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Dowland3 PDF
Dowland3 PDF
Contents
List of Figures
iv
First Booke
I-1
I-4
I-8
I-12
If my complaints
I-16
I-20
I-26
I-30
I-34
I-38
I-42
I-46
I-50
I-54
I-58
I-62
I-66
I-70
i
ii
CONTENTS
I-74
I-78
I-82
I-86
II
Second Booke
II-1
II-4
Flow my teares
II-6
II-8
II-10
Mourne, mourne
II-12
Tymes eldest sonne, old age the heire of ease: F irst part.
II-14
Then sit thee downe, & say thy N unc Demittis: Second Part
II-16
II-18
II-20
II-24
II-28
II-32
II-36
II-38
II-40
II-44
A shepheard in a shade
II-46
II-50
Shall I sue?
II-53
II-57
Cleare or cloudie
II-61
iii
Humor say what makst thou heere,
III
Third Booke
II-66
III-3
III-5
III-7
III-9
III-10
III-11
III-13
III-15
III-19
III-21
III-25
III-29
III-32
III-35
IV
Lachrimae
L-3
1. Lachrimae Antiqu
L-5
L-10
3. Lachrim Gementes
L-14
4. Lachrim Tristes
L-19
5. Lachrim Coactae
L-24
L-29
L-34
L-37
L-40
A Pilgrimes Solace
L-43
P-1
Bibliography
??-5
List of Figures
0.1 Queen Elizabeth, 1588. Watercolor drawing by Isaac Oliver. . . . . . . . . . . . . . . . . . I-20
0.2 Robert Devereux, 3rd Earl of Essex. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I-24
First Printing
Summer, 2001
Second Printing April, 2003
conversion to lily 1.6
Third Printing
July, 2003
conversion to lily 1.8 release candidate
iv
Part I
First Booke
I-1
I-3
http://www.laymusic.org
I-4
First-I-Unquiet Thoughts
wrap
your wrongs
put
my tongue
in
19
My
to
pen
mouth it
If
e-
ver
do the
like,
Ile
So
sire;
to
and
you
my
free, and
cut
my tongue
these eyes,
love doth
my
the keyes
of
as
my
in
Be
still:
lie;
Ile
seale
for
die
to- gether.
to floods, my thoghts to
you
cut
if
them up with-
Speake then,
that makes
art,
all
where
on
When as
Which turns
die?
O-
and
or
stint,
mouth a mint,
lies,
gaze
locke
slay
the
then
for
else
ci-
3. How shall
rance
som vent:
du-
your
with- in
12
fire.
strike.
gether.
fire.
http://www.laymusic.org
First-I-Unquiet thoughts
Altus
I-5
1. Un- qui-
21
in
for
a mint,
my
mouth
would rust
as
lies,
words
by
my
love
and
that
cut
the
doth
string,
mine
hart,
to
die?
lies,
still,
Ile
Speake
ile
eies, which
http://www.laymusic.org
be still
cut
to
for
the,
you
my
the keyes
My tongue would
rust
as
If
eyes
if
you
e-
with-
in
and
tell
in
ver
do
in
my
of
all
free,
the
their lids
pas- sions
of
locke where
strike
to- gether.
So
floods my thoghts
to
like,
Ile
for- ever:
So
de-
Which
sire;
mer
coine them
the
to
pen
eyes,
O-
these
be
my
on
When as
and
will break.
lie;
sive
art,
not speake.
pen-
my mouth a mint,
in
these eyes,
it
in
mis- tresse
my wrongs with-
mouth
may not
slaugh- ter
my thoughts they
put
vill
gaze
wrap
ci-
slay
or
your
then
and
thoughts,
3. How shall
start,
15
et
stint,
eyes?
10
be
strike.
thoughts
and
words,
fire.
Which
turns
I-6
First-I-Unquiet Thoughts
Tenor
1. Un- qui- et
thoughts, your
slay
or
3. How shall
then
gaze
My
and
you
ci-
vill slaught- er
on
my
and
stint,
wrap
put
my tongue
in
11
a pen-
in
sive
hart:
to
die?
will
break.
When as
my
tongue,
and
these
eyes,
when
My tongue would
rust,
my
you
my
as
these
tongue
would
in
16
mint,
lies,
the
pen
If
locke, the
to
O-
locke where
by
my
love
doth
and
that
not
Ile
cut
the
art,
be
lie;
speake.
21
still:
for
if
Ile
seale
them
up with-
in
Speake
then,
and
tell the
pas-
string,
Ile
cut
the
string that
words,
so
thoughts and
words, and
you
e-
ver
the
like,
their lids
for
e-
sions
de-
sire;
do
of
So
thoughts, and
Which turns
ver:
mine
eies,
eies,
to
makes
the
looks shall
floods, my
ham-
mer
strike.
be
strike.
die
to-
gether.
Ile
gether.
thoghts
to
fire.
Speak
fire.
http://www.laymusic.org
First-I-Unquiet thoughts
I-7
Bassus
1. Un- qui-
6
wrap
put
my tongue
12
a
in
like, Ile
cut
the
pen- sive
to
hart, and
my
you
my tongue,
die? When as
by
these eyes,
string, Ile
cut
art,
the
string
up with- in their
lids
for
ever:
of
de-
http://www.laymusic.org
or
to
the
and
gaze
on
mine eies
to
as
if
you
my love
doth
lie;
Ile
in
my mouth
do
the
seale them
strike.
strike.
to-
gether.
gether.
floods, my thoghts to
fire.
looks shall
for
My
be still:
and that
stint,
then
start,
3. How shall
may not
ci-
my thoughts they
O- pen
lies,
your
slay
and hart,
20
et thoughts,
som vent: else hart will break, else hart will break. My tongue would rust
mint,
it
in
die
fire.
I-8
First-II-Whoever thinks
1. Who- e-
in
2. Who thinks that sor- rowes felt, de- si- res hidden,
in
been made
by intrea
so-
ry:
to
re-
Let
ty charm- ed,
is
love:
Who joyes
hath not
22
15
move:
Who
for- bidden,
by
thinks that
sun,
him see
mee
e-
clip- sed
me
let
ver-
runne.
sprights.
from my
change
(1)
Let
Look- ing on
with
him see
Look- ing on
are
runne.
me
http://www.laymusic.org
First-II-Whoever thinks
I-9
Altus
1. Who
glo- ry,
18
24
on me,
in Cu-
in con-
move,
Who
Let
him
see me
e- clip- sed
Look-
ing
on
me
are
ver-
by
from
my
sun,
by
my sun
runne. Let
in- treat-
with dark
clouds of an earth.
http://www.laymusic.org
him see me
Look- ing
Let
Who joyes
2. Who thinks that sor- rowes felt, de- sires hid- den,
e-
Are trea-
him see me
runne.
sprights.
I-10
First-II-Whoever thinks
Tenor
e-
ver thinkes
1. Who
glo-
ry,
or
sor-
Or who
be-
Or hum-
ble
lovd
in
faith
13
Who joyes
in
vowes
or
vowes not
to
from
the
fruit that
is for- bidden,
Let
move,
re-
Who
by
thi
light- god
hath
not
by
in-
20
(1)
bin
made
treat- y
rie,
so-
charmd,
from my
sun,
e-
clip- sed
26
from
my
sun,
With
dark clouds of
an
earth.
an
loves
de-
lights
Are
in
caves,
are
in
see
me
1
2
ver-
runne, of
an
earth
quite
hid
him
e- clip- sed
me
runne.
sprights.
http://www.laymusic.org
First-II-Whoever thinks
I-11
Bassus
1. Who- e-
7
glo- ry:
15
24
in- treat-
y charmd,
in
in vowes,
me e- clip-
Look- ing
on
see
move:
Who
him
http://www.laymusic.org
in
Let
ry:
2. Who thinks that sor- rowes felt, de- sires hid- den,
Who joyes
sed
from
my
by sprights. hid
god
is
light
de- lights
ver-
this
by
sun,
run, Let
him see
runne.
sprights.
I-12
Cantus
1. My thoughts are
to
If
for
mis-
trust
make
the
hea-
un-
(1)
Mount love
And
2. And you
my
3. If
for
the Moone in
my
cleer-
est
her
eyes,
night,
and
she
doth in
say
as
al-
ter, yet
sighes,
dis- perse
so
wanes
and wax-
thy
in
her
eares,
in-
fect,
no
more,
teares
daine,
Or with
me
doe maske
you
the skies,
to
cary,
With wind-
them in
ly
do
Say though
mis- trust
dis-
As she
love.
you blame,
In earth
with
do
not varie,
my hopes
with clouds
do
this,
her
mis- tresse
you
she,
de-
light:
and
whis- per
the
same:
Dis-
trust doth
to
raine;
re- maine
eth my
and
trust
shead teares.
is sweet- est
sea-
soned
with
sus-
pect.
she
hath
done
be-
fore.
Its hard to tell whether there was a barline here that got erased, or just one that didnt come through the reproduction process very well. There isnt an obvious reason not to have one.
http://www.laymusic.org
Altus
I-13
1. My thoughts are
to
for
If
hea-
19
Mount
If
3. If
for
her
eyes,
And
do
rie,
As
With
wind- y
but soft-
ly
in her
yet
eares,
Hope oft
fect,
And love
re- turn
more
Till Cyn-
to me no
http://www.laymusic.org
say
Or
with
as
she doth in
the
hea-
al-
you
do
them
in-
ter, yet
de-
light:
and
whis-
re- maine
the same:
Dis-
trust
the skies,
as
eth my
them in
and
you blame,
earth so
love.
this,
hopes
cary,
she,
do
mis- tresse
with
darke with
In
raine;
my
2. And you
move,
not vato
the Moone in
vens
vens
the Moone,
love un-
make the
per this,
doth en-
shead teares.
sus-
pect.
be-
fore.
I-14
Tenor
1
2
wingd
with
hopes,
my hopes
that
some
mis- trust
3. If
for
this,
with
clouds
doe maske
cary,
If
for
mis- trust
eyes,
And
make
the hea-
she,
do
to
my
mis- tresse
the hea-
vens move,
In earth
al-
you do
not varie,
As she
them in
the skies,
Or with
thy
and
whis-
per
this,
Dis-
trust,
dis-
trust
Thoughts, hopes,
and
(2)
eares,
Hope
fect,
And
more,
Till
and
wanes
so
ly
not
to
as
With wind-
say
daine,
turn
and
do you blame,
yes, and
doth en-
re-
night,
yet
love
her dis-
whis- per
oft
so
cleer- est
she doth in
ter, yet
the Moone in
thoughts
her
are
un-
my
Mount love
2. And you
love.
1. My thoughts
with
22
(1)
10
my
de- light:
in-
soft-
in-
ly
fect, but
me no more,
trust
to raine;
in her eares,
solve them
to
doth
hang
the
head,
and
love
is
sweet-
est
sea-
soned
with
sus-
pect.
Cyn-
thia
shine
as
she
hath
done
be-
fore.
me
in her
not inno
shead teares.
http://www.laymusic.org
Bassus
I-15
1. My thoughts are
6
to
13
the Moone
in
cleer-
for
she,
night,
this,
and
say
as
tresse do
you blame,
hea-
vens darke
with her
dis-
With wind-
earth
so
As
she
doth
Or
with
thy
wanes
and wax-
dis- solve
skies,
them
Dis-
raine;
fect,
in-
And love
no
more,
no more,
in
same:
in-
http://www.laymusic.org
the
to
me
fect,
varie,
the
not
not
in-
you do
maine
make the
ter, yet
re-
And
al-
them
for mis-
vens moove,
whis- per
If
the hea-
And
doth in
light:
she
de-
her
my
in
do cary,
eth
mis-
daine,
3. If
est
my
2. And you
trust
In
19
this
but soft-
trust doth
en-
love
re- turn
head,
is sweet- est
sea-
she
Trust
done
shead
ly
to
teares.
sus-
pect.
be-
fore.
I-16
First-IIII-If my complaints
IIII. If my complaints
See also the instrumental version, Captaine Digorie Piper his Galiard, Page L-40.
Cantus
1.
If
2.
or
1.
that
2.
make
love
see
my
2.
e-
nough
to
Can love
be
rich,
and
yet
want?
Is
my
Judge,
and
yet
am
condemnd?
suf-
fer
vernd mee
too
hast,
yet
me
Thou made
God,
and yet
thy power
in
in
thee,
my heart
mee,
thy griefe
is
thy
power:
If
is
thy
worth:
Let me
thy
in
my
love,
live
and
doe
fresh-
ly
do
live,
it
temnd.
That
de-
sire
it
(1)
un-
canst
my
harmes
re-
paire,
and when
hope
when
de-
spaire,
yet
for
kind-
nesse breakes:
thou saist
thou
deepe sighes
still
speakes:
Yet
thou
dost
mens lives
too
sowre,
Die
shall
my
forth.
May heere
des-
not
live
hence-
hope,
re- dresse,
hopes,
but
not
my
faith,
That you
that
paire,
which
true-
ly
faith,
more true
was
of
thou makst
me hope
thou letst
me
still
in
vaine.
com-
plaine.
be
my
fall
may hear-
ers
to
love
than love
to
That
love,
Thy wounds
doth make
not
prove,
long.
for
move,
scant:
dost
love
wrong:
con-
si- ons
spaires
1.
were
love
could pas-
plaints
had go-
sions
where- in
com-
ty
bleed
my
de-
die
2.
My pas-
Thou plen-
1.
me.
http://www.laymusic.org
First-IIII-If my complaints
I-17
Altus
1.
If
my com- plaints
My pas- sions
2.
see where- in
1.
spaires had
2.
hast,
go-
2.
1.
2.
suf-
vernd mee
me
yet
could pas-
were
be
rich,
and
yet
my
Judge,
and
yet
love
O
too
long.
love,
live
prove,
want?
am condemnd?
or
make love
that
my
Thou made
live
and
die
in
ly
bleed
in
ly fresh-
de-
Thou plen- ty
I
fresh-
move,
to
Is
fer wrong:
dost
si- ons
e- nough
Can love
thee,
mee,
scant:
That
do
live,
it
is
thy
power:
That
de-
sire
it
is
thy
worth:
1.
19
yet
God, and
13
thy griefe in
my
my heart for
thy
If
love
Let
me
not
un-
kind
kind-
still
speakes:
lives
too
sowre,
not
live
hence-
forth.
de-
spaire,
and when
my
harmes
re-
paire,
yet
not
my
faith,
true-
ly
faith,
Yet
nesse breakes:
mens
love,
un-
when
http://www.laymusic.org
doth make
dost hope
thou canst
Die
shall
my hopes,
but
hope,
dresse,
That you
that
of
my
fall
may
hear-
ers
more
true
to
love
than
love
to
letst me still
which
was
re-
for
in
vaine.
com- plaine.
be
me.
I-18
First-IIII-If my complaints
Tenor
If
2.
My pas- sions
1.
Can love
be
Is
my
love
were
e- nough
to
prove, e-
and yet
want? and
rich,
to
yet
or
prove,
that
want,
Thou
sions move,
nough
Thou
1.
make
love
my
de-
2.
plen-
ty
hast,
yet
made
God,
and
yet
11
see
spaires had
where-
in
suf-
fer
go-
vernd mee
too
me
dost
thy power
wrong:
long.
love,
live
and
fresh
scant:
That
do
live,
it
con- temnd.
That
de-
sire
it
die, I
- ly bleed
do
is,
is,
1.
2.
in
thee,
thy griefe
in
my
deepe sighes
fresh- ly bleed
in
mee,
my
hart
for
thy
un-
is
thy
power:
If
love
doth
make
mens lives,
it,
thy
worth:
Let
me
not
love,
not
live
it
de- sire
17
kind
deepe sighs
un-
speakes:
kind- nesse
breakes:
mens lives,
live,
still
too
sowre,
not
live, hence-
forth.
1.
hope when
de-
spaire,
and when
my harmes re-
paire,
yet
Die shall my
hopes, but
not
for
my
faith,
That you
ly
faith,
hope,
re- dresse,
that
of
vaine.
thou letst me
plaine.
still com-
my
be
to
me.
to
http://www.laymusic.org
First-IIII-If my complaints
I-19
Bassus
1.
see
1.
spaires
2.
hast,
God,
15
1.
wherehad
in
suf-
me
and
2.
mens lives
not
too
live hence-
sowre,
forth.
could pase-
nough
Can love
be
rich,
and
Is
my Judge, and
yet
love
live
or
that
yet
want?
Thou
am
make love
prove,
con- demnd?
my
de-
plen-
ty
Thou made
and die in
my
too
thy
temnd.
fer wrong:
long.
love,
to
sions move,
were
(1)
my com- plaints
My pas- sions
dost scant:
yet
If
2.
That
do live,
it
is thy power: If
if
That
de- sire
it
and when I
yet
for
love,
of
my
to
fall, my
love, to
fall
love,
me
hope in
vaine.
to
be
me.
http://www.laymusic.org
I-20
http://www.laymusic.org
Cantus
I-21
1.
Can she
2.
1.
2.
13
1.
good
when
No
find?
Cold
no
me?
nie,
what
be?
It
a-
to
bub- bles
is
rea- sons
cut
off
thou maist be
dies
is,
Deare make me
hap-
py still
ing
this,
which
on
the
wa-
ter
swim.
will
that
layes
if
love should be
just.
that
die
must.
see-
Then for to live thus still tor- ment- ed: Deare but
Bet- ter
grant-
it was I Who
a-
bu-
sed still,
to
stand,
sand,
by
de-
on
dim.
http://www.laymusic.org
bo-
to words writ-
she this
for
her
to those high
If
son
if
Un-
sire:
ten
be
sha- dows do
call
sight
pire
asde-
like
thy
my
shal
yeeld
if
is
smoak?
is
2.
might not
cloak?
to
will
1.
in-
she
nish
high
busde
de-
love
19
so
no: where
If
high,
kind?
so
where
they are
base, that
which
cuse
Was
joyes
Or
ex-
leaves
or
2.
As
die,
e-
ver.
ed.
I-22
Altus
1.
Can she
ex-
cuse
Was
As
they
(1)
1.
2.
proves
kind?
No
find?
Cold
fruit
holds
from
me?
gran-
ted
be?
12
or
is,
19
cut off
a- busde a- bused
de- layes
if
the
if
love
is
she
will
like
Then for to live, thus still tor- ment- ed: Deare but
shal
smoak?
as-
pire
de-
like
to those high
she this
by grant-
for
bo- dies
is,
on
rea- son
ter
Bet-
de-
ing
her
If
hap- py still
call
Un-
son
(2)
sire:
to words writ
cloak?
to
die,
wa- ter
my
sight be dim.
that
if
is
in-
might not
thy
2.
high
1.
so
Deare make me
Or
that
no: where
If
It
this,
thou maist be
sand,
1. stand,
un-
base,
leaves where no
nie,
2.
so
are high,
nish
a-
bu
- sed still,
die, must.
thou canst not ore- com her wil, thy love wil be thus fruit- les
re- mem- ber
die
e-
con- tent-
ver.
ed.
http://www.laymusic.org
Tenor
I-23
8
call
her
1.
2.
Can she
ex-
Are those
cuse
Was
so
base, that
As
they
are
high,
nish
so
in-
might not
high
is
my
cloak?
shal
to
smoak?
as-
pire
de-
sire:
to those high
If
she this
de
1.
2.
find?
Cold
13
fruit
No
Deare
for
bo
- dies
for
like
to words to words
writ- ten
she
will
yeeld
is,
make
me
hap-
py still
this,
love love is
If
be?
no no:
by grant-
on
sand,
1.
2.
a- busde
if
thy sight
thy sight be
or
on
the wa-
ter wa-
It
is
Or
cut
19
de- layes
that love,
if that,
just.
if
must.
die
a-
bu- sed
swim.
dim.
ter
Bet- ter
1.
2.
still, see-
if
thou canst not ore- com her wil, thy love wil be thus fruit- les
die, Then for to live thus still tor- ment- ed: Deare but
http://www.laymusic.org
e- ver.
I-24
http://www.laymusic.org
I-25
Bassus
1.
Can she
ex-
Are those
2.
so
base, that
As
they
are
high, so
high
when
kind?
No
find?
Cold
where
no
2.
Un-
which
me?
If
she this
what
be?
de-
1. stand,
thou maist be
sand,
2.
nie,
or
is,
It
this,
19
a-
if
thy
sight
on
the
wa-
cut off
de-
will
that
layes
if
http://www.laymusic.org
sire:
is
sha- dows
do
like
to
for
bo- dies
on
hap- py
still
be
dim.
a-
by grant- ing
bu-
sed still,
ter swim.
Bet- ter
de- sire,
Deare make me
Then for to live thus still tor- ment- ed: Deare but
pire
de-
my
see-
as-
is
yeeld to
be
in-
she will
die must.
2.
love
1.
smoak?
nish
love should
cloak?
to
that
tues
which va-
no: where
If
busde
is rea- sons
Or
fruit
her good
shal
cuse
Was
1.
12
call
cuse ex-
just.
thou canst not ore- com her wil, thy love wil be thus fruit- les
re- mem- ber
it was
die,
e- ver.
I-26
First-VI-Now, o now
1.
2.
Now
now,
While
1.
abhope
2.
sent mourn.
is
gone.
joyes
at
once.
joyes
doe
lie,
die
to-
gether.
part
with
you.
3.
needs must
live
needs must
from
thee
am
part,
part-
ing
though
love,
love
lives
not
when
gone,
Gone
are
all
my
And
al-
though
your
sight
leave,
Sight where
in
my
Deare
if
do
not
re-
turne,
Love
and
shall
Die
do
to
Part
Deare when
3.
we
Ab- sence
can
no
Now
last
de-
at
joy
im-
part:
spaire doth
joy
prove,
loved
thee
and
thee
a-
that
death
doth
sence
be-
reave,
lone,
For
my
ab-
sence
ne-
ver
mourne,
paire
doth
cause
to
In
di-
can- not
vi-
re-
whose love
Ne-
lie,
once fled
love
Till
Him des-
die,
ver shall
joy-
ed
have joy-
ed
and di-
eth
15
1.
de-
spair
this
des- paire
turne.
none.
