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Contents

Contents

List of Figures

iv

First Booke

I-1

Unquiet thoughts your civil slaughter stint

I-4

Whoever thinks or hopes of love for love

I-8

My thoughts are winged with hopes

I-12

If my complaints

I-16

Can she excuse my wrongs

I-20

Now, o now, I needs must part

I-26

Deare, if you change,

I-30

Burst forth my tears

I-34

Go, crystall teares,

I-38

Thinkst thou then by thy fayning

I-42

Come away, come sweet love

I-46

Rest a while, you cruell cares

I-50

Sleep, waiward thoughts

I-54

All ye, whom love or fortune hath betraid;

I-58

Wilt thou unkind thus reave me of my heart,

I-62

Would my conceit, that first enforst my woe,

I-66

Come again: sweet love doth now invite

I-70
i

ii

CONTENTS

His golden locks time hath to silver turnd.

I-74

Awake, sweet love, thou art returnd:

I-78

Come heavy sleep, the image of true death,

I-82

Away with these selfe loving lads

I-86

II

Second Booke

II-1

I saw my Lady weepe:

II-4

Flow my teares

II-6

Sorrow, sorrow stay,

II-8

Dye not before thy day

II-10

Mourne, mourne

II-12

Tymes eldest sonne, old age the heire of ease: F irst part.

II-14

Then sit thee downe, & say thy N unc Demittis: Second Part

II-16

When others sings V enite exultemus: Third part.

II-18

Praise blindness eies,

II-20

O sweet woods the delight of solitarinesse

II-24

If floods of teares could cleanse my follies past,

II-28

Fine knacks for Ladies

II-32

Now cease my wandring eyes

II-36

Come ye heavy states of night

II-38

White as Lillies was her face,

II-40

Wofull hart with griefe oppressed,

II-44

A shepheard in a shade

II-46

Faction that ever dwells,

II-50

Shall I sue?

II-53

Tosse not my soule:

II-57

Cleare or cloudie

II-61

iii
Humor say what makst thou heere,

III

Third Booke

II-66

III-3

Farewell too faire,

III-5

Time stands still with gazing on her face,

III-7

Behold a wonder here

III-9

Daphne was not so chaste

III-10

Me me and none but me.

III-11

When Phbus first did Daphne love

III-13

VII. Say love if ever thou didst find,

III-15

VIII. Flow not so fast yee fountaines,

III-19

What if I never speede,

III-21

Love stood amazed

III-25

Lend your eares to my sorrow

III-29

By a fountain where I lay

III-32

It was a time when silly Bees could speake,

III-35

IV

Lachrimae

L-3

1. Lachrimae Antiqu

L-5

2. Lachrim Antiqu Nov

L-10

3. Lachrim Gementes

L-14

4. Lachrim Tristes

L-19

5. Lachrim Coactae

L-24

10. M. John Langtons Pavan.

L-29

12. The Earle of Essex Galiard.

L-34

13. Sir John Souch His Galiard

L-37

18. Captaine Digorie Piper his Galiard.

L-40

A Pilgrimes Solace

L-43

IX. Goe nightly cares,

P-1

Bibliography

??-5

List of Figures
0.1 Queen Elizabeth, 1588. Watercolor drawing by Isaac Oliver. . . . . . . . . . . . . . . . . . I-20
0.2 Robert Devereux, 3rd Earl of Essex. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I-24
First Printing
Summer, 2001
Second Printing April, 2003
conversion to lily 1.6
Third Printing
July, 2003
conversion to lily 1.8 release candidate

c 1999 2003 Serpent Publications serpent-publications@laymusic.org



233 Broadway, Cambridge, MA 02139, USA
This information is free; you can redistribute it and/or modify it under the terms of the GNU
General Public License as published by the Free Software Foundation; either version 2 of the License,
or (at your option) any later version.
This work is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY;
without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR
PURPOSE. See the GNU General Public License for more details.
You should have received a copy of the GNU General Public License along with this work; if not,
write to the Free Software Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA., or look at
their website at http://www.gnu.org .

iv

Part I
First Booke

I-1

I-3

http://www.laymusic.org

Printed on November 18, 2003

I-4

First-I-Unquiet Thoughts

I. Unquiet thoughts your civil slaughter stint


Cantus














1. Un- qui- et thoughts

 




wrap

your wrongs

put

my tongue

in

19

 




My

to

pen

mouth it

If

eyes and thoughts were

e-

ver


do the




like,

Ile

in their lids for ever:

So

pas- sions of de-

sire;

to

and

you

 

my

free, and

cut

the string, Ile

my mis- tresse eyes?




my tongue
these eyes,

 

love doth

my

the keyes

of

as

my

in




Be

still:

lie;

Ile

seale

that not speake.

for

the string, that makes the ham- mer strike.

to floods, mine eies

die





to- gether.

to floods, my thoghts to

you

 


cut

if

and tell the




them up with-

Speake then,

 

that makes

art,

thoughts, and words, so thoughts and words, and looks shall


mine eies

 


My tongue would rust

all




coine them words by

where

on

When as

Which turns

Printed on November 18, 2003

die?

 

O-




and stamps my thoughts

and
or

mouth and hart,

 

stint,

my thoughts they may not start,

mouth a mint,

lies,

vil slaugh- ter




gaze

hart will break.

locke




slay

the




then

for

else

ci-

 

3. How shall

pen- sive heart:

rance

som vent:




du-

your

2. But what can




with- in

thoughts must have

12

fire.

strike.
gether.
fire.

http://www.laymusic.org

First-I-Unquiet thoughts

Altus


I-5




1. Un- qui-




 

21

in

for




a mint,

my




tongue that makes


the keyes

mouth

would rust

as

lies,

 

words

by

my

love

and

that


cut


the




doth

string,

mine

hart,

to

die?

 

lies,




still,

Ile

seale them up with-

Speake

then, and tell


ile

eies, which

http://www.laymusic.org

be still

cut

the string that

looks and words shall


turns mine eies,

to

for

the,




you

my

the keyes

My tongue would

rust

as

 




If

eyes

and thoughts were

if

you

e-

with-

in

and

tell

 


in

ver

do

in

my





of




all
free,

the

their lids

pas- sions



of

locke where

 

strike

to- gether.

So

floods my thoghts

to




like,

Ile

for- ever:

So

de-

Which

sire;

 


mer

coine them

the

to

pen

 


eyes,

 

tongue that makes my

O-

makes the hamdie,

these

 

be

my

and stamps my thoughts

of mouth and hart,


my mouth it

on

When as




and

will break.

lie;

thoughts, so thoughts and


turns




sive

art,

not speake.

pen-

 

my mouth a mint,

in







some vent else hart

these eyes,

it

 


in

mouth and hart,

mis- tresse

my wrongs with-

mouth

may not

your wrongs with-

slaugh- ter

my thoughts they

put

vill

gaze

wrap

 

ci-

slay

or

your

then

and

My thoughts must have

thoughts,




 


3. How shall

start,

 

15



et

 

2. But what can

stint,

eyes?
10

 


be

strike.

thoughts

and

words,

fire.

Which

turns

Printed on November 18, 2003

I-6

First-I-Unquiet Thoughts

Tenor







 

 








 

 
















 

1. Un- qui- et

thoughts, your

2. But what can

slay

my thoughts they may not start,

or

3. How shall

then

gaze

My









and

you

ci-

vill slaught- er

on

my

and

mis- tresse eyes?




stint,







wrap

your wrongs with-

put

my tongue

thoughts must have

in

 

11

a pen-

som vent: else hart







in

sive

hart:

to

die?

du- rance for

 



will

break.




When as

my

tongue,

and

these

eyes,

when

My tongue would

rust,

my

 




  


you

my

as

these

tongue

would




 


tongue, that makes my mouth a


eyes, the
rust, as

in



16

mint,

and stamps my thoughts, my thoughts

keyes of mouth and hart,


my mouth it

 


lies,






the

coine, to coine them words

pen

If

eyes and thoughts, and thoughts were




locke, the

to

O-

locke where

 


by

all, where all

my

love

doth

free, were free

and

that

not




Ile

cut

the

art,

be

lie;
speake.

21

still:

for

if

Ile

seale

them

up with-

in

Speake

then,

and

tell the

pas-

string,

Ile

cut

the

string that

words,

so

thoughts and

words, and

you

e-

 

ver

the

like,

their lids

for

e-

sions

de-

sire;

do

of

So

thoughts, and

Which turns



 

 

ver:

mine

  

eies,

which turns mine

eies,

Printed on November 18, 2003

to

makes

the

looks shall
floods, my

ham-

mer

strike.

be

strike.

die

to-

gether.

Ile

gether.

thoghts

to

fire.

Speak

fire.

http://www.laymusic.org

First-I-Unquiet thoughts

I-7

Bassus











1. Un- qui-

6


 


wrap




your wrongs with-

put

my tongue

thoughts must have

12


 

a

in

 

like, Ile

cut

the

vill slaugh- ter




 





pen- sive

die? rance for

 

to

hart, and

my

 



you

my tongue,

die? When as



by

 





these eyes,

string, Ile

cut

art,

the

string

up with- in their

lids

for

ever:

tell the pas- sions

of

de-

sire; Which turns

http://www.laymusic.org




locke where all

or

mis- tresse eyes?

to

the

and

gaze

on







mine eies

to

as


if

you

my love

doth

lie;

Ile

in

my mouth



  

do

the

seale them

not speake. Speake then, and





 

strike.

strike.

to-

gether.

gether.

floods, my thoghts to

fire.

looks shall




the keyes of mouth

for



My

that makes my mouth

the string that makes the ham- mer

So thoughts, and words, and

be still:

and that

stint,

then

start,

3. How shall




may not

If eyes and thoughts were free,

ci-

my thoughts they

pen- sive hart, a

O- pen

lies,

your

slay

to coine them words

and hart,

20

et thoughts,

som vent: else hart will break, else hart will break. My tongue would rust

mint,

it

du- rance for




in

2. But what can

  



die

fire.

Printed on November 18, 2003

I-8

First-II-Whoever thinks

II.Whoever thinks or hopes of love for love


Cantus





 

 


1. Who- e-

 

 


 

in

2. Who thinks that sor- rowes felt, de- si- res hidden,

Or hum- ble faith

in

 


 


 

been made

by intrea

 



so-

in vowes, or vowes not





ry:

 



to




 

 

re-

the fruit that is


Let

ty charm- ed,

 

  






Can keepe love from

 

  


or who be- lovd

con- stant ho- nour arm- ed,

is

   

 
love:

Who joyes

hath not

22

 


ver thinks or hopes of love for

Cu- pids lawes doth glo- ry:

 

15

 

move:

Who

for- bidden,





by

thinks that

  

sun,

him see

mee

e-

clip- sed

me

let

him know, loves de- lights


     

dark clouds of an earth,

with dark clouds of an earth Quite o-

trea- sures hid in caves,

are trea- sures hid in caves But kept by

ver-

  
runne.
sprights.

from my

change

(1)


 
Let

this light god

Look- ing on







with

him see

Look- ing on

are

 

runne.
me

The B natural is a quarter note in the original

Printed on November 18, 2003

http://www.laymusic.org

First-II-Whoever thinks

I-9

Altus


 




1. Who

 


 

pids lawes doth




glo- ry,

18

 


made so- rie:


y charmd,

24

 

 




on me,

 


 





in Cu-

Or hum- ble faith

in con-




   


 

in vowes or vowes not to re-

move,


Who

Let

him

see me

e- clip- sed

Look-

ing

on

let him know, loves

 


me

With dark clouds of an earth quite o-

sures hid in caves,

are

trea- sures hid in caves But kept

 


 

 
ver-




by

from

  

my

sun,

by




my sun

runne, quite o- ver-

runne. Let

in- treat-




with dark

de- lights de- lights

   




this light- god hath not bin

Who thinks that change is

clouds of an earth.

http://www.laymusic.org

Or who be- lovd

 

him see me

Look- ing

 


Can keepe love from the fruit that is for- bidden,


Let

ver thinkes or hopes of Love for Love,

Who joyes

stant ho- nour armd,

2. Who thinks that sor- rowes felt, de- sires hid- den,




e-

  


Are trea-

 

 


him see me

runne.

by sprights, but kept by sprights. Look- ing on me

sprights.

Printed on November 18, 2003

I-10

First-II-Whoever thinks

Tenor











e-

ver thinkes

2. Who thinks that

  

  

  


   


1. Who




 










glo-

ry,

or

sor-




hopes of Love for Love,

Or who

be-

rowes felt, de- sires hid- den,

Or hum-

ble

 
 

 





lovd

in

faith

in con- stant ho- nour armd,

 

13

Cu- pids lawes doth




 

Who joyes

 


in

vowes

or

vowes not

to

from

the

fruit that

is for- bidden,

Can keepe love







Let

him see me e- clip- sed

  

move,

 


re-




Who

by

thi

light- god

hath

not

by

in-

Who thinks that change is

 

20




(1)




bin

made
treat- y

rie,

so-

charmd,




Look- ing on me let him know,

from my







sun,

loves de- lights,




e-

clip- sed

let him know,

 

26

 


from

my

sun,

With

dark clouds of

an

earth.

With dark clouds of

an

loves

de-

lights

Are

trea- sures hid

in

caves,

are

in

 
















see

me




trea- sures hid

 

earth quite ocaves But kept

1
2

ver-

runne, of

an

earth

by sprights. Are trea- sures

quite

o- ver- run. Let

hid

in caves but kept

him

e- clip- sed

by sprights Look- ing on

me

runne.
sprights.

Original has a D quarter note.


This is a quarter rest in the original

Printed on November 18, 2003

http://www.laymusic.org

First-II-Whoever thinks

I-11

Bassus


 


  





1. Who- e-

7








Cu- pids lawes doth

glo- ry:

15


  

 


hath not been made soby

24


  

in- treat-

y charmd,

in



 
in vowes,

  




me e- clip-

Look- ing

on

me let him know, loves

are trea- sures hid in caves But kept

or vowes not to re-

see

 

move:

Who

the fruit that is for- bidden,

him

with dark clouds of an earth Quite o-

http://www.laymusic.org

 

  


in

Or hum- ble faith

 

Let




or who be- lovd

Can keepe love from

ry:




ver thinks or hopes of love for love,

  


 

2. Who thinks that sor- rowes felt, de- sires hid- den,

Who joyes

con- stant ho- nour armd,







sed

from






my

by sprights. hid

god







is




Are trea- sures hid in caves,

  

runne. clouds of an earth quite o- ver-

light

de- lights

ver-

this

with dark clouds of an earth,




by

Who thinks that change

sun,







 
run, Let




 

him see

runne.

in caves but kept by sprights, Look- ing on

sprights.

Printed on November 18, 2003

I-12

First-III-My thoughts are winged

III. My thoughts are winged with hopes


See also the instrumental version, Sir John Souch, his galliard, Page L-37.

Cantus













1. My thoughts are

 


to

If

for

mis-

trust

make

the

hea-







un-

  (1) 

Mount love

And

2. And you

my

3. If

for




the Moone in
my

cleer-

est

her

eyes,




night,

and

 
she

doth in

say

as




al-

ter, yet

sighes,

dis- perse

 

so

wanes




and wax-

thy




in

her

eares,

en- ter hearts, but not

in-

fect,

love re- turn

no

more,

teares

daine,

Or with

me

doe maske

you

the skies,

to

cary,

With wind-

them in

ly

do

Say though

doth change, and yet

this but soft-

mis- trust

dis-

As she

love.

you blame,

In earth

 

with

do

not varie,

my hopes

with clouds




do

this,

her

the hea- vens move,

thoughts that some

mis- tresse

you

 

wingd with hopes,

 

vens darke with




she,




 




 

de-

light:

and

whis- per

the

same:

Dis-

trust doth

to

raine;

Thoughts, hopes, and




 










re- maine

Hope oft doth hang the head,


And love




eth my

dis- solve them in-

 

and

trust

shead teares.

is sweet- est

sea-

soned

with

sus-

pect.

Till Cyn- thia shine as

she

hath

done

be-

fore.



Its hard to tell whether there was a barline here that got erased, or just one that didnt come through the reproduction process very well. There isnt an obvious reason not to have one.

Printed on November 18, 2003

http://www.laymusic.org

First-III-My thoughts are winged

Altus








 

I-13



1. My thoughts are

 



to

for

for mis- trust

If

  


hea-

19



 

Mount
If

3. If

for

her

eyes,

And

  

do

rie,

As

she doth change, and

With

wind- y

sighes, dis- perse

but soft-



ly

  

in her

yet

eares,

Hope oft

ter hearts, but not in-

fect,

And love

re- turn

more

Till Cyn-

to me no

http://www.laymusic.org

say

Or

with

  
as



 

she doth in

the

hea-

al-

you

do

them

in-

ter, yet

thy teares dis- solve

 





de-

light:

and

whis-

re- maine

the same:

Dis-

trust

the skies,

Thoughts, hopes, and love




  





doth hang the head, the head, and trust


is sweet- est sea- soned, sea- soned with
thia shine as she,

as




eth my

them in

Say though you

wanes and wax-


and

you blame,

 


with clouds doe maske

cleer- est night,

earth so

her dis- daine,

 

love.

this,

hopes


cary,

she,

wingd with hopes, my


do

mis- tresse




with

darke with

my thoughts that some mis- trust

In

raine;

my

2. And you

move,

not vato

  

the Moone in

vens

vens

the Moone,

love un-

make the

 


 


she hath done

per this,
doth en-



shead teares.
sus-

pect.

be-

fore.

Printed on November 18, 2003

I-14

First-III-My thoughts are winged

Tenor






1
2

wingd

with

hopes,

my hopes

that

some

mis- trust

3. If

for

this,

with

clouds

doe maske

cary,

If

for

mis- trust

eyes,

And

make

the hea-

she,

do

 




to

my

mis- tresse

 


the hea-

vens move,

In earth

al-

you do

not varie,

As she

doth change, and

them in

the skies,

Or with

thy







 

and

whis-

per

this,

Dis-

trust,

dis-

trust

Thoughts, hopes,

and

love, thoughts, hopes, and

(2)




eares,

Hope

fect,

And

more,

Till

and

wanes

so

ly

ter hearts, but

not

 


to

as

With wind-




say

Say though you

daine,




wanes and wax- eth

this, but soft-

turn

and

do you blame,

yes, and

doth en-

re-

night,

yet

teares dis- solve, dis-

love

her dis-

  

whis- per


oft

so

cleer- est

vens darke with

she doth in
ter, yet

the Moone in




thoughts

her

are

un-

my

Mount love

2. And you

love.




1. My thoughts

with






22



sighes, dis- perse



(1)



10




my

de- light:

in-

soft-

in-

ly

fect, but

me no more,

 
trust

to raine;

 


in her eares,

re- maine the same:

solve them

to




doth

hang

the

head,

and

love

is

sweet-

est

sea-

soned

with

sus-

pect.

Cyn-

thia

shine

as

she

hath

done

be-

fore.

me




in her
not inno



shead teares.

Original has C half note


Original is a quarter note.

Printed on November 18, 2003

http://www.laymusic.org

First-III-My thoughts are winged

Bassus


 


I-15







 


1. My thoughts are

6


 





to

13


the Moone

in




cleer-

for

she,

night,

this,



and

say

as

tresse do

you blame,

Say though you

hea-

vens darke

with her

dis-

With wind-




 

earth

so

As

she

doth

Or

with

thy

wanes




and wax-

change, and yet


teares

 


dis- solve

skies,

them

Dis-

raine;

fect,

in-

And love

no

more,

no more,

in




same:

in-

http://www.laymusic.org

the

sighes, dis- perse

to

me

fect,

varie,

the

not

not

in-

Hope oft doth hang the

you do

maine

eares, her eares,

make the

ter, yet

re-

And

al-

them

for mis-

vens moove,

whis- per

If

the hea-

And

Mount love un-

doth in

light:




she

de-

her



 

my

in

do cary,

eth

 

 


 

 



with clouds doe maske her eyes,

 

mis-

daine,

wingd with hopes, my hopes with love.

3. If


est

my thoughts that some mis- trust

my


 



 


2. And you

trust

In

19






this

but soft-

trust doth

en-

ter hearts, but

Thoughts, hopes, and

love

re- turn

 
head,

is sweet- est

sea-

Till Cyn- thia shine as

she






and Trust and

Trust

soned, sea- soned with


hath done, hath

done


shead

ly

to



teares.

sus-

pect.

be-

fore.

Printed on November 18, 2003

I-16

First-IIII-If my complaints

IIII. If my complaints
See also the instrumental version, Captaine Digorie Piper his Galiard, Page L-40.

Cantus

 










1.

If

2.

or

1.

that
2.

 

make

love

see

my

2.

e-

nough

to

Can love

be

rich,

and

yet

want?

Is

my

Judge,

and

yet

am

condemnd?

suf-

fer

vernd mee

too

hast,

yet

me

Thou made

God,

and yet

thy power





in
in

thee,

my heart

mee,

thy griefe

is

thy

power:

If

is

thy

worth:

Let me



thy

in

my

love,

live

and

doe

fresh-

ly

do

live,

it

temnd.

That

de-

sire

it

(1)

 

un-

canst

my

harmes

re-

paire,

and when

hope

when

de-

spaire,

yet

for

kind-

nesse breakes:

thou saist

thou

deepe sighes

still

speakes:

Yet

thou

dost

mens lives

too

sowre,

Die

shall

my

forth.

May heere

des-

not

live

hence-

 


hope,

re- dresse,

hopes,

but

not

my

faith,

That you

that

paire,

which

true-

ly

faith,

more true

was








  

of




thou makst

me hope

thou letst

me

still

 
in

vaine.

com-

plaine.
be

my

fall

may hear-

ers

to

love

than love

to




That

love,

Thy wounds

doth make
not

prove,




long.


for

move,

scant:

dost

love

wrong:

con-

si- ons

  

 


spaires

1.

were

love

could pas-

plaints

had go-

sions

where- in

 

com-

ty

bleed

my

de-

die

2.

My pas-

Thou plen-

1.









me.

Original has quarter note

Printed on November 18, 2003

http://www.laymusic.org

First-IIII-If my complaints

I-17

Altus












1.

If




my com- plaints

My pas- sions
2.






see where- in

1.

spaires had
2.

hast,

 

go-

2.

1.

2.



suf-

vernd mee
me

yet

could pas-

were

be

rich,

and

yet

my

Judge,

and

yet

love

 





 



O

too

Thy wounds doe

long.

love,

live

prove,
want?

am condemnd?


or

make love

that

my

Thou made

 

live

and

die

in

ly

bleed

in

ly fresh-

de-

Thou plen- ty



I

fresh-

move,

to

Is

fer wrong:

dost

si- ons

e- nough




Can love





thee,
mee,

scant:

That

do

live,

it

is

thy

power:

thy power con- temnd.

That

de-

sire

it

is

thy

worth:


1.

19

yet

God, and

13

 


 


 

thy griefe in

my

my heart for

thy

If

love

Let

me

 

not

un-

kind

kind-

still

 
 




speakes:

lives

too

sowre,

not

live

hence-

forth.

 

de-

spaire,

and when

my

harmes

re-

paire,

yet

not

my

faith,

true-

ly

faith,

 


Yet

nesse breakes:

mens

love,

un-

when

http://www.laymusic.org

deepe sighes deepe sighs

doth make





 

dost hope

thou saist thou canst

thou canst

Die

shall

my hopes,

but

May heere des- paire,




 

thou makst thou makst me hope

hope,
dresse,

That you

that

of

my

fall

may

hear-

ers

more

true

to

love

than

love

to

thou letst thou

letst me still

which

was

thou dost hope

re-

for

in



vaine.

com- plaine.
be
me.

Printed on November 18, 2003

I-18

First-IIII-If my complaints

Tenor














If

2.

 




my com- plaints could pas- sions move, could pas-

My pas- sions




1.







Can love

be

Is

my

love

 


were

e- nough

to

prove, e-

and yet

want? and

Judge, and yet

rich,

to

yet

or

prove,

that

want,

Thou

am con- demnd? con- demned?

 
 

sions move,

nough







 

 

Thou




1.

make

love

my

de-

2.

plen-

ty

hast,

yet

made

God,

and

yet

 

11

see

spaires had

 


where-

in

suf-

fer

go-

vernd mee

too

me

dost
thy power




wrong:

long.

love,

live

and

Thy wounds doe

fresh

scant:

That

do

live,

it

con- temnd.

That

de-

sire

it




 





die, I

- ly bleed

do
is,
is,






1.

2.

live and die

in

thee,

thy griefe

in

my

deepe sighes

fresh- ly bleed

in

mee,

my

hart

for

thy

un-

is

thy

power:

If

love

doth

make

mens lives,

it,

thy

worth:

Let

me

not

love,

not

live

it

de- sire

  

17




 


kind

deepe sighs
un-

speakes:

kind- nesse

breakes:

mens lives,

live,

still

too

sowre,

not

live, hence-

forth.






1.

Yet thou dost

hope when

thou saist thou canst


2.

de-

spaire,

and when

my harmes re-

paire,

yet

Die shall my

hopes, but

May heere des-

paire, which true-

Printed on November 18, 2003

not

for

my

faith,

That you

ly

faith,

hope,

re- dresse,
that

of

was more true

thou makst me hope in

vaine.

thou letst me

plaine.

still com-

my

fall may hear- ers

be

to

love than love

me.

to

http://www.laymusic.org

First-IIII-If my complaints

I-19

Bassus











1.

see

1.

spaires
2.

hast,
God,

 

15


1.



 

   

wherehad

in

suf-

me

and

 

2.

kind- nesse breakes:

mens lives
not

too

live hence-

sowre,
forth.

could pase-

nough

Can love

be

rich,

and

Is

my Judge, and

yet

love

  


live



or
that

yet

want?

Thou

am




make love

prove,

con- demnd?

my

de-

plen-

ty

Thou made

 

 


and die in

thee, thy griefe thy griefe in

my

too

Thy wounds doe fresh- ly bleed in

mee, my heart my heart for

thy

temnd.

fer wrong:
long.

love,

to



 

sions move,

were

(1)


my com- plaints




My pas- sions

yet thy power con-

dost scant:

deepe sighes still speakes:


un-

go- vernd mee

yet

 


If

2.

