famous insect with a
blue-green glow on the tails end 55. In average, they are in the size of a mosquito. They are
known to live in forests and in humid caves 56. What is magical about this phenomena that
would create an experience in the design seen in figure 46, is that the idea of replicating the
glow worm feel is like creating a night sky with shinning stars in the ceiling.

55 Glow Worm. (Arachnocampa Luminosa). Accessed January 5, 2014. http://a-zanimals.com/animals/glow-worm/.

56 Magical Glow-worm Cave in Waitomo, New Zealand. When On Earth Places to See
Things to Do Gear to Get. Accessed January 5, 2014. http://whenonearth.net/magicalglow-worm-cave-in-waitomo-new-zealand/.

54

Figure 45. The Waitomo Glowworm Caves

Figure 46. Proposed Passageway Design

55

CHAPTER 12

Design Resolution

56


This thesis project concentrated on three main areas in designing. The entrance,
the lobby and the lost suite.
I. Entrance

Figure 47 . Entrance Desing rendering

The entrance is the first space guests experience, here a spiritual has been created

with idea of the water fall and feet washing. The space created with high ceiling and a
parabolic arched ceiling to hold the mass.

57

Figure 48. Entrance water feature Desing rendering

This rendering gives a more detailed images of the finishes used for this space.

The walls are tumbled and the floors are polished. Byzantine gold tiles used for the water
feature area. Regional textile for the stools nd engraved metal placed in front of the
elevator and duplicated on the other side as an art piece. A large lighting fixture in the
ceiling with a framed glass duplicating the shape of air balloons.

58

Figure 49. Entrance Stairs & Elevator Desing rendering

Both stairs and elevators are at the end of the entrance area, as it takes the guests

to the next level and areas. The stairs and elevator act here as a transition area between
the entrance and the lobby.

59

II. Lobby

Figure 50. Lobby Desing rendering

The lobby area is where the reception located, waiting areas and some intimate

seating spaces. This area takes the guests to their suites.

60

Figure 51. Reception Area Design rendering

The reception area consist of two reception tables for welcoming the guests and

assisting them with their stay. Alarge design, covers the whole wall. A design carved and
inspired by traditional Turkish art. This design is lit form the back to attract the eyes as a
focal point in the reception area. Also, an elevator inspired by a Turkish mosques dome
Mudat Mosque, placed in the middle that takes guests to the suites under.

61

Figure 52. Reception Seating Area rendering

A seating area inspired by Turkish deign, with its textile and ceded wood furni-

ture. The lobby walls are tumbled and the floors are polished.

62

Figure 53. Lobby Intimate and Private Seatings Area rendering

In the lobby area, intimate and private seatings are created. They are placed in

several locations throughout the space. This one in particular is in the lobbys corner, next
to a passageways that leads to one loft suite.

63

III. Loft Suite

Figure 54. Loft Suite Desing rendering

A loft suite design is shown above, two floors. First floor is the living and din-

ning areas, and second floor is the bedroom and bathroom. This suite has a high ceiling
and a parabolic area ceiling to hold the mass above.

64

Figure 55. Loft Suite - First level rendering

An open area consists of the living room and next to it the dinning table. Furniture

inspired by Turkish deign but with a modern touch. Textile and finishes are regional and
sourced locally.

65

Figure 56. Loft Suite - Bedroom rendering

Bedroom located in the second floor, intimate yet open. With wood panels above

the king bed for design and as a pendant light holder above the side tables. Yellow leather
headboard designed to add some pop of color to the interior.

66

Figure 57. Loft Suite - Bathroom rendering

Bathroom includes two vanities, shower, waterfall tub and a toilet. Bathroom is

an open space with no doors, except a wall deviding the toilet from everthing else to give
privacy.

67

Figure 58. Loft Suite - Bathroom toilet rendering

The toiletwall is backed with a yellow onyx, bright slab and coated for water

protection. This material is also seen in the shower area.