2.
once.
1-3.
Sad
doth
drive
me
hence,
die.
3.
ever:
true.
23
1-3. sends.
If
that
part-
ing
bee
of-
fence,
it
is
shee
which then
of-
fends.
http://www.laymusic.org
First-VI-Now, o now
I-27
Altus
1.
2.
1.
2.
at
last
no
joy
im-
a-
now,
part-
live
love
For
my
1-3. hence;
from thee
Deare,
if
do
love
di-
vi-
lie,
ver shall
http://www.laymusic.org
If
Love
and
Die
do
my joyes
is
gone.
at
once.
my joyes doe
shall die
to
joy- ed once.
lie,
to- gether.
part with
you.
1-3.
die.
have joy- ed
die,
all
whose love
Ne-
are
Sight where in
re- turne,
I
ing though I
Gone
leave,
not
once fled
lone, In
am gone,
part: joy
20
And
While
Now
Part
Deare, when
3.
ever:
bee
of- fence,
it
I-28
First-VI-Now, o now
Tenor
8
2.
now,
needs must
part,
part-
ing
though
While
live
needs must
love,
love
lives
not
when
from
thee
am
gone,
Gone
are
all
my
though your
sight
leave,
Sight where
in
my
not
re-
turne,
Love
and
shall
Die
do
to
And
al-
Deare,
if
Part
Now
Deare, when
3.
1.
we
do
joy
im-
die,
1.
ab-
sent
mourn.
Ab-
2.
hope
is
gone.
Now
joyes
at
once.
joyes
doe
lie,
3.
sence
can
no
at
last
de-
loved
thee
and
spaire doth
thee
Till
that
death
doth
sence be-
a-
part:
joy
prove,
love
lone,
once fled
di-
vi-
In whose love
reave,
Ne-
ver
shall
can-
not
re-
ded
lov-
eth
joy-
ed
af-
fec-
tion
die
to-
gether.
For
my
ab-
sence
ne-
ver
joy-
ed
part
with
you.
Him
des-
paire
doth
cause
to
lie,
di-
eth
16
1.
turne.
none.
2.
once.
3.
ever.
1-3.
Sad
de-
spair
doth
drive
me hence,
me
hence;
un- kind-
nes
die.
true.
24
ing
bee
1-3. sends.
If
that
part-
of-
fence, it
is shee which
then
of-
http://www.laymusic.org
First-VI-Now, o now
I-29
Bassus
1.
2.
1.
2.
now,
part-
While
live
love
Deare,
if
no
Now at
last
a-
For
my
love
lone, In
1-3.
me hence;
di-
vi-
ver shall
to
lie,
ab-
sent mourn.
is
at
Gone
all
my joyes
Sight where
in
my joyes doe
Love
and
shall
Die
do
to
die,
are
die
once.
lie,
to- gether.
part with
you.
gone.
joy- ed
once.
1-3.
die.
ever:
http://www.laymusic.org
ing though
lives
gone,
once fled
leave,
re- turne,
whose love
Ne-
not
part: joy
do
am
20
we
from thee
im-
And
joy
Now
Part
Deare, when
3.
bee
of- fence,
it
I-30
Sweet,
if
you shrinke,
ile
change,
2. Earth
with
her
ne-
ver thinke
of
love.
shall move,
ver prove.
moe wits
Ile
ne-
shine
as black
as
wise,
ayre,
the
be
not weake:
and, on
Ere
my faith, my
I prove false to
judge all
Deare,
sweet,
ver breake.
faith, or strange to
you.
faire,
Earth, heaven,
and frosts of
weake,
shall lose,
too
dorne,
Fire heate
Ayre made to
a-
ile
Wise, if
gaine.
you faile,
a-
Faire, if
flames be borne,
30
you
ile
if
1. Deare,
18
fire,
Deare, breake.
Earth,
you.
I have moved the spot that the B section repeats to to make the text underlay easier.
http://www.laymusic.org
Altus
I-31
ne-
ver chuse
you
change,
2. Earth with
her
ile
1. Deare, if
you
ile
ne-
ver
thinke
of
bright
through
earths dim
globe
shall move,
faile,
ile
judge
all
beau- ty
vaine.
Wise,
lose,
and
frosts
of
flames be
borne,
Ayre made to
24
ne-
ver
hell
shall
weake:
view,
(1)
prove.
Deare,
sweet,
prove:
Earth, heaven,
and on
my
faith, and on
my
a-
love.
gaine.
(2)
faile,
you
lose,
shall
wise,
the
ne-
ile
be
not
ver breake.
Deare,
sweet,
to
Earth, heaven,
you.
wits,
blacke, as
ayre,
you
shine, as blacke, as
shine, to
Sweet,
dorne, Heaven
Faire, if
ere
if
er heaven a-
if
her
16
32
breake.
you.
http://www.laymusic.org
I-32
Tenor
1. Deare,
if
2. Earth
a-
gaine
soon- er heaven
a-
dorne, Heaven
Sweet,
ne-
ver thinke
if
you
shrink, you
shrink,
ile
of
love.
Faire,
shall move,
Fire
judge
all
if
of
18
beau-
ty
vaine.
Wise, if
too weake,
flames
be
borne,
Ayre made
to
26
shine
ne-
as black as
(3)
ver
black as hell
shall
prove.
Deare,
sweet,
faire,
wise,
Deare, sweet,
prove,
Earth,
hea- ven,
fire,
ayre,
32
faire,
fire
ayre, the
bee
not
shall
weake:
view,
and,
on
my
faith,
my faith
Ere
prove
false
to faith,
ver
breake.
Deare,
sweet,
to
you.
Earth,
hea-
ven,
http://www.laymusic.org
I-33
Bassus
1. Deare, if
ne-
ver chuse
a-
er heaven
a- dorne.
10
shrinke, you
shrinke, ile
ne-
Wise,
if
shrinke nor
shine
be
love.
Faire,
Fire
ile
ne-
as blacke as
hell
not weak:
http://www.laymusic.org
and, on
Ere
if
gaine.
Sweet,
if
you
you
faile,
ile
judge all
heate shall
lose,
and frosts of
flames be borne,
sweet, faire,
Ayre made to
31
ver thinke of
20
my faith,
my
prove false
to
faith, or strange to
wise, change,
ayre,
sweet, faire,
the
breake.
you.
I-34
1. Burst,
11
35
At
wing- ed beene;
Yet
beau- ties
scant
re-
sleepes
while
deep
dis-
daine
she
re-
pi-
neth
at
pine, to
grieve to
That
see
as-
sist
my
care,
that
ne-
ver
3. Like,
like,
to
the
winds
my
liefe,
pi-
Kinde ten-
der
But
cy
mer-
pleade, yet
in- crease,
hope in
her faire
my teene,
ruth- lesse
pine, to
heare my
griefe,
grieve to
care my
pine,
she- pheard
pen- sive
me
both the
tie knocks;
sighs have
hope of
loves
tears,
ing
ment
my
la-
pin-
in
forth
are
lambes,
gate
sad,
burst,
2. Sad,
23
kills,
That
both the
see
ri- gour
har- der
then
the
rocks,
me
pine my
ten-
der flockes.
heare my
griefe, my
ten-
der flockes.
http://www.laymusic.org
Altus.
I-35
1. Burst,
11
19
burst,
forth
my
tears,
sad,
pin-
ing
care,
3. Like,
like
to
as-
the winds
2. Sad,
sist
my
for-
ward
that ne-
ver
may
have
my sighs
And
peace,
At
beau- ties
beene;
Yet
are
ous love
pro- vokes.
pi- tie
knocks;
griefe,
have
wing-
ed
beau- ties
are
gate, in
hope
i-
ous love
of
pi-
tie
knocks; in
re- paid
hope of
Kinde
ten-
re-
But
mer-
cy
in-
pleade,
yet
yet
she
re-
pi-
neth
at
my
pine, since
my free- dome
yokes.
pine, to
crease, And
beau- tie
hope
her
faire bo-
yokes.
grieve to
teene,
ruth- lesse
ri-
gour har-
der then
And
gate, at
my sighes, yet
with mocks:
liefe,
36
paid
27
in
some yokes.
the
rocks,
me
pine,
pine, to
see
me
pine,
to
see
heare
my
griefe,
grieve to
heare
my
griefe,
to
heare
kills,
http://www.laymusic.org
That
both the
she- pheard
kills,
the
me
both the
see
she- pheard
That
I-36
Tenor.
sist
my
ne-
ver
1. Burst,
10
forth my
tears,
as-
sist,
as-
ne-
ver,
2. Sad,
sad
pin-
ing
care,
that
3. Like,
like
to
the
winds
my sighs,
burst
im-
per-
my
sighs have
for-
ward griefe,
pain,
pain
may
have peace,
At
gate,
gate
wing-
ed
19
beene;
are
my sighes,
sighes
love
pro- vokes,
im-
per-
ious
in
hope
of
pi-
tie knocks; in
hope
of
and
sutes
re-
paid
sutes
re
beau- ties
Yet
ious
love
27
pro-
vokes.
pi-
tie knocks;
paid
with mocks:
Kinde ten-
der
lambes,
But
mer-
cy
pleade,
yet
she,
yet
she re-
la-
pi-
re-
liefe,
re-
daine
in-
crease,
in-
at
my
teene,
my
neth
liefe,
And
crease,
And beau-
teene,
35
tie
hope
ruth- lesse
see
me
ri-
in
her
gour har-
care my
faire, in
faire bo-
der,
her
see
me
pine,
pine, to
heare my
griefe,
grieve to
free-
then
dome
yokes.
pine,
some
yokes.
grieve
the
rocks,
That both
to
pine,
to
to heare my griefe,
to
the
she- pheard
kills,
me
pine, my
ten-
der flockes.
heare my
see
griefe, my
ten-
der flockes.
his
poore flocks.
http://www.laymusic.org
Bassus.
I-37
1. And shew
15
im-
per-
ious
gate
in
hope
of
sutes
re-
love, impi-
paid, and
sutes
re-
daine
my
perhope
re-
tie,
teene, O
hope in
ruth- lesse
scant
at
37
pain
sighes and
25
ri- gour
pi-
tie
paid with
vokes.
what
2. At
beau-
ties
3. Yet
are
my
Kinde ten-
knocks;
But
cy
mocks:
mer-
pleade, yet
re-
pi-
neth
care
my
pine,
her
faire
grieve
har-
der
rocks,
That both
to
see
me,
pine,
to
see
me
pine
my
ten-
der,
my
ten-
der
flockes.
to
heare
my
griefe,
to
heare
my
griefe,
my
ten-
der,
my
ten-
der
flockes.
the
she-
pheard
kills,
she-
pheard kills,
and
his
poore
flocks.
the
http://www.laymusic.org
I-38
20
(1)
1. Go
cry-
stall
tears,
like
to
the
sighes,
and
let
your burn-
to
thy
La-
dies breast.
And
Dis-
solve the
ice
of
her
in-
du-
rate heart,
ing flowers,
so
full
death,
an-
pi-
ing
be
ad-
drest,
my
de-
sert:
sert,
fice,
Both
from
spot-
less
breath
from
her
de- part.
vive the
ri- gour
heart and
tie
to
I sa- cri-
touch of
in-
weep
sweet- ly
get-
And
droop-
29
like for-
to
quick- en
Yet
up
To
part.
Yet
eyes.
Modern conventions for notating the repeats are very different from what Dowland used. In this piece, I had to
move the begin repeat to a much later point than Dowlands go back to here squiggle, with a correspondingly longer
first alternative ending. LEC
1
Original has a barline between the note and the dot.
http://www.laymusic.org
I-39
Altus
cry- stall
tears,
like
to the mor-
ning
sighes,
and
in-
breast.
of
heart,
so
let your
Feeles ne-
drops
ver
an-
of
y touch of
my
de- sert:
Both
less
(1)
I from
heart
her, from
and
pa-
her
tient
quick- en
to
the
ing
ad- drest,
fice,
spot-
And
be
pi- tie
sert,
from
ice
1. Go
weep
death,
flowers,
31
21
droop- ing
her
sa- cri-
(2)
de- part.
part.
eyes.
http://www.laymusic.org
I-40
Tenor
1. Go
cry-
stall
tears, like
to
2. Haste,
rest-
lesse
sighes, and
let your
(3)
the
(4)
mor-
ning
burn-
ing
(5)
showrs,
And
sweet-
ly
breath
Dis-
solve
the
19
weep inice
to
of
thy
La-
dies
breast.
her in-
du-
rate
heart,
let
And
as
the
dewes re-
26
ri- gour
vive
so
like
for-
Feeles ne-
get-
full
death,
your drops of
ver
an-
pi-
tie
touch of
be
my de-
ad-
drest,
to
sert:
34
quick- en
from
her
from
heart
and
pa-
tient
up
teares to
her
to
her
of my
de-
cri-
fice, Both
sa-
de-
from
spot-
less
(2)
Original is
Original B
4
Original B
5
these rests
part,
from her
her, de-
and pa-
part.
to
quick- en
part.
eyes.
a quarter note.
natural
flat
added by editor
http://www.laymusic.org
I-41
Bassus
to
thy
La-
dies breast.
And
of
her in-
du-
rate heart,
Whose
an-
ad-
drest,
touch
of
my
de-
sert,
fice, Both
spot-
less
I
be
tie
of my desa- cri-
pi-
fro- zen
ri-
vive
the
to
quick- en
de-
Yet
droop- ing
ad- drest,
sert:
in-
ice
weep,
flowers, so
37
1. And sweet- ly
28
16
up
the thoghts
to
her
(2)
from
her
de-
To
part.
heart and
pa-
tient
Yet
eyes.
http://www.laymusic.org
I-42
First-X-Thinkst thou
2.
3.
1.
ning, To
2.
In
3.
ing,
No,
tie?
Yet
kisse
drive
me
clos-
love
re-
dis-
day- ning,
sem- bled,
live- ly sense
be-
reav- ing:
pir-
de-
sir-
to
beau- tie?
cru-
may not
And livd
pos- ing,
re-
is,
re-
as-
cei- ving, Of
to
eyes
from thy sight, when sleepe yeelds more de- light, such harm- less beau- tie
a trance
So
Thy
1.
Or
For
I
un-
qui-
in
yond
kis-
ses
may
et armes emry
gra-
cing.
bra-
cing.
so
ing,
cold-
ly
ly.
ly sleep
is
arme- lesse.
cing.
cing.
ly
ly.
lesse,
lesse.
http://www.laymusic.org
First-X-Thinkst thou
I-43
Altus.
1.
2.
3.
1.
ning, To
drive
me
3.
In
No,
Love seeke
tie?
Yet
kisse
love
re-
not
http://www.laymusic.org
ing sleepe
with a
ty clos-
ing
cru- el
eyes
to
Thy
cru-
ving, Of
live- ly
ing, For-
bid- den
ty
ver- tue
owes
That
may not
And livd
I
unin
yond
kis-
ses
bled, were
is,
thy fayn-
ing,
from thy sight, when sleepe yeelds more de- light, such harm-
Thy
qui-
gra-
cing. cing.
bra-
cing.
armes em-
ry
her
that lovd
such
to beau- tie?
et
may
ing,
cold-
ly
ly.
cing.
ly
ly.
sleep
is
arme- lesse.
lesse.
I-44
First-X-Thinkst thou
Tenor.
8
2.
3.
cru-
So
ning,
el
ing,
Thy
1.
to
live-
eyes
ty That ver-
tue owes
bled,
ing:
ing,
ing,
to beau- tie?
tie?
1.
To
drive
me
Then should my
In
3.
love
re-
is,
No,
For
Thy
un-
While
in
Of
yond
For
kis-
ses
may
When love-
And livd
such
steale a kisse,
Yet
may not
be bold
qui-
et armes em-
fu-
ry
gra-
cing.
bra-
cing.
so
cold-
ly
ly.
is
arme- lesse.
cing.
cing.
ly
ly.
lesse,
lesse.
http://www.laymusic.org
First-X-Thinkst thou
I-45
Bassus.
1.
2.
3.
1.
2.
me
To
drive
And
Then should my
3.
(1)
cru-
love
re-
is,
may not
No,
Yet
kisse
And livd
For
I
unin
yond
kis-
ses
ning, ning,
re- pos-
ing,
a trance
re- sem-
bled, bled,
live- ly sense
be- reav-
ing:
de- sir-
ing,
ing,
to beau-
tie?
tie?
to
eyes
dis- day-
from thy sight, when sleepe yeelds more de- light, such
In
So
Thy
gra-
cing.
qui-
bra-
cing.
fu-
her
that lovd
such
may
love-
ly sleep
be bold When
ry
is
ing:
et armes em-
ing,
cold-
ly
ly.
arme- lesse.
cing.
cing.
ly
ly.
lesse,
lesse.
Original looks like a dotted eighth quarter, but it has to be a dotted quarter eighth
http://www.laymusic.org
I-46
First-XI-Come away
1.
Come aAll
2.
way,
the earth,
Come a-
way,
Come a-
1.
2.
Mak-
3.
1.
2.
3.
ing
all
to
em- brace,
the
ing wastes,
his sphere,
His fier- y
Like to the
ar-
rowes
And sweet
ro-
sie
View- ing
ru-
ing
Play- ing,
dorne
ked
morne:
lips
to
kisse,
side,
And faire
Cy-
of pride,
Plea- sure
mea-
sure
Or-
na- ment
is
nurse
Fly-
our
soules
in
curd
by
beau-
en-
ter-
taine
with
sweet
sire
then
loves
de-
de-
vers
light:
and
ProTo
Wingd
DeHaste
mu-
tuall
blisse.
ties
rude
dis-
daine.
the
stealth
of
love.
hopes
and
heavn-
ly
fire.
no
beau-
ties
but
their
owne.
sweet
love
our
wish-
ed
flight.
casts:
a-
the
ri-
mix
sure speakes.
in
the
in
lies
of
ayre,
ing
Lil-
all
ing
hie,
ing breakes.
dy-
us
the
stay-
let
ing,
from
way,
http://www.laymusic.org
First-XI-Come away
I-47
Altus.
1.
Come aAll
2.
way,
the earth,
Come a-
way,
Come a-
1.
2.
Mak-
3.
1.
2.
3.
ing
all
then
for
love
Lil-
lies
the
Or-
na- ment
to
on
is
sha- dowes
let
us
ri-
vers
nurse
of
em- brace,
all
of
the
ayre,
his sphere,
love and
Doe not
in
vaine
a-
dorne
Like to
the
na-
ked
morne:
sie
lips
View- ing
ing
ru-
ar- rowes
(2)
to
casts:
kisse,
loves long
and
pains, Pro-
flie,
ing
in
the
grove,
To
hie,
Fly-
ing, dy-
ing
in
de-
sire,
Wingd
And
faire Cy-
prian
sure
side,
pride,
His fier-
the
from
way,
flowres new
loves
blowne, De-
de-
light: Haste
mix
our
soules
in
mu-
tuall
blisse.
curd
by
beau-
ties
rude
dis-
daine.
en-
ter-
taine
the
stealth
of
love.
with
sweet
hopes
and
heavn-
ly
sire
no
beau-
ties
but
their
owne.
then
sweet
love
our
wish-
ed
flight.
fire.
http://www.laymusic.org
I-48
First-XI-Come away
Tenor.
2.
Come a- way,
all
of
the earth,
Come a- way,
3.
All
ayre,
from
his sphere,
Come a- way,
the
1.
love and
fier-
Doe not
in
vaine
a-
dorne
the
na-
ked
morne:
Like
to
ar- rowes
casts:
1.
2.
Mak-
all
for
love
Lil-
lies
on
Or-
na-
ment
em- brace,
And
the
ing
to
sha- dowes
let
us
the
ri-
vers
is
nurse
of
sweet
ro-
sie
lips
to
kisse,
View- ing
ru-
ing
loves
long
flie,
Play- ing,
stay-
ing
in
the
grove,
hie,
Fly-
ing,
dy-
ing
in
de-
sire,
And
faire
Cy-
prian
Plea-
sure
mea-
sure
side,
pride,
pains,
flowres new
loves
de-
and
ProTo
Wingd
blowne,
De-
light:
Haste
(3)
1.
2.
3.
mix
our
soules
in
mu-
tuall
blisse.
curd
by
beau-
ties
rude
dis-
daine.
en-
ter-
taine
the
stealth
of
love.
with
sweet
hopes
and
heavn-
ly
sire
no
beau-
ties
but
their
owne.
then
sweet
love
our
wish-
ed
flight.
fire.
http://www.laymusic.org
First-XI-Come away
I-49
Bassus.
1.
Come aAll
2.
way,
way,
the
3.
Come a-
way,
The gol-
ayre, of
Come a-
love
The gol-
Doe not
6
1.
to
2.