That

do live,

it

is thy power: If

if

love, doth make

That

de- sire

it

is thy worth: Let me, let

me, not love,







and when I
yet

for




hope, thou makst, thou makst, me

re- dresse, thou letst, thou letst,

That you that


I




love,

of

was more true

my
to

fall, my
love, to

fall
love,

me

hope in



vaine.

still com- plaine.

may hear- ers


than love

to

be
me.

This rest is editorial.

http://www.laymusic.org

Printed on November 18, 2003

I-20

First-V-Can she excuse

V. Can she excuse my wrongs


The words to this song may have been written by the Earl of Essex, about his stormy relationship
with Queen Elizabeth. [Pou82, page 226ff] This would explain why Dowland calls the instrumental
version of the tune (Page L-34), published after both Elizabeth and Essex were dead, The Earl of
Essex Galliard.

Figure 0.1: Queen Elizabeth, 1588. Watercolor drawing by Isaac Oliver.

Printed on November 18, 2003

http://www.laymusic.org

First-V-Can she excuse

Cantus

I-21





1.

Can she

2.

1.

2.

13

1.

good

when

No

find?

Cold

no

me?

nie,

what

can gran- ted

be?

It

a-

to

bub- bles

is

rea- sons

cut

off



thou maist be

dies

is,

Deare make me

hap-

py still

ing

this,





which

on

the

wa-

ter

swim.

will

that

layes

if

love should be

just.

that

die

must.




see-

ing that she wil right thee ne- ver

Then for to live thus still tor- ment- ed: Deare but

  





Wilt thou be thus

Bet- ter




thou canst not ore- com her wil, thy


re- mem- ber

grant-

it was I Who

a-




bu-

sed still,

a thou- sand times

   







 

to

love wil be thus fruit- les


for thy sake did

stand,
sand,

by

de-

on

dim.

http://www.laymusic.org

bo-

to words writ-

she this



for

her

to those high

If

son

if

Un-

sire:

ten

be

sha- dows do

call

to that which rea-

sight

pire




asde-

must I praise the

like

thy

my

shal

yeeld

if

is

smoak?

is

2.

might not

cloak?

to




will

1.

in-

she



nish

high

busde

de-

love

 

19

so

no: where

If

my wrongs with ver- tues

high,

kind?

she holds from



so

  

where

they are

she proves unfruit

base, that

which

cuse

Was

joyes

Or

ex-

fires which va-

leaves

or
2.




 

Are those cleer

As




die,




e-

die con- tent-

ver.
ed.

Printed on November 18, 2003

I-22

First-V-Can she excuse

Altus






1.

 


 
Can she

ex-

cuse

Was

As

they

(1)

 


good when she

1.

2.

proves


kind?

No

find?

Cold

fruit

holds

from

me?

gran-

ted

be?

12

or

is,

19




cut off

a- busde a- bused

de- layes




if

the

if

love

is

she

will

like

    

see- ing that she wil right thee ne- ver

Then for to live, thus still tor- ment- ed: Deare but

shal

smoak?

as-

pire

de-

  


like

to those high
she this




 

by grant-

  
for

bo- dies

is,

on

rea- son

this, grant- ing




ter




1. Wilt thou be thus

Bet-

de-

to words writ- ten

ing

 

her

If

hap- py still

call

Un-

son

(2)

must I praise the

sire:

to words writ

that love, should be just.

cloak?

to

yeeld to that which rea-

wa- ter swim.

die,

sha- dows do where sha- dows do

wa- ter

my

sight be dim.

that

if




is




in-

might not

thy

2.

high

1.

so

Deare make me

is rea- sons will that love,

Or

that

no: where

If

 

to bub- bles which on

It

this,

  


thou maist be

sand,

 




1. stand,

 

un-

joyes which she


what can

base,

 


leaves where no

nie,

2.

 

so

are high,

nish








my wrongs with ver- tues

Are those cleer fires which va2.

a-

 
bu

- sed still,

a thou- sand times to die,

die, must.

  




    




 


thou canst not ore- com her wil, thy love wil be thus fruit- les
re- mem- ber

it was I Who for thy sake did

die




e-

con- tent-

ver.
ed.

(1) original is whole note.


(2) Original has A whole note.

Printed on November 18, 2003

http://www.laymusic.org

First-V-Can she excuse

Tenor






I-23


8










call

her

1.

2.

 

   
Can she

ex-

Are those

cleer fires which va-

cuse

my wrongs with ver- tues

Was

so

base, that

As

they

are

high,

nish

so

in-

might not

high

is

my

cloak?

shal

to

smoak?

as-

pire

de-

must I praise the


Un-

sire:

to those high

If

she this

de



 

      

 


  






   


1.

good when she proves un- kind?


leaves where no

2.

find?

Cold

joyes which she holds from me?


nie,

13

fruit

No

what can gran- ted




Deare

for

bo

- dies

for

bo- dies stand,

like

to words to words

writ- ten

she

will

yeeld

to that which rea-

son, which rea- son,

is,

make

me

hap-

py still

ing, by grant- ing,

this,

 


where sha- dowes do

love love is

If

be?

 


no no:




  

by grant-

  

 

on




sand,







1.

2.

a- busde

if

thy sight

thy sight be

or

to bub- bles which

on

the wa-

ter wa-

It

is

thou maist bee

Or

cut

   

19

rea- sons will


off



de- layes

that love,




if that,




just.

if

must.

die

       






a-

bu- sed

swim.

that love, should be


that,

Wilt thou be thus

dim.

ter

  

Bet- ter

    


a thou- sand times to






1.
2.

still, see-

ing that she wil right thee ne- ver

if

thou canst not ore- com her wil, thy love wil be thus fruit- les

die, Then for to live thus still tor- ment- ed: Deare but

http://www.laymusic.org

re- mem- ber

it was I Who for thy sake did

e- ver.

die con- tent- ed.

Printed on November 18, 2003

I-24

First-V-Can she excuse

Figure 0.2: Robert Devereux, 3rd Earl of Essex.

Printed on November 18, 2003

http://www.laymusic.org

First-V-Can she excuse

I-25

Bassus






 


1.

Can she

ex-

Are those
2.




so

base, that

As

they

are

high, so

high


  

when

she proves un-

kind?

No

find?

Cold

must I praise the leaves

where

no

2.

Un-

to those high joyes

which

she holds from

me?

If

she this

what

can gran- ted

be?

de-




1. stand,




thou maist be

sand,
2.

nie,

or

is,

It

this,

19

a-

 

if

thy

sight

to bub- bles which

on

the

wa-

cut off

de-

will

that

layes

if

http://www.laymusic.org

sire:

 


is




 

sha- dows

do

like

words writ- ten

to




for

bo- dies
on

hap- py

still

 


be

 




Wilt thou be thus

dim.

a-

by grant- ing




 

bu-

sed still,

ter swim.
Bet- ter

ing that she wil right thee ne- ver? if

de- sire,

Deare make me

Then for to live thus still tor- ment- ed: Deare but

pire

de-

my

that which rea- son

see-

as-

is

yeeld to

be

might not, might not,

in-

she will

die must.

2.

love

1.

smoak?

nish

love should

 

cloak?

to

that

 


tues

which va-

no: where

If

busde

is rea- sons

Or

fruit

my wrongs with ver-

her good

shal

cuse

Was

1.

12

call

cuse ex-







cleer fires cleer fires












just.




a thou- sand times to


   


thou canst not ore- com her wil, thy love wil be thus fruit- les
re- mem- ber

it was

I Who for thy sake did

die,



e- ver.

die con- tent- ed.

Printed on November 18, 2003

I-26

First-VI-Now, o now

VI. Now, o now, I needs must part


Cantus




1.

2.


Now

now,

While

1.

abhope

2.

sent mourn.
is

gone.

joyes

at

once.

joyes

doe

lie,

die

to-

gether.

part

with

you.

3.

needs must

live

needs must

from

thee

am

part,

part-

ing

though

love,

love

lives

not

when

gone,

Gone

are

all

my

And

al-

though

your

sight

leave,

Sight where

in

my

Deare

if

do

not

re-

turne,

Love

and

shall

Die

do

to

Part

Deare when

3.

 

we

must though now

 

Ab- sence

can

no

Now

last

de-

at

joy

im-




part:

spaire doth

joy

prove,

loved

thee

and

thee

a-

that

death

doth

sence

be-

reave,

lone,

For

my

ab-

sence

ne-

ver

mourne,

paire

doth

cause

to

In

di-




can- not

vi-

re-

ded lov- eth

whose love

Ne-

lie,

 

once fled

love

Till

Him des-

die,

ver shall

joy-

ed

af- fec- tion

Whom you might

have joy-

ed

Who both lived

and di-

eth


15

1.

 

de-

spair

 


this

des- paire




turne.
none.

2.

once.

1-3.

Sad

doth

drive

me

hence,

un- kind- nes

die.
3.

ever:
true.

23


1-3. sends.


If

that

part-

Printed on November 18, 2003

 
ing

bee

of-

fence,



it

 
is

shee




which then




of-



fends.

http://www.laymusic.org

First-VI-Now, o now

I-27

Altus


 


1.

2.

 

1.

Ab- sence can


Now

2.

at

last

no

joy

im-

a-

now,

needs must part,

part-

live

needs must love,

love

For

my

ab- sence ne-

1-3. hence;




from thee

al- though your sight

Deare,

if

do







love

di-

vi-

lie,

ver shall

this des- paire un- kind- nes sends.

http://www.laymusic.org

 

If

Love

and

Die

do

ab- sent mourn.

my joyes

is

gone.

at

once.

my joyes doe
shall die
to

 

joy- ed once.

af- fec- tion

lie,

to- gether.

part with

you.

1-3.

Sad de- spair doth drive me

die.

have joy- ed

Who both lived

die,

  

all

ded lov- eth none.

whose love

Ne-

are

Sight where in

re- turne,
I

ing though I

lives not when hope

Gone

leave,

can- not re- turne.

ver mourne, Whom you might

not

once fled

lone, In

   

am gone,

we must though now

part: joy

Him de- spaire doth cause to

20

And

Till that death doth sence be- reave,


3.

des- paire doth prove,

loved thee and thee




While




Now

Part

Deare, when

3.

ever:

and di- eth true.

that part- ing


bee


of- fence,



it

 


  




is shee which then of- fends.

Printed on November 18, 2003

I-28

First-VI-Now, o now

Tenor
 



8

2.







now,

needs must

part,

part-

ing

though

While

live

needs must

love,

love

lives

not

when

from

thee

am

gone,

Gone

are

all

my

though your

sight

leave,

Sight where

in

my

not

re-

turne,

Love

and

shall

Die

do

to

And

al-

Deare,

if

Part

Now

Deare, when

3.





 

1.

we

must though now

do

 

joy

im-

die,











 

1.

ab-

sent

mourn.

Ab-

2.

hope

is

gone.

Now

joyes

at

once.

joyes

doe

lie,

3.

sence

can

no

at

last

de-

loved

thee

and

spaire doth
thee

Till

that

death

doth

sence be-

a-

part:

joy

prove,

love

lone,

once fled
di-

vi-

In whose love

reave,

Ne-

ver

shall

can-

not

re-

ded

lov-

eth

joy-

ed

af-

fec-

tion

die

to-

gether.

For

my

ab-

sence

ne-

ver

mourne, Whom you might have

joy-

ed

part

with

you.

Him

des-

paire

doth

cause

to

lie,

di-

eth

Who both lived and

16


 










 


1.

turne.
none.

2.

once.

3.

ever.

1-3.

Sad

de-

spair

doth

drive

me hence,

me

hence;

this des- paire

un- kind-

nes

die.

true.

24




 

ing

bee











 




1-3. sends.

If

Printed on November 18, 2003

that

part-

of-

fence, it

is shee which

then

of-

http://www.laymusic.org

First-VI-Now, o now

I-29

Bassus



1.

2.

1.

2.

now,

needs must part,

part-

While

live

needs must love,

love

Deare,

if

no

Now at

de- spaire doth prove,

last

loved thee and thee

a-

For

my

ab- sence ne-


love

lone, In




1-3.

me hence;

  

di-

vi-

ver shall

to




lie,

ab-

sent mourn.
is
at

Gone

all

my joyes

Sight where

in

my joyes doe

Love

and

shall

Die

do

to

die,

are

not when hope

 

die

once.
lie,

to- gether.

part with

you.

gone.

can- not re- turne.


ded lov- eth none.
I

joy- ed

once.

af- fec- tion

1-3.

Sad de- spair doth drive me hence,

die.
ever:

Who both lived and di- eth true.

this des- paire un- kind- nes sends.

http://www.laymusic.org

ing though
lives




gone,

once fled

leave,

re- turne,




whose love

Ne-

not

must though now

part: joy

do

am

ver mourne, Whom you might have joy- ed

Him de- spaire doth cause

20

we

Till that death doth sence be- reave,


3.

from thee

al- though your sight

im-

And

Ab- sence can

joy

Now

Part

Deare, when

3.

If that part- ing

 





bee

of- fence,

it



is shee which then of- fends.

Printed on November 18, 2003

I-30

First-VII-Deare, if you change

VII. Deare, if you change,


Cantus




 
Sweet,

if




 

you shrinke,

ile

 
 

 

 





change,

2. Earth

with

her

flowers shall soon- er heaven

ne-

ver thinke


of

love.

shall move,

ne- ver chuse

   


 


ver prove.

moe wits

Ile

ne-

shine

as black

as

hell shall prove:

wise,

change, shrink, nor

ayre,

the





be

not weake:

world trans- formd shall view,




and, on
Ere




my faith, my

I prove false to

 

 

faith shall ne-

judge all



Deare,

sweet,




ver breake.

faith, or strange to

you.



faire,

Earth, heaven,




and frosts of

weake,

shall lose,

too

dorne,

Fire heate

Ayre made to

 

a-

ile

Wise, if

gaine.

you faile,

beau- tie vaine.

a-

Faire, if

flames be borne,

30

you

ile

if




 


1. Deare,

Heaven her bright starres through earths dim globe

18

fire,

 


Deare, breake.
Earth,

you.

I have moved the spot that the B section repeats to to make the text underlay easier.

Printed on November 18, 2003

http://www.laymusic.org

First-VII-Deare, if you change

Altus

I-31




 





ne-

ver chuse

you

change,

2. Earth with

her

flowers shall soon-


 


ile

 

1. Deare, if




 


you

shrinke, you shrinke,

ile

ne-

ver

thinke

of

bright

starres, bright starres,

through

earths dim

globe

shall move,

 





 







faile,

ile

judge

all

beau- ty

vaine.

Wise,

lose,

and

frosts

of

flames be

borne,

Ayre made to

24




 

ne-

ver

hell

shall

weake:
view,







(1)

prove.

Deare,

sweet,

deare, sweet, faire,

prove:

Earth, heaven,

earth, heaven fire,

and on

my




faith, and on


my

I prove false to faith, to

 





faith, my faith shall

a-

love.

gaine.




(2)

faile,

you

lose,

shall

 


 

wise,

the

 


ne-

faith, or strange, or strange,


 

ile



be

not

world trans- formd shall

ver breake.

Deare,

sweet,

to

Earth, heaven,

you.

wits,

blacke, as

change, shrinke nor

ayre,

you

shine, as blacke, as

 

Fire heate shall

shine, to

Sweet,

dorne, Heaven

Faire, if

too weake, too weake, moe wits, moc

  


ere

 

if

 

er heaven a-

if

her

16

32

 


 


breake.
you.

Yes, the altus and bassus really do have C instead of C|


Original is a half note
2
Original is a quarter note
1

http://www.laymusic.org

Printed on November 18, 2003

I-32

First-VII-Deare, if you change

Tenor








  

  










 




1. Deare,

if

2. Earth

with her flowers shall

you change, ile

ne- ver chuse

a-

gaine

soon- er heaven

a-

dorne, Heaven

Sweet,

  

   






ne-

ver thinke





   

 


if

you

shrink, you

shrink,

her bright starres, bright

ile

of

starres, through earths dim globe

love.

Faire,

shall move,

Fire

judge

all

heate shall lose, and frosts

if

you faile, ile

of


18

 










  


 



   

 


beau-

ty

vaine.

Wise, if

too weake,

flames

be

borne,

Ayre made

to

26

 



shine

  





moe wits ile

ne-

as black as

 



ver prove, moe wits ile ne-

hell shall prove, as

(3)




ver

black as hell

shall








prove.

Deare,

sweet,

faire,

wise,

Deare, sweet,

prove,

Earth,

hea- ven,

fire,

ayre,

Earth, hea- ven

32








    

faire,

wise, change, shrink nor

fire

ayre, the

 

bee

world trans- formd

 

 

 


not
shall

weake:
view,

and,

on

my

faith,

my faith

Ere

prove

false

to faith,

shall neor strange

ver

breake.

Deare,

sweet,

to

you.

Earth,

hea-

ven,

Original is a quarter note

Printed on November 18, 2003

http://www.laymusic.org

First-VII-Deare, if you change

I-33

Bassus




  


1. Deare, if

you change, ile

 


ne-

ver chuse

a-

er heaven

a- dorne.

 

2. Earth with her flowers shall soon-

10




shrinke, you

   


shrinke, ile

ne-

Wise,

if

shrinke nor

shine


be

love.

Faire,

dim globe shall move,

Fire

ile

ne-

ver prove. Deare,

as blacke as

hell

not weak:

world trans- formd shall view,

http://www.laymusic.org

and, on
Ere

if

 

 

 

gaine.

Sweet,

if

you

Heaven her bright




 

you

faile,

ile

judge all

beau- tie vaine.

heate shall

lose,

and frosts of

flames be borne,

  

sweet, faire,

shall prove: Earth, heaven, fire,




 

 


 


 

too weake, moe wits

Ayre made to

31

 


ver thinke of

starres, bright starres, through earths

20

 

 


my faith,

my

faith shall ne-

prove false

to

faith, or strange to

 


 


wise, deare, sweet, faire,

wise, change,

ayre, earth, heaven fire,

ayre,

  

ver breake. Deare,

 


sweet, faire,

you. Earth, heaven, fire,

the

  

breake.
you.

Printed on November 18, 2003

I-34

First-VIII.-Burst forth my tears

VIII. Burst forth my tears


Cantus.

 


1. Burst,

11

 

35

 


And shew what pain

may have peace,

At

wing- ed beene;

Yet

beau- ties

scant

re-

sleepes

while

deep

dis-

daine

she

re-

pi-

neth

at

 


pine, to

grieve to

That


see

as-

sist

my

care,

that

ne-

ver

3. Like,

like,

to

the

winds

my

 

im- per- ious

liefe,

pi-

paid with mocks:





Kinde ten-

der

But

cy

mer-

 


pleade, yet

 


free- dome yokes.

in- crease,

And beau- tie

hope in

her faire

bo- some yokes.

my teene,

 

ruth- lesse

pine, to

heare my

griefe,

grieve to

Printed on November 18, 2003

care my

pine,

she- pheard

pen- sive

me

both the

tie knocks;

sighs have

And pine, since







love pro- vokes.

hope of

loves

tears,

ing

 

ment

my

my sighes and sutes re-

la-

pin-

in

forth

are

lambes,

gate

sad,

burst,

2. Sad,

for- ward griefe,

23




kills,

That

both the


see

ri- gour

 

har- der

then

the

 


rocks,

me

pine my

ten-

der flockes.

heare my

griefe, my

ten-

der flockes.

she- pheard kills, and



his poore flocks.

http://www.laymusic.org

First-VIII.-Burst forth my tears

Altus.

 




I-35



1. Burst,

11

19



burst,

forth

my

tears,

sad,

pin-

ing

care,

3. Like,

like

to

as-

the winds

 

2. Sad,




 








 




 


sist

my

for-

ward

that ne-

ver

may

have

my sighs

 

And

shew what pain, and shew what pain, im- per-

peace,

At

beau- ties

beene;

Yet

are

   




ous love

pro- vokes.

pi- tie

knocks;





griefe,







have

wing-

ed

beau- ties




are

gate, in

hope

my sighes, and sutes

 


i-

ous love

of

pi-







pro- vokes, im- per- i-

tie

knocks; in

re- paid

hope of

with mocks: and sutes re-

 

  

Kinde

ten-

der lambes, la- ment, la- ment loves scant

re-

But

mer-

cy

in-

pleade,

yet




  







 


 

sleepes while deep, while deep dis- daine


she,

yet

she

 


re-

pi-

  

neth




at

my

 

 
  

 




pine, since

pen- sive care

my free- dome yokes.

my free- dome

yokes.

pine, to

crease, And

beau- tie

hope

her

faire bo-

faire bo- some

yokes.

grieve to

teene,

ruth- lesse

ri-

gour har-

der then

And

gate, at

my sighes, yet

with mocks:

liefe,

36

paid
27

in

 


some yokes.
the

rocks,

 

har- der then the rocks,




me

pine, my ten- der flockes.

pine,

pine, to

see

me

pine,

to

see

heare

my

griefe,

grieve to

heare

my

griefe,

to

heare

kills,

http://www.laymusic.org

That

both the

she- pheard

kills,

the

me

both the

 

see

she- pheard

That

 



my griefe, my ten- der flockes.

she- pheard kills, and his poore flocks.

Printed on November 18, 2003

I-36

First-VIII.-Burst forth my tears

Tenor.


 


 





sist

my

ne-

ver

1. Burst,

10




forth my

tears,

as-

sist,

as-

ne-

ver,

2. Sad,

sad

pin-

ing

care,

that

3. Like,

like

to

the

winds

my sighs,




burst

 


im-

per-




my

sighs have




for-

ward griefe,

And shew what

pain,

pain

may

have peace,

At

gate,

gate

wing-

ed

  

19

beene;

are

my sighes,

sighes

love

pro- vokes,

im-

per-

ious

in

hope

of

pi-

tie knocks; in

hope

of

and

sutes

re-

paid

with mocks: and

sutes

re




beau- ties

Yet

ious




 










 


love

27

pro-

vokes.

pi-

tie knocks;

paid

with mocks:

 

Kinde ten-

der

lambes,

But

mer-

cy

sleepes while deep dis- daine, dis-

pleade,

yet

  






she,

ment la- ment loves scant

yet

she re-







la-

pi-

re-

liefe,

re-

daine

in-

crease,

in-

at

my

teene,

my

neth


   


  




liefe,

And

crease,

And beau-

teene,

 

35

pine, since pen- sive care,

tie

hope

ruth- lesse




see

me

ri-

in

her

gour har-

since pen- sive

care my

faire, in

faire bo-

der,

her

ri- gour har- der

see

me

pine,

pine, to

heare my

griefe,

grieve to

free-

then




dome

yokes.

pine,

some

yokes.

grieve

the

rocks,

That both

 




to

pine,

to

to heare my griefe,

to

the she- pheard kills,

the

Printed on November 18, 2003

she- pheard

kills,

That both the

me

pine, my

ten-

der flockes.

heare my

see

griefe, my

ten-

der flockes.

she- pheard kills, and

his

poore flocks.

http://www.laymusic.org

First-VIII.-Burst forth my tears

Bassus.





I-37




1. And shew

15





 

im-

per-

ious

gate

in

hope

of

sutes

re-




love, impi-

ious love proof

paid, and

sutes

re-




daine

in- crease, And beau- tie

liefe, And pine, since pen- sive

my

perhope

re-

  

tie,

teene, O

hope in

ruth- lesse

 




 


scant

at
37

pain

sighes and
25




 

ri- gour

pi-

tie

paid with




 


vokes.

what

2. At

beau-

ties

3. Yet

are

my


 


Kinde ten-

der lambes, la- ment loves

knocks;

But

cy

mocks:




mer-

pleade, yet




sleepes while deep disshe

re-

pi-

 


neth

care

my

free- dome, my free- dome yokes.

pine,

her

faire

bo- some, faire bo- some yokes.

grieve

har-

der

then har- der then the

rocks,

That both

to

see

me,

pine,

to

see

me

pine

my

ten-

der,

my

ten-

der

flockes.

to

heare

my

griefe,

to

heare

my

griefe,

my

ten-

der,

my

ten-

der

flockes.

the

she-

pheard

kills,

she-

pheard kills,

and

his

poore

flocks.

the

she- pheard, both

http://www.laymusic.org






Printed on November 18, 2003

I-38

First-IX-Go, crystall teares,

IX. Go, crystall teares,


Cantus


 

 

 
 

20




 


(1)




1. Go

cry-


   


stall

tears,

like

to

the

2. Haste, rest- lesse

sighes,

and

let

your burn-




 





to

thy

La-

dies breast.

And

Dis-

solve the

ice

of

her

in-

du-

rate heart,

Whose fro- zen




ing flowers,

so

Feeles ne- ver




 







full

death,

let your drops of

an-

 




pi-

ing

be

ad-

drest,

my

de-

sert:




sert,

which sleeps too sound, whilst

fice,

Both

from

spot-

less

breath

 


from

her

de- part.




pa- tient eyes.

 

vive the

ri- gour





heart and

as the dewes re-




tie

to

I sa- cri-

touch of

the thoghts of my deher

mor- ning showrs,




in-

weep



 

sweet- ly

get-

And

droop-

29




like for-




to

quick- en

Yet

sighes and teares



up

 

To

part.

Yet

eyes.

Modern conventions for notating the repeats are very different from what Dowland used. In this piece, I had to
move the begin repeat to a much later point than Dowlands go back to here squiggle, with a correspondingly longer
first alternative ending. LEC
1
Original has a barline between the note and the dot.

Printed on November 18, 2003

http://www.laymusic.org

First-IX-Go, crystall teares,

I-39

Altus





cry- stall

tears,

like

to the mor-

ning

2. Haste, rest- lesse

sighes,

and

let your burn

 
   

in-

to thy La- dies

breast.

of

her in- du- rate

heart,


so

let your

Feeles ne-




drops

ver

an-

  




of




y touch of

my

de- sert:

Yet sighes and teares to

Both

less

(1)


I from
heart

her, from
and

pa-

 
her
tient




quick- en

to

 





the

ri- gour like

  

ing


 
    

 

ad- drest,

fice,

spot-

as the dewes re- vive

Whose fro- zen

 


And

  


be

which sleeps too sound, whilst


a

 

pi- tie

sert,

from




ice

 

 
  

 


1. Go




weep

death,

breath Dis- solve the

flowers,

31

 
   

 

showrs, And sweet- ly



21






 




droop- ing

for - get- full

  




up the thoghts of my de-

de- part: from her

her

sa- cri-

 


(2)

de- part.

part.

eyes, and pa- tient eyes.

eyes.