68

CHAPTER 13

Findings

69

This thesis project started to develop since summer 2013, while having dinner

with the in-laws. A discussion on a historical structure known as Madain Saleh started.
Madain Saleh is located in Saudi Arabia, dates back to the Nabatean civilization, they
were known for their magnificent carved tombs into sandstone outcrops. The kingdom
of the Nabateans with its capital Petra in Jordan expanded to dominate Madain Saleh,
they innovated in carving stones, drilling wells in the rocks, digging rainwater tanks and
carving interior spaces for worship and other uses57.

From there, the idea of using an existing mass to create a modern space for

todays modern use started to develop. Now, the research for a spectacular geological
mass started. From Saudi Arabia to Arizona. Finally, Cappadocia, Turkey was the final
choice. A great terrain with magnificent landscape formation to create the proposed
boutique hotel.

Why this location? Turkey has been an international tourist destination for many

years now, and the boutique hotel industry there has been growing to meet the needs
of high end clients. Cappadocia, Turkey is a historical city located in the central part
of the nation, many attractions bring tourists to the city both from within Turkey and
international travelers58.

57 Arabian Rock Art Heritage : Madain Saleh. Arabian Rock Art Heritage : Madain
Saleh. http://saudi-archaeology.com/sites/madain-saleh/.
58 Cappadocia Turkey. Cappadocia Turkey.http://www.cappadociaturkey.net/.

70

Three main reasons for choosing Cappadocia from many reasons are the different

attractions, such as the landscape formation. These rock formation were a result from
old volcanic eruptions. Creating spectacular landscape from the pages of science fiction,
it is an extraordinary region with an incredible harmony of shapes and colors. Also
the underground cities that goes back to the Bronze age, during the Byzantine period.
59

Finally, one of travelers favorite attractions, the hot air balloon experience, it is one

of the most common and unique activities in Cappadocia.60 What is better than to start
your day with a hot air balloon ride admiring the unreal landscape and then ending your
day by staying at Cappadocia boutique hotel, were now you are actually inside the land
formation you have been admiring from above. For this reason this hotel is a boutique
hotel in a resort destination, meaning absence of technology and more engagement with
the outdoors and the environment.

From all the case studies that were search, structure was one of the most important

elements for a successful design. After researching and studying Jarvis winery in Napa.
The finding was that to hold a great structure, the design should be based on parabolic
shaped arches for the support, as the parabolic arch can support nearly equal loads at all
points.61

59 Derinkuyu. Produced by History Channel. Performed by Giorgio A. Tsoukalos. Derinkuyu. August 2, 2012. http://www.youtube.com/watch?v=zS7Adv3DFXg.
60 Wiley, John. Getting to Know Cappadocia. In Cappadocia, Ankara and the Interior,
Turkey. Frommers Shortcuts, 2010.
71

After choosing the large structure, zooming in to choose the appropriate area

suitable for the proposed hotel was the next step. Analyzing the site by creating a
topographical map to examine the geological mass. Looking for the advantages and
disadvantages of the different areas. The mass hight range from 0 feet to 130 feet. The
final areas was chosen, it starts from 0 feet to 56 feet. Starting from the bottom to top
acting like a passageways, which is ideal for the parabolic arch approach.

Diagrams below shows both circulation and space planning, they were created

to understand the relation between the spaces and how they related to one another. How
guests will be moving around the space. These diagrams show the idea of starting from
the bottom and going up as guests move inside the hotel.

Figure 59. Circulation & Space Planning Diagrams

72

From there the layout design of the hotel started, the hotel is four floors. First

floor is the entrance area and six suites, the suites on that level can only be accessed from
the lobby in the second floor. Second floor is the lobby area and four loft suites. Third
level is the lounge area and two more loft suites. Finally the fourth floor, which includes
the laundry area, the kitchen area and all the back of the house needs. This idea of how
the levels overlap can be clearly seen in section view.

Figure 60. Floor Plans

Figure 61. Sections

73

Finally, the three areas designed and focused on are the entrance, the lobby and

the loft suite. Generally all the walls are tumbled and all the floors are polished, the idea
behind this design approach is to keep the real material of the mountain and remind the
guests of their surrounding.