3.
em- brace,
And sweet
ro-
sie
ing
lips
to
kisse, and
View- ing
ru-
loves
Play- ing,
stay- ing
in
the
Fly- ing,
dy-
in
de-
ing
grove, To
den
and
den
ar-
in
vaine
the
na-
rowes
all
dorne
Lil-
lies
ked
morne:
Or-
na- ment
mix
our soules in
beau- ties
the
on
the
(4)
mu-
tuall blisse.
rude
dis- daine.
love.
heavn- ly
fire.
hie,
ri-
vers
side,
And faire
Cy- prian
of pride,
Plea- sure
mea- sure
loves
en-
ing
a-
curd by
casts:
stealth of
us
de-
let
nurse
(1)
sire
no
beau- ties
but
wish-
is
their owne.
ed flight.
http://www.laymusic.org
I-50
First-XII-Rest a while,
1. Rest a
2. If
while
se-
vere then
love.
mute,
my heart doth
breake,
15
my
dy-
for
ing
30
Beau- tie
If
Till
ell cares,
of pleas- ing
kils
and beau-
tie
de-
ceit,
Sor-
sest,
then
of
my
de-
light,
kind,
with
fa-
vour
view
Lau- ra re-
deeme
the
soule
that
dies,
By
And
if
e-
ver
faile
you:
And
if
my
tor-
ments
fay-
of
thy
mur- dering
eyes:
And
if
it
prove
un-
ly
row
spite,
ven-
pos-
by
hea-
re-
de-
she feares
loves
has
made
Shall re-
sigh,
in
rest
soule
was
Be not
spares
first
Am
love
lost:
my
move:
(1)
me must speake:
ghost,
more
vive
you cru-
I speake,
light
I
see,
Bee
darke
as
hell
thee:
be,
to
rie
ned
me
fu-
to ho- nor
kinde
as
Come grant
thee,
to
me.
Rest is editorial
http://www.laymusic.org
First-XII-Rest a while,
I-51
Altus.
1. Rest a
2. If
while
of pleas- ing
ell cares,
Am
rest
kils
If
sigh,
Sor- row
my dy-
Till
ghost,
move:
lost:
Lau- ra
And if
I
e-
ver faile to
of
kind, with
ho- nor thee:
ned
to
has
speake:
my soule
my
fa-
de-
ceit,
light,
soule that
dies,
me
love
first
By
for
me must
Come grant
vour view
then
Shall re-
Beau- tie
I
Be not
ing
love.
more
16
mute,
vive
26
you cru-
I speake,
fu-
ven- ly light I
rie
see,
of
in
loves
de-
spite,
was made
by
you:
thy
be,
thee,
Key signature change is actually at start of line, not at start of phrase in original
http://www.laymusic.org
I-52
First-XII-Rest a while,
Tenor.
8
1. Rest a while
you cru-
ell
2. If
my words
want wait,
I speake,
of pleas-
cares,
ing
Am
rest
Shall re-
Be not
16
more
mute,
love.
If
vive
my dy-
Till
ing
ghost,
sigh,
my soule
And sweet
smiles
sad
sighes
Sor- row
then
for
me
must
The sweet
hope
which love
hath
has
ceit,
love
in
loves
de-
was
made
by
By
thy
mur- dering
re-
move:
speake:
lost:
26
kind, with
my
de- light,
fa-
vour view
Come grant
fu-
me
rie
of
spite,
you:
eyes:
And if I
e- ver faile
to
ho- nor
And if my tor-
And if it prove
un- kinde to
Bee as darke
as
hell to me.
be,
thee,
http://www.laymusic.org
First-XII-Rest a while,
I-53
Bassus.
1. Rest a
2. If
while
has
sest,
my soule
un-
kind,
Lau- ra
re-
deeme
de-
made
by
hea-
spite,
And
if
you:
And
if
eyes:
And
if
vnly light
I
http://www.laymusic.org
of
then
for
me must
grant
me
love
in
with
fa-
vour
view
The
wound
that
first
was
the
soule
that
dies,
By
fu-
rie
of
thy
tor-
it
prove
Bee
row
Come
my
see,
light,
de-
ver
my
e-
re- pos-
Cru- ell,
loves
Sor-
lost:
ceit,
speake:
Shall re-
faire queene
rest
sigh,
Lau- ra,
of pleas- ing
spares
move:
Am
Till
Be not
wait,
kils
my
ghost,
cares,
Beau- tie
If
ing
my words want
ell
love.
mute,
vere then
mur- dering
31
se-
16
24
more
vive
you cru-
I speake,
faile
to ho- nor
ments
fay-
ned
un-
kinde
to
as
darke
thee:
1-3. Let
this
be,
thee,
as
hell
to
me.
I-54
First-XIII-Sleep
rest
you
1.
2.
But
3.
1.
2.
1.
rest- lesse
feare
and
the
beau-
ties
that
peare,
rage,
and
yet
my
love doth
rest:
and
yet
my
love
prest:
glo-
ries
love,
my
love
bee
with
my
love dis-
easd.
my
long-
ings
long dis-
pleasd.
an-
guish
sires
Feare
in
my
pa- tient,
row
for
2.
ing
3.
sigh
of
my
flesh de-
Cu-
pids
clo-
sed
se-
love,
and
yet
my
love
yet
of
per-
fect
tem- pera-
with
browes, neere
move:
an-
my
my
hid- den
ger
her
not
The
love:
of
Let
my
you
love doth
with
ry
My
lest
Im-
13
fu-
The
in
hands,
the
Peace
ap-
op-
sleeps,
sor-
sleeps,
moves sigh-
fires,
Sleepe, dain-
cure:
ty
love,
while
ture.
love,
and
yet
my
love
doth
her
sake:
So sleeps
my
for
her
sake:
So sleeps
my
love,
and
yet
my
love
doth
for
thy
sake:
So sleeps
my
love,
and
yet
my
love
doth
http://www.laymusic.org
First-XIII-Sleep
I-55
Altus.
1.
2.
rest
you with
my
you
her an-
ger move:
But
3.
lest
love:
the
fu-
ry
of
my rest-
lesse feare
The
glo- ries
and
the
beau-
ties that
ap- peare,
My
love doth
rage,
and
yet
my love
doth rest:
love,
and
yet
my love
op- prest:
Peace
in
my
Let
not
my
hid- den
in
my
pa- tient,
1.
2.
love
bee
with
my
with
my
long-
an-
guish
of
Cu-
browes, neere
3.
14
love
dis-
easd.
ings
long
dis-
pleasd.
my
flesh
de-
sires
pids
clo-
sed
love,
and
yet
my
love
se-
yet
of
per-
fect
tem-
pera-
sleeps,
sor-
row
for
her
sleeps,
moves sigh-
ing
for
her
while
sigh
for
thy
fires,
Sleepe, dain-
cure:
ty
love,
ture.
(2)
1.
sake:
So sleeps my
love,
So sleeps
my
love,
and
my
love
doth wake.
2.
sake:
So sleeps my
love,
So sleeps
my
love,
and
my
love
doth wake.
3.
sake:
So sleeps my
love,
So sleeps
my
love,
and
my
love
doth wake.
http://www.laymusic.org
I-56
First-XIII-Sleep
Tenor.
8
2.
rest
you
you
her
lest
with my love:
an-
the
fu-
ry
of
my
glo- ries
and
the
beau-
ties
My
love doth
rage,
and
yet
my
love,
and
yet
my
in
my
Let
ger move:
The
Peace
3.
not
my
1.
Feare
hid- den
my
Im-
pa- tient,
1.
love
with
2.
3.
with
my
love dis-
easd.
my
long-
pleasd.
an-
guish of
my
flesh de-
sires
browes,
neere Cu-
pids
clo-
sed
fires,
se-
love,
yet
13
bee
and
yet
my
love
of
per-
fect
tem- pe-
while she
sleeps,
sor-
row
for
her
Thus
while she
ing
for
her
while
for
thy
sake:
Sleepe, dain- ty
cure:
ra-
Thus,
love,
sigh
ture.
1.
sake:
So
sleeps
my
love,
So
sleeps my love,
and
yet
and
yet
my
love doth
wake.
2.
sake:
So
sleeps
my
love,
So
sleeps my love,
and
yet
and
yet
my
love doth
wake.
3.
So
sleeps
my
love,
So
yet,
and
yet
my
love doth
wake.
http://www.laymusic.org
First-XIII-Sleep
I-57
Bassus.
1.
2.
3.
1.
Let
not
my
love
But pine
you
2.
The
den
hid-
13
rest
you
with
my
love:
you
her
an-
ger
move:
hands,
But
the
fu-
ry
of
my
rest- lesse
feare
glo-
ries
and
the
beau-
ties
that
ap-
peare,
My
love
doth
rage,
and
yet
my
love
doth
rest:
in
my
love,
and
yet
my
love
op-
prest:
love
dis-
easd.
with
my
with
my
long-
ings
long
dis-
pleasd.
an-
guish
of
my
flesh
de-
sires
Cu-
pids
clo-
sed
se-
in
my
love,
and
yet
my
love
Im-
pa-
tient,
yet
of
per-
fect
tem- pera-
bee
browes, neere
The
Feare
lest
Peace
Thus, while
she
sleeps,
sor-
Thus while
she
sleeps,
moves sigh-
Sleepe, dain-
ty
love,
fires,
cure:
while
ture.
1.
row
for
her
sake:
So sleeps my
love,
So sleeps
my
love,
and
yet
my
love doth
wake.
2.
ing
for
her
sake:
So sleeps my
love,
So sleeps
my
love,
and
yet
my
love doth
wake.
3.
sigh
for
thy
sake:
So sleeps my
love,
So sleeps
my
love,
and
yet
my
love doth
wake.
http://www.laymusic.org
I-58
First-XIV-All ye
(1)
1. Al
or
be-
traid;
All
ward paine,
ye, that
10
in griefe;
in out-
ward view,
All
e-
laid;
All
to com- plaine;
ye,
But still
whose
in
22
33
whose sighes,
1. Lend
in
vaine:
That sings my
My
sor- rowes,
fort,
That sings my
My
sor- rowes,
fort,
vaine,
man,
sighes,
spend:
lone
like
the
Swanne.
and
my
sor- row
end.
end.
http://www.laymusic.org
First-XIV-All ye
I-59
Altus.
1. Al
35
traid;
All
paine,
18
26
ye,
that
for- tune
hath
heart with
in-
be-
traid,
of
blisse
but
live
in
griefe;
sents
sad
care
in
out-
ward
view,
with
dream
be-
ward paine,
or
are
e- ver-
en- force me
more
de-
to
com-
plaine; But
eares
and
teares,
and
cease-
That sings my
My
All ye,
still
But still
in
vaine,
whose sighes or
in
vaine: for
http://www.laymusic.org
liefe; 1. Lend
none my plaints
will
rue. 2. Teares
mee
most
hap-
lesse
a-
lone
re-
my
wants com-
sighes
laid; All
man,
spend:
eares and
Swanne.
end.
I-60
First-XIV-All ye
Tenor.
or
for-
1. Al
tune
hath
heart with
in-
be-
traid;
ward
paine,
All
ye, that
dream of
16
blisse but
live
in
in
griefe;
out- ward
griefe;
All
ward view,
in
view,
ye,
Both ty-
rant-
e-
ver-
me
25
to
de-
laid;
de-
com- plaine;
laid;
All
ye, whose
sighes or
liefe;
com- plaine;
But
still
vaine: for
rue.
in
and
teares to
2. Teares sighes
and
34
1. Lend eares
lesse
a- lone I
man,
spend:
a-
lone
man,
spend:
That sings my
My
woe wants
fort, com-
rowes,
fort,
my
sor- rowes,
wants com-
fort,
like the
dy-
and my
sor-
row
eares and
Swanne.
end.
http://www.laymusic.org
First-XIV-All ye
I-61
Bassus.
1. Al
19
34
live
in
griefe;
in
out-
ward
view,
for-
tune
hath
be-
traid;
with
in-
ward
paine,
liefe;
But
still
for
none my plaints
will
rue.
vaine:
my
wants
lesse
I
sor- rowes,
my
sor-
rowes like
the
dy-
com-
wants com-
fort, and
my
sor-
row
fort,
http://www.laymusic.org
laid;
plaine;
eares and
de-
lone
com-
1. Lend
to
re-
vaine, in
e- ver- more
in
or
cease- Teares sighes and cease- Teares sighes and cease- lesse
woe
mee,
sings
All
heart
or
All
the
but
27
man,
That
spend:
My
eares and
Swanne.
end.
I-62
First-XV-Wilt thou
kind
thus
reave
me
of my heart,
no
de- layes
can
4. Yet
be thou mind-
full
e-
be
chang-
And
so leave
not
And
so leave
me?
me?
Love
doth
feare,
beau-
ty peere-
lesse.
lesse.
Death
shall
live
Still
to
love
thee.
thee.
Fire
from
heat
None
can
se-
ver.
ver.
From
de-
sert
Be
ged.
ged.
12
yet or ere I
part (O
cru-
es- tran-
of
my heart,
lesse,
Feare
doth love
thee,
Life
shall die
ver,
e-
ver,
Heat
from fire
ed,
chang-
ed,
1.-5. Fare-
Jew- ell.
well:
move
me?
cheere-
move thee,
Fare- well:
Fare-
but
Jew- ell.
http://www.laymusic.org
First-XV-Wilt thou
I-63
Altus.
thus
reave
of my heart,
move
thee,
Life
shall
ver,
e-
ver,
Heat
from
be
chang-
ed,
chang-
ed,
me?
feare,
die
Death
shall
live
live
fire
Fire
from
heat
heat
light
From
de-
sert
sert
http://www.laymusic.org
feare,
doth
e-
doth
Feare
full
leave
lesse,
can
And
my
cheere-
move thee,
Love
of
love
no
heart,
11
3. If
so
4. Yet
me
Jew-
Though de-
Fare- well:
ell.
Fare- well,
but
ell.
I-64
First-XV-Wilt thou
Tenor.
1. Wilt
thou un-
kind
2. Hope
by
dis-
3. If
no
de-
4. Yet
be
thou
5. True
love can-
thus
reave
can
mind- full
not
be
me
of my heart,
lesse,
move
thee,
move
thee,
e-
ver,
e-
ver,
chang-
ed,
change- ed,
cheere-
of
my heart, of
my heart,
And
doth love
Love
Life
shall
shall die
Death shall
Heat
from fire
Fire
from
From
de-
die, Life
Feare
doth
feare, beaulive
Still
so leave
me?
ty peere-
lesse.
lesse.
to love
thee.
thee.
Be
es- tran-
ver.
ver.
ged.
ged.
cru-
Fare- well:
ell.
http://www.laymusic.org
First-XV-Wilt thou
I-65
Bassus.
kind
thus
reave
me
of my heart,
of
lesse,
cheere-
lesse,
Feare
3. If
no
4. Yet
be thou mind-
de- layes
not
my
doth
can
move
thee,
move
thee,
Life
shall
full
e-
ver,
e-
ver,
Heat
from
be
chang-
ed,
chang-
ed,
Though de
12
And
leave
me?
love
Love
doth
feare,
feare,
die
Death
shall
live
live
fire
Fire
from
heat
heat
light
From
de-
sert
sert
heart,
so
http://www.laymusic.org
Fare-
Jew-
ell.
well:
Fare- well:
but
ell.
I-66
First-XVI-Conceit
my
2. Each
houre
a-
all
save
3. To
els
all
waft and
save mee
25
main- eth
so,
hap
I,
re-
die,
houre
in- crease,
I
sit:
or
hope:
forst my
woe,
Or
hell
frie,
Each
live or
die,
To
ex-
tinct,
to
my sor-
rowes
to
don,
must
such
as
no-
thing
can
re- lease:
Whose life
My
hope a-
las
may
not
in-
joy
it
Whose hope is
Sith
For- tune
still
di-
rects
my
hap
as hope,
yet,
And
be-
reav-
ed
of
Which un-
to
nei-
ther
hap
nor
hope
But
the blisse,
I
trust,
to
Where- fore
such,
end
I wish
per- force
a- ban-
all
But
37
Might be
free to
(1)
is
1. Would
13
e-
is
to
very houre.
lot-
ted
so
is.
must.
http://www.laymusic.org
First-XVI-Conceit
I-67
Altus.
1. Would
my con-
2. Each
houre a-
3. To
12
Or
els
all
waft and
save mee
end my sorin
wi-
re- main-
24
Each houre
To
ther where I
wi-
ther where I
eth
hap
to
die, My
life
hope:
hope is
such,
be-
reav-
ed
of
fore to
nei-
ther
hap
nor
hope
http://www.laymusic.org
las,
a-
main- eth
such as
the blisse,
I
trust,
And
eke
rects
whose hel
Which un-
to
But
my thralles
to
frie,
die,
Might be
all
But
ex-
tinct,
all
to
per- force
re- lease:
Whose
joy
it
Whose
my hap
as hope,
not in-
still di-
hope:
free to live or
las may
sit:
hap or
hope a-
don, I,
36
or
woe,
wish
is
still
sit:
mee
ceit,
midst
all save
must a- ban-
yeeld, for
yet,
Where-
e- very houre.
lot- ted
so
is.
must.
I-68
First-XVI-Conceit
Tenor.
my
2. Each
con- ceit,
houre
3. To
1. Would
11
all
save mee
is
free to
hell
live
or
woe,
Or
frie,
Each houre
die,
To
els mine
all
be
ex-
tinct,
21
I
save
same
waft,
and
where
hap
or
waft,
wi-
re-
ther
main- eth
Might
where I
sit:
But
hap or
hope:
But
hope: eth
that
sweet houre,
all
32
ex-
per-
sweet
force,
to
houre,
per-
where- in
force,
tinct,
to
Which now
die,
I wish
so,
I,
are
such
as
My
hope
a-
las
may
Sith
For-
tune
still
di-
lease:
Whose life
is
is death,
is such,
be-
reav-
ed
to
ther
hap
nor
not in-
joy
it
yet,
Whose hope
is
rects my
hap
as
hope,
Where- fore
to
42
re-
nei-
(1)
change,
each change,
of
sowre,
And
eke whose
of,
ved
of,
the
blisse,
Which un-
to
hope,
nor
hope,
trust,
But
my thralles,
to
hel,
whose
hel,
all,
to
all,
my thralles,
yeeld, for
e-
so
ver- y houre.
ted
I
is.
must.
http://www.laymusic.org
First-XVI-Conceit
I-69
Bassus.
1. Would
2. Each
3. To
12
woe, Or
els
26
now
38
all
ceit, that
first en-
forst
my
midst the
deepe of
hell
all
save
live
or
waft and
wi-
ther
where
sit:
main-
eth
hap
or
hope:
such
as
no-
thing, no-
re-
hope
is
such,
fore
to
neither
not,
may
not,
in-
joy
it
yet,
di-
rects,
di-
rects
my hap
as
hope,
And
eke whose
hel,
Which
un-
to
all
But
to
my
thralles
http://www.laymusic.org
whose hel
re-
yeeld,
new-
Where-
may
Whose
las
life
still
Sith
Whose
a-
My
lease:
tune
Which
For-
to
crease,
thing can
free
in-
is
hope
mee
same
re-
a-
the
mee
con-
my
still
are
houre
eyes which
save
mine
is
death,
eth
e-
very houre.
mee
al-
lot-
ted
yeeld,
for
so
is.
must.
I-70
First-XVII-Come again:
1. Come a- gain:
that
3. All
the day
the
4. All
the night
my sleepes are
a-
las,
faith
light,
now
in-
lends
vite,
me
full
is
e-
Thy
Through
shine,
By
of dreames,
My
ver
true,
Yet
dart,
Thou
sun that
my
2. Come a- gaine,
5. Out
1.
gra-
ces
that re-
fraine,
To
do
me
due
de-
to
see,
to
heare,
2.
thy
un-
kind dis-
daine:
For
now
left
and
for- lorne,
sit,
sigh,
3. frownes doth
cause me
pine,
with
de-
lay:
Her smiles,
my springs,
that makes
of streames.
My heart takes
no
de-
light,
To
the fruits
and joyes
Nor yeeld me
a-
ny grace:
Her eyes
doe
ap- prove,
By
4.
eyes
are
full
5.
will
she
ne-
6.
canst
not
19
1.
2.
ver
rue,
peerce her
heart,
to kisse,
to
die,
faint,
die,
3.
my joyes
to
grow,
4.
that some
do
find,
is
made,
5.
6.
of
flint
then are
For
thy shafts,
that
see
of
sighs
to touch,
I
fire,
her heart
and teares
weepe,
more hot
with
thee
a-
gaine
In
dead-
ly
paine
win-
ters
of
my
woe:
are
mee
as-
signde.
And
may once
for
tri-
paer-
inumph
thy.
ie.
vade.
laughs.
http://www.laymusic.org
First-XVII-Come again:
I-71
Altus
Come a-
gain:
sweet
Come a-
gaine,
that
3.
All
the
day
the
4.
All
the night
5.
Out
a-
las,
my
6.
Gen- tle
love
draw
1.
gra-
ces
that
re-
fraine,
To
2.
thy
un-
kind
For
dis-
daine:
3. frownes doth
cause me
pine,
4.
are
full
mourne,
do
me
due
de-
now
left
and
me
shine,
By
of
dreames,
My
e-
ver
true,
Yet
ing
dart,
Thou
light,
Through
full
is
Thy
to
see,
to
heare,
sigh,
to
smiles,
my springs,
that
of streames.
My
de-
light,
To
see
the fruits
and
Nor yeeld
ny
grace:
Her
eyes
By
sighs
ne-
ver
rue,
peerce her
heart,
heart takes no
For
me
1. touch,
to
kisse,
to
die,
to
die, with
2. weepe,
faint,
die,
die, In
3. makes
my joyes
to
grow,
to
grow, Her
4.
joyes
that some
do
find,
do
5.
heart
of
flint
is
made,
6.
hot
then
are
thy shafts,
http://www.laymusic.org
is
a-
that doe
find, And
ap- prove,
of
fire,
her
and teares
more
thee
a-
gaine
in sweet- est
sym- pa-
thy.
dead-
ly
paine
mis- er-
ie.
frownes the
win-
ters
of
my
woe:
mee
as-
signde.
may once
in-
vade.
sit,
Her
she
vite,
to
not
in-
may cease
lay:
will
de-
canst
for- lorne,
6.
my
5.
19
2.
eyes
1.
for
tri- umph
laughs.