Original is a quarter note.

http://www.laymusic.org

Printed on November 18, 2003

I-40

First-IX-Go, crystall teares,

Tenor









 


 



 

 


 










1. Go

cry-

stall

tears, like

to

2. Haste,

rest-

lesse

sighes, and

let your

 





(3)

the

(4)

mor-

ning

burn-

ing

(5)


showrs,

And

sweet-

ly

breath

Dis-

solve

the

 

19




weep inice




to

of




thy

La-

dies

breast.

her in-

du-

rate

heart,

 
let










And

as

the

dewes re-

Whose fro- zen



26

 


ri- gour

vive

the droop- ing flowers,

so

like

for-

Feeles ne-

  




 

get-

full

 





death,

your drops of
ver




an-

pi-

tie

touch of




be

my de-




ad-

drest,

to

sert:



34

quick- en

Yet sighes and




from

her

from

heart

and

pa-

tient

up

the thoghts, the thoghts

teares to







her

to

her

of my

de-

sert, which sleeps too sound, whilst

cri-

fice, Both

 

sa-

  

de-

part from her de-

 

from





spot-



less

(2)

 


Original is
Original B
4
Original B
5
these rests

part,

from her

eyes, and eyes,

her, de-

and pa-

tient eyes, and

part.

pa- tient eyes.

to

quick- en

Yet sighes and

part.
eyes.

a quarter note.
natural
flat
added by editor

Printed on November 18, 2003

http://www.laymusic.org

First-IX-Go, crystall teares,

I-41

Bassus




to

thy

La-

dies breast.

And

of

her in-

du-

rate heart,

Whose

let your drops of




an-

 








 

ad-

drest,

touch

of

my

de-

sert,

fice, Both

spot-

less

 
I



as the dewes re-

be

sert, which sleeps too sound, whilst


from

tie

of my desa- cri-

pi-

 


fro- zen

 

ri-

vive

the



to

quick- en

de-

Yet

sighes and teares

   


droop- ing

ad- drest,
sert:




gour like for- get- full






in-




ice

  

weep,

death, Feeles ne- ver

 

2. Dis- solve the

flowers, so

37




1. And sweet- ly

  

28

 




16

up

 

the thoghts
to

her

(2)

 


from

her

de-

part, from her de- part.

To

part.

heart and

pa-

tient

eyes, and pa- tient eyes.

Yet

eyes.

Original is a quarter note.

http://www.laymusic.org

Printed on November 18, 2003

I-42

First-X-Thinkst thou

X. Thinkst thou then by thy fayning


Cantus.






 







2.

3.

with thy craf-

 


 

1.

ning, To

2.

bled, Then should my


ing:

In

3.

ing,

No,

Love seeke not

tie?

Yet

kisse

drive

me

   



thy fayn- ing sleepe with a proud


ty

clos-

ing Thy cru- el

love

re-

Printed on November 18, 2003



 

dis-

day- ning,

sem- bled,

live- ly sense

be-

reav- ing:

pir-

ing, For- bid- den joyes

de-

sir-

farre ex- ceed the due-

ty That ver- tue owes

to

beau- tie?

cru-

ell eyes de-


may not

And livd

thy blisse, Be-

thou- sand fold.

pos- ing,

quire Thy loves

beau- ties sweet dis- grace:

re-


is,

re-

as-

cei- ving, Of

  


 


to

eyes




from thy sight, when sleepe yeelds more de- light, such harm- less beau- tie

ing, And while sleepe fayn- ed




a trance

Should then my love



 


that my sleepe dis- sem- bled, were

So

  


Thinkst thou then by

Thy

1.

Or



For

I
un-

steale a kisse, Thy

qui-

kind de- spite, While fu-

in

sweet em- brace Of

yond

sim- ple kisse: For

kis-

ses

may

et armes emry

     

gra-

cing.

bra-

cing.

tri- umpht bold-

her that lovd

so

ing,

cold-

ly
ly.

such de- ceits are harme- lesse,

be bold When love-

ly sleep

is

arme- lesse.

cing.
cing.
ly
ly.
lesse,
lesse.

http://www.laymusic.org

First-X-Thinkst thou

I-43

Altus.



 

1.

2.

3.

Should then my love


So

1.

  
 





ning, To

drive

 

me

bled, Then should my


ing:

3.

In

 

No,

Love seeke

tie?

Yet

kisse


 

love

re-

not

http://www.laymusic.org

  

ing sleepe

with a

proud dis- day- ning,

ty clos-

ing

cru- el

eyes

to

trance re- sem- bled,

Thy

cru-

ving, Of

live- ly

sense be- reav- ing:

ing, For-

bid- den

joyes de- sir-

ty

ver- tue

owes

ell eyes de- ceias- pir-

 




 

That

may not

And livd

thy blisse, BeFor

I
unin

yond

kis-

ses

steale a kisse, Thy

re- pos- ing,

bled, were

quire Thy loves

thou- sand fold.






that my sleepe dis- sem-


is,

 
  

thy fayn-

farre ex- ceed the due-

beau- ties sweet dis- grace:

ing,

   
     



   

from thy sight, when sleepe yeelds more de- light, such harm-

ing, And while sleepe fayn- ed


2.

with thy craf-

Thy

Thinkst thou then by


Or

qui-

 




   




less beau- tie

gra-

cing. cing.

bra-

cing.

armes em-

kind de- spite, While fu-

ry

her

that lovd

sim- ple kisse: For

such

be bold When love-

to beau- tie?

et

sweet em- brace Of

may

ing,

tri- umpht boldso

cold-

ly
ly.

cing.
ly
ly.

de- ceits are harme- lesse, lesse,


ly

sleep

is

arme- lesse.

lesse.

Printed on November 18, 2003

I-44

First-X-Thinkst thou

Tenor.


 
8



with thy craf-

2.




 


  





  

3.

Should then my love

cru-

So

 




thy fayn- ing sleepe with

a proud dis- day- ning,

ning,

ty clos- ing Thy cru-

el

ing,

that my sleepe dis- sem- bled, were

Thy

Thinkst thou then by


Or

  

1.






re- pos- ing,

to

a trance re- sem- bled,

live-

ly sense be- reav- ing:

as- pir- ing, For- bid- den joyes de- sir-

farre ex- ceed the due-




ell eyes de- cei- ving, Of

eyes




ty That ver-

tue owes

  


bled,
ing:

ing,

ing,

to beau- tie?

 


tie?

   

 

1.

To

drive

me

from thy sight, when sleepe yeelds more de- light,

And while sleepe fayn- ed


2.

Then should my
In

3.

love

re-

is,

No,

Love seeke not


kisse

thy blisse, Be-

thou- sand fold.

Printed on November 18, 2003

For

harm- less beau- tie

Thy

un-

kind de- spite,

While

in

sweet em- brace

Of

yond

sim- ple kisse:

For

kis-

ses

may

When love-

And livd

such

steale a kisse,

quire Thy loves

beau- ties sweet dis- grace:

Yet

may not

be bold

qui-

et armes em-

fu-

ry

gra-

cing.

bra-

cing.

tri- umpht bold-

her that lovd

so

cold-

ly
ly.

such de- ceits are harme- lesse,


ly sleep

is

arme- lesse.

cing.
cing.
ly
ly.
lesse,
lesse.

http://www.laymusic.org

First-X-Thinkst thou

I-45

Bassus.


 


 


1.



2.

3.

Should then my love

1.

2.

 


me

To

drive

And

while sleepe fayn- ed

Then should my

3.

(1)

 

cru-

ell eyes de- cei- ving, Of




love

re-

is,

may not

quire Thy loves

beau- ties sweet dis- grace:

No,

Love seeke not

Yet

kisse

And livd

thy blisse, Be-

thou- sand fold.

For

I
unin

yond

kis-

ses

     
ning, ning,

re- pos-

ing,

a trance

re- sem-

bled, bled,

live- ly sense

be- reav-

ing:

de- sir-

ing,

ing,

to beau-

tie?

tie?

to

eyes

ty That ver- tue owes

  

as- pir- ing, For- bid- den joyes

  


dis- day-

ty clos- ing Thy cru- el

farre ex- ceed the due-



thy fayn- ing sleepe with a proud


  

from thy sight, when sleepe yeelds more de- light, such

In

   


that my sleepe dis- sem- bled, were

So




with thy craf-

Thy

 

Thinkst thou then by


Or



 


   



harm- less beau- tie

gra-

cing.

qui-

bra-

cing.

kind de- spite, While

fu-

sweet em- brace Of

her

that lovd

sim- ple kisse: For

such

de- ceits are harme- lesse,

may

love-

ly sleep

be bold When

ry

tri- umpht boldso

is

ing:

steale a kisse, Thy

et armes em-

ing,

cold-

ly
ly.

arme- lesse.

cing.
cing.
ly
ly.
lesse,
lesse.

Original looks like a dotted eighth quarter, but it has to be a dotted quarter eighth

http://www.laymusic.org

Printed on November 18, 2003

I-46

First-XI-Come away

XI. Come away, come sweet love


Cantus.








1.

Come aAll

2.




way,

the earth,

Come a-

way,

Come a-

1.

   






Teach thine armes then


Eyes were made for

2.

Mak-

3.

1.

2.

3.

ing

all


to

 

em- brace,

the

beau- ties grace,


sha- dowes flie,

ing wastes,

his sphere,

come sweet love,


that should rise,

 

His fier- y

Like to the

  

 

ar-

rowes

Doe not in vaine


na-




And sweet

ro-

sie

View- ing

ru-

ing

Play- ing,

dorne

ked

morne:




lips

to

kisse,

loves long pains,


grove,
sire,

side,

And faire

Cy-

prian flowres new blowne,

of pride,

Plea- sure

mea-

sure

Or-

na- ment

is

nurse

 

Fly-




our

soules

in

curd

by

beau-

en-

ter-

taine

with

sweet

sire
then

loves

de-




de-

vers

light:

and
ProTo
Wingd
DeHaste




mu-

tuall

blisse.

ties

rude

dis-

daine.

the

stealth

of

love.

hopes

and

heavn-

ly

fire.

no

beau-

ties

but

their

owne.

sweet

love

our

wish-

ed

flight.

Printed on November 18, 2003

casts:

a-

the

ri-

mix

sure speakes.

in

the

love and plea-

The gol- den morn-

in

lies

of

ayre,

ing

Lil-

all

ing

hie,

ing breakes.

dy-

us



The gol- den morn-

the



stay-

let

  

ing,

Thi- ther sweet love


on

 





come sweet love,

from

way,

Beau- ties grace

come sweet love,

While the Sunne


3.

http://www.laymusic.org

First-XI-Come away

I-47

Altus.


1.




Come aAll

2.

way,

the earth,

Come a-

way,

Come a-

  



 

 

1.

Teach thine armes

2.

Mak-

Eyes were made

3.

1.

2.

3.

ing

all


then
for

love

Lil-

lies

the

Or-

na- ment

to

on

is

sha- dowes
let

us

ri-

vers

nurse

of




em- brace,




The gol- den morn- ing breakes.

all

of

the

ayre,

his sphere,

love and

plea- sure speakes.

The gol- den morn- ing wastes,


y

come sweet love,

Doe not

in

vaine

a-

dorne

that should rise,

Like to

the

na-

ked

morne:

   


And sweet ro-

sie

lips

View- ing

ing

 
ru-

ar- rowes




(2)

 

to

casts:


kisse,

loves long


and

pains, Pro-

flie,

Play- ing, stay-

ing

in

the

grove,

To

hie,

Fly-

ing, dy-

ing

in

de-

sire,

Wingd

And

faire Cy-

prian

Plea- sure mea-

sure

side,
pride,







 

His fier-

beau- ties grace,

the

Thi- ther sweet

 


come sweet love,

from

way,

Beau- ties grace




come sweet love,

While the Sunne


3.

  


flowres new
loves

 

blowne, De-

de-

light: Haste




mix

our

soules

in

mu-

tuall

blisse.

curd

by

beau-

ties

rude

dis-

daine.

en-

ter-

taine

the

stealth

of

love.

with

sweet

hopes

and

heavn-

ly

sire

no

beau-

ties

but

their

owne.

then

sweet

love

our

wish-

ed

flight.

fire.

Original is a quarter note.

http://www.laymusic.org

Printed on November 18, 2003

I-48

First-XI-Come away

Tenor.


















2.




 






Come a- way,

come sweet love,

The gol- den morn- ing breakes.

all

of

the earth,

Come a- way,

3.

  




All

ayre,

from

his sphere,

Come a- way,

come sweet love,

Beau- ties grace

that should rise,




the

come sweet love,

While the Sunne

1.




 


 

love and

plea- sure speakes.

The gol- den morn- ing wastes,


His

fier-

Doe not

in

vaine

a-

dorne

the

na-

ked

morne:

Like

to

ar- rowes

casts:










1.

Teach thine armes then

2.

Mak-

Eyes were made

all

for

love

Lil-

lies

on

Or-

na-

ment

 



em- brace,

And

beau- ties grace,

the

Thi- ther sweet


3.

ing

to

sha- dowes
let

us

the

ri-

vers

is

nurse

of






sweet

ro-

sie

lips

to

kisse,

View- ing

ru-

ing

loves

long

flie,

Play- ing,

stay-

ing

in

the

grove,

hie,

Fly-

ing,

dy-

ing

in

de-

sire,

And

faire

Cy-

prian

Plea-

sure

mea-

sure

side,
pride,





 

pains,

flowres new
loves

de-




and
ProTo
Wingd

blowne,

De-

light:

Haste

(3)



1.

2.

3.

mix

our

soules

in

mu-

tuall

blisse.

curd

by

beau-

ties

rude

dis-

daine.

en-

ter-

taine

the

stealth

of

love.

with

sweet

hopes

and

heavn-

ly

sire

no

beau-

ties

but

their

owne.

then

sweet

love

our

wish-

ed

flight.

fire.

Original has a quarter note.

Printed on November 18, 2003

http://www.laymusic.org

First-XI-Come away

I-49

Bassus.







 


1.




Come aAll

2.




way,

way,

the

3.

Come a-

way,

The gol-

ayre, of

come sweet love,

While the Sunne from

  



come sweet love,

the earth, all

Come a-

love

The gol-

his sphere, His fier-

come sweet love,

Doe not

Beau- ties grace that should rise, Like to

 

6


1.

to

2.

3.

em- brace,

And sweet

 

 

ro-

sie
ing




lips


to

kisse, and

beau- ties grace,

View- ing

ru-

loves

long pains, Pro-

sha- dowes flie,

Play- ing,

stay- ing

in

the

Fly- ing,

dy-

in

de-

ing

grove, To

   


 

 

den

morn- ing breakes. Teach thine armes then

and

plea- sure speakes.

Eyes were made for

den

morn- ing wastes, Mak-

ar-

in

vaine

the

na-

rowes

all

dorne

Lil-

lies

ked

morne:

Or-

na- ment

 
  


mix

our soules in

  

beau- ties

the

on

the

(4)

mu-

tuall blisse.

rude

dis- daine.
love.

sire, Wingd with sweet hopes and

heavn- ly

fire.

hie,

ri-

vers

side,

And faire

Cy- prian

flowres new blowne, De-

of pride,

Plea- sure

mea- sure

loves

en-

ing

Thi- ther sweet love

a-

curd by

casts:

stealth of

us

de-

ter- taine the

let

nurse

  (1)





sire

no

beau- ties

light: Haste then sweet love our

but
wish-

is



their owne.
ed flight.

Original is missing the dot.


Original has a dot.

http://www.laymusic.org

Printed on November 18, 2003

I-50

First-XII-Rest a while,

XII. Rest a while, you cruell cares


Cantus.












1. Rest a
2. If

while

se-

vere then

love.

mute,

my heart doth

breake,

15

my




dy-

for

ing

30



Beau- tie
If

Till

ell cares,

of pleas- ing

kils

and beau-

tie
de-

ceit,

Sor-

sest,

The sweet hope




then




of

my

de-

light,

kind,

with

fa-

vour

view

The wound that

Lau- ra re-

deeme

the

soule

that

dies,

By

 


 

And

if

e-

ver

faile

you:

And

if

my

tor-

ments

fay-

of

thy

mur- dering

eyes:

And

if

it

prove

un-


ly

row

Cru- ell, un-

spite,

ven-

And sweet smiles

pos-

by

hea-

re-

de-

1-3. Let this




she feares

loves

 

has

made

Shall re-

sigh,

in

rest

soule

was

Be not

spares

first

 

Am

 


love

   




my words want wait,

Lau- ra, faire queene

lost:

my

 

move:




(1)

me must speake:

which love hath


23

ghost,

sad sighes re-




more

vive

you cru-

I speake,

3. Ne- ver houre


7

 

light



I

see,


Bee

darke

as

hell

thee:
be,

to

rie

ned

me

fu-

to ho- nor

kinde


as

Come grant

thee,


to



me.

Rest is editorial

Printed on November 18, 2003

http://www.laymusic.org

First-XII-Rest a while,

I-51

Altus.













1. Rest a
2. If

while

  

of pleas- ing





ell cares,

Am

rest








   

kils

and beau- tie spares

And sweet smiles sad sighes re-

If

sigh,

she feares de-

Sor- row

my dy-

Till

 

ghost,




move:

Cru- ell, un-

lost:

Lau- ra

 
And if

  
I

e-

ver faile to

And if my tor- ments fayAnd if

it prove un- kinde

of

kind, with

re- deeme the

   

ho- nor thee:
ned
to



has

re- pos- sest,




Lau- ra, faire queene

speake:

my soule

my
fa-

de-

ceit,

light,

soule that

dies,

     

1-3. Let this hea-




me

love

The wound that

first

By

for

me must

The sweet hope which love hath

Come grant

vour view

then

Shall re-

Beau- tie
I


Be not

my words want wait,

se- vere then

ing

love.

 

my heart doth breake,

more

16

mute,
vive

26




you cru-

I speake,

3. Ne- ver houre


7

 

fu-

 

ven- ly light I

rie

see,

of

in

loves

de-

spite,

was made

by

you:

thy




mur- dering eyes:

    

 

Bee as darke as hell to me.

be,
thee,

Key signature change is actually at start of line, not at start of phrase in original

http://www.laymusic.org

Printed on November 18, 2003

I-52

First-XII-Rest a while,

Tenor.




8

 




 







1. Rest a while

you cru-

ell

2. If

my words

want wait,

I speake,

3. Ne- ver houre


7

 










of pleas-

cares,

ing

Am

rest

Shall re-

 

   


Be not

     


16

more

se- vere then

mute,

love.

Beau- tie kils

my heart doth breake,

If

vive

my dy-

Till

 

ing

ghost,

  


sigh,

my soule

and beau- tie spares

And sweet

smiles

sad

sighes

she feares de-

Sor- row

then

for

me

must

The sweet

hope

which love

hath

has




ceit,

re- pos- sest,

 

love

in

loves

de-

The wound that first

was

made

by

By

thy

mur- dering




re-

 

move:

Lau- ra, faire queene of

speake:

Cru- ell, un-

lost:

Lau- ra re- deeme the

  

26

 

  

kind, with

 

my

de- light,

fa-

vour view

Come grant

soule that dies,



fu-

me

rie

  


of

spite,
you:
eyes:

  





And if I

e- ver faile

to

ho- nor

And if my tor-

ments fay- ned

And if it prove

un- kinde to

Printed on November 18, 2003

thee: 1-3. Let this hea- vnly light I see,

Bee as darke

as

hell to me.

be,
thee,

http://www.laymusic.org

First-XII-Rest a while,

I-53

Bassus.














1. Rest a
2. If


while




has

sest,

The sweet hope which love hath

my soule


un-

kind,

Lau- ra

re-

deeme

de-

made

by

 

hea-

spite,

And

if

you:

And

if

eyes:

And

if

vnly light


I

http://www.laymusic.org

of

then



for

me must




grant

me

love

in

with

fa-

vour

view

The

wound

that

first

was

the

soule

that

dies,

By

fu-

rie

of

thy

 


tor-

it

prove

Bee

row

Come

my

see,

light,


 

And sweet smiles sad sighes re-


   

de-

ver

 

my

e-

re- pos-

Cru- ell,

loves

Sor-

lost:

ceit,

speake:

 

Shall re-

she feares de-

faire queene

rest

sigh,

Lau- ra,

of pleas- ing

spares

move:

 

Am

and beau- tie

Till

Be not

wait,

kils

my

ghost,

cares,

Beau- tie
If

ing




my words want

ell




my heart doth breake,


dy-

love.

mute,

vere then

mur- dering

31

se-

16

24

more

vive




you cru-

I speake,

3. Ne- ver houre




faile

to ho- nor

ments

fay-

ned

un-

kinde

to



 

as

darke

  

thee:



 

1-3. Let




this

be,
thee,






as

hell


to



me.

Printed on November 18, 2003

I-54

First-XIII-Sleep

XIII. Sleep, waiward thoughts


Cantus.






Sleep wai- ward thoughts, and

rest

you

Touch not proud




1.

2.

But

3.

1.

2.

1.

rest- lesse

feare

and

the

beau-

ties

that

peare,

rage,

and

yet

my

love doth

rest:

and

yet

my

love

prest:

glo-

ries

love,

my

love

bee

with

my

love dis-

easd.

my

long-

ings

long dis-

pleasd.

an-

guish

sires

Feare

in

my

pa- tient,

row

for

2.

ing

3.

sigh

of

my

flesh de-

Cu-

pids

clo-

sed
se-

love,

and

yet

my

love

yet

of

per-

fect

tem- pera-




 

  


with

browes, neere

move:

an-

my

my

hid- den

ger

her

not

The

love:

of

But pine you

Let

my

you

love doth

with

ry

My

lest

Im-

13

fu-

The

in

hands,

the

Be- tweene her


3.

Peace

ap-

op-

 




Thus, while she

sleeps,

sor-

Thus while she

sleeps,

moves sigh-

fires,
Sleepe, dain-

cure:

ty

love,

while

ture.




love,

and

yet

my

love

doth

her

sake:

So sleeps

my

for

her

sake:

So sleeps

my

love,

and

yet

my

love

doth

for

thy

sake:

So sleeps

my

love,

and

yet

my

love

doth

Printed on November 18, 2003



http://www.laymusic.org

First-XIII-Sleep

I-55

Altus.


1.

2.

Sleep wai- ward thoughts, and

rest

you with

my

Touch not proud hands,

you

her an-

ger move:

But

3.

lest

    




 

love:

the

fu-

ry

of

my rest-

lesse feare

The

glo- ries

and

the

beau-

ties that

ap- peare,

My

love doth

rage,

and

yet

my love

doth rest:

love,

and

yet

my love

op- prest:

Peace

in

my

Let

not

my

But pine you


The

hid- den

Be- tweene her


Feare
Im-

in

my

pa- tient,


1.

2.

love

bee

with

my

with

my

long-

an-

guish

of
Cu-

 

browes, neere
3.

14

 

love

dis-

easd.

ings

long

dis-

pleasd.

my

flesh

de-

sires

pids

clo-

sed

love,

and

yet

my

love

se-

yet

of

per-

fect

tem-

pera-

 


  


 


 

 





 


Thus, while she

sleeps,

sor-

row

for

her

Thus while she

sleeps,

moves sigh-

ing

for

her

while

sigh

for

thy

fires,
Sleepe, dain-

cure:

ty

love,

ture.




(2)

 

 


 


 


1.

sake:

So sleeps my

love,

So sleeps

my

love,

and

yet, and yet

my

love

doth wake.

2.

sake:

So sleeps my

love,

So sleeps

my

love,

and

yet, and yet

my

love

doth wake.

3.

sake:

So sleeps my

love,

So sleeps

my

love,

and

yet, and yet

my

love

doth wake.



Dot is missing in original

http://www.laymusic.org

Printed on November 18, 2003

I-56

First-XIII-Sleep

Tenor.





8

2.

Sleep wai- ward thoughts, and

rest

you

you

her




 

 

lest

with my love:
an-

the

fu-

ry

of

my

rest- lesse feare

glo- ries

and

the

beau-

ties

that ap- peare,

My

love doth

rage,

and

yet

my

love doth rest:

love,

and

yet

my

love op- prest:

in

 


my

   




Let

ger move:

The

Peace




Touch not proud hands,


But

3.

not

my

1.

But pine you


The

Feare




 

hid- den

Be- tweene her


in

my

Im-

pa- tient,

 


1.

love
with

2.

3.

with

my

love dis-

easd.

my

long-

ings long dis-

pleasd.

an-

guish of

my

flesh de-

sires

browes,

neere Cu-

pids

clo-

sed

fires,

se-

love,
yet




13

bee

and

yet

my

love

of

per-

fect

tem- pe-




while she

sleeps,

sor-

row

for

her

Thus

while she

sleeps, moves sigh-

ing

for

her

while

for

thy

sake:

Sleepe, dain- ty

cure:
ra-

Thus,

love,

sigh

ture.

 





 


 



1.

sake:

So

sleeps

my

love,

So

sleeps my love,

and

yet

and

yet

my

love doth

wake.

2.

sake:

So

sleeps

my

love,

So

sleeps my love,

and

yet

and

yet

my

love doth

wake.

3.

So

sleeps

my

love,

So

yet,

and

yet

my

love doth

wake.

Printed on November 18, 2003

sleeps my love, and

http://www.laymusic.org

First-XIII-Sleep

I-57

Bassus.









1.

2.

3.

1.

Let

not

my

love

But pine

you

2.

The

den

hid-

Be- tweene her


3.

13


Sleep wai- ward thoughts, and

rest

you

with

my

love:

Touch not proud

you

her

an-

ger

move:

hands,

But

the

fu-

ry

of

my

rest- lesse

feare

glo-

ries

and

the

beau-

ties

that

ap-

peare,

My

love

doth

rage,

and

yet

my

love

doth

rest:

in

my

love,

and

yet

my

love

op-

prest:

love

dis-

easd.

with

my

with

my

long-

ings

long

dis-

pleasd.

an-

guish

of

my

flesh

de-

sires

Cu-

pids

clo-

sed
se-

in

my

love,

and

yet

my

love

Im-

pa-

tient,

yet

of

per-

fect

tem- pera-

  

bee

browes, neere




The

Feare

lest

 

 

 




Peace




Thus, while

she

sleeps,

sor-

Thus while

she

sleeps,

moves sigh-

Sleepe, dain-

ty

love,

fires,
cure:

while

ture.