The entrance area is where people start to wash off their long day in the outdoors,

where they literally wash their feet as they ender, after a long muddy day and different
activities. The lobby is where guests checkin, it is a species area with high ceilings. The
lobby also includes several seating area with different feels all around. Finally the loft
suite, it is a two level suite that includes a living area, a dinning area, a bedroom with a
king bed and finally a full bathroom with an water fall bathtub for two.

Generally, the materials and color pallete shown in figure 42, provide the

approach of neutral colors, soothing colors and luxuries materials. It is very important
to mention that to achieve sustainability couple of these were considered. For example,
furniture are sourced locally, the furniture are made in Turkey and even some furniture
are designed by Turkish designers. Textile are regional. And the most important one is
the use of an existing structure instead of rebuilding a new structure or demolishing an
existing structure to create a new one.

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CHAPTER 14

Contribution

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After the final presentation, the jury gave some feed back and discussed some

important points to consider in the design. For example, natural light, outdoor views from
the inside, and continues ritual throughout the hotel.

Staring with natural light, one main point the jury mentioned is the absence of

natural light in the inter spaces. This approach was intentional to create a more intimate
experience throughout the hotel. But a way to solve this issue is by creating openings in
the ceiling of each area. All spaces area high enough to create an opening in the top, as
the ceilings are close to the mountain tip. Below are illustrations explaining the openings
and how sunlight enters the interior spaces.

Figure 62. Natural Light access through openings in ceiling

Figure 63. Natural light access through suite balconies

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Another point the jury discussed is the view seen from the inside of the outdoors.

They asked if a scene from the outdoors can be seen form the inside. This hotel
experience is totally and interior experience, with no exposer to the outdoors. But a was
to address this is by carving the sides of the mountain, can only de done on the side of
the suites. An opening starts from the living rooms looking to the sides. Each side of the
mountain has a different exotic landscape view, which creates a variety of experiences for
each suite. Sketches below explains the idea of the open balcony in the suites. That idea
creates a more species suite as well a way for natural light to enter the suite.

Figure 64. Outdoor view from the suite balcony

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Finally, the continues spiritual idea of the Turkish Islamic culture. After

discussing my entrance and the spiritual idea behind the feet washing, one jury suggested
to carry on this idea and have a continues spiritual experience throughout the hotel. An
idea the may be applies is by duplicating the Turkish dancer design and movement seen
in the sketches below. This can be applied in a lighting fixture design for example, or
partitions between different areas.