I-72
First-XVII-Come again:
Tenor
8
10
now
in-
vite,
Thy
gra-
ces
Through thy
un-
1.
Come a- gain:
2.
Come a- gaine,
that
3.
All
the
the
4.
All
the night
5.
Out
a-
las,
6.
Gen- tle
love
day
may ceaase to
shine,
By frownes doth
full
of
dreames,
My
eyes
are
e-
ver
true,
Yet
will
she
dart,
my sleepes are
my
faith
is
me
due
de-
light,
To
left
and
for-
lorne,
mee with
de-
lay:
de-
mourne,
Thou canst
not
1.
that
re-
fraine,
To
do
2.
kind
dis-
daine:
For
now
3.
cause
me
pine,
4.
full
5.
ne-
of streames.
ver
rue,
6. peerce her
heart,
20
And feeds
My
heart takes
no
Nor yeeld
me
For
that doe
a-
sit,
to
heare,
sigh,
to touch,
I
to
weepe,
Her
smiles,
my springs,
that makes
my
light,
To
see
the fruits
and joyes
that
ny
grace:
Her
eyes
ap-
prove,
By
sighs
see,
of
fire,
and teares
her heart
of
more hot
then
1.
kisse,
to
die, to
die, With
2.
faint,
die, I
die, In
3.
joyes
to
grow, to
grow, Her
4.
some
do
5.
flint
is
6.
are
find, do
made, is
find, And
thee
a-
gaine
with
thee
a-
gaine
dead-
ly
paine,
In
dead-
ly
frownes the
win-
tempt while
truth,
she
sym- pa-
thy.
mis- er-
ie.
my
woe:
as-
signde.
in-
vade.
Did
in sweet- est
win- ters
for
of
tri-
umph laughs.
http://www.laymusic.org
First-XVII-Come again:
I-73
Bassus
12
1.
do
heart takes no
5.
yeeld me
I
3.
All
the day
the
4.
All
the night
my sleepes are
5.
Out
6.
a-
las,
may cease
vite, Thy
my faith
is
full
e-
shine, By
to
see,
to
heare,
sit,
sigh,
that re-
ver
will
she
ne-
ver
rue, Nor
heart, For
true, Yet
dart, Thou
to
canst
die, to
die, with
die, I
die, In
grow, to
grow, Her
de- light,
To
do
find, do
find, And
ny grace:
Her eyes
By
in
sweet-
2.
and
end-
3.
ters
fire,
flint
1.
of
is
made, is
a-
gaine
dead-
ly
paine
frownes the
win-
thee
est
sym-
pa-
thy.
lesse
mis-
er-
ie.
of
my
woe:
4.
are
mee
as-
signde.
5.
may
once
in-
vade.
6.
for
tri-
umph
http://www.laymusic.org
pine, And
of streames. My
to
the fruits
daine: For
full
faint,
see
fraine, To
lay:
weepe, I
ces
are
to touch, to kisse,
I
eyes
gra-
of dreames, My
a-
in-
4.
me
now
2.
3.
1.
2.
6.
laughs.
I-74
First-XVIII-Golden locks
hel-
O
too
swift,
lo-
vers
So-
Heel teach
his
O
swift-
nets turne
swaines this
locks
time
hath
met
now
shall
make
he
sad-
dest
sits
Ca-
nesse ne-
ver
ceas-
to
ho-
ly
Psalmes:
roll
for
song,
to
ver
turnde.
hive
for
Bees,
in
home-
ly
Cell,
His youth
A
armes must
the
hearts that
ver
by
in-
creas-
his
ag-
es
almes:
wish my
So- veraigne
well, Curst be
an-
wrong.
BeauBut
Yee
al-
Court to
low this
fad-
ing
seene:
co-
tage
he
de-
part,
a-
ged
man
his
right,
Du-
His Saint
To
be
is
sure
and
at
e-
on
gainst time
man
Blest be
sil-
ing!
age hath
in
now serve
20
time
And
12
(1)
en
3. And when
are
of
ing.
roots and
his
e-
un- spot-
Original is a G.
http://www.laymusic.org
First-XVIII-Golden locks
Altus
I-75
O
time too
swift,
Heel
13
ver
vers
So-
ver
time
hath to
sil- ver,
to
sil-
hive for,
hive for
Bees,
sad-
dest
in home- ly
Cell,
sits
in home- ly,
ing!
ceas-
A
roll for
song,
Blest be
neth, wa-
neth
Psalmes:
ly
turnde.
ho-
shall make a
to
now
nets turne
locks
hel- met
lo-
2. His
And
1. His gold- en
3. And when he
man
in-
at
the
by
creas-
ing.
Beau-
his
on
ag-
es
almes:
But
veraigne
well, Curst be
the
an-
wrong.
Yee
21
al-
Court to
low this
fad-
ing
co-
tage
he
de-
a-
ged
man
his
http://www.laymusic.org
seene: Du-
tie, Du-
be, to
is
sure
are
of
roots and
e-
his
un- spot-
now
that was
I-76
First-XVIII-Golden locks
Tenor
8
1. His gold- en
to
sil-
ver turnde.
O,
2. His
hive
for
Bees,
And,
sad- dest
in home-
ly
Cell,
hel- met
3. And when he
sits
time too
And
lo- vers
and
age hath
swift,
So-
nets,
So-
nets, turne
13
ceas-
ho-
ly
Psalmes:
roll for
song,
to
Ca-
ing!
ver
man
at
Blest be
now serve on
armes must
e-
wish my
So-
ver
his
veraigne
22
well, Curst be
the
by
in-
ag-
es
almes:
But
an-
wrong.
Yee
creas-
Love
are roots
His Saint
sure
of
ing.
Beau-
tie, strength,
though from
gods
al-
youth
fad-
ing
seene:
Court
to
co-
tage
he
de-
part,
low
this
a-
ged
man
his
right,
To
be
is
your
his
and
e-
http://www.laymusic.org
First-XVIII-Golden locks
I-77
Bassus
hel-
3. And when
(1)
time too
And
lo-
vers
swift,
So-
O swift-
13
ver
his
veraigne
well, Curst be
22
youth
are
flowers but
in
time
hath
to
sil-
ver turnde.
now
shall
make
hive
for
Bees,
he
sad-
dest
sits
in
home-
ly
Cell,
ho-
ly
Psalmes:
for
song,
vain, youth
ceas-
ing!
man
at
Blest be
wa- neth
and
age hath
armes must
which are
ag-
es
almes:
But
an-
wrong.
Yee
fad-
ing
seene:
Du-
tie, Faith,
Court
to
co-
tage
he
de-
part,
His
Saint
is
low
this
a-
ged
man
his
right,
To
be
your
ing.
Beau-
e-
So-
in-
on Pray- ers
creas-
tie, strength,
though from
gods
al-
are roots
and
e-
sure
of
un-
spot-
that
was
his
Love
wish my
now serve on
by
locks
en
ver
roll
met
nesse ne-
nets turne to
http://www.laymusic.org
I-78
First-XIX-Awake
1.
A- wake sweet
love,
If
she
es-
1.
2.
long
in
ab-
e-
ver
in
grieve thy
not
15
1.
2.
faire: She
eyes,
con- stant
on-
ly
could love,
abnow
prov-
ed
now
joy.
dies,
in
If
And
Now live
for-
She will
not
That love
will
her-
selfe hath
see-
med
make
me
wish
to
shee
at
last
re-
ward
thy
if
that
now
thou
wel-
com
prove.
me
mend.
love, And
all
She
to
ly
My hart, which
mee,
sent
aught worth,
loved.
turnd:
On-
noy.
re-
per- fect
in vaine
ver
thee
Though long
neteeme
my first an-
so
art
die; That
Whence came
in
thou
now
forth, Which
be,
love hence-
un-
flie,
To
a-
http://www.laymusic.org
First-XIX-Awake
I-79
Altus
1.
2.
A-
wake sweet
love,
thou
art
re-
love, which
ne-
ver
ab-
sent
teeme
thee
now
aught
prov-
ed
now
in
If
she
es-
dies,
Now live
for-
e-
ver
in
her
2.
worth,
She will
not
grieve
thy
love
hence-
mee,
That love
will
not
un-
con-
stant
1.
joy.
2.
proved.
now,
be,
so,
Though long,
lives
Whence came,
forth, Which
love,
end:
paire,
meet,
ly
hath see-
make,
did make,
me
wish
re-
could
joyes might
harmes reher
her- selfe,
I
selfe,
shee
at
last,
at
if
that
now,
that now,
And
her-
If
loved.
On-
noy.
2.
ab-
now,
in
per-
fect
whence came,
my
first
an-
which
des-
paire
hath
in
vaine
so,
though long,
11
1.
in
turnd:
1.
17
Let
doest
last,
faire:
She
on-
to
die;
That
ward
thy
love,
And
all
thou wel-
com
be,
When
thou
ly drave
me
to
did
make
me
flie,
will
sweet-
er
prove,
meet, She
but
http://www.laymusic.org
med
de- spaire,
When she
My
ly
could
my joyes might
thy harmes rewith
her doest
un-
kind
did
prove.
state may
now
a-
mend.
from deep
de-
spaire.
Raisd up
To
make
thy
joyes more
sweete.
I-80
First-XIX-Awake
Tenor
2.
If
she
es-
ne-
now
in
thou
art
re-
turnd:
My hart,
ver
ab-
sent
dies,
Now live
teeme thee
1.
ed
She
now
That love
in
mee,
for-
will
which long
e-
in
ver
not
un-
1.
ab-
2.
love hence-
in
eyes,
con- stant
16
Whence came
forth, Which
be,
my first an-
so
joy.
On-
noy.
Though long
per- fect
in vaine
loved.
ly
hath see-
med faire:
me
wish
to
If
re-
ward
thy love,
shee
at
if
that
And
last, at
last,
thou wel-
die;
com
be,
to
prove.
may now
mend.
1.
2.
She
on-
ly
That
me
And
all
thy harmes re- paire, Thy hap- pi- ness will sweet-
er prove, Raisd up
flie,
My state
To
make
a-
http://www.laymusic.org
First-XIX-Awake
I-81
Bassus
1.
2.
If
she
thou
art
re-
turnd:
ver
ab-
sent
dies,
ne-
es-
teeme thee
ed
in
Now live
for-
e-
ver
She will
not
grieve
thy
now
That love
will
not
un-
in
mee,
7
1.
ab-
2.
love hence-
in
con-
15
1.
2.
eyes,
faire: She
be,
on-
so
ly
per-
fect
my first
an-
des-
in vaine
joy.
ly drave me
noy.
her-
selfe
hath
loved.
ly
make
me
wish
last
re-
ward thy
if
that
now
thou
wel- com
to
un-
may now
me
love, And
all
thy harmes re- paire, Thy hap- pi- ness will sweet-
er prove, Raisd up
http://www.laymusic.org
flie,
see- med
at
And
shee
die; That
On-
Though long
in
Whence came
now
forth, Which
stant
My state
To
make
to
kind did
a-
prove.
mend.
I-82
First-XX-Heavy sleep
1. Come hea-
19
death,
weep- ing
true death;
tears
doth stop my
po-
sses
my tir-
ing
dies
till
thou
ver:
my
last
sleeps
comes,
bels
vi-
tall
in
my
ed thoughts worne
lied
Al-
And close
rest,
fright. O
i- mage of
night: Come
the
of
to
dow
my wear- y
these
up
breath, And
26
vy sleepe
2. Come sha-
10
die
for e-
on
me
or come
http://www.laymusic.org
First-XX-Heavy sleep
I-83
Altus
10
these
my wear-
y,
lied
death,
child to
his,
18
1. Come
hea-
vy
sleepe
the
2. Come
sha-
dow
of
my
close up
to
wearto
weep- ing
breast,
soule,
That liv-
ing dies,
That liv-
ing
dies
ever:
Come ere
my last,
Come ere
my
last
http://www.laymusic.org
eies:
And
i- mage of
Come
till
true death;
Al-
tall
my
po-
tears
sses
die
And
rest,
Come and
Whose spring of
breath,
26
for
thou on
me,
on
me
be
stoule.
sleeps comes, or
come,
or
come
ne-
ver.
I-84
First-XX-Heavy sleep
Tenor
1. Com
the
i-
my
end,
rest,
And close
up these
Al-
to death, child
lied
17
my
wear-
y,
to
his,
my wearchild to
weep- ing
eies:
his
blacke- fact
night:
Whose spring of
Come
tears
doth
po-
sses
my tir- ed
stop my
re- bels
25
rows
Com and
my
thoughts
die
worne
soule,
liv-
ing
dies
for
ever:
my
last
till
thou on
sleeps comes, or
me,
on
come, or
me
come
be stoule.
ne-
ver.
http://www.laymusic.org
First-XX-Heavy sleep
I-85
Bassus
10
19
up
lied
to death,
close
27
these
the
i-
of
my
wak-
That
po-
thou,
till
true
death;
doth stop my
Al-
in
my
breast, Whose
sses
thou on
me, on
die
for
me
vi-
bels
And
rest,
till
tears
Com and
http://www.laymusic.org
of
sleepe
mage
vy
tears,
dow
weep- ing
2. Come sha-
1. Come hea-
my wear- y
child
ever:
be
stoule.
come ne-
ver.
I-86
First-XXI-Away
1. A-
way
2. God Cu-
3. My songs they
4. If
be
lovde-
of
Chn-
A-
ther good or
ill
de- cree:
De-
sert
is
ho-
ly dayes,
On
e-
very
blot
love, which is
ey-
12
the
of
the tree
If
bowe of love;
doubt do
And
For
Cu-
pid
love
is
goe.
once
For
No- ble-
yeare:
man:
ma-
ny run, but
of
his
lads, Whom
sti-
nie, Doth
this praise,
mee,
I
Is
of
love
of them that
e-
on
his
very day
dar- ken things held deare, Then wel- fare no- thing
as
ing
borne out
tree
ring
well
the
Fos-
ter
can, As
is,
can
to
be,
lawes
but
are
seene
the migh- ty
his own?
of
Cu- ckoe
his.
in.
me.
http://www.laymusic.org
First-XXI-Away
I-87
Altus
1. A-
2. God Cu-
be
of
ne-
ver glads.
A-
ther good or
ill
de- cree:
De-
sert
is
out
ho-
ly dayes,
On
e-
very
the tree
If doubt do
of
goe.
borne
And love
For
Cu- pid
as
is
a
tree
of
his
Is
love
of those
that
on
e- very day
his
I
the Fos-
ty
ter
can, As
ri- vall
http://www.laymusic.org
well
man:
thing
For
No- ble-
mee,
of
What fools are they that have not known That love likes no
ma-
this praise,
once
yeare:
nie, Doth
dar-
lads, Whom
ey-
love, which is
ing
blot
12
sti-
ring
deChn-
lov-
3. My songs they
4. If
is,
be,
There mi-
ra- cles
to
kisse
the rod.
lawes
but
his own?
are
seene
of
his.
Cu-
ckoe
in.
to
me.
ly hedge the
I-88
First-XXI-Away
Tenor
1. A-
3. My songs they
4. If
be
of
ing
lads, Whom
de-
sti-
nie, Doth
this praise,
ring
of
mee,
Is
lov-
Chn-
2. God Cu-
ne-
ver glads.
A-
ey-
ther good or
ill
de- cree:
De-
sert
ho-
ly dayes,
On
e-
blot
love, which is
12
the bowe
of
the tree
If
of love;
And
For
Cu-
pid
is
borne out
very
tree
of
his
love
of them that
e-
on
his
very day
doubt do
dar- ken things held deare, Then wel- fare no- thing
love
well
as
the
Fos-
ter
can, As
can
the migh- ty
lie
and sleepe.
foot doth
goe.
is
What fools are they that have not known That love likes no
ri- vall
once
For
No- ble-
yeare:
man:
ma-
ny run, but
wor- thy
is,
be,
There mi-
Yet
ra- cles
to
lawes
but
are
seene
ly hedge the
his own?
of
Cu- ckoe
his.
in.
me.
http://www.laymusic.org
First-XXI-Away
I-89
Bassus
1. A-
way
lov-
ing
lads, Whom
2. God Cu-
de-
sti-
nie, Doth
3. My songs they
4. If
be
of
Chn-
A-
ther good or
ill
de- cree:
De-
sert
is
ho-
ly dayes,
On
e-
very
the
of
the tree
bowe of love;
If
goe.
And
For
Cu-
pid
Where ho-
once
For
No- ble-
yeare:
man:
http://www.laymusic.org
love
is
ma-
Is
of
his
love
of them that
e-
on
very day
his
I
dar- ken things held deare, Then wel- fare no- thing
as
tree
of
mee,
borne out
doubt do
ey-
love, which is
blot
12
this praise,
ring
well
the
Fos-
ter
can, As
is,
can
be,
Yet
to
lawes
are
the migh- ty
seene of
Cu- ckoe
his.
in.
me.
Part II
Second Booke
II-1
II-3
http://www.laymusic.org
II-4
15
weepe, and
29
sor-
row proud
saw
my
La-
Sor-
row
was
there made
fay-
rer
then ought
dy
bee ad-
ced
so:
a de-
light- full
thing,
Si- lence
ells, The
leave
of
time
to
grieve,
I- nough,
i- nough, i- nough,
all speech, a
to
bee
ex- cel-
fec- tions
rare, Shee
lookes ex-
as
sad
wins more
lent
of
keepe, hir
wis- dome
in
van-
to
teares
faire, And
be- yond
41
ness
in
made my
woe, full
of
woe,
But such
sing, sighes
to
sing,
And all
lieve, heart
be-
lieve,
with
hir
heart at once,
at
once
in-
ty-
strive
sing
o-
ver-
http://www.laymusic.org
II-5
Bassus
13
saw
my
saw
my
row
was
Sor-
row
was
fay-
rer
then ought
fay-
rer
saw
my La-
sor-
row proud
fay- rer
ells,
The world
those faire
But such
woe as
all
things with
so
sweet a
in
http://www.laymusic.org
per- fec-
all speech a
woe,
lent
wis-
tions
full lookes
keepe:
hir
face
And pas-
and
faire,
weepe,
dy weepe,
fay-
dy
ells,
La-
so: in
Sor-
dy weepe,
La-
row was
dy weepe, I
Sor-
38
saw my
La-
25
in time
was
full
rare,
Shee made
hir sighes to
ex-
cells,
not
wins
sad-
ness
heart
be-
move, As
made my heart
with hir,
at
to
bee
in-
ty-
o-
full
of
sing, And
ex-
cel-
sing parts.
to
dome
strive
ced
love.
ver- throw.
II-6
Second-II-Flow my teares
Flow
my-
Downe vaine
teares fall
Ex- ilde
lights shine
you
No nights
no
more,
Let mee
18
27
that
hir
be
re-
of
lie-
ved,
my
Ne-
dis-
close.
From the
lorne.
ver
and grones
my wea- rie
and griefe,
and paine
for my de-
and sighes,
and feare,
(1)
for -
and teares,
live
fled,
of
for
my wear- ie dayes,
my de- serts,
may my woes
pair their
serts,
dis-
dayes,
37
in
priis
ved.
nesse
gone.
(2)
pite.
http://www.laymusic.org
Second-II-Flow my teares
II-7
Bassus
Flow
teares
Downe lights
for
shine
is dark
no
more, no night
ev-
er
let
e- nough for
those
that
10
dis-
21
my de- serts,
lie-
let
me
Hap- py:
my
high-
est
and grones,
my
and feare,
and griefe,
and paine,
for
hap-
may
the
and sighes,
py,
Harke that
in Darke-
nesse dwel,
learne
gone.
they
ver
From
and teares,
for
Ne-
fled:
is
for- lorne.
my wear- ry dayes
my de- serts
live
woes, be re-
wea- ry dayes,
for-
spire,
in-
pair their
my
sad
woes,
28
39
that
in
hell
feele
not
the
http://www.laymusic.org
II-8
17
33
pit-
lesse paine,
B
49
maine,
and
pit-
a-
rise,
downe and
a-
e-
ver,
rise,
ver,
no hope,
I
downe and a-
am con- dempned,
no help,
mark me not
las
ne-
a-
hence,
not my heart
(1)
doe
wight,
help now or
ed
lesse paine,
rise,
68
58
lend
row stay,
doe not,
row sor-
Sor-
full,
to end41
to a woe-
downe
ne-
ver
shall.
I suspect that there should be a tie between this and the previous note; Dowland has them on two separate lines,
but doesnt provide a new word.
http://www.laymusic.org
Bassus
II-9
Sor-
9
18
pen-
tant
teares,
pit-
I
I
60
ver,
lend true
re-
ed wight,
downe and a-
http://www.laymusic.org
e-
ver:
B
a- lasse I am
af- fright:
me
not to
no help, ther doth re- maine, but downe, downe, downe, downe, downe
rise, a-
68
mark mee
no hope,
ne- ver,
I am con- demnd e-
52
full,
a- lasse
tie,
row stay,
with they tor- ment- ing feares, Oh doe not my poore heart my poore heart
44
woe-
pit-
36
to a
sor-
26
row
downe and a-
rise, a-
rise
a- rise
II-10
Dye
10
But liift
20
32
42
fore
thy day,
earth,
mirth,
O
but mone
not bee-
ling,
B
er glad to free thee, Bids thee goe and will not see thee, hye thee quick- ly from thy wrong, so shee endes hir will- ing
http://www.laymusic.org
Bassus
II-11
11
22
The
35
(2)
but
kisse
fye fye be will- ing, to pre- serve thy self from kill- ing,
thee quick- ly
B
not dis- paire and see sweet hope con- tem- ned:
fye
fye
fye
poore fond-
from thy
con-
poore man
de- light,
hag hath no
ling,
43
Dye
(1)
wrong, so
ing song.