 


1.

row

for

her

sake:

So sleeps my

love,

So sleeps

my

love,

and

yet

my

love doth

wake.

2.

ing

for

her

sake:

So sleeps my

love,

So sleeps

my

love,

and

yet

my

love doth

wake.

3.

sigh

for

thy

sake:

So sleeps my

love,

So sleeps

my

love,

and

yet

my

love doth

wake.

http://www.laymusic.org



Printed on November 18, 2003

I-58

First-XIV-All ye

XIV. All ye, whom love or fortune hath betraid;


Cantus


 


(1)

 

1. Al

ye, whom love

 

or

 

for- tune hath

2. Care that con- sumes the heart with in-

be-

 


traid;


All

ward paine,

ye, that

Paine that pre

10

  

dream of blisse but live


sents sad care

in griefe;

in out-

ward view,

 


All

ye, whose hopes are

  

Both ty- rant-

 

e-

ver- more de-

like en- force me



   


laid;

All

to com- plaine;

ye,

But still

whose
in


22

33




 


 





 


whose sighes,

or sick- nesse wants re- liefe;

1. Lend

in

vaine:

for none my plaints will rue.

2. Teares sighes and cease- lesse cries a-

 


That sings my
My




 

sor- rowes,

woe wants com-

fort,




That sings my
My




sor- rowes,

woe wants com-

fort,

eares and teares to

vaine,

man,

sighes,

spend:

 


  

mee most hap- lesse




lone

 


 

  

like

the

dy- ing Swanne.

Swanne.

and

my

sor- row

end.

end.

This is actually numbered IX in the original


This had the dot on the other side of the bar line, so Ive left out the barline

Printed on November 18, 2003

http://www.laymusic.org

First-XIV-All ye

I-59

Altus.








1. Al

35

 


traid;

All

paine,

Paine that pre-

18

26

ye,

that




ye, whom love

for- tune

hath

2. Care that con- sumes the

heart with

in-

be-

traid,

of

blisse

but

live

in

griefe;

sents

sad

care

in

out-

ward

view,

with


dream

be-

ward paine,




or





are


e- ver-

en- force me





more

de-

to

com-

plaine; But



eares

and

teares,

and

cease-




That sings my
My



ye, whose sighes,

All ye,

still

But still

in

vaine,

 





whose sighes or
in




Lend eares and teares to

vaine: for

 




fort, com- fort

http://www.laymusic.org

  

liefe; 1. Lend

none my plaints

will

rue. 2. Teares

mee

most

hap-

lesse

a-

lone




re-

  

sick- nesse wants

my

sor- rowes, like the dy-

wants com-

Teares sighes and cease- lesse cries

sor- rowes, sor- rowes

woe wants com-

 





sighes

 

laid; All

 

 

fort, and my sor-

 

 

man,
spend:

ing Swanne. Lend


row

 

 


eares and

Swanne.

end. Teares sighes and

end.

Printed on November 18, 2003

I-60

First-XIV-All ye

Tenor.


 




 





ye, whom love

or

for-

2. Care that con- sumes the

 





1. Al

 








 


tune

hath

heart with




in-




 


be-

traid;

ward

paine,

 

All

ye, that

dream of

Paine that pre-

   


16


   


blisse but

sents sad care

 

live

in

in

griefe;

out- ward

griefe;

All

ward view,

 


in

view,

ye,

whose hopes are

Both ty-

 


rant-

e-

ver-

like en- force




me


   


more e- ver- more


en- force me

25

to

 


de-

laid;

de-

com- plaine;

 

laid;

All

ye, whose

sighes or

sick- nesse wants re-

liefe;

com- plaine;

But

still

vaine: for

none my plaints will

rue.

  








in

 







and

teares to

2. Teares sighes

and

cease- lesse cries

 

34

mee most hap-

1. Lend eares

 

 


lesse

a- lone I

man,

 

 

spend:




most hap- lesse

a-

 

lone




 

man,
spend:

 

That sings my
My

woe wants

 

sor- rowes, sorcom-

fort, com-

rowes,
fort,

Printed on November 18, 2003

my

sor- rowes,

wants com-

fort,

like the

dy-

ing Swanne. Lend

and my

sor-

row

eares and

Swanne.

end. Teares sighes and

end.

http://www.laymusic.org

First-XIV-All ye

I-61

Bassus.












1. Al

ye, whom love

2. Care that con- sumes

19

34




  

live

in

griefe;

in

out-

ward

view,

 





for-

tune

hath

be-

traid;

with

in-

ward

paine,

liefe;

But

still

for

none my plaints

will

rue.

 




vaine:




    


 

cries, lesse cries

my
wants




lesse
I

 

sor- rowes,

my

sor-

rowes like

the

dy-

ing Swanne. Lend

com-

wants com-

fort, and

my

sor-

row

fort,

http://www.laymusic.org

laid;
plaine;




eares and




de-

2. Teares sighes and

lone

 


com-

 

1. Lend

to mee, most hapa-

to

 
re-

vaine, in

e- ver- more

sick- nesse wants

in

like en- force me

or

cease- Teares sighes and cease- Teares sighes and cease- lesse

woe

ye, whose sighes, whose sighes

mee,

sings

teares, Lend eares and teares, Lend eares and teares to

All

 

 


ye, whose hopes are

 

heart

Both ty- rant-




or


All

the

but




 

27




man,

That

spend:

 


My

 

eares and

Swanne.

end. Teares sighes and

end.

Printed on November 18, 2003

I-62

First-XV-Wilt thou

XV. Wilt thou unkind thus reave me of my heart,


Cantus

 




 




1. Wilt thou un-




kind

thus

 


reave

me

of my heart,

2. Hope by dis- daine growes cheere- lesse,


3. If

no

de- layes

can

4. Yet

be thou mind-

full

e-

be

chang-

5. True love can-




And




so leave







not

And

so leave

me?

me?

Love

doth

feare,

beau-

ty peere-

lesse.

lesse.

Death

shall

live

Still

to

love

thee.

thee.

Fire

from

heat

None

can

se-

ver.

ver.

From

de-

sert

Be

ged.

ged.

12

   

yet or ere I

 


part (O

 
cru-

Printed on November 18, 2003

es- tran-




ell) kisse me,

 










of

my heart,

lesse,

Feare

doth love

thee,

Life

shall die

ver,

e-

ver,

Heat

from fire

ed,

chang-

ed,

1.-5. Fare-

sweet, kiss me sweet, my

 

Though de- light

 


 

Jew- ell.

 


well:




move

me?



cheere-

move thee,

  

 

 


Fare- well:



  

Fare-

but

Jew- ell.

http://www.laymusic.org

First-XV-Wilt thou

I-63

Altus.











1. Wilt thou un- kind, un- kind

thus

 

 

reave




of my heart,

move

thee,

Life

shall

ver,

e-

ver,

Heat

from

be

chang-

ed,

chang-

ed,


 

 

me?

feare,

die

Death

shall

live

live

fire

Fire

from

heat

heat

light

From

de-

sert

sert







yet or ere I part (O

 





cru- ell) kisse me,

http://www.laymusic.org

 


 

feare,

doth

e-

doth

Feare

full

leave

lesse,

can

And

my

cheere-

move thee,

de- layes, de- layes

Love

of

be thou mind- full, mind-

love

no

heart,

11

  


3. If

so

4. Yet

5. True love can- not, can- not

me

2. Hope by dis- daine, dis- daine growes cheere- lesse,

me? 1.-5. Fare- well:







sweet, kisse me, sweet, my


Jew-

 


Though de-




Fare- well:



 
ell.


Fare- well,

but

 

 
ell.

Printed on November 18, 2003

I-64

First-XV-Wilt thou

Tenor.









 







 


 










1. Wilt

thou un-

kind

2. Hope

by

dis-

daine growes cheere- lesse,


layes

3. If

no

de-

4. Yet

be

thou

5. True

love can-

  


thus

reave

can

mind- full
not

 

be

me

of my heart,

lesse,

move

thee,

move

thee,

e-

ver,

e-

ver,

chang-

ed,

change- ed,

cheere-

 

  

of

my heart, of

my heart,

And

doth love, Feare

doth love

Love

Life

shall

shall die

Death shall

Heat

from fire, Heat

from fire

Fire

from

From

de-

die, Life

Though de- light, Though de- light

 

so leave me? And

Feare




    

doth

feare, beaulive

Still

so leave

me?

ty peere-

lesse.

lesse.

to love

thee.

thee.

heat, None can sesert

Be

es- tran-

ver.

ver.

ged.

ged.




cru-

ell) kisse me, kisse me sweet, my Jew-




me? 1.-5. Fare- well:

 

  

Fare- well:

but yet or ere I part (O

Printed on November 18, 2003

ell. Fare- well:

ell.

http://www.laymusic.org

First-XV-Wilt thou

I-65

Bassus.







 








1. Wilt thou un-

kind

thus




reave




me







of my heart,

of

2. Hope by dis- daine growes cheere-

lesse,

cheere-

lesse,

Feare

3. If

no

4. Yet

be thou mind-

de- layes

5. True love can-

not




my
doth

can

move

thee,

move

thee,

Life

shall

full

e-

ver,

e-

ver,

Heat

from

be

chang-

ed,

chang-

ed,

Though de

12


 

  


And

leave

me?

love

Love

doth

feare,

feare,

die

Death

shall

live

live

fire

Fire

from

heat

heat

light

From

de-

sert

sert










yet or ere I part (O



  

 


heart,

so

 

me? 1.-5. Fare- well:













cru- ell) kisse me, sweet, kisse me, sweet, kisse me my

http://www.laymusic.org

Fare-

 

Jew-

ell.




well:


Fare- well:

but

  

ell.

Printed on November 18, 2003

I-66

First-XVI-Conceit

XVI. Would my conceit, that first enforst my woe,


Cantus




my

con- ceit, that first en-

2. Each

houre

a-

all

save

3. To




els




all

waft and

save mee

25




main- eth




so,

hap




Which now are

I,

 

wi- ther where

re-

die,

mine eyes which still the same

houre




midst the deepe of


mee

in- crease,
I

sit:

or

hope:

forst my

woe,

Or

hell

frie,

Each

live or

die,

To

ex-

tinct,

to

my sor-

rowes
to
don,



must







such

as

no-

thing

can

re- lease:

Whose life

My

hope a-

las

may

not

in-

joy

it

Whose hope is

Sith

For- tune

still

di-

rects

my

hap

as hope,

  

yet,

And

eke whose hel

be-

reav-

ed

of

Which un-

to

nei-

ther

hap

nor

hope

But

my thralles I yeeld, for







the blisse,
I

trust,

to

Where- fore

such,

end

 

I wish

per- force

death, whose sweet each change of sowre,

a- ban-

all

 

But

37

But that sweet houre where- in

  

  

 


Might be

 

 

free to

(1)




is

1. Would

13

re- new- eth

all save mee al-


e-

is

to




very houre.

lot-

ted

so

is.
must.

Original has a bar between the note and the dot

Printed on November 18, 2003

http://www.laymusic.org

First-XVI-Conceit

I-67

Altus.







1. Would

my con-

2. Each

houre a-

3. To

12


Or


els

all

waft and

save mee

end my sorin

wi-

re- main-

 

     




24

 

mine eyes which still

Each houre
To

ther where I

wi-

ther where I

eth

hap

to

die, My

life

hope:




 




is death, whose sweet each change of sowre,

hope is

such,

be-

reav-

ed

of

fore to

nei-

ther

hap

nor

hope

http://www.laymusic.org

las,

a-

main- eth

 

such as

the blisse,
I

trust,

And

eke

rects




whose hel

Which un-

to

But

my thralles

to

frie,
die,

  


Might be

all

But

ex-

tinct,

all

to

per- force



  
    

re- lease:

Whose

joy

it

Whose

my hap

as hope,

re- new- eth


save mee alI

 

But that sweet houre where-

not in-

still di-

hope:

 

free to live or

no- thing can

las may

the deepe of hell

sit:

hap or

  

Sith For- tune still, tune

 

hope a-

don, I,

36

or

woe,

the same in- crease,

rowes so, Which now are such, are

wish

 


that first en- forst my

is

still

sit:

mee

 

 


ceit,
midst

all save

the same in- crease,

  

must a- ban-




yeeld, for

yet,

Where-



  


e- very houre.
lot- ted
so

is.
must.

Printed on November 18, 2003

I-68

First-XVI-Conceit

Tenor.










 


my

2. Each










con- ceit,

houre

3. To










1. Would

11







a- midst the deepe of

all

 


that first en- forst my

save mee

is

free to

 

 


hell

live

or




woe,

Or

frie,

Each houre

die,

To

els mine

all

 


be

ex-

tinct,

21

I
save

eyes which still,

which still, the

same

waft,

and

where

hap

or

waft,

mee, save mee,




wi-

re-

ther

main- eth

  





in- crease, the


sit: ther

same in- crease,

Might

where I

sit:

But

hap or

hope:

But

hope: eth

 
 


 





that

sweet houre,

all

32

ex-

per-

sweet

force,

to

houre,

per-

 

end my sor- rowes

where- in

force,


   


tinct,

to

 


Which now

die,

must a- ban- don,




I wish

so,

I,




are

such

as

My

hope

a-

las

may

Sith

For-

tune

still

di-










no- thing can

lease:

Whose life

is

death, Whose life

is death,
is such,

be-

reav-

ed

to

ther

hap

nor

not in-

joy

it

yet,

Whose hope

is

such, Whose hope

rects my

hap

as

hope,

Where- fore

to

nei- Where- fore

42

re-







 


 


whose sweet each

nei-

  

 

(1)



change,

each change,

of

sowre,

And

eke whose

of,

ved

of,

the

blisse,

Which un-

to

hope,

nor

hope,

trust,

But

my thralles,

to

hel,

whose

hel,

re- new- eth

all,

to

all,

save mee al- lot-

my thralles,

yeeld, for

e-

so

ver- y houre.
ted
I

is.
must.

Original has a breve.

Printed on November 18, 2003

http://www.laymusic.org

First-XVI-Conceit

I-69

Bassus.




1. Would
2. Each
3. To

12

woe, Or


els

26


now

38


all

ceit, that

first en-

forst

my

midst the

deepe of

hell

all

save

live

or

waft and

wi-

ther

where

sit:

main-

eth

hap

or

hope:

 

such

as

no-




thing, no-

re-

hope

is

such,

fore

to

neither

not,

may

not,

in-

joy

it

yet,

di-

rects,

di-

rects

my hap

as

hope,

And

eke whose

hel,

Which

un-

to

all

But

to

my

thralles

http://www.laymusic.org

whose hel




re-

save mee, save


I

yeeld,

new-




Where-

may

Whose

las


life

still

 

Sith

Whose

a-

My

lease:

tune

Which



For-

to

crease,

thing can

free

in-

is

hope

mee

same

re-

a-

the

mee

 


con-

my

still


are

houre

eyes which

save

mine

frie, Each houre


die, To

is

death,




eth

e-

very houre.

mee

al-

lot-

ted

yeeld,

for

so

is.
must.

Printed on November 18, 2003

I-70

First-XVII-Come again:

XVII. Come again:


Cantus





 




1. Come a- gain:




that

3. All

the day

the

4. All

the night

my sleepes are




 

sweet love doth

a-

las,

 


faith

light,

now

in-

lends

vite,

me

full

is

e-




Thy
Through

shine,

By

of dreames,

My

ver

true,

Yet

draw forth thy wound- ing

dart,

Thou

may ceaase to mourne,

sun that

my

6. Gen- tle love

2. Come a- gaine,

5. Out







 



1.

gra-

ces

that re-

fraine,

To

do

me

due

de-

to

see,

to

heare,

2.

thy

un-

kind dis-

daine:

For

now

left

and

for- lorne,

sit,

sigh,

3. frownes doth

cause me

pine,

And feeds mee

with

de-

lay:

Her smiles,

my springs,

that makes

of streames.

My heart takes

no

de-

light,

To

the fruits

and joyes

Nor yeeld me

a-

ny grace:

Her eyes

doe

ap- prove,

By

4.

eyes

are

full

5.

will

she

ne-

6.

canst

not

19

1.
2.

ver

rue,

peerce her

heart,




to kisse,




to

die,

faint,

die,

3.

my joyes

to

grow,

4.

that some

do

find,

is

made,

5.
6.

of

flint

then are

For

thy shafts,

Printed on November 18, 2003

that










see

of

sighs

to touch,
I

fire,

her heart

and teares

 

 

weepe,

more hot


  



with

thee

a-

gaine

in sweet- est sym-

In

dead-

ly

paine

and end- lesse mis-

Her frownes the

win-

ters

of

my

woe:

are

mee

as-

signde.

And

marke the stormes

Whom teares, not truth


Did

tempt while she

may once
for

tri-

paer-

inumph

thy.
ie.

vade.
laughs.

http://www.laymusic.org

First-XVII-Come again:

I-71

Altus




 

 


Come a-

gain:

sweet

Come a-

gaine,

that

3.

All

the

day

the

4.

All

the night

5.

Out

a-

las,

my

6.

Gen- tle

love

draw

 

1.

gra-

ces

that

re-

fraine,

To

2.

thy

un-

kind

For

dis-

daine:

3. frownes doth

cause me

pine,

4.

are

full

mourne,

sun that lends


sleepes are
faith

do

me

due

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now

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and

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shine,

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of

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see,

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http://www.laymusic.org

is

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that doe

find, And

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and teares

 


more



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eyes

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Printed on November 18, 2003

I-72

First-XVII-Come again:

Tenor







8

10

 




 

  

now

in-

vite,




Thy

gra-

ces

Through thy

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that

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All

the

the

4.

All

the night

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love




sweet love doth

day

may ceaase to

sun that lends me

shine,

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full

of

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My

eyes

are

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ver

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will

she

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faith

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light,

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left

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for-

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of streames.
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heart takes

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that doe

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sit,

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heare,

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to touch,
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to

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smiles,

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my

light,

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see

the fruits

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that

ny

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eyes

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of

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grow, to

grow, Her

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are

find, do
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gaine

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ly

paine,

In

dead-

ly

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frownes the

marke the stormes,

made, Whom teares, not

thy shafts, thy shafts, Did

Printed on November 18, 2003

win-

tempt while

truth,
she

sym- pa-

thy.

mis- er-

ie.

my

woe:

marke the stormes are mee

as-

signde.

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in-

vade.

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And

Did

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for

of

tri-

umph laughs.

http://www.laymusic.org

First-XVII-Come again:

I-73

Bassus






12



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do

heart takes no

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All

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sun that lends me

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full
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shine, By

to

see,

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true, Yet
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grow, to

grow, Her

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do

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est

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of

my

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are

mee

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may

once

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for

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umph

http://www.laymusic.org

pine, And

of streames. My

to

the fruits

daine: For

full

faint,

see

fraine, To

un- kind dis-

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lay:

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ces

are

to touch, to kisse,
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eyes

    

  


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of dreames, My

draw forth thy wound- ing

 

  




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me

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feeds mee with de-

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1.

2.

6.




laughs.

Printed on November 18, 2003

I-74

First-XVIII-Golden locks

XVIII. His golden locks


Cantus






1. His gold2. His

hel-





O

too

swift,

lo-

vers

So-

Heel teach

 

his


O

swift-

nets turne

swaines this

locks

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met

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make

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to

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ly

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ver

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in

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ly

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A



armes must

the

hearts that

 

ver

spurnd, But spurnd

by

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knees, And feed

on Pray- ers which are

ag-

es

almes:

wish my

So- veraigne

well, Curst be

the soule that thinks him

an-

wrong.

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Yee




 


tie, strength, youth are flowers but


though from
gods

al-

Court to
low this

fad-

ing

seene:

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tage

he

de-

part,

a-

ged

man

his

right,

 
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tie, Faith, Love

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is

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Printed on November 18, 2003

http://www.laymusic.org

First-XVIII-Golden locks

Altus

I-75




   
O

  


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his

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soule that thinks him, thinks him

an-

wrong.

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21




 


tie, strength, youth are flowers but


though from
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a-

ged

man

his

http://www.laymusic.org

seene: Du-




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part, His Saint, his


right, To

be, to

 


tie, Faith, Love


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be

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are
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his

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that was

Printed on November 18, 2003

I-76

First-XVIII-Golden locks

Tenor






8

 

 





1. His gold- en

locks time hath

to

sil-

ver turnde.

O,

2. His

now shall make

hive

for

Bees,

And,

sad- dest

in home-

ly

Cell,

Heel, Heel teach his

hel- met

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sits

time too

And

lo- vers

 




 








 




and

age hath

swift,

So-

nets,

time too swift,


lo- vers

So-

swift- nesse ne-

nets, turne

swaines, Heel teach his swaines this

13







ceas-

ho-

ly

Psalmes:

roll for

song,

to

Ca-

ing!

ver




man

at

Blest be

 

His youth gainst time

now serve on

the hearts that



armes must

e-

wish my

 

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ver

spurnd, But spurnd in

his

knees, And feed on

veraigne

 

22

well, Curst be




vain, youth wa- neth

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by

in-

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ing.

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tie, strength,
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to

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he

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part,

low

this

a-

ged

man

his

right,

Printed on November 18, 2003

To

be

is
your

his

Beads- man now

and

e-

un- spotthat was

http://www.laymusic.org

First-XVIII-Golden locks

I-77

Bassus









1. His gold2. His

hel-

3. And when




(1)

 

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vers

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dest

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ly

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ly

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man

at

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wa- neth

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age hath

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Original is half note

http://www.laymusic.org

Printed on November 18, 2003

I-78

First-XIX-Awake

XIX. Awake, sweet love,


Cantus

 










1.




A- wake sweet

love,

Let love, which


2.

If

she

es-

De- spaire hath

1.

2.

long

in

ab-

e-

ver

in

grieve thy
not

15

1.

2.

 


faire: She

sence mournd, Lives


her

eyes,

con- stant

on-

ly

could love,

abnow

prov-

ed

now

joy.

dies,

in

If
And




Now live

for-

She will

not

That love

will

her-

selfe hath

see-

med

make

me

wish

to

shee

at

last

re-

ward

thy

if

that

now

thou

wel-

com




de- spaire, When she un- kind did

prove.

my joyes might end:

She on- ly, which did make

me

mend.

love, And

all

thy harmes re- paire,

Thy hap- pi- ness will sweet-

er prove, Raisd up from deep de- spaire.

Printed on November 18, 2003

She

to

ly

My hart, which

mee,

her doest meet,

She on- ly drave me

sent

aught worth,

De- spaire did

loved.

turnd:

On-

noy.




re-

  

per- fect

in vaine




ver
thee

des- paire hath proved.

Though long

neteeme

my first an-

so

art

die; That

be, When thou with

Whence came

in

thou

  


now

forth, Which
be,

love hence-

un-

flie,

all this while but playde with thee,

My state may now

To

a-



make thy joyes more sweete.

http://www.laymusic.org

First-XIX-Awake

I-79

Altus









1.

2.







A-

wake sweet

love,

thou

art

re-

love, which

ne-

ver

ab-

sent

teeme

thee

now

aught

prov-

ed

now

in

If

she

es-

dies,

Now live

for-

e-

ver

in

her

2.

worth,

She will

not

grieve

thy

love

hence-

mee,

That love

will

not

un-

con-

stant

  

1.

joy.

2.

proved.

sence mournd, Lives


eyes,

now,

be,

so,

Though long,




lives

Whence came,

forth, Which


love,
end:
paire,
meet,

ly

hath see-

De- spaire did

make,

did make,

me

wish

re-

could

joyes might
harmes reher

 


her- selfe,


I




selfe,

shee

at

last,

at

if

that

now,

that now,

And

 


her-

If

loved.


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noy.

2.

ab-

now,

in

per-

fect

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which

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paire

hath

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vaine

so,

though long,

11

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in

 


turnd:

My hart, which long

1.

17

Let

De- spaire hath

doest




love, She on-

last,

faire:

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on-

to

die;

That

ward

thy

love,

And

all

thou wel-

com

be,

When

thou




 


ly drave

me

to

did

make

me

flie,

paire, Thy hap- pi- ness

will

sweet-

er

prove,

meet, She

but

playde with thee,

http://www.laymusic.org

 

med

end: She on- ly, which

all this while

de- spaire,

When she
My

ly

could

my joyes might
thy harmes rewith

her doest




un-

kind

did

prove.

state may

now

a-

mend.

from deep

de-

spaire.

Raisd up
To




make

thy

joyes more



sweete.

Printed on November 18, 2003

I-80

First-XIX-Awake

Tenor









A- wake sweet love,


Let love, which

2.

If

she

es-

ne-




  

now

in

thou

art

re-

turnd:

My hart,

ver

ab-

sent

dies,

Now live

teeme thee

De- spaire hath prov-




1.

ed

now aught worth,

She

now

That love

  

in

mee,

for-

will







which long
e-

in
ver

not grieve thy


will

 


not

un-

  

1.

ab-

2.

love hence-

in

sence mournd, Lives


her

eyes,

con- stant

 

16

Whence came

forth, Which
be,

my first an-

so

 


joy.

On-

noy.

des- paire hath proved.

Though long

per- fect

in vaine

 

loved.

ly

hath see-

med faire:

De- spaire did make, did make,

me

wish

to

If

re-

ward

thy love,

shee

at

if

that

And

her- selfe, her- selfe,

last, at

last,

now, that now,

thou wel-

die;

com

be,

 



to

de- spaire, When she

un- kind did

prove.

may now

mend.




 



1.

2.

She

on-

ly

That

my joyes might end: She on- ly, which did make

me

And

all

thy harmes re- paire, Thy hap- pi- ness will sweet-

er prove, Raisd up

When thou with

could love, She on- ly drave me

her doest meet, She

Printed on November 18, 2003

flie,

all this while but playde with thee,

My state

To

make

a-

from deep de- spaire.


thy joyes more sweete.

http://www.laymusic.org

First-XIX-Awake

I-81

Bassus


 





1.

A- wake sweet love,


Let love, which

2.

If

she

thou

art

re-

turnd:

ver

ab-

sent

dies,

ne-

es-




teeme thee

De- spaire hath prov-

ed

My hart, which long

in

Now live

for-

e-

ver

now aught worth,

She will

not

grieve

thy

now

That love

will

not

un-

in

mee,

7


1.

ab-

2.

love hence-

in

con-

15


1.

2.

 

sence mournd, Lives


her

eyes,

   
faire: She

be,

on-

so

ly

per-

fect

my first

an-

des-

in vaine

  

joy.