Figure 65. Dancer duplicated to lighting fixture

Figure 66. Dancer duplicated to lighting fixture

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CHAPTER 15

Appendix

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ILLUSTRATION REFERENCES
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Figure 2: Google map.
Figure 3: Youngers, Jason. Goreme-Open-Air-Museum-Cappadocia-Turkey.
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Figure 5: Tour Turkey: Underground Cities of Cappadocia Derinkuyu. By Dania
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Figure 6: Uhisar Rock Castle, Cappadocia. Turkey Travel Planner. http://www.turkeytravelplanner.com/galeri/cappadocia/photopages/012.html.
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Figure 11: Ac.beck. Juvet Landscape Hotel. July 10, 2008. Flickr. http://www.flickr.com/
photos/29892271@N07/6832729836/in/photolist-bpMwwQ-bCGsPt-8a54YF-8un1TF8un5Ng-8un4V4-8uqc1A-cu2GwQ-aWmbuk-9cNhca-fvWagn-fvWarg-fvWbPR-fwbspA-fvWaUV-fwbtiN-fvW9TM-fwbrTA-fvWcVX-fwbuiA-fvWdoH-fwbrpU-fwbtbwfvWbja-fwbtVC-fvWa6B-fwbsej-fvWc46-fvWcdr-cxD9zy-ewCNQ8-eAWG6i-eAWQ8xeAZUMW.
Figure 12:
Only 99 Boutique Hotels over the World. Best Boutique Collection. Accessed October 1,
2013. http://www.bestboutiquecollection.com/sala-silvermine/.
Figure 13:
Pappilabild. The Mine Suite- Bed. The Mine Suite, Sala Silvermine, Central Sweden.
Figure 14:
The Cave House. Mira Mira Accommodation, Australia. http://www.visitvictoria.com/regions/Gippsland/Accommodation/Cottages/Mira-Mira-Accommodation.aspx.
Figure 15:
Drollgirl. Magic-Mountain-Lodge-Chile. April 17, 2013. Flickr. Accessed October 1, 2013.
http://www.flickr.com/photos/35490460@N06/8658131475/in/photolist-ec6bQT-cevL8ocsvmK1-bX9pmB-8CDBdD-cevLbb-988AX5-7TtAEB-9tLQgh-eeZqeZ-9or1MX-aYUTmF-bUxGAn-ecLTJZ-em1Ugo-cD7mqU-86K6k9-djoVpX-dt1rSm-dwWCM7-bxpnkKdymkXr-f3yHyo-egqKNE.
Figure 16:
Danny. Kelebek Chimney Rooms. October 3, 2010. Kelebek Cave Hotel, Flickr, Goreme,
Turkey. http://www.flickr.com/photos/61788116@N00/5083974166/.
Figure 17:
Cave Hotel Cappadocia Elkep Evi. Cave Hotel, Turkey, Turkey. http://www.elkepevi.
com.tr/elkep_1.JPG.
Figure 18: Jarvis Interior Structure. Jarvis Estate, Jarvis Winery. http://www.jarviswines.
com/news-trade/gallery.

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Figure 19: Waterfall inside Winery Cave. Jarvis Estate, Jarvis Winery. http://www.jarviswines.com/news-trade/gallery.
Figure 20: Self-Sketch.
Figure 21: Google Earth.
Figure 22: Google Earth.
Figure 23: Google Earth.
Figure 24: Google Earth.
Figure 25: Google Earth.
Figure 26: Google Earth.
Figure 27: Google Earth.
Figure 28: Google Earth.
Figure 29: Google Earth.
Figure 30: Google Earth.
Figure 31: Google Earth.
Figure 32: Google Earth.
Figure 33: Hand Sketch.
Figure 34: Hnad Sketch.
Figure 35: Self Sketch.
Figure 36: Hand Sketch.
Figure 37: Hand Sketch.
Figure 38: Hand Sketch.
Figure 39: Welcome to Behr.com. Behr Paint. http://www.behr.com/consumer/.
Figure 40: Welcome to Behr.com. Behr Paint. http://www.behr.com/consumer/.
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Figure 41: Diagram - Slef created.

Figure 42: Photo taken by -Self.
Figure 43: Sketchup Section-Perspective View.
Figure 44: Foster, Katie, and Roger Foster. Ablution Area. February 15, 2013. Arabian
Tales and Other Amazing Adventures. Accessed February 1, 2014. http://arabiantalesandotheramazingadventures.blogspot.com/2013/02/the-sheikh-zayed-grand-mosque-oneof.html.
Figure 45: The Waitomo Glowworm Caves. Glow Worm Cave, New Zealand, Amazing
Views. Accessed January 5, 2014. http://whenonearth.net/magical-glow-worm-cave-inwaitomo-new-zealand/.
Sketchup Section View
Figure 46: Self-Sketch.
Figure 47: Sketchup rendering.
Figure 48: Sketchup rendering.
Figure 49: Sketchup rendering.
Figure 50: Sketchup rendering.
Figure 51: Sketchup rendering.
Figure 52: Sketchup rendering.
Figure 53: Sketchup rendering.
Figure 54: Sketchup rendering.
Figure 55: Sketchup rendering.
Figure 56: Sketchup rendering.
Figure 57: Sketchup rendering.
Figure 58: Sketchup rendering.
Figure 59: Sketchup 3D Modeling.

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Figure 60: Revit Plan.

Figure 61: Revit Section - Self Sketch.
Figure 62: Hand Sketch.
Figure 63: Hand Sketch.
Figure 64: Hand Sketch.
Figure 65: Hand Sketch.
Figure 66: Hand Sketch.

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