Flat is editorial
rest is editorial
http://www.laymusic.org
II-12
Second-V-Mourne, mourne
V. Mourne, mourne,
Cantus
Mourne, mourne,
then
10
go-
vernes earth,
(1)
23
they
hell
looke now
may
in
in
for
nesse
fled,
day
learne to dwell.
more
darke- nesse
no
is with dark-
day
but
Mourne mourne,
mirth.
oh none,
17
nor
night,
what heaven
choaks with
but
his mistes
that
our
from
hell,
needes change
the night.
Note that this is the kind of breve that takes up a whole measure, so its 3 whole notes in the triple meter, or you
can count it as two if you count the C meter as starting on this measure.
http://www.laymusic.org
Second-V-Mourne, mourne
II-13
Bassus
Mourne
16
day,
22
in
nor night but
that
from hell,
http://www.laymusic.org
change must
they
may, In
more
But
II-14
11
woe,
24
selfe,
37
hee
sa-
cri-
fi-
ces,
hath
to
no earth- ly
As
good as
showes,
But thinks
maskes, justes,
sighes
teares,
or
tilt de-
vi-
iers, and
for him-
vowes, pra-
as
mo- tion,
bids
ses.
ses.
http://www.laymusic.org
II-15
Bassus
Times eld-
10
foe,
est
sonne,
olde age
olde age
the
heyre of
ease,
Strengths
loves woe,
and
fos- ter
to
de-
vo- tion,
bids
please,
as
35
22
for him-
selfe hee
cri-
http://www.laymusic.org
hath
no
fi-
ces,
earth-
As
ly
good as shewes,
masks, justs,
or tilt
de-
vi-
ses. But
ses.
II-16
Then sit
thee
downe,
and
say
thy
with De
19
fit is,
30
that,
this,
Cre- do,
or
as
and Te
cor
me- um,
with a bet-
ter
part.
re for
that thy
De- um,
what now so
O
that thy
in
part.
http://www.laymusic.org
II-17
Bassus
Then
9
with
20
that,
30
or
this,
Cre- do,
ra-
tum
http://www.laymusic.org
est
De- um,
cor
hir
with
downe,
me-
um,
bet-
that
re
ter
for what
now
thy
so
part.
that thy
fit is,
Saint would
mit- tis,
thee
and Te
sit
Pa-
take
as
in
part.
II-18
11
turne
24
to
No-
li
li- za,
36
bout thy
e-
cell,
to
vat E-
say
A-
mu- la-
Vi-
For an
li- za,
men A-
ex-
o-
re-
mus
Vi-
vat E-
stand by and
ma- ri,
runt use
a- ve
te
ri,
Ve- ni-
dost
pray so
well.
http://www.laymusic.org
II-19
Bassus
When
10
by and turne to
22
Vi-
35
lives a-
No- li
to
vat E-
li-
no-
li
e-
za,
Vi-
to sing
vat E-
A-
mu-
men
For an
li- za,
a-
ve
A-
al-
use
o-
stand
te- mus,
e- runt
ma- ri,
ex-
te
ni-
For
ri,
ni- te ve-
la-
re-
mus,
swains that
http://www.laymusic.org
II-20
for
see-
is
de-
ceit,
1. Praise blind-
ness
eies,
2. And
if
thine
eares false
Har-
alds
to
thy
hart,
3. Now
none
is
bald
cept
they
see
his
braines
ex-
ing
Bee
11
dumbe vaine
vey
in-
to
thy
Af-
fec-
tion
is
not knowne
is
no
art
deafe
by
art,
bours
for
his
paines,
re-
And so
wackt
To
and
bleed
for ther
ob-
taine,
Then
tell
thy
hear-
ing thou
till
one
be
dead
Re-
ward
for
love
are
not
in-
con-
stan-
is
art
that wont-
ver
made
move,
la-
(3)
Breake hart
to
love
tering windes,
flat-
Loves qui-
but
purge
Now
hopes
ceit,
I
head
Lenvoy:
17
Con-
of
I
know
cy
from
gold
most
mens
mindes.
ed
to
be
plaine,
his
shafts
of
leade.
(4)
and yet
I
love.
The underlay is confusing. The Lenvoy section is printed after the first verse, which has one set of words and a
repeat sign. The verse printed at the bottom of the canto part is two sets of words for the A music, but the Lenvoy
section is specified to be sung only after the second set. The repeat signs occur in the lute part, at the end of the A
section in the Canto part, and in Lenvoy for all parts, but not in the A section of any of the other vocal parts. There are
other reasonable interpretations, but I think Dowland probably meant Lenvoy to be sung (and repeated) after all three
verses are sung. I would not repeat any of the A section words, i.e., I would sing the A section 3 times with different
words each time.
2
The Canto part is written with no flats or sharps in the key signature; all other parts are written with a key signature
of one flat.
3
Fermata does not appear in this part in the original, but is in Tenore and Basso.
4
Fermata does not appear in this part in the original, but is all the other parts.
http://www.laymusic.org
Alto.
II-21
1. Praise blind-
ness
eies,
for see-
ing
is
de-
ceit,
2. And
if
thine
eares
false Har-
alds
to
thy
hart,
3. Now
none
is
bald
ex- cept
they
see
his
braines
Bee
but
Con-
vey
in-
to
thy
head hopes
Af-
fec-
tion
is
flat-
tering
windes,
Breake
to
ob-
taine,
Then
one
be
dead
Re-
hart and
bleed
for ther
tell
hear-
ing thou
love
are
thy
ward for
la-
(5)
11
is
no
re-
ceit,
deafe
by
art,
bours
for
his
paines,
Lenvoy:
And so
I
art
17
To
Now
purge
in-
con-
stan-
love
is
art
that wont-
ver
made
Loves qui-
move,
cy
from
of
gold
most mens
ed
to
mindes.
plaine,
be
his
shafts of
leade.
and yet I
love.
Fermata does not appear here in the original, but is in the Tenore and Bassus parts.
http://www.laymusic.org
II-22
Tenore.
1. Praise blind-
ness
eies,
see-
ing
is
de-
ceit,
2. And
if
thine
eares
false Har-
alds
to
thy
hart,
3. Now
none
is
bald
ex- cept
they
see
his
braines
but
flat-
ter- ing
for
windes,
Breake
hart and
bleed
for ther
Bee
dumbe vaine
Con-
vey
in-
to
thy
Af-
fec-
tion
is
11
head hopes
to
ob-
taine,
Then
tell thy
hear-
ing thou
one
be
dead
Re-
ward for
love
are
la-
is
no
art
bours
ceit,
To
purge
in-
con-
stan-
that wont-
deafe
by
art,
Now love
is
art
for
his
paines,
Loves qui-
ver
made
Lenvoy:
17
re-
of
cy
gold
from
most
mens
mindes.
ed
to
be
plaine,
his
shafts
of
leade.
And
so
I wackt
a-
I know my dreame, my
and yet
love.
http://www.laymusic.org
Basso.
4
11
17
II-23
eies,
for see-
ing
is
de-
eares
false Har-
alds
to
thy
3. Now
none
is
bald
ex- cept
they
see
his
Con-
vey
in-
to
thy
braines
Af-
fec-
tion
is
not knowne
no
art
deafe
by
art,
bours
for
his
paines,
re-
Lenvoy:
And so
ceit,
I
wackt
head
To
purge
Now
love
Loves qui-
but
flat-
hopes
to
ob-
taine,
Then
till
one
be
dead
Re-
hart,
is
in-
stan-
is
art
that wont-
ver
made
of
cy
tell thy
hear-
ing thou
ward for
love
are
ed
for ther
was true,
mindes.
be
plaine,
of
leade.
to
la-
mens
his shafts
I know my dreame
bleed
from most
gold
con-
tering windes,
http://www.laymusic.org
thine
if
ceit,
blind- ness
2. And
1. Praise
and yet
I
love.
II-24
Canto.
O Sweet woods,
(5)
In
sire,
2. Ex-
3. You
men that
to
Love,
give
you
the
this,
ber-
ty,
now your I-
dols
bee,
faith this is
the doome,
oft have
and
apt
to change:
Ther power
in
vaine,
Hope and
de-
Wan- sted
my Mis-
once ad-
doth looke at
And
of
it
Kings,
fall
Love,
is
my
With
my fall,
mird,
For
shee lesse
Hir want
of
se-
cret,
dread,
as
in
sence- lesse
birds,
is.
to trees,
doth take
sire
to
from
which
tres
To
is.
dell
die.
Their
die.
mee.
Hope
me.
cra-
To
and
y,
and Tombe.
this
un-
is
led,
brings,
all
How
ly
Whose end
re-
cure,
tird,
you
O how
re-
light
Love
talked,
now
ri- nesse,
an
31
my
bid mee
And
Doth
22
ta-
ri- nesse.
4. You woods in
15
Wan- Tombe.
Original has a fermata, which does not appear in the other parts.
http://www.laymusic.org
II-25
Alto.
In
these sad
groves an
now
which you
I
once
ad-
mird,
Kings,
at
cure,
vers
have
talked,
To
birds,
sire,
2. Ex-
de- sire
my Mis-
shee
lesse
want
of
se-
I
led, I
to
led,
Love, to
light
re-
O how
re- mem-
ly
brings,
to
Love,
is,
tird,
Love
is
walked,
brance of
my
when
fall,
it
silo-
my
fall,
dread,
And
love
loe plac-
ed base
and apt
to
change:
Whose
end
is
you strive
in
vaine,
How
doe
a place
of mourn- ing
prove,
this
you now
of mourn-
and apt,
Si-
in whom deere
The
sad
un-
this,
For
Hir
li-
ber-
ty,
dols
bee,
You
the
doome,
Thou
cret,
and
faith this
as
sence-
is
lesse
is.
worth make
him
in
cra-
dell
die.
loose
and
feele
dis-
paire
with
mee.
art
Child- bed,
Nur-
ser-
y,
http://www.laymusic.org
the
Love
Love,
With
to earth, to
re-
needs must
loves
ri- nesse,
you
doth take
Hope and
Wan- sted
3. You
to trees,
Ther power
34
ne-
pro-
doth looke
oft
phus you
27
sight
ri- nesse.
Nimphes at whose
20
4. You woods in
14
(1)
and Tombe.
To
birds,
is.
Their power
die.
Hope
me.
and
Wan- stead
Tombe.
II-26
Tenore.
sire,
2. Ex-
3. You
men that
4. You woods in
16
loves de-
re-
light
re-
tird,
ly
brings,
Doth
bid mee
to
Love,
And
seeke that
give
false
wor- ship
you
the
fair-
un-
led,
And
trange,
from
these sad
Nimphes at whose
In
24
led, I
shich ou
sight
Love, to
Love
is
taine,
The
Love,
You
my
fall,
my fall,
and apt
to change:
Ther power
in
vaine,
it
of
once ad-
mird,
With
doth looke at
Kings,
And
cure,
Whose
How
this
32
dread,
To
birds,
to trees,
to earth, to
earth, im-
doth take
Hope and
de- sire
Wan- sted
my Mis-
faith this
part I
li- berI- dols
this, For
ty,
Hir
bee, You
shee
lesse
want
of
se-
needs must
loose
art
loves
cra-
dell,
sence- lesse
cra-
is.
dell
die.
paire with
mee.
sery
and Tombe.
To
birds,
is.
Their power
die.
Hope
me.
and
http://www.laymusic.org
Basso.
II-27
ta-
16
ri-
fames de-
2. Ex-
3. You
4. You
woods in
the
you
led, And
much doe I
li-
of
ced
Love, You
my
re-
tird,
ly
brings,
Doth
to
Love,
And
un-
In
plea-
sures which
is
dained
when
end- lesse
dis-
worke
of
woods in
whom
deere
my fall,
I
it
dread, To
lo-
an
my
all
once ad-
mird,
With
doth looke at
Kings,
And
birds,
now
vers
cure,
Whose
to trees,
How
to earth, to
doth take
this
to know
de- sire
you now
a place
my Mis-
his
part
this,
For
shee lesse
se-
cret,
worth make
and
as
him
in
li-
ber-
ty,
Hir
want
now your
I-
dols
bee,
You
feele dis-
faith this
is
the doome,
Nur- ser-
Thou
of
in
bid mee
those false
fall,
base and
light
doe
him
sad
earth, im-
love
end
30
Love, to
re-
led, I
1. From
how
nesse.
23
sence- lesse
cra-
is.
dell
die.
paire with
mee.
y,
and Tombe.
To
birds,
is.
Their power
die.
Hope
me.
and
Wan- stead
Tombe.
facsimile looks like a half note but may be a misprinting rather than an error.
Facsimile looks like a dotted half; may also be a misprinting
http://www.laymusic.org
II-28
Second-XI-Floods,
If
fluds
of
see
my
And smoakes of
hopes
must
with-
er
in their bud,
see
my
Or
24
cri-
fice
for
no
last-
ing flowers,
ours are
sinne,
cries
see
that
don
les
mone,
for
er-
ror
par-
of
time
and
light-
ening
but
sigh,
and
e-
thus
say
ver mone,
Mine er-
rors,
there- fore,
That fa-
vours hopes
might salve
end-
If gron- ing
Than losse
fault,
my fault
at
no
ter good,
bet-
last,
win,
Then would
I cry,
at houres,
Thus when
sins, fol-
lies
past
and gone.
blinde
no more.
see
weepe,
then
http://www.laymusic.org
Second-XI-Floods,
II-29
Alto.
sighes might
fav-
ours
14
for
fluds
see
sinne,
of
time
and
light-
ening
but
e-
ver mone,
Mine
er- rors,
fault,
That
cleanse my
ing
(3)
bet-
I
see
last,
Or
ter good,
my
at
And smoakes of
in their bud,
see
er
If gron-
don
par-
ror
er-
of teares could
(2)
for
If
mone,
les
26
end-
Than losse
win,
Then would
cry,
weepe, sigh,
and
at houres,
Thus when
see
then thus
er-
fol-
lies
blinde no more.
http://www.laymusic.org
II-30
Second-XI-Floods,
Tenore.
If fluds
past,
And smoakes
of
bud,
my
see
er in their
see
ours are no
fice
for
last-
ing flowers,
14
sinne,
If gron- ing
I
er-
ror par-
(4)
my fault
at
last,
no bet-
ter
good,
Or
end-
Than losse
26
les
mone,
for
of
time
and
ver
mone,
don
win,
Then would
I cry,
at
houres,
Thus
when
fol-
lies past
see
then thus
esay
there-
fore,
Mine er-
rors,
and
gone.
no
more.
http://www.laymusic.org
Second-XI-Floods,
II-31
Basso.
If
I
6
sighes
might sa-
fav- ours
mone,
of
time
thus
er-
e-
ver mone,
say
there- fore,
fluds of
teares could
cleanse my
see my
hopes must
with-
er
And smoakes of
in their bud,
see
my
(1)
for
sinne,
see
ror
par-
don
ening
but
at
Mine er-
at
last,
Or
Then would
cry,
houres,
Thus when
see
rors,
fol-
lies past
end-
Than losse
win,
ter good,
If gron- ing
and light-
for
les
22
cri- fice
are
14
and gone.
no more.
Rest is editorial.
http://www.laymusic.org
II-32
la-
15
ny
I
looke
for
gifts
la-
ces
It
li- ber-
all
coun- try
of love,
faier,
e-
trash
o- thers take
sheafe,
Hap-
view,
the hart is
no re- moves, of
Tur-
My
tri- fles
And
di- vers
Some- times in
of mee a graine, of
of
gaine,
bee plaine,
new,
a-
and gloves,
Of
to
and
is
and
keepe a
bee
shell
tho-
true,
the hart
is
mee a graine,
of
mee
a graine.
true.
no re- moves,
of
no
re- moves.
http://www.laymusic.org
Altus
II-33
La-
1.
ny
looke
for
gifts
la-
ces
is
It
3.
toies
fit- ting
15
1.
li- ber-
all
faier,
2.
3.
http://www.laymusic.org
keep
come,
coun- try
and
2.
o- thers take
e-
to
view,
no re- moves, of
gaine,
and gloves,
bee plaine,
new,
a-
a
tri- fles
Some- times in
Tur-
be
shell
tho-
courts
mee a graine, of
mee
no re- moves, of
no
is
true.
graine.
re-
moves.
II-34
Tenor
La-
3. With- in
dies,
and
looke
for
gifts
la-
ces
new,
a-
good pen- i-
gaine,
My
and gloves,
tri- fles
worthes but
ny
keepe
fayer
is
pre-
come,
as
It
toies
fit-
ting
faier,
But my
hart where
coun- try
14
mo-
but
e-
view,
bee plaine,
beg- ger
Some- times in
to
Tur-
tels and
may
be
li- ber-
shell
tho-
twins,
22
all
of
love,
though
all
my
wares
Of
o-
thers
take
Hap-
py
the
hart
that
be
trash,
sheafe,
sheafe, of mee
no
a
re-
true.
The
is
true
graine,
graine, of
of
mee
graine, of
mee
graine, of
mee
graine.
moves,
of
of
no
re-
moves, of
no
re-
moves, of
no
re-
moves.
no
mee
re- moves
is
is
is
true.
http://www.laymusic.org
II-35
Bassus
la-
7
mo-
16
ny
keep a
is
ting
love:
coun- try
faier, But
and
for
la-
looke
e-
finde,
Of
o- thers take
paier,
Hap-
http://www.laymusic.org
to
gifts
a-
as
fit-
be
tho-
li- ber-
all
of
true, the
no re- moves, of no
view, a
of
no re- moves, of
heart is
mee
no
true.
a graine.
re- moves.
II-36
1. Now cease
my wan- dring
1.
One
faith
one
2.
New hopes
new
joyes,
One
soule
one
love,
Dis-
trac-
3.
That though
ted
spirits,
Are
wee
see,
Ten
One
fast
love,
sted-
love,
ture
As
well
Are
lies, Long
in earth
art
love, Two
de- nide,
to
im- part,
and
in sweetto deepe
still with
sor-
cli-
ning,
Un-
me-
ni-
ted
can-
chang-
thou- sand
beau-
ties yet
harts
stand
faith and
ver
be
nall
e-
loves most
ter-
rit u-
ad- mire,
beau- tie
as heaven, But
to
By
all
3. Na-
nesse prove,
not
lesse
in
their
in
us
one
should
fast
al-
a-
noies.
re-
move,
de- lights,
be,
do
move.
Altus
1. Now cease
my wan-
1.
2.
3.
fort
lies,
ture
two eyes
hath given,
well
in earth
de- sire.
still
de- vide,
One
faith and
de- nide,
Dis-
trac-
im- part,
see, Ten
one hart,
One
rit u-
ter-
nall
All
cli-
ning,
ni-
ted
hap- lesse
in
us
fast
al-
Uncanin
one
to
can- not
loves most
be
beau- tie
to
But
and
art
Two
as heaven,
which
love,
Long
one soule,
As
eies,
3. Na-
must
One
sted- fast
dring
one soule
e-
all
ad- mire,
a-
noies.
re-
move,
de- lights,
should
be,
do
move.
http://www.laymusic.org
Tenor
8
II-37
my wan- dring
1. Now cease
all
ture
As
well
ad- mire,
loves most
be
de- nide,
beau- tie
to
im- part,
as heaven, But
art
love, Two
to
3. Na-
lies, Long
1.
One
New hopes new joyes, (New hopes new joyes,) Are still with
sor-
row de-
2.
One
me-
rit
Dis-
trac-
trac-
chang-
in their
ties
us one should
3.
One
love, (One
sted- fast
Bassus
e-
ver
see,)
beau-
harts
By faith and
plea- sures e-
1. Now cease
If
1.
One
2.
soule one
Dis-
trac-
3.
faith one
all
3. Na-
ture
As
well
my wan- dring
plea-
sures
joyes, Are
still with
sor-
One
love, By
faith and
mechang-
ing
e-
ver
see, Ten
One
sted- fast
http://www.laymusic.org
thou-
u-
ni-
e-
love, Two
nall
row
de- cli-
ning,
rit
u-
and hap-
sand beau-
ties yet
harts stand
fast al-
lies, Long
ter-
ni-
in
noies.
move,
de- lights,
do
to
are-
be,
move.
ad- mire,
loves most
be
de- nide,
beau- tie
to
im- part,
as heaven, But
can- not
to deepe
ted
yet
in earth
ted
Un- to deepe
a-
noies.
can-
re-
move,
not
lesse
in
in
us
one should
our
eies
though
their
de- lights,
do
be,
move.
II-38
19
1. Come
yee
hea- vy
2. Come
you
Vir- gins
of
rit right,
Sound-
ings bale-
full
let
me
bor- row,
Dir- ges
de- light,
Quier
my An-
thems,
doe
bor- row
That
in
Bur- then-
ing
my
Gold nor
eies
that
sings,
By
thee are
tur- ned
in-
to
springs.
eies
that
sings,
By
thee are
tour- ned
in-
to
springs.
yee
hea-
vy
states of
of
the
night,
Doe
my
night,
That
in
my
song with
rit
right,
Sound-
ings bale-
full
let
me bor- row,
de-
light,
Quier
my An-
thems,
sor- row,
in- to springs.
sor- row:
in- to springs.
song with
Come sor-
my
Come sor-
1. Come come
Doe
sor- row:
20
sor- row,
Altus
the night,
sad
states of night,
http://www.laymusic.org
Tenor
10
II-39
states
of
night,
Doe
my
of
the
night,
That
in
fa- thers
Dir- ges
Quiet
22
my
full
An-
thems, I
my
Come
sor- row:
Come
sor-
row
By
thee are
turn-
ed,
to
springs.
sor-
row
By
thee are
tour- ned,
to
springs.