  

could love, She on-

ly drave me

noy.

her-

selfe

hath

De- spaire did


If

loved.

ly

make

me

wish

last

re-

ward thy

if

that

now

thou

wel- com

 

to

de- spaire, When she

un-

may now

my joyes might end: She on- ly, which did make

me

love, And

all

thy harmes re- paire, Thy hap- pi- ness will sweet-

er prove, Raisd up

http://www.laymusic.org

her doest meet, She

 

flie,

all this while but playde with thee,

see- med

at

And

shee

die; That

be, When thou with

On-

paire hath proved.

Though long

 
in

Whence came




now

forth, Which

stant




My state

To

make

to

kind did
a-



prove.
mend.

from deep de- spaire.


thy joyes more sweete.

Printed on November 18, 2003

I-82

First-XX-Heavy sleep

XX. Come heavy sleep,


Cantus



 

1. Come hea-

19

 

death,

child to his blacke- fact

 


tears my hart with

  


 

weep- ing

sor- rows sigh swoln


 


  

 

true death;




tears

 

doth stop my

    

po-

sses

my tir-

 

ing dies, that liv-

ing dies, that liv-

ing

dies

till

thou

ver:

my last, come ere

my last, come ere

my

last

sleeps

comes,

Printed on November 18, 2003

bels

vi-

tall

in

my






ed thoughts worne

soule, That livCome ere

lied

 

come sweet sleepe; come, or

Al-

   

 
And close

rest,

thou and charme these re-




fright. O

i- mage of

night: Come

 

  

my end, and shape of

cries: Com and

doe my mind af-

eies: Whose spring of

 

the

of

 

to

dow

my wear- y

these

breast, Whose wa- king fan- cies

up

breath, And

26

vy sleepe

2. Come sha-

10

 

die

 

for e-



on

me

or come

http://www.laymusic.org

First-XX-Heavy sleep

I-83

Altus



 

10


 






these

my wear-

y,

lied

death,

child to

his,

18


    


1. Come

hea-

vy

sleepe

the

2. Come

sha-

dow

of

my

   

close up
to

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weep- ing




tears my hart with sor-

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breast,

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my mind af- fright.





    


 

 

soule,

That liv-

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That liv-

ing

dies

ever:

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my last,

Come ere

my

last

http://www.laymusic.org

eies:



And




i- mage of




Come

  



till

true death;




Al-




 


doth stop my vi-

tall

thou and charme these re- bels in

my

po-

tears




  

sses

my tir- ed thoughts worne

 


 

die

 


And

rest,

come sweet sleepe; come, or

   

end, and shape of

Come and

Whose spring of

his blacke- fact night:

breath,

26

   

 

 

for



thou on

me,

on

me

be

stoule.

sleeps comes, or

come,

or

come

ne-

ver.

Printed on November 18, 2003

I-84

First-XX-Heavy sleep

Tenor








 


hea- vy sleepe, hea- vy sleepe

2. Come sha- dow





   


    




1. Com






of, sha- dow of




the

i-

my

end,

mage of true death;


and shape of

 





rest,




And close

up these

Al-

to death, child

lied

 
       

17

my

wear-

y,

to

his,

  


my wearchild to

weep- ing

eies:

his

blacke- fact

night:

  

 

 

Whose spring of
Come

 
 

tears

doth

thou and charme these





    

po-

sses

my tir- ed

stop my

vi- tall breath, And

re- bels

25

tears my hart with sor-

in my breast, Whose wa- king fan- cies doe

  

 

 

  

rows

sigh swoln cries:

Com and

my

mind af- fright.

   

 


come sweet sleepe; come, or

 
  

 
      



thoughts
die

worne

soule,

That liv- ing dies, that

liv-

ing

dies

for

ever:

Come ere my last, Come ere

my

last

Printed on November 18, 2003

till

thou on

sleeps comes, or

me,

on

come, or

me
come

be stoule.
ne-

ver.

http://www.laymusic.org

First-XX-Heavy sleep

I-85

Bassus




10

19


  


up

lied

to death,

 







close

27

these






the

i-

of

my

end, and shape of

wak-

whose wak- ing fan- cies doe

my mind af- fright.

That

liv- ing dies,

Come ere my last,















that liv- ing dies, that liv- ing dies

po-

thou,


till

true

death;

doth stop my

  

Al-

 


tall breath, And

in

my

breast, Whose

sses

my tir- ed thoughts worne soule,

 




thou on


me, on

sleeps comes, or come, or

 

die

for


me




vi-

bels

And

rest,

come sweet sleepe; come, or


till

tears

Com and

come ere my last, come ere my last sleeps comes,

http://www.laymusic.org

 

thou and charme these re-

  

rows sigh swoln cries:



eies: Whose spring of


night: Come

and tears my hart with sor-

 


of

sleepe

mage

vy

tears,

 

dow

weep- ing

 

   

2. Come sha-

to his blacke- fact

1. Come hea-

my wear- y

child

ever:



be

stoule.

come ne-

ver.

Printed on November 18, 2003

I-86

First-XXI-Away

XXI. Away with these selfe loving lads,


Cantus













 

1. A-

way

with these selfe

2. God Cu-

pids shaft, like

3. My songs they
4. If

be

lovde-

of

Chn-

Cyn- thia crave her

 






Cu- pids ar- row

  





A-

way poore soules that

ther good or

ill

de- cree:

De-

sert

is

weare her rings on

ho-

ly dayes,

On

e-

very

blot

her name out

love, which is




ne- ver glads.

ey-

12

 


the

of

the tree

lie and sleepe.


foot doth

If

bowe of love;

doubt do

And

  

For

Cu-

pid

love


is

goe.

What fools are they that

reade the same:

Where ho- nor, Cu- pids

once

For

No- ble-

yeare:
man:

Printed on November 18, 2003

ma-

ny run, but

Sweet Saint, tis true you

of

his

lads, Whom

sti-

nie, Doth

this praise,

mee,

I
Is

of

 



love

of them that

bow, Re- ward up-

write her name, And

e-

on

his

very day

dar- ken things held deare, Then wel- fare no- thing

as

 

ing

nesse should move

sigh and weep, In

borne out
tree




ring

5. The worth that worth- i-

well

the

Fos-

me- dow God, And

ter

can, As

for- ceth none

have not known That love likes no


ri- vall

is,

There mi- ra- cles

can

  
to

be,




kisse the rod.

lawes

but

are

seene

one must win, Fools one- ly hedge the


wor- thy

the migh- ty

his own?
of

Cu- ckoe

Yet with- out love nought worth to

his.
in.
me.

http://www.laymusic.org

First-XXI-Away

I-87

Altus









 


1. A-




way with these selfe

2. God Cu-

be

of

 








  

   


ne-

ver glads.

A-

way poore soules

that sigh and weep, In

ther good or

ill

de- cree:

De-

sert

is

out

weare her rings on

ho-

ly dayes,

On

e-

very

her name out

 


the tree

lie and sleepe.


foot doth

If doubt do

the bowe of love;

 

 

of

goe.

borne

And love

  

For

Cu- pid

as


is


a

tree

of

his

Is

love


   

of those

that

on

e- very day

his
I

the Fos-

ty




ter

 



can, As

me- dow God, And for- ceth none

ri- vall

http://www.laymusic.org

nesse should move

well

one must win, Fools one-

man:

thing

For

No- ble-

mee,

write her name, And

Where ho- nor, Cu- pids


ny run, but

of

bow, Re- ward up-

What fools are they that have not known That love likes no

ma-

this praise,

ken things held deare, Then wel- fare no-

once

yeare:

nie, Doth

dar-

reade the same:


a

lads, Whom

  

ey-

love, which is




ing

Cu- pids ar- row

blot

12

  


   
  

sti-

ring

5. The worth that worth- i-

deChn-

Cyn- thia crave her

 


lov-

pids shaft, like

3. My songs they
4. If

Sweet Saint, tis true you wor- thy

is,

be,

There mi-

ra- cles

can the migh-




 




to

kisse

the rod.

lawes

but

his own?

are

seene

of

his.

Cu-

ckoe

in.

to

me.

ly hedge the

Yet with- out love nought worth

Printed on November 18, 2003

I-88

First-XXI-Away

Tenor








 

1. A-

way with these selfe






pids shaft, like

3. My songs they
4. If

be

of

 






  




   
 


 


 

ing

lads, Whom

de-

sti-

nie, Doth

this praise,

ring

of

mee,

nesse should move

Is

  


lov-

Chn-

Cyn- thia crave her

5. The worth that worth- i-

2. God Cu-

  




Cu- pids ar- row

ne-

ver glads.

A-

way poore soules that

ey-

ther good or

ill

de- cree:

De-

sert

weare her rings on

ho-

ly dayes,

On

e-

blot

her name out

love, which is

 

12

the bowe

 


of

the tree

If

of love;

And




 


For

Cu-

pid

is

sigh and weep, In

borne out

very

tree

of

his

love

of them that

bow, Re- ward up-

write her name, And

e-

on

his

very day

doubt do

dar- ken things held deare, Then wel- fare no- thing

love

well

as




the

Fos-

ter

  


can, As



can

the migh- ty

 








lie

and sleepe.

foot doth

goe.

is

me- dow God, And

for- ceth none

What fools are they that have not known That love likes no

reade the same:

Where ho- nor, Cu- pids

ri- vall

once

For

one must win, Fools one-

No- ble-

yeare:
man:

Printed on November 18, 2003

ma-

ny run, but

Sweet Saint, tis true you

wor- thy

is,

be,

There mi-

Yet

ra- cles

to

kisse the rod.

lawes

but

are

seene

ly hedge the

his own?
of

Cu- ckoe

with- out love nought worth to

his.
in.
me.

http://www.laymusic.org

First-XXI-Away

I-89

Bassus













 



1. A-

way

with these selfe

lov-

ing

lads, Whom

2. God Cu-

pids shaft, like

de-

sti-

nie, Doth

3. My songs they
4. If




be

of

Chn-

Cyn- thia crave her









 




ne- ver glads.

A-

way poore soules that

ther good or

ill

de- cree:

De-

sert

is

weare her rings on

ho-

ly dayes,

On

e-

very

her name out




the

 


of

the tree

bowe of love;

lie and sleepe.


foot doth

If

goe.

And

 


For

Cu-

pid

Where ho-

once

For

No- ble-

yeare:
man:

http://www.laymusic.org

love


is

ma-

nor, Cu- pids


ny run, but

Sweet Saint, tis true you

nesse should move

Is

 



of

his



love

of them that

bow, Re- ward up-

write her name, And




e-

on

very day

his
I

dar- ken things held deare, Then wel- fare no- thing

as

What fools are they that

reade the same:


a

 

tree

 

of

mee,

sigh and weep, In

borne out

doubt do




ey-

love, which is

Cu- pids ar- row

blot

12







this praise,

ring

5. The worth that worth- i-

well

the

Fos-

me- dow God, And

ter

can, As

for- ceth none

have not known That love likes no


ri- vall

is,

There mi- ra- cles

can




be,

Yet




to

kisse the rod.

lawes

but his own?

are

one must win, Fools one- ly hedge the


wor- thy

the migh- ty

seene of
Cu- ckoe

with- out love nought worth to

his.
in.
me.

Printed on November 18, 2003

Part II
Second Booke

II-1

II-3

http://www.laymusic.org

Printed on November 18, 2003

II-4

Second-I-I saw my Lady weepe

I. I saw my Lady weepe


Cantus

15

 


weepe, and

29

sor-

row proud

saw

my

La-

Sor-

row

was

there made

fay-

rer

then ought




 

 


dy

  

  

bee ad-

ced

so:

a de-

light- full

thing,

Si- lence

be- yond all speech,

ells, The

world can shew,

leave

of

time

to

grieve,

I- nough,

i- nough, i- nough,

 




all speech, a




woe (be- leeve me)

to

bee

ex- cel-

fec- tions

rare, Shee

lookes ex-

as
sad

wins more

lent

Printed on November 18, 2003

   

face was full

of

made hir sighes to

cells, Teares kills the heart be-

keepe, hir

wis- dome

 

in

 


van-

to

things with so sweet a


not

 

teares

i- nough, your joy- full

 

pas- sion wise,

  

 

faire, And

be- yond

faire eies where all per-

41




ness
in







hearts, Then mirth can


move, As

made my

woe, Which one- ly,

in those faire eies, in those

 


  




woe, full

of

woe,

But such

sing, sighes

to

sing,

And all

lieve, heart

be-

lieve,




 


doe, with hir,

with

hir

heart at once,

at

once

ono- ly, breeds your beau-

in-



ty-

strive

sing

both grieve and


ties

o-

ver-

http://www.laymusic.org

Second-I-I saw my Lady weepe

II-5

Bassus


13

 


saw

my

saw

my

row

was

there made faire,

Sor-

row

was

there made faire,

fay-

rer

then ought

fay-

rer

then ought ells,

saw

my La-




sor-

row proud




 


sion wise, teares a de- light- full

fay- rer

then ought ells, O

rer then ought

ells,

The world

can shew, leave of

those faire

yond, be- yond,


nough, in-

 


 

 


But such

woe as

all

things with

so

sweet a

in

woe, Teares kills the

http://www.laymusic.org

 

per- fec-

all speech a

ough your joy-

woe,

lent

 

eies, faire eyes, where all

thing, Si- lence begrieve, I- nough, i-

wis-

tions

full lookes

keepe:

 

hir

face

to bee ad- van-

And pas-

 

and

faire,

 

weepe,

dy weepe,

was there made

fay-

dy

ells,

La-

there made faire, Sor- row

so: in

Sor-

dy weepe,

 

 

La-

row was

 

dy weepe, I

Sor-

38

saw my

La-

25


in time

was

full

rare,

Shee made

hir sighes to

ex-

cells,

not




 

wins

more hearts, Then mirth can doe,

sad-

ness

heart

be-

move, As

made my heart

lieve, Which one-




with hir,
at

to

bee

  
in-

ty-

o-




full

of

sing, And
ex-

cel-

sing parts.

once both grieve and

ly breeds your beau- ties

to

 

dome

strive

ced

love.

ver- throw.

Printed on November 18, 2003

II-6

Second-II-Flow my teares

II. Flow my teares


Cantus




 

 
  

Flow

my-

Downe vaine

 










teares fall

from your springs,

Ex- ilde

for ev- er:

lights shine

you

No nights

are dark e- nough for

no

more,

Let mee




 




 

mourne where nights black bird


those

18

27

that

hir

be

re-

of

con- tent ment,




  

  


lie-

ved,

 


 


my

dwell, learne to con- temne light,

Printed on November 18, 2003

Ne-

dis-

close.

From the

 


lorne.




ver

and grones

my wea- rie

and griefe,

and paine

for my de-



 
  

all joyes have de-

 

  

  


and sighes,

 




and feare,

(1)

for -

and teares,

are my hopes since hope

live

   


fled,

of

 


for- tune is throwne,

for

since pit- tie is

my wear- ie dayes,
my de- serts,

lost for- tuns de- plore, light doth but shame

 


may my woes

  

sad in- fa- my sings, there let me

pair their

high- est spire

serts,

dis-


  

 


dayes,

37

in

  



   

    


priis







Harke you sha- dowes that in darck-

ved.

 
nesse

gone.




(2)

Hap- pie, hap- pie they that in

 




 
      

hell feele not the worlds des-



pite.

http://www.laymusic.org

Second-II-Flow my teares

II-7

Bassus



 

Flow

teares

Downe lights

 


 

 


from your springs; Ex- ild

for

shine

is dark

no

more, no night

ev-





er

let

 


mee mourne where

e- nough for

those

that




10

 





nights black bird hir


in

dis-

21







my de- serts,




  




 




lie-

let

 


me

   

to con- temne light,

Hap- py:

my

high-

est




and grones,

my

for- tunes throwne,

and feare,

and griefe,

and paine,

for

hap-

may

the

and sighes,

  

py,

 

Harke that

in Darke-

nesse dwel,

learne

gone.


they

 

 




are hopes, hope is

ver

From

and teares,

for

 

Ne-




 

fled:

is




all joyes have de- prived.

for- lorne.

my wear- ry dayes
my de- serts

live

 


shame dis- close.

ved, since pitt


ment, my




tuns de- plore, light doth but

highst spire of con- tent-

woes, be re-

wea- ry dayes,



fa- my sings, there

for-

spire,

  

in-

pair their

my

sad



woes,

28

39

 

that



in

hell


feele

 


not

the



worlds des- pite.

Original has a quarter note.


This note is missing in the original.

http://www.laymusic.org

Printed on November 18, 2003

II-8

Second-III-Sorrow, sorrow stay

III. Sorrow, sorrow stay,


Cantus

 






 
  





true re- pen- tant teares,

 


17







 

 

33

pit-

ty, pit- ty, pit- ty,

 

 

lesse paine,

 

  

 


a- las I am con- dempned,

B 

49

maine,




and

pit-

ty, pit- ty, pit- ty,

 


 

 

I ne- ver shall,



a-

rise,

am con- demp- ned


 
    


 

downe and

a-


e-

 

ver,

rise,

ver,

no hope,

 

  


I




ther doth re-






  


 

 

downe and a-

but downe, downe, downe, downe I fall,

am con- dempned,

no help,




downe and a- rise,

 

mark me not

las

 


ne-

  

poore heart af- fright,



    



 
    

a-

 





hence,

not my heart

 

(1)

doe




wight,

help now or

but downe, downe, downe downe, I fall,

but downe, down, down, down I fall,

ed

lesse paine,

but downe, down, down, down I fall,

rise,
68

     


58

lend

   

 




row stay,

 





woe- full wretch-

  
   




 

doe not,

mark me not to end-

row sor-

 

 




Sor-

 




full,

tor- ment- ing feares:

  
   

to end41

  

 

 

 

 

 

to a woe-

hence, dis- paire with they


26

downe

 

ne-

ver

shall.

I suspect that there should be a tie between this and the previous note; Dowland has them on two separate lines,
but doesnt provide a new word.

Printed on November 18, 2003

http://www.laymusic.org

Second-III-Sorrow, sorrow stay

Bassus

II-9

 





Sor-

9


 




pen- tant re-

18


   

pen-

tant

teares,

 

pit-





I




 
I

60


 















  

ver,

  

 





lend true

re-

  


ed wight,




hence, hence, dis- paire with







downe and a- rise,




downe and a-

http://www.laymusic.org




 


e-

ver:




B 




a- lasse I am

  


  

af- fright:

not to end- lesse paine, O mark

  








me

not to




con- dem- ned, con- demn- ed,







no help, ther doth re- maine, but downe, downe, downe, downe, downe

   




  


rise, a-

 




 


downe and a- rise,

 

 

 

I ne- ver shall, but downe, downe, downe, downe, downe I

68




mark mee

 


no hope,

ne- ver,

 





  

fall, but downe, down, down, down, down, down I fall,

lend true re- pen- tant teares,

woe- full wretch-

am con- dem- ned, con- dem- ned

I am con- demnd e-

52

full,

  

   


 

  

tie, help now or

a- lasse

  




tie,

  

row stay,




with they tor- ment- ing feares, Oh doe not my poore heart my poore heart

end- lesse paine,

44

woe-

 





pit-

36

to a

sor-

 

they tor- ment- ing feares,

26

 





row

 

   


 

downe and a-

 

rise, a-




rise


 

 

fall, but downe, downe, downe, downe, downe, downe I fall,







  

rise, a- rise, a- rise, a- rise,

 
  
a- rise




I ne- ver shall.

Printed on November 18, 2003

II-10

Second-IIII-Dye not before thy day

IIII. Dye not before thy day,


Cantus


 


Dye

 

10




But liift

20




 

hope con- tem- ned:

32

 

42

 











ling, fie fie

fore

thy day,

   


   


  




earth,

 

  

 

 




  


  




mirth,

  

fye poore fond-




  


O

be will- ing, to pre- serve thy self from kill-

kisse not dis- paire and see sweet

but mone for

but mone

poore poore man con- dem- ned,

 


 

thy low lookes from the hum- ble

fye poore fond-

not bee-

The hag hath no de- light,

ling,

thy low lookes, but lift

B 

    










ing: Hope thy keep-




 

er glad to free thee, Bids thee goe and will not see thee, hye thee quick- ly from thy wrong, so shee endes hir will- ing

Printed on November 18, 2003

http://www.laymusic.org

Second-IIII-Dye not before thy day

Bassus


 


II-11




11

 

   








looks, but lift thy low lookes,

22


The

35

 

 

(2)




   

but

  

kisse

  




fye fye be will- ing, to pre- serve thy self from kill- ing,

 








 


thee quick- ly




demnd, but lift thy low




  


B


not dis- paire and see sweet hope con- tem- ned:

   

fye




fye




fye

poore fond-

 





Hope hope thy keep- er is glad for to free thee, and

    
from thy

con-

   






poore man

mone but mone for mirth,

bids thee goe and will not see thee, hye

  

thy lookes from thum- ble earth,

de- light,

not bee- fore thy day,



     


hag hath no

ling,

43




Dye

 (1)
  

    

wrong, so




shee endes hir will-




 
ing song.

Flat is editorial
rest is editorial

http://www.laymusic.org

Printed on November 18, 2003

II-12

Second-V-Mourne, mourne

V. Mourne, mourne,
Cantus


  

Mourne, mourne,


then

10

 

go-

vernes earth,

(1)




Then all must as

23




our de- light,

they

hell

looke now

 

may

in

in

for

that thus the sunne,



nesse

fled,



day

learne to dwell.

 

hea- vens stead,

more

   
darke- nesse


no

is with dark-

day

but

Mourne mourne,

mirth.

oh none,

17










nor

night,

what heaven


choaks with

but

his mistes

that

 


 




 

  

that thus the Sunne, the Sun should




our

from

hell,

har- bour with

   

But yet this change, must

needes change

 



the night.

Note that this is the kind of breve that takes up a whole measure, so its 3 whole notes in the triple meter, or you
can count it as two if you count the C meter as starting on this measure.

Printed on November 18, 2003

http://www.laymusic.org

Second-V-Mourne, mourne

II-13

Bassus








Mourne

O none but hell

16

day,

22


  

in




hea- vens stead,

    
nor night but


that

 


from hell,

    

yet this change, this change, must

http://www.laymusic.org

daies with dark- nesse fled,

  







     

Then all must as

 



change must

they

change de- light,

 








   


Mourne looke now for no






  

 
may, In

 
more

   





dark- nesse learne to dwell,

What heaven then go- vernes earth,

Chokes with his mists our mirth.




 

That thus the Sunne should

 


But

  

har- bour with the night.

Printed on November 18, 2003

II-14

Second-VI-Times eldest sonne

VI. Times eldest sonne


Cantus




Times eld- est sonne,

11




woe,

24

  

and fos- ter

selfe,

37

hee

 


sa-

cri-


fi-

ces,




de- vo- tion,

hath

to

  


no earth- ly



As

Printed on November 18, 2003

good as

showes,

 





   

 

But thinks

maskes, justes,




sighes

teares,


or

tilt de-

 

vi-




iers, and







for him-

vowes, pra-


as




Strengths foe, loves

gal- lant youths in mar- shall prow- es please,

mo- tion,




olde age the heyre of ease,


bids

  





ses.

   
ses.

http://www.laymusic.org

Second-VI-Times eldest sonne

II-15

Bassus




Times eld-

 


10


foe,

   

est

sonne,

 


olde age




olde age

the

heyre of

ease,

Strengths


loves woe,

and

fos- ter

 


to

de-

vo- tion,

bids

 





gal- lant youths in mar- shall prow- es

please,


as

35





22

for him-

 


selfe hee

 

pray- ers, and sa-


cri-

http://www.laymusic.org

hath

no


fi-

ces,

earth-

As

ly



mo- tion, But thincks

good as shewes,

masks, justs,

 

 


but thincks sighes teares, vowes,


or tilt


 


de-

vi-

ses. But

 

ses.

Printed on November 18, 2003

II-16

Second-VII-Then sit thee downe

VII. Then sit thee downe


Second part.
Cantus







    

Then sit

thee

 


downe,

and

 


say

thy

 


Nunc Di- mit- tis,







 


with De

19

 


fit is,

30

  

worth thy hart,




that,

this,

 

 

Cre- do,

 
or




pro- fun- dis,

as







and Te

Pa- ra- tum est




cor




 

me- um,

with a bet-

 


ter

 




part.

re for



that thy







Chant Mi- se- re-

 





De- um,

 

thou canst not please hir

Printed on November 18, 2003

what now so




Saint would take

 
O

that thy




in

 

part.

http://www.laymusic.org

Second-VII-Then sit thee downe

II-17

Bassus




Then

9


with

De pro- fun- dis,

20

that,

30


 







or

worth thy hart,

this,

 

Cre- do,

ra-

tum

thou canst not please

http://www.laymusic.org

est

De- um,

cor


hir

 


with

downe,

  

 


me-

um,

 

bet-


that

 

re

ter




for what

now

thy

so

part.

that thy

fit is,




Saint would

 




mit- tis,

 







and say thy Nunc Di-

Chant Mi- se- re-

 

thee

and Te

sit




Pa-

 


 

take

as




in

 

part.

Printed on November 18, 2003

II-18

Second-VIII-When others sings

VIII. When others sings


Third part.
Cantus




When o- thers sings

11

turne

24

to

No-

li

li- za,

36




bout thy

e-

 


  

cell,



to

vat E-

say

 
A-

Printed on November 18, 2003




mu- la-

 

Vi-




For an

li- za,

 

 

men A-

  

ex-

 





o-




re-

mus

 

 

Vi-

vat E-

 


stand by and

al- te- mus,

and teach those swains that lives a-

ma- ri,

runt use

a- ve

te

 

For qua- re fre- mu- e-

ri,

  

Ve- ni-


         

 




   

men when thou


dost




pray so



well.

http://www.laymusic.org

Second-VIII-When others sings

II-19

Bassus



 

When

10


 


 


by and turne to


   

22


Vi-

35





lives a-

No- li

to

vat E-

li-

  

bout thy cell,

no-

li

e-

za,

Vi-


to sing

 


vat E-

    
A-




o- thers sings Ve-





   




 

mu-





men


For an

li- za,

 

qua- re fre- mu-



a-

 


ve

A-


al-

use

o-

 

stand

te- mus,

 

e- runt

and teach those

ma- ri,

ex-



te








ni-

   
For

ri,

ni- te ve-

la-

re-

mus,

 

swains that

  



men when thou dost pray so well.