Bassus
10
21
of
night,
Doe
my
night,
That
in
states of
the
Sound- ings
bale-
full
let
me
bor- row,
Bur- then-
sad
de- light,
Quiet
An-
thems,
doe
bor- row
Come
sor-
eies
that sings,
By
thee
Come
sor-
eies
that sings,
By
thee
http://www.laymusic.org
my
rit right,
ing
spi-
my
fa- thers
Dir- ges
song with
sor- row,
sor- row:
are
tur-
ned
in-
to
springs.
are
tour- ned
in-
to
springs.
II-40
Second-XV-White as Lillies
White as
Lil-
lies
2.
When I
swore
3.
Vowes and
oaths
1.
4.
Oh
was
hir
my
hart
hir
owne,
She
and
faith
as-
sured,
Con- stant
When she
dis-
have
the
art,
in
vaine
is
La-
dies
love,
Quick- ly
6.
To
thy
selfe
the
sweet-
est
faier,
Thou hast
7.
By
thine
er-
ror
thou
has
8.
For
my
set
at
Love should
face,
All
that
5.
hart though
By
lost,
Hart
nought,
sur-
un-
Since you
1.
smil-
ed,
She
bee-
guil- ed,
Quit- ting
faith
with
foule
dis-
grace,
Ver-
tue
2.
dain-
ed,
com-
plain- ed,
Yet
shee
left
mee
o-
ver-
throwen,
Care-
les
3.
e-
ver,
Chang- ing
ne- ver,
Yet
shee
could
not
bee
pro-
cured,
To
be-
4.
mi-
ses,
And
5.
choos-
ed,
Short-
6.
wound-
ed,
And
7.
fain-
ed,
8.
will
it,
14
dis-
guis-
es,
To
des-
troy
faith-
full
hart,
Or
that
For
their
pride
is
to
re-
move,
Out
a-
faith
with
foule
dis-
paier,
And
my
swaine that
lov-
ed
most,
More
as-
change
my
thoughts
But
grieve
ly
loos- ed,
con-
found- ed,
Chang- les
Truth un-
stain- ed,
And
the
will
Spoil
and
kill
it,
1.
ser-
vice
thus
ne-
glect-
2.
of
my
bit-
ter
gro-
3.
leeve
my
paines
ex-
ceed-
ing,
4.
wan-
ton
look-
ing
wo-
men,
5.
las
their
looks
first
won
6.
ser-
vice
hath
en-
vi-
7.
sured
in
love
then
man-
y,
8.
that
beau-
tie
ere
was
ne-
ver
ed,
Heart with
sor-
rowes
hath
in-
fect-
ed.
ning,
Ruth- lesse
bent
to
no
re-
lie-
ving.
From
glect
pro-
ceed-
ing.
as
foe-
men.
hir
scant
ne-
Should re-
ward
their
friends
us,
And
their
pride
hath
straight un-
done
us.
ed,
And
my
suc-
cours
hath
de-
ni-
ed.
More
dis-
pised
in
love
then
an-
y,
grieve
that
beau-
borne.
But
tie
ere
was borne.
http://www.laymusic.org
Second-XV-White as Lillies
II-41
Alto.
1.
She
bee-
2.
3.
Chang- ing
4.
And
5.
Short-
6.
And
7.
8.
15
1.
disly
es,
loos- ed,
(1)
Lil-
lies
was
hir
face,
When she
smil-
ed,
swore
my
hart
hir
owne,
She
dain-
ed,
Vowes
and
oaths
and
faith
as-
sured,
Con- stant
Oh
that
the
art,
5.
All
in
vaine
dies
love,
Quick- ly
6.
To
thy
selfe
the sweet-
est
faier,
7.
By
thine
er-
ror
has
lost,
Hart un-
fain-
ed,
8.
For
my
nought,
Since you
will
it,
1. White as
2.
When
3.
4.
is
La-
thou
Quit- ting
ne- ver,
1.
guil- ed,
guis-
at
dis-
By
e-
ver,
mi-
ses,
choos-
ed,
sur-
faith
with
foule
dis-
grace,
Ver-
tue
ser-
vice
o-
ver-
throwen,
Care-
les
of
my
Yet
shee
left
mee
Yet
shee
could
not
bee
pro-
cured,
To
be-
leeve
my
To
des-
troy
faith-
full
hart,
Or
that
wan-
ton
For
their
pride
is
to
re-
move,
Out
a-
las
their
faith
with
foule
dis-
paier,
And
my
ser-
vice
Chang- les
Truth
un-
And
the
swaine
that
lov-
ed
most,
More
as-
sured
in
Spoil
and
will
ne-
ver
change
my
thoughts
But
grieve
that
beau-
thus
stain- ed,
kill
ne-
it,
glect-
ed,
Heart
with
sor-
rowes hath
in-
fect-
ed.
2.
bit-
ter
gro- ning,
Ruth-
lesse
bent
to
no
re-
lie-
ving.
3.
paines
ex-
ceed-
ing,
From
hir
scant
ne-
glect
pro-
ceed-
ing.
4.
look-
ing
wo-
men,
Should
re-
ward
their friends
as
foe-
men.
5.
looks
first
won
us,
And
their
pride
hath straight
un-
done
us.
6.
hath
en-
vi-
ed,
And
my
suc-
cours hath
de-
ni-
ed.
7.
love
then
man-
y,
More
dis-
pised
in
love
then
an-
y,
8.
tie
ere
But
grieve
that
beau-
tie
ere
was borne.
was borne.
http://www.laymusic.org
II-42
Second-XV-White as Lillies
Tenor.
1.
White as
Lil-
lies
was
hir
face,
When
she
2.
When I
swore
my
hart
hir
owne,
She
dis-
3.
Vowes and
oaths
and
faith
as-
sured,
Con-
stant
have
the
art,
By
sur-
La-
dies
love,
Quick-
ly
4.
Oh
that
5.
All
in
vaine
is
6.
To
thy
selfe
the
sweet- est
faier,
Thou
hast
7.
By
thine
er-
ror
thou has
lost,
Hart
un-
8.
For
my
nought,
Since
you
Love should
hart though
set
at
1.
smil-
ed,
She
bee-
guil- ed,
2.
dain-
ed,
com-
plain- ed,
Yet
3.
e-
ver,
Chang-
ne- ver,
4.
mi-
ses,
And
5.
choos-
ed,
Short-
6.
wound- ed,
ing
dis-
And
tue
shee
left
mee
o-
ver-
throwen,
Care-
les
Yet
shee
could
not
bee
pro-
cured,
To
be-
To
des-
troy
faith-
full
hart,
Or
that
For
their
pride
is
to
re-
move,
Out
a-
faith
with
foule
dis-
paier,
And
my
lov-
ed
most,
More
as-
thoughts
But
grieve
And
the
swaine
that
will
ne-
ver
un-
Spoil
and
Ver-
stain- ed,
Truth
it,
grace,
Chang- les
ed,
dis-
loos- ed,
will
foule
found- ed,
fain-
with
ly
8.
es,
faith
con-
7.
14
guis-
Quit- ting
kill
it,
change my
1.
2.
my
bit-
ne-
glect-
rowes
ter
to,
bent
to
3.
leeve my paines
ex-
ceed-
ne-
glect,
ne-
4.
ing
wo-
5.
first
won
us, And
6.
en-
vi-
ed, And
7.
sured in
8.
love
then
ere
man-
ing, From
hir scant
suc- cours my
in
suc-
dis- pised
hath
no
in- fectre-
lie-
ed.
ving.
ing.
their
friends as
foe-
men.
hath
us.
cours
hath
in
love
beau-
tie
de-
ni-
ed.
then an-
y,
http://www.laymusic.org
Second-XV-White as Lillies
II-43
Basso.
6
Lil-
lies
was
hir
swore
my
hart
hir
owne,
1.
White as
2.
When
3.
Vowes and
oaths
and
faith
as-
sured,
4.
Oh
that
Love
should
have
the
art,
5.
All
in
vaine
is
La-
dies
love,
Quick- ly
6.
To
thy
selfe
the
sweet-
est
faier,
Thou hast
7.
By
thine
er-
ror
thou
has
lost,
8.
For
my
hart
though
set
at
face,
When she
She
dis-
Con- stant
By
sur-
Hart
nought,
un-
Since you
1.
smil-
ed,
She
bee- guil-
ed,
Quit-
ting
faith
with
foule
dis-
grace,
2.
dain-
ed,
com- plain-
ed,
Yet
shee
left
mee
o-
ver-
throwen,
3.
e-
ver,
Chang- ing
ver,
Yet
shee
could
not
bee
pro-
cured,
To
be-
4.
mi-
ses,
And
es,
To
des-
troy
faith-
full
hart,
Or
that
5.
choos-
ed,
Short-
6.
wound-
ed,
And
7.
fain-
ed,
8.
will
it,
14
1.
ser-
vice
ly
loos-
tue
Care- les
ed,
For
their
pride
is
to
re-
move,
Out
a-
con- found-
ed,
Chang-
les
faith
with
foule
dis-
paier,
And
my
Truth
un- stain-
ed,
And
the
swaine
that
lov-
ed
most,
More
as-
Spoil
and
it,
will
ne-
my
thoughts
But
grieve
kill
ne-
dis- guis-
Ver-
thus
ne-
glect-
ed,
2.
of
my
bit-
ter
gro-
ning,
3.
leeve
my
paines
ex-
ceed-
ing,
4.
wan-
ton
look-
ing
wo-
men,
5.
las
their
looks
first
won
us,
6.
ser-
vice
hath
en-
vi-
ed,
7.
sured
in
love
then
man-
8.
that
beau-
tie
ere
was
http://www.laymusic.org
y,
borne.
Heart with
sor-
ver change
rowes
hath
in-
fect-
ed.
Ruth- lesse
bent
to
no
re-
lie-
ving.
From
hir
scant
ne-
glect
pro-
ceed-
ing.
Should re-
ward
their
friends
as
foe-
men.
And
their
pride
hath
straight un-
done
us.
And
my
suc-
cours
hath
de-
ni-
ed.
an-
y,
More dis-
pised
in
love
then
But
that
beau-
tie
ere
grieve
was borne.
II-44
Second-XVI-Wofull hart
with
17
most dis-
tres- sed.
From my
seate hath
tak-
All
en,
do- red,
shin- ing,
dart- ing,
in
no more
fer
are
my for- tunes
Fol-
mo- ved,
sak- en,
Since
re-
mee
mee for-
joyes hath
his
eies
by
a-
hir Sunne-
stor- ed,
All my
plea-
sures
pin- ing,
By thy
losse,
then
by
ed.
Alto.
1. Wo- full
hart
with
tres- sed.
From my
tak- en,
All
his
17
Joyes my
Joyes
mee
mee
eyes where-
in
suf-
no more
fer
are
Since
dart-
my
sweet eies
by
seate hath
a-
dored,
low those
Griefe his
Where- in
Those faier
shall
hath
stor- ed,
All my
plea-
lov-
pin- ing,
By thy
losse,
then by
part- ing.
hir
ed.
This system (from tress- ed to those sweet) has the flat in the key signature on the third line, although the C clef
is on the first line. Im assuming the clef is correct and the key signature is wrong.
http://www.laymusic.org
Second-XVI-Wofull hart
Tenor.
II-45
hart
2. Fly my breast,
my
1. Wo- full
press- ed,
Since
sak-
Where- in
en,
for- tunes
Griefe his
most dis-
tres- sed.
15
All
his
mee re-
mo- ved,
ar- rowes
Fol-
ing,
by
hir Sunne- by
(2)
eyes
a-
do- red,
Those
sweet
shall
suf-
Basso.
fer
no more
1. Wo- full
hart
16
From
my
joyes
All
his
ar-
hath
mee re-
rowes through
movd, Fol-
ed,
Since
my
for- tunes
en,
Where- in
by
Griefe his
ed.
eyes sweet
hir
by
eyes
bee- lov-
do- red,
All my
plea-
sures
best
By thy
losse,
then
by
a-
hir Sunne-
shin- ing,
ed.
This and the following note are quarter notes in the original.
http://www.laymusic.org
II-46
1.
A
Shep- heard
Since love
2.
1. wrong,
2.
Un-
to
lasse, that
trode on grasse,
save,
it
forth as
vers
cru-
To
If
for sor-
with- out
his
song,
row
dye.
or
grave.
a tombe
ly
thee,
Of
laid
it
2.
will,
1.
26
in
eye,
17
let
it
1.
in- forst by
2.
re- sound on
bee
hart
a-
by
thy sweet
lookes hath
slaine,
least that
me-
rie,
least
mo-
sing, Fye
fye on
love Fye
fye on
love,
it
is
string, Fye
fye on
love, Fye
fye on
love,
that is
Note: I had originally repeated the B section to Restore, restore. The facsimile has both a begin and end repeat
between the A and the B sections, and also a repeat back to here squiggle at Least. Since it looks like the printer
may not have had one-way repeat bars, I am now repeating only to Least, which agrees with other modern editions I
have seen.
Note also that least here is an Elizabethan spelling for the word we spell lest, and not the word we spell least.
http://www.laymusic.org
Altus
II-47
1.
shep- herd
1. wrong, uneye,
2.
to
be,
to
1.
song.
2.
grave.
the
fai-
Re- store
it
a-
play- ning
wil,
ho-
nour
laid
cru-
ell
will
it
cast
it forth, as
ye
shade, his
you
16
in
for- tune
ers
ly
maide, To
on grasse, and
thee,
by
thy sweet
thus be
if
gan
his
for
still,
trode
made of
sor- row
tombe or
lookes hath
slaine,
me-
rie,
dye.
26
1.
2.
let
bee
I
sing,
http://www.laymusic.org
lye, In
mo-
fie
fie
on love,
fie
fie
on love,
fie, it
is
Fie
fie
on love,
fie
fie
on love,
fie, it
is
II-48
Tenor
8
shep- herd
Since
love
My
2.
1.
and
in
cru-
ell maide, To
eye,
what
1.
to
to
17
(2)
ye
it be,
cast it
sweet
forth, as
trode
if
for
tombe or grave.
1.
2.
it
27
let
lye, In
by
and
mo-
rie,
least
fie
it
it
me-
1.
by your
2.
on
e-
e-
sing
http://www.laymusic.org
II-49
Bassus
1.
Shep- heard
Since love
2.
1.
wrong, Un-
2.
18
1.
1.
to
as
heart
a-
sing,
lye, In
fye
fye
on
Fye
fye
on
cru-
thus
if
by
me-
mo-
love and
tombe or
dye,
grave.
Least I
let
rie,
ly
might
song.
sor- row
lo- vers
love -
his
for
a
(1)
ell maide, To
still,
be- gan
thee,
hon- our
Why
bling string,
save,
2.
you laid
bee
28
What
store my
2.
tune will,
eye,
in
and For-
re- sound on
e- very war-
love
fye
fye
on
love,
fie
it
is
fo- lish
thing.
love,
fye
fye
on
love,
fie
it
is
foo- lish
thing.
it
http://www.laymusic.org
II-50
Second-XVIII-Faction
1. Fact- ion
that
e-
ver dwels,
cord
4. So
the
to
5. My saint
10
dehir
fi- ance,
For- tune
wheele,
and
deere
e-
ver
dwell
The booke
get
I
of
For- tune
selfe is
Jone faier
youth
ver
move
Pas- sions
1. Fact- ion
that
fi- ance,
wheele,
For- tune
For- tune
a-
diew.
set
de-
Turne with
3. This dis-
cord
get
4. So
the
and
ver
Hath
to
e-
In
5. My saint
li- ance.
my
a-
e-
one
cell
of
of
love
place in
shee
true,
it
is
be-
of
Na-
hir
ture thought
wood went
With love
to
For- tune
for-
deere
hir
selfe is shee
Jone faier
and
to
hir
ne-
ver
borne,
of
one
a-
place in
love
e-
ver
dwell
cell
lorne.
of
my
youth
truth
true,
e-
ver
move
Pas- sions
love
of
love with
In
li- ance.
good,
ture
to
lorne.
Na-
hir
for-
set
Turne with
of
And love
and
hath
hir
With love
Ven- ture
to mee,
Alto.
be-
wood went
is
thought good,
11
it
For- tune
a-
diew.
http://www.laymusic.org
Second-XVIII-Faction
II-51
Tenor.
1. Fact- ion
that
3. This dis-
cord
4. So
the
to
5. My saint
e-
ver dwels,
is
it
deere
and
love hath
be-
get
wood went
to
of
With love
to
live and
mee,
And love
hir
selfe is
Hath
Turne
not
Na-
die
For-
shee
Jone
set
de-
with
hir
fi- ance,
wheele,
For- tune
prove
Ven- ture
hir
ne- ver
borne, of
li- ance.
cell
e-
ver
dwell
for-
lorne.
of
my
youth
truth
faier
and
true,
e-
ver
move
Pas- sions
love
http://www.laymusic.org
a-
love
tune
of
one
place in
love with
In
For- tune
a-
diew.
II-52
Second-XVIII-Faction
Basso.
1. Fact- ion
that
e-
ver dwels,
cord
4. So
the
to
5. My saint
10
dehir
fi- ance,
wheele,
thought good,
For- tune
and
it
be-
deere
of
hir
Hath
set
Turne with
Na-
ture
to
For- tune
And love
hir
selfe is
shee
Jone faier
of
one
a-
li- ance.
place in
love
cell
e-
ver
dwell
lorne.
of
my
youth
and
true,
e-
ver
move
Pas- sions
of
With love
for-
to mee,
The booke
get
wood went
is
In
For- tune
a-
diew.
http://www.laymusic.org
Second-XIX-Sue
II-53
Shall I sue?
Canto.
1. Shall I
sue shall I
Shall I
o
11
strive
to
a heaven- ly
hie
a vaine
de-
sire
fence,
dy-
ing
hart,
man his
bee
just,
Joy,
re- gard,
but a
an earth- ly
ho-
Or
a wound- ed
Trea- sure
for
per-
is
a worth
ish
in
eie,
Or
not bought,
Fa-
as faire
are,
a meane de-
Shee
to
sigh
can as-
vour is
not
sert.
must,
cend
Sil-
the cloudes
so
base,
Cru-
ell and
but
just
is
shee,
dis-
paire,
how
faine
die,
http://www.laymusic.org
Fa- vour is
in
love?
hart
spect no mone,
for
pittie my griefe,
with
re-
shall I prove?
shee
poore de-
is
I pray
3. Pit- tie
grace? Shall
seeke for
is
ly hart then
to
as things
wor- thie
far,
yeeld to
die,
at- taine
so
hie.
of
a thought.
in
my just
When I
die
disfor the
grace.
faire.
II-54
Second-XIX-Sue
Alto.
1. Shall I
sue
shall I
is
but
prove?
Shall
heav-
en-
ly
dreames, of
a vaine
man
de-
fence,
dy-
ing
his
bee
for
Joy,
with
an earth-
ly
what
hie
re-
gard,
ho-
ly hopes
doe
re-
spect
no
mone,
in
a meane
de-
just,
Yet
will
not
shee
pit-
tie
my griefe,
I
vour
Sil-
ly
Or
Fa-
vour
Cru-
ell
Wit- nesse
is
as faire as
is
to
hart then
is
not
ing
hart,
things are,
quire.
sert.
must,
wound-
ed
eie,
as
things
are,
Trea-
sure
is
not
bought,
wor-
then yeeld
the cloudes,
Or
to
hart
far,
re-
bleed- ing
die,
faine
love?
to
wonne
thie
wor-
de-
yeeld
pray shall I
eies
dies
Shee
poore
grace? Shall
be- thinke
to
these
La-
Fa-
strive
for
sake
sire
Shall
13
seeke
hart,
as-
thie
far,
for
worth
so
base,
to
die,
per-
ish
in
dis-
paire,
cend
the
to at-
taine
so
words,
nor the
wish
of
shee,
in
my just
die,
shee,
but
just
die,
how faine
When I
cloudes
with words,
is
hie.
a
disdie
for
thought.
grace.
the
faire.
http://www.laymusic.org
Second-XIX-Sue
II-55
Tenor.
2. Sil-
sue
shall
ly wretch
3. Pit- tie
is
I seeke for
but
grace?
Shall I
for-
1. Shall I
a poore de-
ly
Joy,
with
an
re-
gard,
vaine
fence,
for
dy-
ing
owne
though
my
love bee
pray shall
of
earth-
ly
de-
prove?
Shall
strive
to
be- thinke
heav-
sire
what
hie
hart,
La-
dies eies
re-
spect
just,
Yet
will not
shee
pit-
en-
tie
ho-
ly
hopes
doe
no mone,
in
meane
de-
my griefe,
there-
fore
die
love?
re-
sert.
must,
quire.
Shall
Fa-
13
I
vour
Shee
is
Sil-
ly
think that
is
as faire
to
wor- thie
hart then
bleed-
ing
as
hart
things are,
Or
Trea-
sure
wound- ed
eie,
is
not
bought,
far,
for
worth,
for
worth,
yeeld
to
die,
per-
ish
in
dis-
so
base,
paire,
Or
Fa-
sigh
vour is
the
not
wonne
with
cloudes,
words,
Cru-
ell and
but
just
is
shee,
Wit-
nesse yet
how
faine
die,
http://www.laymusic.org
the
with
cloudes,
words,
is
shee,
die,
to
at-
taine
nor
the
wish
of
in
my
just
dis-
die
for
When I
so
hie.
a thought.
grace.
the
faire.
II-56
Second-XIX-Sue
Basso.
1. Shall I
sue
for-
Shall I
o
11
strive
shee
hart
Or
for
die,
in
I pray shall I
dy-
ing
hart,
bee
just,
a meane de-
Shee is
Shee is
eie,
Or
not bought,
Fa-
dis-
a
love?
for
no
pit- tie my
must,
vour is not
wonne
to
Sil-
ly hart,
the cloudes
with words,
base,
Cru-
just
is
shee,
paire,
faine
die,
sert.
sire
fence,
man his
re-
gard, ho-
prove?
hie
mone, in
a vaine de-
spect
a worth so
per- ish
grace? Shall
an earth- ly
is
a wound- ed
to a heav-
each
is
2. Sil- ly wretch
3. Pit- tie
Sil-
to
to
as
a bleed- ing
faire as things
at- taine
so
hie.
of
a thought.
in
my just
When I
die
disfor the
grace.
faire.
http://www.laymusic.org
Second-XX-Tosse
II-57
Canto.
10
21
32
mee some
ground where I
may firme-
thou Des-
paire
to
thy
un-
peare,
So
rolde,
Tho- ther, in
ill
the
ut-
ter- most
http://www.laymusic.org
is
1. Tosse not my
soule,
sur-
ance
ly stand
or
one will
in
that hee
feares
no
knowne,
thy
fall,
the one
in
joyes
Lenvoy:
Or
Shew
rest,
more,
close mee
to
sure- ly
aen-
When once
of
well:
quite
is
o-
ver- throwne.
II-58
Second-XX-Tosse
Alto.
10
ground
peare, So
one will
ill
ly
close mee
that
in
ance
to
mee some
thou Des-
fall, or
sure-
I
ly
fall,
full
Lenvoy:
hee feares no
sur-
or sure- ly
Cell,
stand
32
may firm-
un- to
where I
paire
21
in
more, is
feares no more,
well,
is knowne,
is
joyes en-
When once of
well:
o-
ver- throwne.
http://www.laymusic.org
Second-XX-Tosse
II-59
Tenor.
(1)
1. Tosse not
my soule,
2. Take mee
As-
(O
sur-
ance
love) twixt
hope
and
to
blis-
full
thy
stand or sure- ly
holde, thy
holde, Or
Des- paire
15
blis- full
thou
un-
care
not
which
a-
peare,
in
joyes
en-
rolde,
Lenvoy:
24
fall,
or
rest,
full rest,
fall,
or
sure- ly
fall,
the one
So
Tho-
one will
ther, in
34
close
mee
that
hee feares no
in
cer-
more,
taine
band.
is
well:
When
once of
ter- most,
When once of
ill, the
sor- row
quite is
o- ver- throwne.
Dotted quarter in original. Another possible reading is to leave this a dotted quarter and change the two eighth
notes to 16 notes.
http://www.laymusic.org
II-60
Second-XX-Tosse
Basso.
16
Or
to
or sure- ly
Shew
un-
fall,
or
rest,
sure- ly
fall,
rest,
the one
care not
in
27
38
which a- peare,
So
Tho- ther, in
once
one will
of
ill
close, so
in that, hee
close mee in
a
feares no more, no
Lenvoy:
more
quite
is
well:
is
When
o- ver- throwne.
http://www.laymusic.org
Second-XXI-Clear
II-61
Clear or cloudie
Canto.
frown- ing
at-
so
tire
weedes as
13
is
hir
face
bee trimde,
In
best
and grow-
ing,
In
to
mee,
in-
Pleasd
or
Hir
love
gaine
ser-
vice
bee,
Hir speech- es
con- stant
faith,
Hir
hap-
be-
yours, Raine
sweet yet
Skies, Gen-
ing,
serve, And
let
weeds lack
your
she
Jar- ring
light- ning
dew
and
Smoth or
all
flowr-
ing, When
sow-
notes
in
of
ing, Some
hir
doubt, like
on
your
hearbs and
flow- ers
notes outto
due-
trust
car- pets
a-
ing
smil- ing
And sees of
2. Hir
sweet
lit-
of
21
as
1. Cleare or cloud- ie
that true- ly
in
ring-
eth. Hir
speech-
es
eth.
mine
eies. Hir
trust
hir
eies.
sterve. Raine
on
your
ly
sterve.
The repeat has been moved and the alternate repeat structure added.
http://www.laymusic.org
II-62
Second-XXI-Clear
Alto.
1. Cleare or
2. Hir
best at-
In
weedes as
Some hap-
that
silke and
cloudes of
ly
seem- ing
me-
to
mee,
June,
Hir
ers
love
of ser-
hir
your
sweet
yet
out-
ring-
Skies, Gen-
she
light-
ning
to
mine
ly
serve, And
let
lack
dew
and
due-
ly
your weeds
notes
ing,
all flowr-
ing,
in
sow-
of
ing,
heat
ing,
trimde,
May
be-
bee
es
and grow-
vice
con-
prill showr-
and
trees
life
like milde
in
doubt- full
A-
pets
as
car-
some
sweet
smil- ing
And sees
Pleasd or
ies height,
dowes
ie
like
spring
flow-
tle
face
With
hir
In
is
ing so
Smoth or frown-
13
20
cloud-
grace
eth.
Hir speech-
Raine on
es
hir
your
eth.
eies.
sterve.
http://www.laymusic.org
Second-XXI-Clear
II-63
Tenor.
8
1. Cleare or
2. Hir
cloud-
ie
sweet
as
A-
grace
like June,
when
3. Sweet som-
mer spring
prill
showr-
ing,
Smoth or
ing,
In
best
In
weedes
frown- ing
13
so
is
hir
face
to
mee,
Pleasd or
at-
tire
Hir
love
as
in-
to hearbs and
And
sees of
flow-
ers
all
flowr-
in
lit-
tle
ly
dowes car-
22
pets
be-
notes
of
doubt,
like
ing
hearbs
and
in
sweet yet
Skies, Gen-
she light-
ning
serve, And
let
lack dew
and
your weeds
http://www.laymusic.org
to mine
due-
ly
ring-
eth.
Hir
eies.
Hir
sterve.
speech- es
trust
Raine on
hir
your
eth.
eies.
sterve.
II-64
Second-XXI-Clear
Quinto.
This part is marked For a treble Violl. although from the range, the viol players I know would play it
on a tenor viol.
8
of
20
that
night bird
like raine
and
and flow-
ers
that
in Skies, Gen-
eth.
eth.
eies.
eies.
let
let
your
all
sweet,
weeds,
to
mine
ly
sterve.
sterve.
http://www.laymusic.org
Second-XXI-Clear
II-65
Basso.
1. Cleare or
2. Hir
frown- ing so
hir
tire of
as
is
at-
(1)
14
silke and
cloudes of
seem- ing
me-
dowes car-
or
Hir
love
And
sees
of
May
ing,
all flowr-
in
ing,
In
weedes
With
lit-
trust
hir
doubt,
like
on
your
hearbs
and
sweet
yet
she
Gen-
ing,
And
let
weeds lack
your
out-
ring-
ly
and
tle
Some hap-
of
best
ing,
sow-
In
Smoth or
notes
some be-
bee, Hir
ser- vice
ing,
bee trimde,
es
Pleasd
pets
showr-
mer spring
mee,
A- prill
3. Sweet som-
ers
as
speech-
sweet
flow-
ie
like June,
to
cloud-
grace
22
face
eth. Hir
speech-
es
trust
hir
on
your
light-
ning
to
mine
eies. Hir
dew
and
due-
ly
sterve. Raine
eth.
eies.
sterve.
http://www.laymusic.org
II-66
Second-XXII-Humor
Hu-
mor
say
am
O,
Queene,
Thou art
now.
sleepe,
24
In
but that
but that
heaI
but that
vy
lead-
as
heavy
things
that
that
as
sor-
the
pre-
earth,
rowes brim,
In
Oh, in
is
sor-
mor
all things
Hu- mor
row
Hu-
sence of
Chorus:
en moode,
am drownde in
all
woe,
smile,
you.
http://www.laymusic.org
Second-XXII-Humor
II-67
Alto.
Hu- mor:
16
But
24
that
but that
but that
http://www.laymusic.org
that
that
that
ne-
ver
Hu- mor
you.
II-68
Second-XXII-Humor
Tenor.
8
Hu- mor:
16
Chorus:
But ne-
24
ver
Hu- mor
that
but that
but that
that
that
that
ly
pleas- eth
you.
http://www.laymusic.org
Second-XXII-Humor
II-69
Quinto.1
11
23
This part is untexted in the original, but it looks like that may have been because there wasnt room on the page
for the text, and the singer or viol player was expected to sing the words of the Basso part.
http://www.laymusic.org
Second-XXII-Humor
III-1
Basso.
Hu- mor:
hould
con- ceit
most deere,
in- clind
foole
to
No
that
is
no
Hu- mor
mirth,
Hu- more
25
now
17
but that
hu- mor
as
well
is
cher- isht
like then
http://www.laymusic.org
hu- mor
that
in
in-
wit
fro-
Prin- ces
that
sinck to
am
No
no
seene:
as
thou.
the
deepe:
But ne-
ver
Hu- mor
but
so,
while.
that
ly pleas- eth
you.
Part III
Third Booke
III-3
III-5
fu-
ell,
and now
ti-
red,
And forct
faire,
too chast
but too
too cru-
ell,
2. Fare- well
too
deare,
and too
ed,
fire
would kill
my,
http://www.laymusic.org
from blisse
if
too
1. Fare- well
ver quench- ed
Un- less
tion ne-
dis- cre-
18
27
with swords:
heart:
Why
has
Love
by
my
pas-
un-
will-
ing-
ly
that se-
cure
se- vere
in
thou made
my
to
This
is prowd
gers
is
beau- ties
part.
se-
cre
sie,
fare- well,
fare- well.
III-6
Bassus
10
22
http://www.laymusic.org
III-7
gaze for
mi- nutes,
with
ga-
zing on
her
face,
When for-
love,
and
time at-
tend
on
tune,
give place:
houres
and yeares, to
her
time,
will
hon- our
a-
All
lone,
If
o-
with my
bloud- less
en-
vie
But
say,
Du
20
she
re-
tie
hath
mains the
no
same,
de-
sert.
Du- tie
re-
have their
plies that
en-
vie
course and
time hath
knowes her
selfe
his
29
38
ho-
ver
lost
his
name.
faith-
full
heart,
eyes,
move,
And
up
and
spot- less
downe blind-
ed
with
her
faire
faith
for-
tune
can
re-
no
(1)
tive
at
her
feete con-
temd and
con-
querd
lies.
my
in-
ward
faith, and
faith shall
trie
my
love.
http://www.laymusic.org
III-8
Bassus
10
24
35
http://www.laymusic.org
Third-III-Behold
III-9
1. Be-
hold
4. So
now
fu-
sed
a won- der
here
is
be
sight
To
Which ma- nie hun- dred, hun- dred, hun- dred yeares, Hath not
first have made him, made him, made him
him wise.
them
that smile.
blind
nor
sight
fol-
ly
hold,
As
love
kind,
In
giv- ing
love
see,
his, love
his, love
his
his
dou- ble
made
As
Nor wake for them that, them that, them that sleepe, Nor sigh
is turnd
of
the
eyes,
be-
be
held
while,
in
By Cin- thia
the beautie.
Love hath
powre- full
light.
bold.
blind.
Bassus
7
(1)
http://www.laymusic.org
III-10
Third-IIII-Daphne
so
chaste
as
He
tri-
umphs
grace
tree
it
that to
day
11
with
Fals
be- fore
night
Fan-
cie
lookes
Or
rie
by
one de-
is
(1)
ging:
fanu-
ed:
flow-
false
light,
free,
ing,
with
ced,
by
ed,
e-
ver grow-
eth,
Yet
is
thy beau-
tie fainde,
But
if
that beau-
tie
the
and
were
of
eth.
should live
ced:
the
love, Love
tran-
re-
a fruit- full
es-
still
sires, Still
end- lesse
hate
that
Bassus
Love
ev-
to
false
light
of thy
trai-
terous fires.
should live
free,
and true
plea-
sure prove.
Original has two g quarter notes before this note. These are not in the lute tablature, and cause the whole section
to be the wrong length and sound terrible.
http://www.laymusic.org
Third-V-Me
III-11
Cantus
draw
too
long
this
i-
fa-
tall
knell
helpe
16
bove,
un-
to
flie,
He
ne- ver
Altus
to
Still
my
dle breath:
ring.
15
a- live my
may
fly
to heaven a-
to my
tle
dove.
to
die.
this
i-
dle
breath:
fa-
tall
knell
helpe
to
ring.
Still
a-
bove,
un- to
my
faith-
full and
joyes
to
flie,
He ne-
ver
hap-
gen- tle
be-
sing:
howe I
long
I de-
fore my death I
heaven
http://www.laymusic.org
long
too
draw
And yet
sing:
death
gen- tle
fore my death I
till
sire
And yet
may
a- live my
fly
to
ly
lov-
ed
tur-
tle
dove.
can-
not
love
to
die.
III-12
Third-V-Me
Tenor
draw
too
long,
too
long,
fa-
tall
knell
helpe,
15
this
i-
helpe,
heaven a-
bove,
un-
joyes to
flie,
He
ne-
O
to
Still
ring.
tle death
death
howe I
I
de-
sing:
And yet
dle breath:
gen-
fore my
a- live my
long till
may
sire from
earth
and earth- ly
fly
to
to my
faith- full
and
be-
lov-
ed
tur-
tle
dove.
ver
hap- pie
livd,
that
can-
not love
to
die.
Bassus
7
16
gen-
too
long
this
i-
dle
breath:
O howe I long
till
fa-
tall
knell
helpe
to
ring.
from
and
bove,
un-
to
my faith-
full
flie,
He
pie
livd,
draw
tle death
fore my death
sing:
And yet
may
fly
to heaven
a- live my
joyes
ato
be-
lov-
ed
tur-
tle
dove.
that
can-
not
love
to
die.
http://www.laymusic.org
Third-VI-Phbus
III-13
love,
And
sped
fa-
Is,
for they
be
Then in
rage
he
sware,
twere
child
Altus
and
said,
were borne
gin-
18
vour move
loth
i-
tie,
god,
maid.
When Ph- bus first did Daph- ne love, And no meanes might her
If
Then that
oth.
be
fa-
can scars- ly
vour move
He
in
a rage
18
yet
he
twere
sware, and
a
http://www.laymusic.org
said,
child were
for
Past
borne
Is,
they be
a
god,
but
a
i-
tie, Then
break
loth
his
oth.
maid.
be for- sworne.
III-14
Third-VI-Phbus
Tenor
no
can
scars- ly
fa- vour
move
Is,
dress their
head,
for they
be
To make good
17
loth
i-
tie,
Then in
oth.
rage
he sware, and
said,
borne
Then that
that
child were
god,
a god should be
maid.
for- sworne.
Bassus
8
18
love, And
sped
Is,
for they
Then in
a
loth
rage
he
sware, and
said,
none
twere
child were
borne
Then that
that
god,
can
no meanes might
Ere they
be
gin-
i-
break his
scars-
tie,
oth.
maid.
http://www.laymusic.org
Third-VII-Say love
III-15
1. Say
love
if
11
end- lesse
no
fec- tions
so:
one,
is
fi-
At
no
She
ject
is
are
not
sub-
ver
in
to
one-
no,
no,
no,
no, no,
and on-
ly no, One
no
so;
So,
so,
so,
so,
so, so,
and one-
ly
but she,
Shee,
http://www.laymusic.org
shee,
sire with
or
some
ly Queene of
the
same, and
no
queene
of
tie.
low.
row.
one-
a-
No,
shee,
Shee,
love
ror
shee,
Queen is shee
she
shee,
rare mir-
That e-
e-
So
free,
ly Queene of
tie.
III-16
Third-VII-Say love
Altus
1. Say
love
if
None but
end- lesse
no
fec- tions
so:
11
is
Queen is shee
Shee,
one,
Love
free,
wo- man
with
ry
At
no
touch her
ject
not
sub-
ver
in
She
is
time
to
ror
with
mand af-
or
some
the
same, and
no
queene
No,
no,
no,
no,
no, no,
low.
so;
So,
so,
so,
so,
so, so,
so, and one- ly so, From heaven her ver- tues she doth bor-
row.
but she,
Shee,
shee, shee,
no
one-
of
shee, shee,
is
one-
sire
can com-
That eare
e-
rare mir-
fi-
So
a-
tie.
tie.
http://www.laymusic.org
Third-VII-Say love
III-17
Tenor
love
if
1. Say
e-
find,
fi-
ry
dart
At
no
poy- sned
bowe, That
11
None but
one,
is
not
sub-
end- lesse
no
e-
ver
in
fec- tions
so:
Love
is
free,
So
are
rare
mir-
ject
to
ror
some
or
the
same, and
no
queene
of
Queen is shee
Shee,
No,
no,
so;
So,
so,
but she,
Shee,
she
love
is
shee,
shee,
http://www.laymusic.org
shee,
shee,
no,
no,
so,
so,
shee,
shee,
and on-
ly
so, so,
and one-
ly
she, She
love and
beau- tie.
fol- low.
bor- row.
no, One
she, She
oneno
one-
ly Queene of
a-
ly Queene of
love and
beau- tie.
III-18
Third-VII-Say love
Bassus
1. Say
love
if
5
11
None but
one,
is
not
sub-
no
e-
ver
in
fec- tions
so:
So
are
ry
At
no
mir-
ject
to
No,
no,
no,
no,
no, no,
so;
So,
so,
so,
so,
so, so,
but she,
Shee,
shee, shee,
ror
one-
or
some
the
same, and
no
queene
of
tie.
low.
row.
one-
a-
no
sire with
is
shee, shee,
she
rare
love
e-
free,
fi-
end- lesse
is
Love
tie.
http://www.laymusic.org
Third-VIII-Flow not
III-19
Gen-
20
tle springs,
must
Altus
still fall
Swell
not
a-
a-
son,
or
all
no
sea-
son,
3. Time
can
the
ter-
rour
is
er-
a-
bate
ly your
salt
Of
e-
must
this haste,
in waste,
re- maine.
teares
My
2. Weepe they
still fall
ping from
drop-
ping
their spheares.
spheares.
1. Flow
not
so
fast
Swell
not
a-
2. Weepe they
a-
son,
or
all
no
sea-
son,
3. Time
can
the
ter-
rour
is
er-
a-
bate
this haste,
Gen- tle
in waste,
My
But
drop- ping drop- ping drop- ping drop- ping fall drop-
fast
yee
so
not
1. Flow
But
e-
springs, gen- tle springs fresh- ly your salt teares must still still fall drop- ping still fall drop- ping must still still fall drop- ping
22
still fall drop- ping must still fall drop- ping drop- ping still fall drop- ping fall drop- ping from their spheares. Must still spheares.
http://www.laymusic.org
III-20
Third-VIII-Flow not
Tenor
yee
1. Flow
not
so
fast
Swell
not
a-
in
2. Weepe they
foun-
a-
this haste,
waste,
son,
can
ease:
so- row
can
no
sea-
son,
ap-
pease
3. Time
can
bate
the
ter-
rour
Of
verie com-
mon paine,
is
er-
re- maine.
a-
or
all
My
But
e-
Gen- tle springs, gen- tle, gen- tle springs fresh- ly your salt teares must still must still fall fall drop- ping fall drop- ping must
20
still stil fal fal drop- ping fal drop- ping must still fal drop- ping still fall drop- ping from their
Bassus
22
yee foun-
so
fast
not
a-
2. Weepe they
a-
son,
My
no
sea-
son,
3. Time
can
the
ter-
rour
is
er-
rour,
a-
bate
or
all
e-
not
Swell
fresh- ly your salt teares must still fall drop- ping still fall
1. Flow
But
drop- ping stil fal drop- ping still fall drop- ping from their spheares. Must spheares.
http://www.laymusic.org
III-21
feede
That
prove
1.
2.
can
shall I change my
no
paire.
hart.
noy
my
er
greete.
And
lost
re-
turne:
stil
love,
for
find
joy, yet
ne-
my hope,
losse re-
wil
left
scope,
2.
as
But
if
part, and
on so- row
in
my rea- son
ed with an-
she will
power to de-
a wretch
ne-
What if
Oft have I
1.
or
my love
re-
ver can
de-
ne-
12
1.
quite,
2.
part,
17
1.
then
for
e-
live
my deare de-
pid
king
Cu-
is
sire thee.
http://www.laymusic.org
the
Come,
of
come,
e-
Come,
come,
come,
hart.
come,
light.
very
for
or ad- mire
thee.
III-22
Altus
1.
What if
or
2.
1.
2.
feede That
can
no
losse
re- paire.
my hart.
my
er greete.
lost
re- turne:
quite,
2.
part,
17
wil
stil
left
noy
1.
1.
love,
for
joy, yet
my hope,
But if
as
the king of
very
hart.
have a heart
to
ne-
power to de-
e-
Come,
come,
part, and
on so- row
in
my rea- son
ed with an-
for
Come,
light.
find
de-
she will pit- tie, pit- tie, pit- tie my de- sire, And my love re-
a wretch
ne-
prove
scope, And
12
shall I change my
Oft have I
come,
come,
while I
or
ad- mire
thee.
http://www.laymusic.org
Tenor
III-23
1.
What if
or
2.
feede
1.
2.
That
prove
noy
my
can
12
1.
no
re-
turne:
1.
sire
is
thee.
stil
as
find
ne-
part, and
on so- row
in
my rea- son
ed with an-
power to de-
a wretch
the king of
Come,
for
joy, yet
But if
(1)
my
come,
de- light.
e-
one
my love,
re-
ver can,
de-
hart.
lost
love,
my hope,
paire.
greete.
18
losse re-
er
wil
left
2.
ne-
scope, And
shall I change my
Oft have I
Come, come,
come, while
very hart.
for
ei- ther I
will
love
or ad- mire
thee.
rest is editorial.
http://www.laymusic.org
III-24
Bassus
1.
What if
or
2.
1.
2.
still
in
tir-
ed with an-
Love aimes at
11
can
ver
left
speede,
no
re-
turne:
love
re- quite,
2.
can
de- part,
the king of
17
1.
have
a heart to de-
sire
thee.
Come,
come,
But if
1.
is
to dis-
paire,
And
part,
and
ver
felt the
sweete,
But
by
fate for-
lorne.