Heere endeth the Songs of two parts.

http://www.laymusic.org

Printed on November 18, 2003

II-20

Second-IX-Praise blindness eies,

Praise blindness eies,


Canto.


 




for

see-

is

de-

ceit,

1. Praise blind-

ness

eies,

2. And

if

thine

eares false

Har-

alds

to

thy

hart,

3. Now

none

is

bald

cept

they

see

his

braines

ex-

ing


Bee

11

 

dumbe vaine

tongue, words are

vey

in-

to

thy

Af-

fec-

tion

is

not knowne


is

no

art

deafe

by

art,

bours

for

his

paines,

 

re-

And so

wackt

 

To

 


and

bleed

for ther

ob-

taine,

Then

tell

thy

hear-

ing thou

till

one

be

dead

Re-

ward

for

love

are

a- mazd and could


not

in-




con-

stan-

is

art

that wont-

ver

made


move,

la-

(3)

 

 

Breake hart




to

love

tering windes,

 

flat-

Loves qui-

but

purge

Now





hopes




ceit,

 
I

head




Lenvoy:

17




Con-

 

of


I

know

cy

from

gold



 



most

mens

mindes.

ed

to

be

plaine,

his

shafts

of

leade.




my dreame was true,

(4)


and yet


I



love.

The underlay is confusing. The Lenvoy section is printed after the first verse, which has one set of words and a
repeat sign. The verse printed at the bottom of the canto part is two sets of words for the A music, but the Lenvoy
section is specified to be sung only after the second set. The repeat signs occur in the lute part, at the end of the A
section in the Canto part, and in Lenvoy for all parts, but not in the A section of any of the other vocal parts. There are
other reasonable interpretations, but I think Dowland probably meant Lenvoy to be sung (and repeated) after all three
verses are sung. I would not repeat any of the A section words, i.e., I would sing the A section 3 times with different
words each time.
2
The Canto part is written with no flats or sharps in the key signature; all other parts are written with a key signature
of one flat.
3
Fermata does not appear in this part in the original, but is in Tenore and Basso.
4
Fermata does not appear in this part in the original, but is all the other parts.

Printed on November 18, 2003

http://www.laymusic.org

Second-IX-Praise blindness eies,

Alto.




II-21







 








1. Praise blind-

ness

eies,

for see-

ing

is

de-

ceit,

2. And

if

thine

eares

false Har-

alds

to

thy

hart,

3. Now

none

is

bald

ex- cept

they

see

his

braines

 
Bee

 


dumbe vaine tongue, words are

but

Con-

vey

in-

to

thy

head hopes

Af-

fec-

tion

is

not knowne till

 

flat-

tering

windes,

Breake

to

ob-

taine,

Then

one

be

dead

Re-




 


hart and

bleed

for ther

tell

hear-

ing thou

love

are

thy

ward for

la-

(5)

11

 

is

no

re-

ceit,

deafe

by

art,

bours

for

his

paines,

Lenvoy:

And so

 
I

 


art

 

17




To
Now

 




purge

in-

con-

stan-

love

is

art

that wont-

ver

made

Loves qui-

 


wackt a- mazd and could not



move,

cy

from

of

gold




 


 


most mens

ed

to

mindes.
plaine,

be

his

shafts of

 


know my dreame was true,




leade.




and yet I

 



love.

Fermata does not appear here in the original, but is in the Tenore and Bassus parts.

http://www.laymusic.org

Printed on November 18, 2003

II-22

Second-IX-Praise blindness eies,

Tenore.




 

 

 

 








 

1. Praise blind-

ness

eies,

see-

ing

is

de-

ceit,

2. And

if

thine

eares

false Har-

alds

to

thy

hart,

3. Now

none

is

bald

ex- cept

they

see

his

braines




 


but

flat-

ter- ing

for

 

windes,

Breake

hart and

bleed

for ther

 





Bee

dumbe vaine

Con-

vey

in-

to

thy

Af-

fec-

tion

is

not knowne till

 

11

 


tongue, words are

head hopes

to

ob-

taine,

Then

tell thy

hear-

ing thou

one

be

dead

Re-

ward for

love

are

 








la-



is

no

art
bours

ceit,

To

purge

in-

con-

stan-

that wont-

deafe

by

art,

Now love

is

art

for

his

paines,

Loves qui-

ver

made

Lenvoy:

    

17

re-


     


  







of

cy

gold

from

most

mens

mindes.

ed

to

be

plaine,

his

shafts

of

leade.

    











And

so

I wackt

a-

mazd and could not move,

Printed on November 18, 2003

I know my dreame, my

dreame, was true,

and yet

love.

http://www.laymusic.org

Second-IX-Praise blindness eies,

Basso.


4


11


17





II-23

 


eies,

for see-

ing

is

de-

eares

false Har-

alds

to

thy

3. Now

none

is

bald

ex- cept

they

see

his

Con-

vey

in-

to

thy

braines

Af-

fec-

tion

is

not knowne

no

art

deafe

by

art,

bours

for

his

paines,

 

re-

Lenvoy:

And so

ceit,

 


I

wackt

head


To

purge

Now

love

Loves qui-




 

but

flat-

hopes

to

ob-

taine,

Then

till

one

be

dead

Re-

hart,

is

  

in-

stan-

is

art

that wont-

ver

made

 

of

cy

 

tell thy

hear-

ing thou

ward for

love

are

ed




for ther




was true,


mindes.

be

plaine,

of

leade.

to

la-



mens

his shafts

     

I know my dreame

bleed

from most

gold

Breake hart and




con-

 

tering windes,

 

a- mazd and could not move,

http://www.laymusic.org




thine

Bee dumbe vaine tongue, words are

if

ceit,

blind- ness

 


2. And

1. Praise

 

 


 

 



and yet


I



love.

Printed on November 18, 2003

II-24

Second-X-O sweet woods,

O sweet woods the delight of solitarinesse


The refrain section at the beginning has no performance directions in the original. Some modern
editions treat it like a chorus, to be sung at the beginning and end and also between all the verses.
We decided to treat it like a West Gallery symphonia, and play it at the beginning and end but not
between every verse.
This is another one (besides Can she excuse my wrongs Page I-20) where the poem may have been
written by the Earl of Essex, who spent time in Wanstead when out of favor with Queen Elizabeth.
[Pou82, page 262ff]

Canto.





 




   



O Sweet woods,

 

 


  

much doe I love your

  


(5)

so- li- ta-




 




In

sire,

2. Ex-

per- ience which

3. You

men that

  

to

Love,

give

false wor- ship

you

the

harts did yeeld to

 


this,

him his li-

ber-

ty,

now your I-

dols

bee,

faith this is

the doome,

Sisi- phus you prolo- vers

oft have

and

apt

to change:

Ther power

in

vaine,

Hope and

de-

a place of mourn- ing, mourn- ing prove,

Wan- sted

my Mis-

love loe plac-

You woods in whom deere

once ad-

doth looke at

ed base and apt

And

earth, im- part

of

it

Kings,

dis- dained when

fall

sad re- mem- brance of

Love,

is

my

With

And those false plea- sures which I

my fall,

mird,

  



to know you strive you strive

doe you now





For




shee lesse

Hir want

of


se-

cret,

dread,


as

worth make him

in

sence- lesse




birds,


is.

 


to trees,
doth take
sire

 


to

from
which
tres

 

To

is.

dell

die.

Their

die.

feele dis- paire with

mee.

Hope

me.

Thou art loves Child- bed, Nur- ser-

cra-

 

 
To

 


and

You needs must loose and

 


y,

and Tombe.

  


 

this

un-

fair- est Nimphs have walked,

is

led,

brings,

all

How

ly

Nimphes at whose sight

Whose end

pen- tance one-

The end- lesse worke

   


re-

ne- ver shall ob- taine,

cure,

tird,

you

O how

re-

seeke that which




light

Love

talked,

from loves de-

hart from love es- trange,




Her- mits life

now

ri- nesse,



an

31

my

bid mee

And

these sad groves

Doth

22

   


ta-




ri- nesse.

4. You woods in




  

the de- light of so- li-

1. From fames de-

15




Wan- Tombe.

Original has a fermata, which does not appear in the other parts.

Printed on November 18, 2003

http://www.laymusic.org

Second-X-O sweet woods,

II-25

Alto.


 




   

O Sweet woods, sweet

 

     









In




these sad

groves an
now

And seeke that

which you




 
I

once

ad-

mird,
Kings,

at

cure,

vers

have

talked,

 


To

birds,

sire,




2. Ex-

per- ience which


men that give

de- sire
my Mis-

shee

lesse

want

of




se-



I




led, I

to

led,

Love, to

 


 

 


 

light

re-


O how

re- mem-

ly

brings,

to

Love,

fair- est Nimphs have




is,

tird,







Love

is

walked,

 


 


brance of

my

when

fall,

it
silo-

 
  

my

fall,

dread,

And

love

loe plac-

ed base

and apt

to

change:

Whose

end

is

to know you strive,

you strive

in

vaine,

How

doe

a place

of mourn- ing

prove,

 


this

you now

 


of mourn-

earth, im- part

from him, from him his

and apt,

Si-

in whom deere

 


false plea- sures which


dis- dained

You woods, You woods




end- The end- lesse worke of

The

sad

un-

And those, And those

this,

For
Hir

li-

ber-

ty,

which now, which now your I-

dols

bee,

You

the

doome,

Thou

tres faith, tres

 


cret,

and

faith this

as

sence-

is


lesse

  

is.

worth make

him

in

cra-

dell

die.

loose

and

feele

dis-

paire

with

mee.

art

Child- bed,

Nur-

ser-

y,

http://www.laymusic.org

pen- tance one-

the

Love

Love,

With

to earth, to

re-

needs must
loves

ri- nesse,

false wor- ship

you

es- trange, es- trange,

doth take

Hope and

 




Wan- sted

from loves de-

3. You

ver shall ob- taine, ob- taine,

to trees,

Ther power

34

ne-

pro-

Her- mits life

doth looke

oft

all harts did yeeld

phus you

 

27

 

my hart from love

sight




 

ri- nesse.

 

Doth bid mee

Nimphes at whose

20

 

4. You woods in

  

       

woods the de- light of so- li- ta-

1. From fames de-

14




(1)

   

much doe I love your so- li- ta-

  

and Tombe.



To

 
 

   

birds,

is.

Their power

die.

Hope

me.

and

Wan- stead

Tombe.

Printed on November 18, 2003

II-26

Second-X-O sweet woods,

Tenore.







  




        


  




  

 




 
  





O Sweet woods, the de- light of so- li-




 
  





ta- ri- nesse,

 


O how much doe I love your










so- li- ta- ri- nesse.


1. From fames de-

sire,

2. Ex-

per- ience which

3. You

men that

4. You woods in

  

16




  

loves de-

re-

light

re-

tird,

pen- tance one-

ly

brings,

Doth

bid mee

to

Love,

And

seeke that

give

false

wor- ship

you

the

fair-

un-

est Nimphs have walked,

 
 

 

led,

And

those false plea- sures which I

trange,

   


from







these sad

Nimphes at whose

  


In

groves an Her- mits life


now

ne- ver shall ob- taine, ob-

all harts did yeeld to

   

24

led, I

my hart from love es- trange, es-

shich ou
sight

Love, to

Love

is

taine,

The

end- lesse worke

dis- dained when

Love,

You

woods in whom deere

my

fall,

my fall,

ced base and apt,

and apt

to change:

Ther power

in

vaine,

a place of mourn- of mourn- ing prove,




 


 

  


it

of

once ad-

mird,

With

doth looke at

Kings,

And

Sisi- phus you prolo- vers




cure,

oft have talked,

Whose
How




sad re- mem- brance of


love loe plaend is

this

to know you strive, you strive

doe you now

32

  

  


 

dread,

To

birds,

to trees,

to earth, to

earth, im-

doth take

from him, from him his

Hope and

de- sire

which now, which now your

Wan- sted

my Mis-

 
  

tres faith, tres

 





faith this



part I
li- berI- dols

this, For
ty,

Hir

bee, You

is the doome, Thou

shee

lesse

want

of

se-

cret, and as sence- lesse,

worth make him in

needs must

loose

art

Child- bed, Nur-

loves

cra-

dell,

and feele dis- paire, dissery, Nur-

sence- lesse
cra-

is.

dell

die.

paire with

mee.

sery

and Tombe.

To

birds,

is.

Their power

die.

Hope

me.

and

Wan- stead Tombe.

The original has a Meter change to C here only in this part.

Printed on November 18, 2003

http://www.laymusic.org

Second-X-O sweet woods,

Basso.





II-27







 


ta-

16

 

ri-

 

 


 

  

hart from love

fames de-

2. Ex-

per- ience which

3. You

men that give

false wor- ship

4. You

woods in

the




sire, from loves de-

you


     


led, And

es- trange, es- trange, Love




re- mem- brance


loe plais




much doe I

love your so-







li-

 





of

ced

Love, You

  

my

re-

tird,

ly

brings,

Doth

to

Love,

And

un-

In

fair- est Nimphs have walked,

 

  

 


plea-

sures which

is

dained

when

end- lesse

dis-

worke

of

woods in

whom

deere




my fall,

 
I

apt, and apt

it

dread, To

lo-

an
my

all

once ad-

mird,

With

doth looke at

Kings,

And

 

birds,

now

seeke that which you

  

vers

cure,

Whose

oft have talked,







to trees,

to change: Ther power

How




to earth, to

doth take

from him, from

this

to know

you strive, you strive

vaine, Hope and

de- sire

which now, which

you now

a place

of mourn- of mourn- ing prove, Wan- sted

my Mis-

tres faith, tres

 

his

part

this,

For




shee lesse


se-

cret,

worth make

 

and

as

him

in

li-

ber-

ty,

Hir

want

now your

I-

dols

bee,

You

needs must loose and

feele dis-

faith this

is

the doome,

art loves Child- bed,

Nur- ser-

Thou

of

in

bid mee

Sisi- phus you pro-

these sad groves

Nimphes at whose sight

 


those false

fall,

base and

light

pen- tance one-

doe

him



sad

earth, im-



love
end

30

Love, to

re-

led, I

harts did yeeld to

1. From

ne- ver shall ob- taine, ob- taine, The

how

nesse.

Her- mits life

23

 




 
 

  


sence- lesse
cra-

is.

dell

die.

paire with

mee.

y,

and Tombe.


To

 


birds,

is.

Their power

die.

Hope

me.

and

Wan- stead

Tombe.

facsimile looks like a half note but may be a misprinting rather than an error.
Facsimile looks like a dotted half; may also be a misprinting

http://www.laymusic.org

Printed on November 18, 2003

II-28

Second-XI-Floods,

If Floods of teares could cleanse my follies past,


Canto.








If

fluds

of

see

my

 





teares could cleanse my fol- lies past,

And smoakes of

hopes

must

with-

er

in their bud,

see

my


 




sighes might safav-

Or

24

 

cri-

fice

for

no

last-

ing flowers,

ours are

 






sinne,




  
cries

woords will breede

see

that

 


don

les

mone,

for

er-

ror

par-

of

time

and

light-

ening

but

 

sigh,

and

e-

thus

say




 

ver mone,

Mine er-

rors,

there- fore,

That fa-

vours hopes

Printed on November 18, 2003

might salve

end-

If gron- ing

Than losse

fault,

my fault

at

no

ter good,

bet-

 


 

last,

 


win,

Then would

I cry,

at houres,

Thus when

 

sins, fol-

 


lies

past

and gone.

blinde

no more.

and words, can

 

see




weepe,
then



http://www.laymusic.org

Second-XI-Floods,

II-29

Alto.


  

sighes might
fav-

ours

14

sa- cri- fice

for

fluds

see

sinne,

of

time

and

light-

ening

but

 
e-




ver mone,

Mine

er- rors,

fault,

say there- fore,

That

fa- vours hopes,




cleanse my

 




 

ing

that woords will breede no

cries might salve my fault

(3)



bet-

 


I

see

last,

 


Or

ter good,

my


at

And smoakes of

in their bud,

see




fol- lies past,

er

If gron-

don

par-

ror




er-

of teares could

(2)

for

 


my hopes must with-

are no last- ing flowers,

 

If




 


mone,

les

26

end-

Than losse

win,

Then would

cry,

weepe, sigh,

and

at houres,

Thus when

see

then thus



er-

rors, fault, sins,


fol-

 


 


lies

past and gone.

fa- vours hopes and words, can

blinde no more.



Original is dotted whole


Original has a dot.

http://www.laymusic.org

Printed on November 18, 2003

II-30

Second-XI-Floods,

Tenore.




 


 





 








If fluds

of teares could cleanse my fol- lies

past,

And smoakes

of

my hopes must with-

bud,

my

see

er in their

see




 







 




  






sighes might sa- crifav-

ours are no

fice

for

last-

ing flowers,

14




sinne,

If gron- ing
I

 


er-

ror par-

cries might salve

see that woords will breede

 


 

(4)



my fault

at

last,

no bet-

ter

good,

 





 


Or

end-

Than losse


 


26

les

mone,

for

of

time

and

ver

mone,

light- ening but







don

win,

Then would

I cry,

at

houres,

Thus








when




fol-

lies past

see

 


weepe, sigh, and

then thus

esay



there-

fore,

Mine er-

rors,

mine er- rors,

fault, sins, sins

That fa- vours,

that fa- vours

hopes and words, words can blinde

and

gone.

no

more.

Original has a dot.

Printed on November 18, 2003

http://www.laymusic.org

Second-XI-Floods,

II-31

Basso.



 





If
I

    

6


sighes

might sa-

fav- ours




mone,

of

time

thus

er-

 


e-

ver mone,

say

there- fore,




 


fluds of

teares could

cleanse my

see my

hopes must

with-

fol- lies past,

er

 





And smoakes of

in their bud,

see

my


(1)


for




sinne,

see

ror

par-

don

ening

but

at


Mine er-

 




 

 

cries might salve my fault



at

last,

Or

  

 

Then would

cry,

houres,

Thus when

see




   




rors,

mine er- rors, faults, sins,

fol-

lies past

That fa- vours,

that fa- vours hopes and

words, can blinde

end-

Than losse

win,

 


ter good,

 




that woords will breede no bet-

 

 

If gron- ing

and light-

weepe, sigh, and


then

for

 

no last- ing flowers,

les

22

 

 

cri- fice

are

14






and gone.
no more.

Rest is editorial.

http://www.laymusic.org

Printed on November 18, 2003

II-32

Second-XII-Fine knacks for Ladies

XII. Fine knacks for Ladies


Cantus

 








 





Fine knacks for


la-

  




worths but mo-

15

ny

can- not move,


I

looke

for

gifts

la-

ces

It

toies fit- ting

But my hart where du-




li- ber-



all

coun- try

of love,

ri- enst pearles we finde,


brood, a heaven- ly paier,

faier,

  

Though all my wares bee


a

e-

trash

o- thers take

sheafe,

Hap-

py the hart that thincks

view,

the hart is

no re- moves, of

Tur-

My

tri- fles

And

di- vers




beg- ger may

Some- times in

true, the hart is

of mee a graine, of
of




Good pen- ni-

gaine,

bee plaine,

new,

a-




and gloves,

ty serves and loves,

 

 

Of

Printed on November 18, 2003

to

pre- cious Je- well to

and




faiyer but for the faier

come, as trea- sures from my minde,


a

is

and







this packe pinnes points

  

keepe a

dies, cheape choise brave

Great gifts are guiles


With- in




bee

shell

tho-

tels and twins, courts

 
true,



the hart

is

mee a graine,

of

mee

a graine.

true.

no re- moves,

of

no

re- moves.

http://www.laymusic.org

Second-XII-Fine knacks for Ladies

Altus



II-33

 





1. Fine knacks for

La-

1.

 




worthes, but mo-


ny




can- not move,

looke

for

gifts

this packe pinnes points

la-

ces

 








fayer, but for the fayer

is

pre- cious Je- well to

as trea- sures from my minde,

It

3.

toies

fit- ting

But my hart where du-

15

1.





li- ber-



all



faier,




  

  

of love, though all my wares be

2.

ri- enst pearles we finde, Of

3.

brood, a heaven- ly paier, Hap-

http://www.laymusic.org

keep

come,

coun- try

and

2.

o- thers take




e-

  

trash, the heart is

to

view,

ty serves and loves,

  


true, the heart is

no re- moves, of

gaine,

and gloves,

bee plaine,

sheafe, of mee a graine, of

py the hart that thincks of

new,

a-


a

  

good pen- iMy

tri- fles

And di- vers


  

beg- ger may

Some- times in
Tur-




dies, cheape, choise, brave and

2. Great gifts are guiles


3. With- in





be

shell

tho-

tels and twins,

courts

 
      

true, the heart

mee a graine, of

mee

no re- moves, of

no

is


true.

graine.

re-

moves.

Printed on November 18, 2003

II-34

Second-XII-Fine knacks for Ladies

Tenor






 





La-

3. With- in

  










dies,

cheap, choise, brave and

and

looke

for

gifts

this packe pinnes points

la-

ces

2. Great gifts are guiles

1. Fine knacks for







   





  

new,

a-

good pen- i-

gaine,

My

and gloves,

tri- fles

And di- vers

  

worthes but

ny

can- not move,

keepe

fayer

is

pre-

come,

as

trea- sures from my minde,

It

toies

fit-

ting

faier,

But my

hart where

  



coun- try

  
 

 


14

mo-




but

for the fayer

cious Je- well to


du-

e-

view,

bee plaine,

 


beg- ger

Some- times in

ty serves and loves,




to

Tur-




tels and




may

be

li- ber-

shell

tho-

ri- enst pearles we finde,

twins,

  

22

all

of

love,

though

courts brood, a heaven- ly paier,




 

all

my

wares

Of

o-

thers

take

Hap-

py

the

hart

that







be

trash,

the heart, the heart is

sheafe,

sheafe, of mee

thincks that thincks of




no

a
re-



true.

The

heart, the heart

is

true

graine,

graine, of

of

mee

graine, of

mee

graine, of

mee

graine.

moves,

of

of

no

re-

moves, of

no

re-

moves, of

no

re-

moves.

no

mee

re- moves

Printed on November 18, 2003

is

true, the heart

is

true, the heart

is

true.

http://www.laymusic.org

Second-XII-Fine knacks for Ladies

II-35

Bassus


 





 





1. Fine knacks for


la-

7


 


mo-

16



ny


    

can- not move, I

keep a
is

ting

my hart where du-

love:

coun- try



faier, But

and

for

this packe pinnes points

la-




fayer, but for the fayer

trea- sures from my minde, It


a

looke

  

  

  

pre- cious Je- well to




e-

 

trash, the heart is

finde,

Of

o- thers take

sheafe, of mee a graine, of mee

paier,

Hap-

py the hart that thincks of

http://www.laymusic.org

to

gifts

a-




as

ces and gloves, And di- vers toies

fit-

 

beg- ger may


shell



be
tho-

  

li- ber-

all

of

ri- enst pearles we

tels and twins, courts brood, a heaven- ly

 

  

      

true, the

a graine, of mee of mee a graine, of


re- moves, of no

 


new, good pe- ni- worthes, but

true, is true, the heart is true, the hart is

no re- moves, of no

gaine, My tri- fles come,

view, a




bee plaine, Some- times in

  

though all my wares be


a

ty serves and loves, Tur-




dies cheap, choise, brave and

2. Great gifts are guiles


3. With- in

of

no re- moves, of

heart is
mee
no



true.

a graine.
re- moves.

Printed on November 18, 2003

II-36

Second-XIII-Now cease my wandring eyes

XIII. Now cease my wandring eyes


Cantus



 

 

 





1. Now cease

 

my wan- dring

eies, Strange beau- ties

In change least com- fort


2. One man hath but
If

  






1.

One

faith

one

2.

New hopes

new

joyes,

One

soule

one

love,

Dis-

trac-

3.

That though

ted

spirits,

Are

wee

see,

Ten

One

fast

love,

sted-

love,

ture

As

well




Are

lies, Long

one soule, which

one soule must

in earth




art

love, Two

de- nide,

to

im- part,

and

in sweetto deepe

still with

sor-

cli-

ning,

Un-

me-

ni-

ted

can-

chang-

ing and hap-

thou- sand

beau-

ties yet

Be- cause our

harts

stand

 


faith and
ver

be

nall

e-

loves most

ter-

rit u-

can- not de- vide,

she hath given one hart,

plea- sures erow de-

ad- mire,

beau- tie

as heaven, But



to



joyes yeeld long de- sire.

two eyes hath given, All

 

Makes our fraile

By

all

3. Na-

   







nesse prove,

not

lesse

in

their

in

us

one

should

fast

al-



a-

noies.

re-

move,

de- lights,
be,

though our eies

do

move.

Altus








 


1. Now cease

my wan-

In change least com2. One man hath but


If

1.

2.

3.




 






Strange beau- ties

fort

lies,

ture

two eyes

hath given,

well

in earth

de- sire.

New hopes new joyes, Are

still

de- vide,

One

soule one love, By

faith and

de- nide,

Dis-

trac-

im- part,

That though wee

see, Ten

one hart,

One

love, Be- cause our harts

    

with sor- row deme-

rit u-

ver chang- ing and

thou- sand beau- ties yet


stand

ter-

nall

All

cli-

ning,

ni-

ted

hap- lesse
in

us

fast

al-

Uncanin
one

to

can- not

loves most

be

beau- tie

to

But


and

art

Two

as heaven,

joyes yeeld long

which

love,

 
  


Long

one soule,

As

faith one love, Makes our fraile plea- sures e-

Printed on November 18, 2003

eies,

3. Na-

must

One

sted- fast

dring

 

one soule

e-

all

ad- mire,

ted spirits, Are

she hath given



in sweet- nesse prove,


to deepe
not
their

a-

noies.

re-

move,

de- lights,

should

though our eies

be,
do

move.

http://www.laymusic.org

Second-XIII-Now cease my wandring eyes

Tenor

 

 
8

II-37




 


my wan- dring

2. One man hath but


If

 



eies, Strange beau- ties

In change least com- fort

  


 



1. Now cease




  





all
ture

As

well




ad- mire,

can- not de- vide,

loves most

be

de- nide,

beau- tie

to

im- part,

as heaven, But

 

  


art

love, Two

two eyes hath given, All


in earth

to

joyes yeeld long de- sire.

one soule, which

one soule must

3. Na-

lies, Long

she hath given one hart,




 





1.