But
And my
ne- ver
hart.
lost
ne-
a wretch
power to de-
as
greete.
find
yet
er
stil
joy,
for
paire.
hope,
losse re-
love,
my
my
noy
ne-
shall I change my
Oft have I
de- light.
e-
Come, come,
come,
while I
very hart.
for
love
or ad- mire
thee.
http://www.laymusic.org
III-25
at
in thoughts
do
you raine?
of
dis- paire,
the rocke
ty movd the
gods
vine,
But
fire:
Yet
faire,
those eies
Fel
from
his
Eyes
but
too
Are
you
just
He
fals,
in
To
Phe-
nix
such wise
as
salt brine,
would
an- guish
die:
af-
fords,
know,
you
stain,
The life
of love on
earth.
Beau- tie,
now
face lives in
the
skies,
hope
Or
on stones to
burst,
Or
last
breath,
tie,
He
Hee
He
On
move
gast,
all
a-
did
to heavns did
crie,
gods,
on
gods,
is
what wrong
is
mine.
his
last
words
His
in,-
his
in-
fin-
ite
de-
sire.
rants
you
raine:
Un-
just,
un-
just,
why
do
you
so?
live
in
thine
eyes,
felt
ne-
ver death.
to
end
by
strange death,
But
ne- glects, he
lives
but
by
aire,
but
fate,
faire,
ty-
me
http://www.laymusic.org
thy
let
Sleepe he
now
els
Beau- tie
Or
skies,
of
4. Are
the
ties paine:
now
e- huid by
beau-
18
sweet
3. Are
6. With pi-
for-
bid
the worst.
but
can-
not
die.
III-26
Altus
was but
at
in thoughts thoughts of
sweet
3. Are
4. Are
are
from
his
Eyes
but
too
raine? Are
you
just
of
dis-
paire,
He
fals,
in
love
To
Phe-
nix
gods,
gods
the change
eies
Fel
you
the
brine
do
6. With pi-
salt
now those
rocke,
then
rocke,
why
the
vine,
But when
fire:
Yet
such wise
faire,
les
of love on
now
on stones to
burst,
Or
on
tie,
He
loves
e- huid by
the
hope
18
els
Hee
all
a-
He
did
On
crie,
fords,
stain,
thy
in-
fin-
ite,
rants you
raine: Un-
just,
un-
just why
me
live,
me
live
in
to
end,
to
end
ne- glects, he
lives,
he
lives
but
by
in-
fin-
ite
do,
why
is
skies,
faire,
aire,
the
gods,
let
as
words His
thine
last
his
Sleepe he
now
Beau- tie
Or
gast,
Or
in
die:
dedo you
mine.
sire.
so?
ne-
ver,
for-
bid,
for-
can-
not,
can- not
fate,
but
fate
die.
http://www.laymusic.org
Tenor
III-27
at
in thoughts of
4. Are
sweet beau- ties paine: Love would have said that all
3. Are
6. With pi-
gods
from
was but
but
too faire,
do
you
of
dis- paire, He
fals,
in
Phe-
the rocke
ty movd the
To
hope
e- huid by
the
to smo- ther in
vaine,
Yet
slaine
The life
of love on earth.
Beau- tie,
now
on stones to burst,
Or
Or
els
fire:
shine
move
But
skies,
thaire,
19
tie,
He
in
such wise
on
thy
as
face lives
in
die:
Hee
all
a-
did
ex-
fords,
He
you
stain,
On
skies,
Beau- tie
faire,
is
faire,
Or
poore true
his strange
Sleepe he
now
ne-
gast,
gods,
last
words
His
in-
fin-
ite,
in-
fin-
ite
rants you
raine:
Un-
just,
un-
just why
do,
why
his
let
me
live,
me
live
in
life
to
end,
to
end
by strange
glects, he
lives,
he
lives
but
http://www.laymusic.org
thine
by
eyes,
death,
aire,
dedo you
mine.
sire.
so?
ne-
ver,
for-
bid,
for-
can-
not,
can- not
But
fate,
but
fate
die.
III-28
Bassus
at
in thoughts
ties paine:
of
salt brine,
but
too
Are
you
just
of
dis- paire,
He
fals,
in
To
Phe-
nix
ty movd the
gods
vine,
But
Yet
the
change love
when Love
The life
of love on
earth.
Beau-
Or
on stones to
burst,
Or
tie,
He
to smo- ther in
thaire,
?
die: Hee
fords, He
stain, On
gast,
all
a-
to heavns
in
such wise
as
an- guish
now
thy
face
on
cold waves to
crie,
gods,
words
His
in,-
His
Un-
just,
un-
in-
spend his
last
is
mine.
ite
de-
sire.
just, why
do
you
so?
me
live
ne-
ver
death.
to
But
fate, for-
bid
the
worst.
lives
can-
not
die.
ne- glects, he
but by
aire,
but
is
let
fate,
afyou
the
fin-
would
lives in
tie,
did
eyes,
last
in thine
faire, Sleepe he
now
els
did
move
his
Eyes
the rocke
those eies
from
you raine?
fire:
hope
Fel
do
know,
skies,
now
the
e- huid by
beau-
faire,
18
4. Are
6. With pi-
sweet
3. Are
http://www.laymusic.org
III-29
Cantus
to
my
Mine
own
No
griefe
joyed
wil
bor-
once
12
pi-
tie:
dit-
ty:
plea-
sure
trea-
sure,
en-
ter:
cen-
ter,
Altus
froreape
Chant
zen
is
to my
what a Heavn
is
love firme-
ly em-
Mu-
in
hearts tru-
sad
des-
paire
Can
find
light
In
For-
tunes
bo-
state
con-
vert
Like
heavn
still
in
that have
no ease
some eit- selfe
dole- ful
of
love could
no time
this earth- ly
tell
Such
power
a-
Doe
earth
to
of tor- men-
ting.
plac-
ed.
de-
light-
ed.
to
my
sor- row
Good
peo-
ple,
wil
bor-
ow
Mine
own,
mine
livd,
once
knew de-
light,
No
griefe,
no
griefe
did
sight,
joyed,
joyed
a-
3. Cold as
Ice
fro-
thought
of
Such
life
reape
weight cleaves
of
is
that
peo-
eyes
zen
good
foorth my
ver
And
ted
ny
a-
brac- ed,
ni-
a-
no
2. Once
http://www.laymusic.org
ri- ming,
ly u-
in
rude like
de-
fixe
can
heaven- ly
Ice
life
shal grace, my
ow
eyes
of
ple
Good
livd,
Such
peo-
row
3. Cold as
sor-
no
own, shal
ple
grace,
III-30
that have
a-
my dole-
ful
sha- dowe
ny
love could
tell
tie:
dit-
ty:
a-
to heav- en-
Tenor
lone
what a Heavn
Mu-
tu- all
joies
like
to my
ri-
ming, And
in
hearts tru-
sad
des-
paire
Can
find
de-
light
In
For-
tunes
bo-
state con-
vert
still
in
Like heavn
ly u-
no ease
ed,
Such
ni-
ted
Doe
it- selfe
ting.
ver
plac-
ed.
de-
light-
ed.
of tor- men-
some e-
to
my
For
wil
no
eyes
livd, once
3. Cold as
Ice
fro-
Such
life
reape
of
zen
that have
shal
grace, my
pi-
tie:
ty:
sure
joyed
a-
sure,
of
ter:
ny
a-
griefe
is
ple
No
love
in
2. Once
rude
is
fixe
ly
can
ter,
earth
ter:
power
sure,
cen-
sure
trea-
earth- ly
11
pi-
no time en-
this
then my plea-
to
this
cen-
ter,
Chant
then my voice,
what a Heavn,
Mu-
tu- all
12
joies
my voice though
a Heavn
is
in hearts tru-
rude
like
ly
ming, And
ly em- brac-
u-
ni-
ri-
to my
love firme-
tell
ed,
Such power
a-
ted
Doe earth
to
lone
can
heaven- ly
here
in
sad
des-
paire Can
find
no
ease
of
tor-
fixe
de-
light
In
For- tunes
bo-
some
e-
ver
pla-
ced.
in
it-
selfe
de-
light-
ed.
state
con- vert
Like
heavn still
men-
ting.
Note that the 3/4 section in this part starts a quarter note into a 3/4 measure, because of the dotted rhythm in
the previous beat.
http://www.laymusic.org
Bassus
Bassus
III-31
to
For
wil
no
2. Once
eyes
livd, once
my
bor- ow Mine
6
pi-
tie:
dit-
ty:
Chaunt
Ice
fro-
Such
life
reape
of
like
what a Heavn
is
love
firme-
Mu-
in
hearts
tru-
is
that hart,
to my
peo-
ny
own
shal grace, my
dole- ful
then my
joyed
a-
lone true
of
griefe
Where thought
plea- sure
zen
No
this
heavn- ly
earth- ly
which
here
in
fixe
de-
a-
lone
can
ly u-
to
heaven-
ly
trea- sure,
en-
ter:
ni- ted
Doe earth
state con-
cen- ter,
13
sad
des-
paire
Can
find
no ease
of
tor-
men-
ting.
light
In
For-
tunes
bo-
some
e-
ver
pla-
ced.
vert
Like
heavn
still
in
it-
selfe
de-
light-
ed.
http://www.laymusic.org
III-32
Third-XII-By a fountain
1. By
By
ed
3. Then
And
u-
a-
in
lay,
lone
sed
bee
that
bless- ed
her
shin- ing
Oh ne-
ver
bee
all
ver
Nymph more
faire-
she
e-
ver
bless- ed
all
faire
and
cleane did
the
grace
of
beau- tie
So may
My true loves
done
With such
blest,
Plaid
lay,
Al bles-
the sun,
pon
of
day
this round- e-
fair- est
one,
ly
Such
May,
face, Such
grace,
come faire.
be,
wipe
found,
12
er
see
fair-
none
none
can
be.
that
see
Such
heaven-
ly
sight
as
she.
The
glo-
rie
of
all
our
er sight
greene.
Altus
1. By
By
a
ed
3. Then
And
u-
in
lay,
Al
bles-
sed
bee
that
of
the
sun,
Oh
ne-
ver
bee
her
all
ad- drest,
Was
ne-
ver
Nymph more
pipe
a heavn- ly ground,
So
may
she
e-
ver
Which
all
faire
and
All
in
the
grace
of
http://www.laymusic.org
Third-XII-By a fountain
(1)
bless- ed
III-33
day
When I
Came to
faire- ly blest,
might see
a-
lone
My true loves
lay,
With such
fair- est
one,
Such
May,
face, Such
grace,
come faire.
be,
bless- ed
12
er
see
that
see
Such
1. By
fair-
When I
done
Came to
blest,
ed
in
of,
fair- er
en-
of
lay,
such a heav-
bee
that bless- ed
bee
all
ver, ne-
de-
gree, So
lone
My true loves
With such
lay,
ver
e-
ver, ne-
Oh ne-
u-
a-
the sun,
And
might see
ed, bless- ed
greene.
of
all
she.
our
Al bless-
be.
as
all
can
ly sight
3. Then
day
er sight,
Bless-
glo- rie
By
a heaven- ly,
Tenor
in
faire, all
fair- est
one,
ver bless- ed
and cleane did
grace
of
beau- tie
efaire
Such
May,
face, Such
grace,
come faire.
be,
wipe
found,
12
er
see
that
see
A fairSuch a
The glo-
er sight, a
fair-
er
rie
sight
none can
be.
ly
sight as
she.
of
all our
greene.
http://www.laymusic.org
III-34
Third-XII-By a fountain
Bassus
1. By
By
the
2. Faire
with
Bless-
5
bee
that bless- ed
bee
And
u-
When I
done
Came to
blest,
e-
ver bless- ed
faire
of
beau- tie
face, Such
lay,
Al
bles-
sed
of
the
sun,
Oh
ne-
ver
all
ad-
drest, Was
ne-
ver
gree,
may
she
all
in
the
might see
a-
So
pipe Which
a heavn- ly
ground, All
lone
My true loves
neere,
one,
smil- ing
cheere,
May,
fair-
est
With such
lay,
be,
wipe
found,
in
day
grace
11
gar- lands
ed
3. Then
er
see
that
see
rie
ly
sight
of
all
can
be.
as
she.
our greene.
http://www.laymusic.org
Third-XVIII-Silly Bees,
III-35
Cantus
1. It
time
blesssafe
was
time
when sil-
ly
And
2. Then thus
buzd,
when time
no
sap would
give,
thy time
end,
And
sil-
lie
Bee,
Who
fed
ed
time
to
me
be
drie,
Sith
by
to
heare my plaint
of Time,
Which fruit-
was
may ne-
ver
on
Time
un-
this
Time
the
lesse
Flies
have
til
my heart
la-
found to
in
that
yet vouch-
gan break,
have
live,
friend,
13
Yet
19
ne-
ver
worme, the
And
downe when
cast
A-
ro- mies do
one-
ly
did
not thrive,
Yet
brought
ed
on
my knees,
And
thus
vish
Thart bound
Peace pee-
http://www.laymusic.org
Bee,
kneelthus,
the
found
mee.
Of
flie,
waxe
com- plaind
to
serve
The
all
Mat-
clime.
the
ed with
king re-
swarme
griefe,
plied
but
and ho-
ney
to
the
hive.
un-
the
king
of
Bees.
the
time
not
thee.
to
the time,
III-36
Third-XVIII-Silly Bees,
Altus
1. It
11
in
Why
should this
And
yet
And
that
time
The waspe,
And
swarme I
griefe,
plied but
one-
live,
a friend,
ly,
I one-
ly
ver
end,
lie
Bee,
Who
fed
on Time
un-
til
my
time to
me
be
drie,
Sith
by
this Time
the
la-
zie
heare my plaint of
Time,
have
found
to
ver
found
the
vour
the worme,
the
ter-
flie,
cast downe
when
do
clime.
Yet
on
And
thus, Peace
pee- vish
give,
sil-
pee- vish,
ne-
have
Yet
was
buzd,
time,
heare, to
time, ed
to
was
was, I
bless- ed
vouch- safe
have, to
18
2. Then thus
3. My liege, Gods
my knees,
Bee,
A-
brought I
ro- mies
Thart bound to
mee.
to
Of
all
the
Mat- ed with
The king re-
ny
to the hive.
the king,
http://www.laymusic.org
Third-XVIII-Silly Bees,
III-37
Tenor
was
time, a
time when
2. Then thus
buzd, I
3. My liege, Gods
1. It
sil-
ver
end,
give,
And
in
Why
And
sil-
lie
Bee,
Who
fed
time to
me
be
drie,
Sith
by
yet
heare my plaint
of
Time,
12
that time
vouch- safe
was
to
ne-
on
Time un-
til
my heart gan
la-
found to have
break,
Yet
live,
friend,
19
And
the
A-
flie,
did
not thrive,
Yet
brought
on
my
knees,
And
thus
pee- vish
Bee,
Of
Mat- ed with
plied, re-
plied but
one-
ly,
one-
ly
Thart bound
waxe
com- plaind
to
serve
and ho-
un-
to
the time,
rest is editorial.
http://www.laymusic.org
Third-XVIII-Silly Bees,
L-1
Bassus
1. It
was
time, a
time when
2. Then thus
buzd, I
5
And
12
in
that
time
was
a
fed
me
Sith
by
drie,
And
to
heare my plaint of
Time,
Yet
live,
onekneel-
ne-
ver found
the
And
when A-
ly,
I one-
ed, I kneel-
thus, Peace
cast downe
ly
Yet
brought
ed
on
And
thus
pee- vish,
http://www.laymusic.org
my
knees,
pee- vish
Bee,
Thart bound
Of
(2)
waxe
com- plaind
to
la-
flie,
end,
clime.
ver
give,
my heart gan
mee.
ro- mies do
sap would
til
Time un-
on
Who
be
Bee,
time to
sil- lie
ed
friend,
break,
19
sil-
serve
found
to
have
Mat- ed with
plied, re-
and ho-
ney
un-
the
king
the
time
to
the time,
to
plied but
the hive.
of
Bees.
not thee.
Part IV
Lachrimae
L-3
Lachrim-1-Lachrim Antiqu
L-5
1. Lachrim Antiqu
Cantus
40
21
30
10
http://www.laymusic.org
L-6
Lachrim-1-Lachrim Antiqu
Altus
10
24
36
http://www.laymusic.org
Lachrim-1-Lachrim Antiqu
Tenor
11
8
L-7
(1)
24
37
http://www.laymusic.org
L-8
Lachrim-1-Lachrim Antiqu
Quintus
8
11
24
(2)
37
http://www.laymusic.org
Lachrim-1-Lachrim Antiqu
L-9
Bassus
13
26
39
http://www.laymusic.org
L-10
19
30
40
http://www.laymusic.org
Lachrim-2-Lachrim Antiqu
Altus
29
40
Tenor
19
L-11
23
37
(2)
http://www.laymusic.org
L-12
Quintus
8
12
23
32
41
(1)
http://www.laymusic.org
Lachrim-2-Lachrim Antiqu
L-13
Bassus
http://www.laymusic.org
L-14
Lachrim-3-Lachrim Gementes
3. Lachrim Gementes
Cantus
18
28
39
2
6
(2)
(6)
http://www.laymusic.org
Lachrim-3-Lachrim Gementes
Altus
31
41
1
7
23
12
L-15
(7)
(1)
http://www.laymusic.org
L-16
Lachrim-3-Lachrim Gementes
Tenor
19
28
40
(4)
http://www.laymusic.org
Lachrim-3-Lachrim Gementes
L-17
Quintus
8
14
24
32
41
(3)
http://www.laymusic.org
L-18
Lachrim-3-Lachrim Gementes
Bassus
13
40
26
(8)
http://www.laymusic.org
Lachrim-4-Lachrim Tristes
L-19
4. Lachrim Tristes
Cantus
20
31
42
(2)
http://www.laymusic.org
L-20
Lachrim-4-Lachrim Tristes
Altus
18
(1)
29
40
http://www.laymusic.org
Lachrim-4-Lachrim Tristes
Tenor
8
L-21
20
31
42
(3)
http://www.laymusic.org
L-22
Lachrim-4-Lachrim Tristes
Quintus
10
(2)
22
31
43
Original has dot to breve on other side of double bar, so would be a whole note c
http://www.laymusic.org
Lachrim-4-Lachrim Tristes
L-23
Bassus
10
22
(1)
http://www.laymusic.org
L-24
Lachrim-5-Lachrim Coactae
5. Lachrim Coactae
Cantus
20
28
39
1
1
(1)
Original has the clef on the last two of three lines of this part on the second line, but this seems to just be an error
Original is a quarter note
http://www.laymusic.org
Lachrim-5-Lachrim Coactae
Altus
13
25
39
L-25
(2)
http://www.laymusic.org
L-26
Lachrim-5-Lachrim Coactae
Tenor
10
23
36
http://www.laymusic.org
Lachrim-5-Lachrim Coactae
L-27
Quintus
8
20
28
39
http://www.laymusic.org
L-28
Lachrim-5-Lachrim Coactae
Bassus
23
http://www.laymusic.org
Lachrim-10-Langton
L-29
20
38
28
(1)
http://www.laymusic.org
L-30
Lachrim-10-Langton
Altus
24
37
11
http://www.laymusic.org
Lachrim-10-Langton
L-31
Tenor
20
30
39
(2)
http://www.laymusic.org
L-32
Lachrim-10-Langton
Quintus
11
21
31
39
http://www.laymusic.org
Lachrim-10-Langton
L-33
Bassus
12
37
24
http://www.laymusic.org
L-34
Cantus
(1)
16
Altus
(3)
17
(4)
(2)
-3
http://www.laymusic.org
Tenor
L-35
17
Quintus
17
http://www.laymusic.org
L-36
Bassus
9
17
http://www.laymusic.org
L-37
Cantus
17
Altus
17
http://www.laymusic.org
L-38
Tenor
16
http://www.laymusic.org
Quintus
L-39
(1)
16
Bassus
17
The print is pretty bad at this point, but this reading makes everything end at the same time.
http://www.laymusic.org
L-40
Cantus
Altus
17
16
http://www.laymusic.org
Tenor
L-41
16
Quintus
(1)
17
(2)
1
2
No dot in original
Rest is editorial
http://www.laymusic.org
L-42
Bassus
17
(3)
http://www.laymusic.org
Part V
A Pilgrimes Solace
L-43
P-1
16
24
38
(4)
52
62
A
(5)
(2)
44
(3)
31
(1)
http://www.laymusic.org
P-2
Altus.
Goe night- ly
night- ly
well
False
e- nem- y
to
rest,
Now
long, so
I
blest,
long, so
that loe
Or
let
me
nor feares or
56
65
(1)
give
me
I
life,
as
de-
sire
the
death.
dis-
turbe
her
hap-
py
state.
live
for e-
life
draw my wear-
y breath,
nor
a-
And thus
And thus
no
life,
A hell,
thy joyes
un- true,
leave
And thus
mate
And thus
leave,
wel-
to
sweet death
ver
of
dye,
live
time
En- joy- ing peace, En- joy- ing peace, and heaven- ly true de- light.
teares
hopes,
to vexe my griev- ed
while
live,
do,
so
cares,
That loe
brest,
47
well, the
So
sprite,
39
rest,
to
spight:
30
e- nem- y
Goe
cares, the
world fare22
cares,
I
Then
thus,
and
thus
and
thus,
and
leave,
come, Oh
leave
thy
well.
due.
http://www.laymusic.org
Bassus.
P-3
Goe
9
19
39
54
63
46
cares
night- ly
29
Original has incomplete circle with dot, and also the number 2.
http://www.laymusic.org
Bibliography
[Pou82] Diana Poulton. John Dowland. University of California Press, second edition, 1982.
??-5
??-6
http://www.laymusic.org