One

New hopes new joyes, (New hopes new joyes,) Are still with

sor-

row de-

2.

One

soule one love, (One

soule one love,)

me-

rit

Dis-

trac-

trac-

chang-

ing and hap- lesse

in their

ties

us one should

3.

faith one love, (One

ted spirits, (Dis-

faith one love,) Makes our fraile

see, (That though wee

One

love, (One

sted- fast

Bassus
 


e-

ver

see,)

Ten thou- sand

beau-

sted- fast love,)

Be- cause our

harts

 

By faith and

ted spirits,) Are

That though wee

plea- sures e-

  





1. Now cease

If

 




1.

One

2.

soule one

Dis-

trac-

3.

faith one




all

3. Na-

ture

As

well

 


my wan- dring




plea-

sures

New hopes new

joyes, Are

still with

sor-

One

love, By

faith and

mechang-

ing

ted spirits, Are

e-

ver

That though wee

see, Ten

One

love, Be- cause our

sted- fast

http://www.laymusic.org

thou-

u-

ni-

e-

love, Two


nall

row

de- cli-

ning,

rit

u-

and hap-

sand beau-

ties yet

harts stand

fast al-




lies, Long

ter-

ni-

in

noies.
move,

de- lights,

do

   

to

are-

be,
move.




ad- mire,

joyes yeeld long de- sire.


art

can- not de- vide,

loves most

be

de- nide,

beau- tie

to

im- part,

as heaven, But

can- not

eies, Strange beau- ties

one soule must

 

to deepe

ted

yet

two eyes hath given, All

love, Makes our fraile

cli- ning, Un-

one soule, which

in earth

in sweet- nesse prove,

stand fast al- though our eies

In change least com- fort


2. One man hath but

ter- nall and

she hath given one hart,


 




and in sweet- nesse prove,

ted

Un- to deepe

a-

noies.

can-

re-

move,

not

lesse

in

in

us

one should

our

eies

though

their

de- lights,

do

be,
move.

Printed on November 18, 2003

II-38

Second-XIIII-Come ye heavy states of night

Come ye heavy states of night


Cantus


 

19

 






 

 


 

1. Come

yee

hea- vy

2. Come

you

Vir- gins


 




of

 

fa- thers spi-

rit right,

Sound-

ings bale-

full

let

me

bor- row,

Dir- ges

de- light,

Quier

my An-

thems,

doe

bor- row



 

   


  


  

That

in

Bur- then-

ing

my

Gold nor

pearle, but sounds of

 



row come her

eies

that

sings,

By

thee are

tur- ned

in-

to

springs.

row come hir

eies

that

sings,

By

thee are

tour- ned

in-

to

springs.




 

yee

hea-



vy




 
  

 


  



  




states of
of

the

 


night,

Doe

my

night,

That

in









my

song with

 

fa- thers spi-

rit

right,

Sound-

ings bale-

full

let

me bor- row,

Bur- then- ing

Dir- ges sad

de-

light,

Quier

my An-

thems,

doe bor- row

Gold nor pearle, but sounds of




 









 


 

 





sor- row,

Come sor- row come come her eies that sings,

By thee are tur- ned, are tur- ned,

in- to springs.

sor- row:

Come sor- row come come hir eies that sings,

By thee are tour- ned, are tour- ned,

in- to springs.

Printed on November 18, 2003

song with

Come sor-

2. Come come you Vir- gins

my

Come sor-

1. Come come

Doe




sor- row:

20

sor- row,

Altus

  







 

the night,

 

sad

states of night,






http://www.laymusic.org

Second-XIIII-Come ye heavy states of night

Tenor





 

10

II-39

 




 


 







1. Come come yee hea- vy

states

of

night,

Doe

my

2. Come come you Vir- gins

of

the

night,

That

in

 


 

  

 

 

 


fa- thers
Dir- ges

   


spi- rit right,

Sound- ings bale-

sad de- light,

Quiet

    

22




my

 


full

An-

let me bor- row, Bur- then- ing

thems, I




my

song with sor- row,

doe bor- row Gold nor pearle, but sounds of







 


Come

sor- row:

Come


   




sor-

row

come her eies that sings,

By

thee are

turn-

ed,

are turnd, in-

to

springs.

sor-

row

come hir eies that sings,

By

thee are

tour- ned,

are turnd, in-

to

springs.

Bassus


 





 







1. Come, come yee hea- vy


2. Come, come you Vir- gins

10


21


  









 


of

night,

Doe

my

night,

That

in

states of
the




Sound- ings

bale-

full

let

me

bor- row,

Bur- then-

sad

de- light,

Quiet

An-

thems,

doe

bor- row

Gold nor pearle, but sounds of




 





 


Come

sor-

row come her

eies

that sings,

By

thee

Come

sor-

row come hir

eies

that sings,

By

thee

http://www.laymusic.org

my

rit right,

 

ing

spi-

my

fa- thers
Dir- ges

song with




 


sor- row,
sor- row:

are

tur-

ned

in-

to

springs.

are

tour- ned

in-

to

springs.



Printed on November 18, 2003

II-40

Second-XV-White as Lillies

White as Lillies was her face,


Canto.

 







White as

Lil-

lies

2.

When I

swore

3.

Vowes and

oaths

1.

4.

 




Oh

was

hir

my

hart

hir

owne,

She

and

faith

as-

sured,

Con- stant

When she
dis-

have

the

art,

in

vaine

is

La-

dies

love,

Quick- ly

6.

To

thy

selfe

the

sweet-

est

faier,

Thou hast

7.

By

thine

er-

ror

thou

has

8.

For

my

set

at

 

Love should

face,




All

 

that

5.




hart though




By

lost,

Hart

nought,

sur-

un-

Since you




1.

smil-

ed,

She

bee-

guil- ed,

Quit- ting

faith

with

foule

dis-

grace,

Ver-

tue

2.

dain-

ed,

com-

plain- ed,

Yet

shee

left

mee

o-

ver-

throwen,

Care-

les

3.

e-

ver,

Chang- ing

ne- ver,

Yet

shee

could

not

bee

pro-

cured,

To

be-

4.

mi-

ses,

And

5.

choos-

ed,

Short-

6.

wound-

ed,

And

7.

fain-

ed,

8.

will

it,

14

 


dis-

guis-

es,

To

des-

troy

faith-

full

hart,

Or

that

For

their

pride

is

to

re-

move,

Out

a-

faith

with

foule

dis-

paier,

And

my

swaine that

lov-

ed

most,

More

as-

change

my

thoughts

But

grieve

ly

loos- ed,

con-

found- ed,

Chang- les

Truth un-

stain- ed,

And

the

will

Spoil

and

kill

 


it,




1.

ser-

vice

thus

ne-

glect-

2.

of

my

bit-

ter

gro-

3.

leeve

my

paines

ex-

ceed-

ing,

4.

wan-

ton

look-

ing

wo-

men,

5.

las

their

looks

first

won

6.

ser-

vice

hath

en-

vi-

7.

sured

in

love

then

man-

y,

8.

that

beau-

tie

ere

was

Printed on November 18, 2003

ne-




ver




 


 


ed,

Heart with

sor-

rowes

hath

in-

fect-

ed.

ning,

Ruth- lesse

bent

to

no

re-

lie-

ving.

From

glect

pro-

ceed-

ing.

as

foe-

men.

hir

scant

ne-

Should re-

ward

their

friends

us,

And

their

pride

hath

straight un-

done

us.

ed,

And

my

suc-

cours

hath

de-

ni-

ed.

More

dis-

pised

in

love

then

an-

y,

grieve

that

beau-

borne.

But

tie

ere



was borne.

http://www.laymusic.org

Second-XV-White as Lillies

II-41

Alto.







1.

She

bee-

2.

com- plain- ed,

3.

Chang- ing

4.

And

5.

Short-

6.

And

7.
8.

15

1.

disly

 

es,

loos- ed,

(1)

   

 


Lil-

lies

was

hir

face,

When she

smil-

ed,

swore

my

hart

hir

owne,

She

dain-

ed,

Vowes

and

oaths

and

faith

as-

sured,

Con- stant

Oh

that

Love should have

the

art,

5.

All

in

vaine

dies

love,

Quick- ly

6.

To

thy

selfe

the sweet-

est

faier,

Thou hast wound- ed,

7.

By

thine

er-

ror

has

lost,

Hart un-

fain-

ed,

8.

For

my

nought,

Since you

will

it,

1. White as

2.

When

3.
4.

is

La-

thou

hart though set

 

Quit- ting

ne- ver,

 

1.

guil- ed,

guis-

 

 

at

dis-

By

 

e-

ver,

mi-

ses,

choos-

ed,

sur-




faith

with

foule

dis-

grace,

Ver-

tue

ser-

vice

o-

ver-

throwen,

Care-

les

of

my

Yet

shee

left

mee

Yet

shee

could

not

bee

pro-

cured,

To

be-

leeve

my

To

des-

troy

faith-

full

hart,

Or

that

wan-

ton

For

their

pride

is

to

re-

move,

Out

a-

las

their

faith

with

foule

dis-

paier,

And

my

ser-

vice

con- found- ed,

Chang- les

Truth

un-

And

the

swaine

that

lov-

ed

most,

More

as-

sured

in

Spoil

and

will

ne-

ver

change

my

thoughts

But

grieve

that

beau-

 
thus

stain- ed,
kill

ne-

it,




glect-




ed,

Heart

with


sor-

 


rowes hath


in-


  

 


fect-

ed.

2.

bit-

ter

gro- ning,

Ruth-

lesse

bent

to

no

re-

lie-

ving.

3.

paines

ex-

ceed-

ing,

From

hir

scant

ne-

glect

pro-

ceed-

ing.

4.

look-

ing

wo-

men,

Should

re-

ward

their friends

as

foe-

men.

5.

looks

first

won

us,

And

their

pride

hath straight

un-

done

us.

6.

hath

en-

vi-

ed,

And

my

suc-

cours hath

de-

ni-

ed.

7.

love

then

man-

y,

More

dis-

pised

in

love

then

an-

y,

8.

tie

ere

But

grieve

that

beau-

tie

ere

was borne.



was borne.

(1)Facsimile has a quarter note here.

http://www.laymusic.org

Printed on November 18, 2003

II-42

Second-XV-White as Lillies

Tenor.








 







 


 




1.

White as

Lil-

lies

was

hir

face,

When

she

2.

When I

swore

my

hart

hir

owne,

She

dis-

3.

Vowes and

oaths

and

faith

as-

sured,

Con-

stant

have

the

art,

By

sur-

La-

dies

love,

Quick-

ly

4.

Oh

that

5.

All

in

vaine

is

6.

To

thy

selfe

the

sweet- est

faier,

Thou

hast

7.

By

thine

er-

ror

thou has

lost,

Hart

un-

8.

For

my

nought,

Since

you

 

 


Love should

hart though




set

at

1.

smil-

ed,

She

bee-

guil- ed,

2.

dain-

ed,

com-

plain- ed,

Yet

3.

e-

ver,

Chang-

ne- ver,

4.

mi-

ses,

And

5.

choos-

ed,

Short-

6.

wound- ed,

ing
dis-

And

tue

shee

left

mee

o-

ver-

throwen,

Care-

les

Yet

shee

could

not

bee

pro-

cured,

To

be-

To

des-

troy

faith-

full

hart,

Or

that

For

their

pride

is

to

re-

move,

Out

a-

faith

with

foule

dis-

paier,

And

my

lov-

ed

most,

More

as-

thoughts

But

grieve

And

the

swaine

that

will

ne-

ver




un-

Spoil

and

Ver-

stain- ed,

Truth

it,

 

grace,

Chang- les

ed,

dis-

loos- ed,

will

foule

found- ed,

fain-

with

ly

8.

es,

faith

con-

7.

14

guis-

Quit- ting

kill

it,




 




change my




 




 




1.
2.

ser- vice thus


of

my

bit-

ne-

glect-

ed, Heart with sor- rowes with sor-

rowes

ter

gro- ning, Ruth- lesse bent

to,

bent

to

3.

leeve my paines

ex-

ceed-

ne-

glect,

ne-

4.

wan- ton look-

ing

wo-

5.

las their looks

first

won

us, And

6.

ser- vice hath

en-

vi-

ed, And

7.

sured in

8.

that beau- tie

love

then
ere

Printed on November 18, 2003

man-

ing, From

hir scant

men, Should re- ward their, re- ward


their pride hath, their pride
my

suc- cours my

y, More dis- pised

was borne. But

in

suc-

dis- pised

grieve that beau- tie, that

hath
no

in- fectre-

lie-

glect pro- ceed-

ed.
ving.
ing.

their

friends as

foe-

men.

hath

straight un- done

us.

cours

hath

in

love

beau-

tie

de-

ni-

ed.

then an-

y,

ere was borne.

http://www.laymusic.org

Second-XV-White as Lillies

II-43

Basso.


6
















Lil-

lies

was

hir

swore

my

hart

hir

owne,




1.

White as

2.

When

3.

Vowes and

oaths

and

faith

as-

sured,

4.

Oh

that

Love

should

have

the

art,

5.

All

in

vaine

is

La-

dies

love,

Quick- ly

6.

To

thy

selfe

the

sweet-

est

faier,

Thou hast

7.

By

thine

er-

ror

thou

has

lost,

8.

For

my

hart

though

set

at

 

 

 


face,

When she
She

dis-

Con- stant
By

sur-

Hart

nought,

un-

Since you





1.

smil-

ed,

She

bee- guil-

ed,

Quit-

ting

faith

with

foule

dis-

grace,

2.

dain-

ed,

com- plain-

ed,

Yet

shee

left

mee

o-

ver-

throwen,

3.

e-

ver,

Chang- ing

ver,

Yet

shee

could

not

bee

pro-

cured,

To

be-

4.

mi-

ses,

And

es,

To

des-

troy

faith-

full

hart,

Or

that

5.

choos-

ed,

Short-

6.

wound-

ed,

And

7.

fain-

ed,

8.

will

it,

14


1.

ser-

vice

ly

loos-

tue

Care- les

ed,

For

their

pride

is

to

re-

move,

Out

a-

con- found-

ed,

Chang-

les

faith

with

foule

dis-

paier,

And

my

Truth

un- stain-

ed,

And

the

swaine

that

lov-

ed

most,

More

as-

Spoil

and

it,

will

ne-

my

thoughts

But

grieve

kill




ne-

dis- guis-

Ver-

thus

 

ne-

 


glect-

ed,

2.

of

my

bit-

ter

gro-

ning,

3.

leeve

my

paines

ex-

ceed-

ing,

4.

wan-

ton

look-

ing

wo-

men,

5.

las

their

looks

first

won

us,

6.

ser-

vice

hath

en-

vi-

ed,

7.

sured

in

love

then

man-

8.

that

beau-

tie

ere

was

http://www.laymusic.org

y,
borne.



Heart with

sor-

ver change




rowes

hath


in-

 

fect-

ed.

Ruth- lesse

bent

to

no

re-

lie-

ving.

From

hir

scant

ne-

glect

pro-

ceed-

ing.

Should re-

ward

their

friends

as

foe-

men.

And

their

pride

hath

straight un-

done

us.

And

my

suc-

cours

hath

de-

ni-

ed.

an-

y,

More dis-

pised

in

love

then

But

that

beau-

tie

ere

grieve



was borne.

Printed on November 18, 2003

II-44

Second-XVI-Wofull hart

Wofull hart with griefe oppressed,


Canto.



 

 







1. Wo- full hart

with

  

17

 

 





most dis-

tres- sed.

From my

seate hath

tak-

All

en,

 

 

do- red,
shin- ing,







ar- rowes through mee

dart- ing,

Thou maist live

   


 
in

no more

fer

 


are

my for- tunes

Fol-

Where- in Griefe his

mo- ved,

Those sweet eyes whereshall suf-

sak- en,




Since

re-

mee

mee for-

 


joyes hath

his

 

 


griefe op- press- ed,

2. Fly my breast, leave

 


low those sweet

eies

by

a-

hir Sunne-

 



 


stor- ed,

All my

plea-

sures

best bee- lov-

pin- ing,

By thy

losse,

then

by

ed.

hir part- ing.

Alto.


 




1. Wo- full

 

hart

with

2. Fly my breast, leave

    


tres- sed.

From my

tak- en,

All

his

 
  

   


17


  

  


Joyes my

Joyes

mee

mee


   


    

eyes where-

in

suf-

no more

fer

are

  


Since

for- sak- en,




dart-

 


my

for- tunes most dis-

sweet eies
by

seate hath

a-

 
dored,

hir Sunne- shin- ing,

 
      





  


low those

Griefe his

ing, Thou maist live

  

Where- in

re- movd, Fol-

ar- rowes ar- rowes through mee

Those faier
shall

hath

 


griefe op- press- ed,


     

 


 


  


stor- ed,

All my

plea-

sures best bee-

lov-

pin- ing,

By thy

losse,

then by

part- ing.

hir

ed.

This system (from tress- ed to those sweet) has the flat in the key signature on the third line, although the C clef
is on the first line. Im assuming the clef is correct and the key signature is wrong.

Printed on November 18, 2003

http://www.laymusic.org

Second-XVI-Wofull hart

Tenor.

II-45




   



  

hart

2. Fly my breast,

 


 


 


my

 

1. Wo- full

   


   

 





press- ed,

Since

sak-

Where- in

   


with griefe opleave mee for-

 


en,




 


for- tunes
Griefe his







most dis-

tres- sed.

From my joyes my Joyes hath

seate hath tak- en,

 

15

All

his

mee re-

mo- ved,

through mee dart-

 

 

    


ar- rowes

  
 


Fol-

ing,

  


low those sweet eies those sweet

Thou maist live

by

hir Sunne- by

  

(2) 

 

  


eyes

a-

do- red,

hir Sunne- shin- ing,

Those

sweet

eyes where- in are

stor- ed, All my plea- sures

shall

suf-

pin- ing, By thy losse, by thy losse then by

Basso.









fer

no more







1. Wo- full

hart

  

16

 


   

most dis- tres- sed.

From

my

joyes

seate hath tak- en,

All

his

ar-

 









   

hath

mee re-

rowes through

mee for- sak-




movd, Fol-

hir part- ing.

 

ed,

Since

my

for- tunes

en,

Where- in




     

by

Griefe his

 


low those sweet

mee darting, Thou maist live

ed.

 

with griefe op- press-

2. Fly my breast, leave

plea- sures best bee- lov-




eyes sweet
hir

by

eyes

bee- lov-

do- red,

All my

plea-

sures

best

By thy

losse,

then

by

a-

hir Sunne-

 

shin- ing,

 



ed.

hir part- ing.

This and the following note are quarter notes in the original.

http://www.laymusic.org

Printed on November 18, 2003

II-46

Second-XVII-A shepherd in a shade

XVII. A shepheard in a shade


Cantus



1.


A

Shep- heard

Since love
2.

1. wrong,

2.


Un-

to

the fair- est

lasse, that

 


trode on grasse,

bee, Sweet Nimph for

save,

Why have yee cast

it

forth as

no- thing worth,

vers

your faire and love-

cru-

To

If

love and lo-

hon- our still,


ell maide,

for sor-

with- out

  

his

song,

row

dye.

or

grave.

a tombe

ly

kill when you might


   

 


and thus bee- gan

thee,

Of










Re- store, re- store my


O

laid

it

2.

will,

  

 


shade, his plain- ing made,

and For- tune

What con- quest will

1.

26

  


My hart where have you





in

eye,

17

  







let

it




1.

in- forst by

2.

re- sound on

bee

hart

 
a-

in- tombed and




your dis- daine, I


e- very war- bling

 

 


gaine, Which love


lye, In

 



by




thy sweet

your sweet minde and




 

 









lookes hath

slaine,

least that

me-

rie,

least

mo-




  

sing, Fye

fye on

love Fye

fye on

love,

it

is

fool- ish thing.

string, Fye

fye on

love, Fye

fye on

love,

that is

fool- ish thing.



Note: I had originally repeated the B section to Restore, restore. The facsimile has both a begin and end repeat
between the A and the B sections, and also a repeat back to here squiggle at Least. Since it looks like the printer
may not have had one-way repeat bars, I am now repeating only to Least, which agrees with other modern editions I
have seen.
Note also that least here is an Elizabethan spelling for the word we spell lest, and not the word we spell least.

Printed on November 18, 2003

http://www.laymusic.org

Second-XVII-A shepherd in a shade

Altus



II-47




1.




shep- herd

Since love and


2.

 


 

1. wrong, uneye,
2.


to




the fai- rest lasse, un-

what con- quest will it

be,

to

 

1.

song.

2.

grave.




 

the

fai-

 




Re- store

re- store my heart

it

a-

     


play- ning

wil,

ho-

nour

laid

cru-

ell

  


rest lasse, that

will

it

cast

it forth, as

  


 

ye

shade, his

you

what con- quest

save, Why have yee cast it forth, why have

16

in

for- tune

My hart where have

 


love and lov-

ers

your faier and love-

ly

maide, To

kill when you might




on grasse, and

be, sweet Nimphe for

thee,




by

  

thy sweet




thus be

if

 


 


gan

his

for

no- thing worth, with- out

gaine, which love

still,

 


trode

made of




sor- row
tombe or



lookes hath

slaine,

me-

rie,

dye.

26

1.
2.







let




bee

by your dis- dain


least I

in- tombed and

 


I

sing,

re- sound, re- sound,

http://www.laymusic.org

lye, In

  

your sweet minde and

 

  





mo-




  




fie

fie

on love,

fie

fie

on love,

fie, it

is

a fo- lish thing.

Fie

fie

on love,

fie

fie

on love,

fie, it

is

a fo- lish thing.



Printed on November 18, 2003

II-48

Second-XVII-A shepherd in a shade

Tenor











8

  


shep- herd

Since

love

My

hart where have you

2.

  

  





 

 


1.










and

   


in

shade, his play- ning made of

for- tune wil,


laid

  


ho- nour still,

cru-

love and lo-

your faier and love-

ell maide, To

 


vers worng, unly

eye,

what

kill when you might save, Why

 
     


 

1.

to

the fai- rest lasse, un-

con- quest will it


2.

to

the fair - est lasse that

be, what con- quest will

have yee cast it forth, why have

17

 


 (2) 

ye

it be,

cast it

  


sweet

forth, as

trode

on grasse, and thus be

Nimphe for thee,

no- thing worth, with- out

 





if

gan his song.

for

sor- row dye.

tombe or grave.

 







1.

Re- store re- store my heart

2.

it


   

 

27

let

a- gaine, which love

bee in- tombed and




lye, In




by

thy sweet sweet lookes hath slaine,

your sweet minde and

and

mo-

rie,

least

re- sound, re- sound,

 

 

fie

fie on love, fie

fie fie on love

it

is a fo- lish thing.

very string, Fie

fie on love, fie

fie fie on love

it

is a fo- lish thing.




 

me-

least that in- forst, in- forst

  

      



1.

by your

dis- daine, by your dis- daine I

2.

on

very war- string, on

e-

e-

sing

original is d quarter note

Printed on November 18, 2003

http://www.laymusic.org

Second-XVII-A shepherd in a shade

II-49

Bassus


1.

Shep- heard

Since love
2.

1.

wrong, Un-

2.

18

1.

1.

 
to

the fair- est lasse, that

have yee cast it forth

as




heart

 
a-

gaine, Which love

in- tombed and


sing,




lye, In

 


fye

fye

on

Fye

fye

on

cru-

thus

if

 

by

 


me-

mo-

love and

 

tombe or

 


dye,
grave.




Least I




Re- store, re-

let




least that in- forst by

rie,

ly
might

song.

sor- row

lo- vers
love -

kill where you

his




your faire and

for
a

(1)

thy sweet lookes hath slaine,

 

ell maide, To

still,

be- gan

no- thing worth, With- out

your sweet minde and

 

thee,

hon- our

   

trode on grasse, and

Why

bling string,




save,

2.

Sweet Nimph for

 

you laid

con- quest will it bee,

bee

28

My hart where have

  

shade, his plain- ing made, Of


I

What

store my

2.




tune will,

eye,

 

in

 


and For-

  


 


re- sound on

e- very war-

love

fye

fye

on

love,

fie

it

is

fo- lish

thing.

love,

fye

fye

on

love,

fie

it

is

foo- lish

thing.







your dis- daine

 

it



Original has d quarter note.

http://www.laymusic.org

Printed on November 18, 2003

II-50

Second-XVIII-Faction

Faction that ever dwells,


Canto.





1. Fact- ion

that

e-




ver dwels,

cord

4. So

the

to

5. My saint

10

dehir

 

 


fi- ance,


For- tune

wheele,

 


and

deere

e-

ver

dwell

The booke

get
I

of

That they were

live and die

For- tune

selfe is

Jone faier

youth

Made me thinke hum- ble truth

ver

move

Pas- sions

1. Fact- ion

that

 
fi- ance,

wheele,





For- tune

de- sert borne.

For- tune

a-

diew.

  




 




set

de-

2. For- tune sweares, weak- est

harts The booke

Turne with

3. This dis-

cord

get

4. So

the

 

and

love hath sworne,

Sen- ces them- selves shall prove

ver

Hath

to

e-

In

love with love

dwels, In court where wits ex- cells,

5. My saint

 

 

li- ance.

Aske them that feele.

my

a-

Love keepe the wood.

e-

one

cell

of

of

  


love

Jone that doth

  

place in

Ex- per- ience

shee




true,

it

is

  

be-

of

Cu- pids arts

A- theist that ho- nor not

Na-

hir

ture thought

wood went

With love

to

live and die

For- tune

for-

deere

mee, And love

hir

selfe is shee

Jone faier

and

to

 
      

 

That they were


Ven- ture

hir

ne-

ver

borne,

  
of

one

 


a-

place in

love

Aske them that feele.

For- tune should

e-

ver

dwell

In court where wits ex-

cell

Love keepe the wood.

lorne.

Ex- per- ience

of

my

youth

Made me thinke hum- ble

truth

true,

Jone that doth

e-

ver

move

Pas- sions

love

of

love with

In



li- ance.

good,

Printed on November 18, 2003

ture

to

lorne.

Na-

hir

for-

set

Turne with

In court where wits ex-

of

And love

and

hath

Cu- pids arts

ne- ver borne,

hir

With love




Ven- ture




A- theist that ho- nor not

to mee,

love hath sworne,

For- tune should

Alto.

be-

wood went

is

Sen- ces them- selves shall prove

thought good,

11

it




In court where wits ex- cells

2. For- tune sweares, weak- est harts


3. This dis-

de- sert borne.

For- tune

a-

diew.

http://www.laymusic.org

Second-XVIII-Faction

II-51

Tenor.










1. Fact- ion

that

3. This dis-

cord

4. So

the

to

5. My saint

  

   








e-

ver dwels,

2. For- tune sweares, weak- est harts

is

it

deere

  




and

love hath

be-

get

wood went

 

to

In court where wits ex- cells,


The booke

of

A- theist that ho- nor

With love

to

live and

mee,

And love

hir

selfe is

   




Hath

Cu- pids arts

 


Turne

not

Na-

die

For-

shee

Jone

 

  


set

de-

with

hir

fi- ance,
wheele,

For- tune

sworne, That they were

Sen- ces them- selves shall

prove

Ven- ture

hir

ne- ver

borne, of

li- ance.

Aske them that feele.

cell

Love keepe the wood.

ture thought good,

For- tune should

e-

ver

dwell

In court where wits ex-

for-

lorne.

Ex- per- ience

of

my

youth

Made me thinke hum- ble

truth

faier

and

true,

Jone that doth

e-

ver

move

Pas- sions

love

http://www.laymusic.org

a-

love

tune

of

one

place in

love with

In

de- sert borne.

For- tune

a-

diew.

Printed on November 18, 2003

II-52

Second-XVIII-Faction

Basso.












1. Fact- ion

that


e-

ver dwels,

2. For- tune sweares, weak- est harts


3. This dis-

cord

4. So

the

to

5. My saint

10


 


dehir

fi- ance,
wheele,

thought good,

 


For- tune

and

love hath sworne,

it

Sen- ces them- selves shall prove

be-

deere

of

hir


Hath

Cu- pids arts

set

Turne with
Na-

ture

to

live and die

For- tune

And love

hir

selfe is

shee

Jone faier

  

ne- ver borne,

of

one


  


a-

li- ance.

place in

love

Aske them that feele.

In court where wits ex-

cell

Love keepe the wood.

For- tune should

e-

ver

dwell

lorne.

Ex- per- ience

of

my

youth

Made me thinke hum- ble truth

and

true,

Jone that doth

e-

ver

move

Pas- sions

of

With love

for-

Printed on November 18, 2003

In court where wits ex- cells,

That they were


Ven- ture

A- theist that ho- nor not

to mee,

The booke

get

wood went

is

love with love

In

de- sert borne.

For- tune

a-

diew.

http://www.laymusic.org

Second-XIX-Sue

II-53

Shall I sue?
Canto.


 

 







1. Shall I




sue shall I

  

Shall I
o

11




strive

to

a heaven- ly

be- thinke what

hie

a vaine

de-

sire

fence,

dy-

ing

hart,

man his

owne though my love

bee

just,


Joy,

re- gard,

but a




an earth- ly

ho-

Or

a wound- ed

Trea- sure
for
per-

is

a worth
ish

in

eie,

Or

not bought,

Fa-




as faire

are,

a meane de-

Shee

to

sigh

can as-

vour is

not

sert.

must,


cend

Sil-




the cloudes

wonne with words,

so

base,

Cru-

ell and

but

just

is

shee,

dis-

paire,

Wit- nesse yet

how

faine

die,

http://www.laymusic.org

Fa- vour is

there- fore die

ly hopes doe re- quire.

in

love?

 


hart

spect no mone,

 

for

Shall I think that a bleed- ing

pittie my griefe,

with

re-

shall I prove?

sake these dreames, of

shee

poore de-

is

La- dies eies

I pray

3. Pit- tie

Yet will not

 

grace? Shall

  

2. Sil- ly wretch for-









 


seeke for

4. Jus- tice gives each

is

ly hart then


to

as things
wor- thie

far,

yeeld to

die,

at- taine

so

hie.

nor the wish

of

a thought.

in

my just

When I

die

disfor the



grace.
faire.

Printed on November 18, 2003

II-54

Second-XIX-Sue

Alto.





1. Shall I

sue

shall I

2. Sil- ly wretch for3. Pit- tie

is

but

4. Jus- tice gives each





prove?

Shall

heav-

en-


ly

dreames, of

a vaine

man

de-

fence,

dy-

ing

his

owne though my love

bee

 





for

 


Joy,

with

an earth-

ly

what

hie

re-

gard,

ho-

ly hopes

doe

re-

spect

no

mone,

in

a meane

de-

just,

Yet

will

not

shee

pit-

tie

my griefe,


I

think that a bleed-

vour

Sil-

ly

Or

Fa-

vour

Cru-

ell

Wit- nesse

is

as faire as

is

to

hart then




  





is

not




ing

hart,

things are,

quire.
sert.

must,

wound-

ed

eie,

as

things

are,

Trea-

sure

is

not

bought,

wor-

then yeeld

the cloudes,









Or

to


hart

far,

Printed on November 18, 2003

re-

bleed- ing

die,

faine

love?

to

wonne

there- fore die

thie

and but just is


yet how



wor-

sigh can as- cend

de-

yeeld

 

pray shall I

 

eies

dies

Shee

poore

grace? Shall

be- thinke

to




these

La-

Fa-

strive

for

sake




sire

Shall

13

seeke

hart,

 
 

 



 

  



as-

thie

far,

for

worth

so

base,

to

die,

per-

ish

in

dis-

paire,

 




cend

 

the




to at-

taine

so

words,

nor the

wish

of

shee,

in

my just

die,

not wonne with

shee,

but

just

die,

how faine

When I

 

cloudes

with words,

is

hie.
a

disdie

for



thought.
grace.

the

faire.

http://www.laymusic.org

Second-XIX-Sue

II-55

Tenor.







 





2. Sil-

sue

shall

ly wretch

3. Pit- tie




 




 








is




I seeke for




but

grace?

Shall I

sake these dreames,

for-

4. Jus- tice gives




1. Shall I

a poore de-

ly

Joy,

with

an

re-

gard,

vaine

fence,

for

dy-

ing

owne

though

my

love bee

each man his

 

pray shall

of



 

earth-

ly



de-




prove?

Shall

strive

to

be- thinke

heav-

sire

what

hie

hart,

La-

dies eies

re-

spect

just,

Yet

will not

shee

pit-

  







en-

tie

 



ho-

ly

hopes

doe

no mone,

in

meane

de-

my griefe,

there-

fore

die




love?
re-

sert.
must,




quire.

Shall
Fa-

  

13

I
vour

Shee

is

Sil-

ly




think that



is

as faire

to

wor- thie

hart then



 

bleed-

ing

as

hart

things are,

Or

Trea-

sure

wound- ed

eie,

is

not

bought,

far,

for

worth,

for

worth,

yeeld

to

die,

per-

ish

in

dis-









 

so

base,
paire,






Or
Fa-

sigh

vour is

can as- cend

the

not

wonne

with

cloudes,
words,

Cru-

ell and

but

just

is

shee,

Wit-

nesse yet

how

faine

die,

http://www.laymusic.org

the
with

cloudes,
words,

is

shee,

die,

to

at-

taine

nor

the

wish

of

in

my

just

dis-

die

for

When I

so

hie.

a thought.
grace.
the

faire.

Printed on November 18, 2003

II-56

Second-XIX-Sue

Basso.





  

 


1. Shall I

sue

for-

   
Shall I
o

11


 


strive

be- thinke what


re-

Yet will not

shee

hart




Or

for
die,

in




I pray shall I

dy-

ing

hart,

owne though my love

bee

just,



    


ly hopes doe re- quire.

Fa- vour is,

Fa- vour is,

a meane de-

Shee is

Shee is

griefe, there- fore die

 

eie,

Or

not bought,

Fa-

dis-



a



love?

  

for

no

pit- tie my

must,

sigh can as- cend

vour is not

wonne



to

Sil-

ly hart,

the cloudes
with words,

base,

Cru-

ell and but

just

is

shee,

paire,

Wit- nesse yet how

faine

die,

Printed on November 18, 2003

Shall I think, Shall I think, that

sert.



sire

fence,

man his

re-

gard, ho-

prove?

but a poore de-

hie

mone, in




a vaine de-

spect

a worth so
per- ish

grace? Shall

sake these dreames, of

 

  

an earth- ly


is

en- ly Joy, with

a wound- ed

are, Trea- sure

  

to a heav-

La- dies eies

 

each

is

4. Jus- tice gives

shall I seeke for

2. Sil- ly wretch
3. Pit- tie




Sil-


to

to

as

  

a bleed- ing
faire as things

wor- thie far,

at- taine

so

hie.

nor the wish

of

a thought.

in

ly hart, then yeeld to

my just

When I

die

disfor the



grace.
faire.

http://www.laymusic.org

Second-XX-Tosse

II-57

Tosse not my soule:


The facsimile precedes this with the note: for finding in fields: ye shall finde a better dittie. Apparently
Dowland originally used different words, and changed to these at the last minute.

Canto.

10

21

32

 





 

 





 


mee some

ground where I

may firme-

thou Des-

paire

to

thy

 




un-

peare,

So

rolde,

Tho- ther, in

ill

 


the

ut-

ter- most

 

http://www.laymusic.org

  
is




1. Tosse not my

soule,

2. Take mee As-

sur-

ance




ly stand

 


or

dark- est Cell,

one will





in

that hee

feares

no

knowne,




thy

fall,

the one

The strength of sor- row

in




joyes



Lenvoy:

cer- taine band,


is

 

care not which

 

Or




Shew

blis- full holde,

rest,

more,

 


 

close mee

to

sure- ly

 

love twixt hope and feare,

Each hath full

aen-



When once


of

well:

 
quite

 

is

o-



ver- throwne.

Printed on November 18, 2003

II-58

Second-XX-Tosse

Alto.








1. Tosse not my soule,


2. Take mee As-

 
 





10

ground

peare, So

 

 

one will

ill

ly

close mee

that

in

 

the ut- ter- most is knowne, the ut- ter- most

Printed on November 18, 2003

ance

   


 

 
  

 

to




mee some

thy blis- full holde, Or

thou Des-

fall, or




 
sure-

  


I

  

ly

fall,

full

rest, the one in

care not which a-

Lenvoy:

hee feares no

  

Each hath full rest, each hath


 



 


(O love) twixt hope and feare, Shew

sur-

or sure- ly

Cell,

 
stand

thy dark- est

rolde, Tho- ther, in

32

  

may firm-

un- to

 

where I

paire

21




 

 


cer- taine band,

in

more, is

feares no more,

well,

is knowne,

 

 



cer- taine band.


 

is

  

joyes en-




When once of

well:

The strength of sor- row quite is

  
o-



ver- throwne.

http://www.laymusic.org

Second-XX-Tosse

II-59

Tenor.

















 





 (1)  
 


 




1. Tosse not

my soule,

2. Take mee

As-







 

(O

sur-

ance




love) twixt

hope

and

to

blis-

full

thy


   








feare, twixt hope and

feare, Shew mee

some ground where I may firme- ly

stand or sure- ly

holde, thy

holde, Or

Des- paire

Cell, Each hath full

 

15

blis- full

thou

 





un-

to thy dark- est




care

not

which

a-

peare,

in

joyes

en-

rolde,

the one in joyes en- rolde,

Lenvoy:

 

 








 





24

fall,

or

rest,

full rest,




fall,

or

sure- ly

fall,

each hath full rest,







 


the one

 
     




care not which a- peare,

 


So
Tho-

one will
ther, in

  

34

close

mee

that

hee feares no

 


in

 

cer-

more,

taine

band.

is

well:




When

 

once of

  


ill, the ut-

ter- most,



When once of

ill, the

ut- ter- most

is knowne, The strength of

sor- row

quite is

o- ver- throwne.

Dotted quarter in original. Another possible reading is to leave this a dotted quarter and change the two eighth
notes to 16 notes.

http://www.laymusic.org

Printed on November 18, 2003

II-60

Second-XX-Tosse

Basso.


16


 
   

 






 

 








 


 




mee some ground where

may firme- ly stand

Or

thou Des- paire

to

thy dark- est Cell, Each hath full

or sure- ly

 


 

Shew

un-

fall,

or

rest,

each hath full

sure- ly

 

  

fall,

rest,

the one




care not
in


27


38


 


   

 


which a- peare,

So

joyes en- rolde,

Tho- ther, in

once

one will

   

    
of

ill

  

  

  
close, so

the ut- ter- most is




 

one will close, will

that, tho- ther

in that, hee

  

close mee in

  

a




knowne, The strength of sor- row

cer- taine band.

feares no more, no

 



Lenvoy:

more

quite

is

well:


is

When



o- ver- throwne.

The end of the foure parts.

Printed on November 18, 2003

http://www.laymusic.org

Second-XXI-Clear

II-61

Clear or cloudie
Canto.









   




frown- ing
at-

 



so

tire

weedes as

13


is

 
hir

face

when earth and trees

bee trimde,

In

best

that breath- eth life

and grow-

ing,

In

grace like June,

to

mee,

in-

to hearbs and flow- ers

 








Pleasd

or

Hir

love




gaine

ser-

vice

 


bee,

Hir speech- es

con- stant

faith,

Hir

hap-

ly seem- ing and some

be-

yours, Raine




eth, Who thought all

 


sweet yet

Skies, Gen-

tly thun- der-

ing,

serve, And

let

weeds lack

your

she




Jar- ring
light- ning
dew

and

Smoth or


all

flowr-

ing, When

bee dimde, With

di- vers sorts

sow-

notes

in

  

 
of

ing, Some




hir

doubt, like

raine and heat

on

your

hearbs and

flow- ers

notes outto
due-

 




that night bird that sing-

trust


  




like som- mers daies

 

car- pets




like milde May

a-

tle cloudes of doubt- full

ing

smil- ing

And sees of




A- prill showr- ing,




2. Hir

com- pleat beaut- ies height,




sweet

lit-

of

skies blew silke and me- dowes

21




as

1. Cleare or cloud- ie

3. Sweet som- mer spring

that true- ly

 


in

   

ring-

eth. Hir

speech-

es

eth.

mine

eies. Hir

trust

hir

eies.

sterve. Raine

on

your

ly

sterve.

The repeat has been moved and the alternate repeat structure added.

http://www.laymusic.org

Printed on November 18, 2003

II-62

Second-XXI-Clear

Alto.









1. Cleare or
2. Hir

 


 


best at-

tire of com- pleat beaut-

In

weedes as

When skies blew


lit-

Some hap-




that

silke and
cloudes of

ly

seem- ing

   

me-

sings, Who thought all

to

mee,

June,

Hir

ers

love

 




of ser-

 

hir

ing yours, Raine on

your

sweet

yet

Jar- ring notes


out-

ring-

Skies, Gen-

tly thundr- ing,

she

light-

ning

to

mine

ly

serve, And

let

lack

dew

and

due-

ly

your weeds

notes

ing,




all flowr-

ing,

in

sow-

 

of

ing,

that night bird

doubt, like raine and

heat

hearbs and flowrs that true-


 


ing,
trimde,

mers daies bee dimde,

 
 

stant faith, Hir trust

May

be-

bee

 

di- vers sorts

es

and grow-

vice

con-

 

bee, Hir speech-

 

prill showr-

a- gaine like som-

and

 

trees

life

like milde

in

Printed on November 18, 2003

doubt- full

A-

that breath- eth

pets

as

when earth and

car-

some

 


sweet

smil- ing

And sees

 


Pleasd or

ies height,


  

dowes

ie

like
spring

flow-

 
  

tle

face

in- to hearbs and

 
      


With

hir

In

is

 

ing so




Smoth or frown-

13

20

 

cloud-

grace

3. Sweet som- mer

 


eth.

 

Hir speech-

eies. Hir trust


sterve.

Raine on

   

es
hir

your

eth.
eies.
sterve.

http://www.laymusic.org

Second-XXI-Clear

II-63

Tenor.





8




 


 


 






1. Cleare or
2. Hir

cloud-

ie

sweet

as

A-

grace

like June,

when

3. Sweet som-

mer spring

that breath- eth

prill

showr-

ing,

Smoth or

earth and trees bee trimde,


life and grow-

ing,

In

best

In

weedes



  

 

 
















frown- ing

13

so

is

hir

face

to

mee,

Pleasd or

smil- ing like milde May

at-

tire

of com- pleat beaut- ies height,

Hir

love

as

in-

to hearbs and

And

sees of

  

 

flow-




ers


  

all

flowr-

a- gaine like som- mers daies

  

ser- vice di- vers sorts

 
  

in

ing, When skies blew

bee dimde, With


sow-

lit-

tle

ing, Some hap-




  

ly




silke, blew silke, and mecloudes of doubt- full,

dowes car-

of doubt- ful, con-

seem- ing, seem- ing, and some

22







pets

  

be-

bee, Hir speech- es

notes

of

that night bird that sing-

stant faith, Hir trust hir

doubt,

like

raine and heat

ing

hearbs

and

flow- ers that true- ly

  

yours, Raine on your

  


    


 




in

 
     

eth, Who thought all

sweet yet

Jar- ring notes out-

Skies, Gen-

tly thundr- ing,

she light-

ning

serve, And

let

lack dew

and

your weeds

http://www.laymusic.org

to mine
due-

ly

ring-

eth.

Hir

eies.

Hir

sterve.

speech- es
trust

Raine on

hir
your

eth.
eies.
sterve.

Printed on November 18, 2003

II-64

Second-XXI-Clear

Quinto.
This part is marked For a treble Violl. although from the range, the viol players I know would play it
on a tenor viol.


8




 




of

20

  

   





  

    






  




that

night bird

like raine

and

and flow-

ers

     


that

 

that sing- eth, Who thought all


heat

in Skies, Gen-

true- ly serve, And

yet Jar- ring notes out- ring-

eth.

eth.

tly thundr- ing, gen-

sweet, who thought


tly

thun- der- ing,

she light- ning

eies.

eies.

let

let

your

lack dew and due-

your weeds, and

Printed on November 18, 2003

all

sweet,

weeds,

to

mine
ly

sterve.

sterve.

http://www.laymusic.org

Second-XXI-Clear

II-65

Basso.




 


1. Cleare or
2. Hir







frown- ing so

hir

tire of

as

in- to hearbs and




is

at-

(1)

14

  


 

silke and
cloudes of
seem- ing

 
me-



dowes car-




or

smil- ing like milde

Hir

love

a- gaine like som-

And

sees

of

 






May

ing,




all flowr-



in

ing,

In

weedes

  

With

lit-







trust

hir

doubt,

like

raine and heat in Skies,

on

your

hearbs

and

flow- ers that true- ly serve,




sweet

yet

Jar- ring notes

she

Gen-

tly thun- der-

ing,

And

let

weeds lack

your

 





out-

ring-

ly

and

tle

Some hap-

doubt- full con- stant faith, Hir


ing yours, Raine

of

best

When skies blew

ing,

 


 

sow-

In

mers daies bee dimde,

di- vers sorts

Smoth or

notes

some be-

bee, Hir

ser- vice




ing,

bee trimde,

es

Who thought all

Pleasd

pets

showr-

that breath- eth life and grow-




mer spring

mee,

A- prill

3. Sweet som-

ers

as

speech-




 

sweet



when earth and trees

 

flow-

ie

like June,

to

cloud-

grace

com- pleat beaut- ies height,

22


face




that night bird that sing- eth,

 





 


eth. Hir

speech-

es

trust

hir

on

your

light-

ning

to

mine

eies. Hir

dew

and

due-

ly

sterve. Raine

eth.
eies.
sterve.

Original has a quarter note

http://www.laymusic.org

Printed on November 18, 2003

II-66

Second-XXII-Humor

Humor say what makst thou heere


Canto.




Hu-

mor

say

am

O,




Queene,

Thou art

now.

 

Why then tis

sleepe,

24




In


but that

 

but that

heaI

hir pre- sence

 

 

but that

Printed on November 18, 2003



vy

lead-

as

heavy

things

   
that

that

as

sor-

the

pre-

earth,

rowes brim,

In

Oh, in

But ne- ver

is

sor-

mor

all things







Hu- mor

row

  

Hu-

sence of

Say then who

 Chorus:
  


en moode,

am drownde in
all

what makst thou heere,

Mirth then is drownde in




yet was true,

woe,
smile,

that that that

    

  

that which on- ly on- ly pleas- eth



you.

http://www.laymusic.org

Second-XXII-Humor

II-67

Alto.




  

    

 




Hu- mor:

 

 

16

 

 








 





 

But

24

 
that

 



but that

 


but that

http://www.laymusic.org

 
that

 
that

 
that




that that that

 




ne-

 

ver




Hu- mor

 

     

  


yet was true, but

 

that which on- ly one- ly pleas- eth



you.

Printed on November 18, 2003

II-68

Second-XXII-Humor

Tenor.



8

   







Hu- mor:

 


  

 










16

 





  

 

Chorus:

 





But ne-

24
















ver

  

Hu- mor

  

yet was true, but



that

but that

but that

Printed on November 18, 2003

that

that

that

that that that

that which on-

ly

pleas- eth

you.

http://www.laymusic.org

Second-XXII-Humor

II-69

Quinto.1

11




   

 

     
 

23









 





 


 

 

    

   




 

 
   

 




 




 

   


    

          



This part is untexted in the original, but it looks like that may have been because there wasnt room on the page
for the text, and the singer or viol player was expected to sing the words of the Basso part.

http://www.laymusic.org

Printed on November 18, 2003

Second-XXII-Humor

III-1

Basso.





 

 

Hu- mor:

hould

con- ceit

most deere,

in- clind

foole

the lights things swim,

to

No


that

  

is

no

Hu- mor

mirth,

Hu- more

25

now

17





but that

hu- mor

as

well

hea- vie things

is

cher- isht

like then

http://www.laymusic.org

hu- mor

ven- cions foode:

that

in

in-

  

all con- ceit

wit
fro-

Prin- ces

 

  
that

sinck to

 

am

No

no


seene:

as

thou.

the

deepe:




But ne-

ver




Hu- mor







yet was true, but that

but

so,

while.

  
that

  


that that that



   

that which one-

  
ly pleas- eth



you.

Printed on November 18, 2003

Part III
Third Booke

III-3

Third-I-Farewell too faire

III-5

I. Farewell too faire


Cantus

fu-

ell,

and now

ti-

red,

And forct




true a- na- ra-




faire,

too chast

but too

too cru-

ell,

2. Fare- well

too

deare,

and too

too much de- sir-

ed,

fire

 


would kill

my,

http://www.laymusic.org

from blisse



if


    


too

com- pas- sion dwelt more neere they

1. Fare- well

 

ver quench- ed

Un- less

tion ne-




dis- cre-

18

27




with swords:

 

heart:

 


Why

has

Love

by

  

 

my

pas-

sions with thy words.

un-

will-

ing-

ly




that se-

 
cure

se- vere

in

 

thou made

 

my

heart thine an-

 


ne- glect (though con- stant) oft

 

to

 
This




is prowd

gers
is

  

beau- ties

part.

 


se-

cre

sie,


fare- well,






fare- well.

Printed on November 18, 2003

III-6

Third-I-Farewell too faire

Bassus



10


  
22


  








    

Printed on November 18, 2003





    



  

   


 

 
   
    

 




 

  

  



http://www.laymusic.org

Third-II-Time stands still

III-7

II. Time stands still with gazing on her face,


Cantus


 


gaze for






mi- nutes,

for- tunes, love, and

 




 


   

Time stands still

with

ga-

zing on

her

face,

When for-

love,

and

time at-

tend

on




tune,

give place:

houres

and yeares, to

her

time,

will

hon- our

 

a-




All

lone,

If

o-




Stand still and


Her

 

with my

ther things shall change,

bloud- less

en-

vie



But

say,

Du




20

she

re-

tie

hath

mains the
no




same,

de-







Till hea- vens chan- ged

sert.

Du- tie

re-




have their

plies that

en-

vie







course and

time hath

knowes her

selfe

his


29

38




ho-

ver

lost

his

name.

Cu- pid doth

faith-

full

heart,

My set- led vowes and

eyes,
move,



And








up

and

spot- less







 


downe blind-

ed

with

her

faire

faith

for-

tune

can

re-

 


no

 
 


(1)


for- tune cap-

tive

at

her

feete con-

temd and

con-

querd

lies.

Cour- age shall shew

my

in-

ward

faith, and

faith shall

trie

my

love.



original has whole note.

http://www.laymusic.org

Printed on November 18, 2003

III-8

Third-II-Time stands still

Bassus


10

 




    

 








 


 

    










24




35





  







Printed on November 18, 2003

 


 




 


 


 








http://www.laymusic.org

Third-III-Behold

III-9

III. Behold a wonder here


Cantus


   


  
1. Be-




hold

4. So

now

fu-

sed

 

 

a won- der

2. Such beames in3. Love

here

is

be

 

 

 

sight

  


 

 


To

Which ma- nie hun- dred, hun- dred, hun- dred yeares, Hath not
first have made him, made him, made him

him wise.

them

that smile.

dutie, Thats nei- ther

blind

nor

sight

fol-

ly

hold,

As

love

kind,

In

giv- ing

love

to, turnd to, turnd to

see,

his, love

his, love

his

his

And then have


for

And strik- ing

dou- ble

 

 

made

As

Nor wake for them that, them that, them that sleepe, Nor sigh
is turnd

of

the

eyes,

be-

be

held

while,

in

That Love doth now be-

   


re- ceivd his

By Cin- thia

the beautie.

For them that laugh the

5. This Beau- tie shows her might,

Love hath

no more will weepe

powre- full



 

light.

bold.
blind.

Bassus



7










(1)

 



original has whole note.

http://www.laymusic.org

Printed on November 18, 2003

III-10

Third-IIII-Daphne

IIII. Daphne was not so chaste


Cantus

 














 


1. Daph- ne was not

so

chaste

as

He

tri-

umphs
grace
tree

it

that to

day

2. Beau- tie can want no


Like

 

 

 

11

 

with

Fals

be- fore

night

with scornes de-

Fan-

cie

lookes

Or

the fresh- spring


rie

by




one de-



 

 


is

     

(1)

   

ging:

fanu-

ed:

flow-

false

light,
free,

  



ing,

with

fa- vors gra-

ced,

by

true love view-

ed,

 

e-



ver grow-

 



eth,

 




Yet

is

thy beau-

tie fainde,

But

if

that beau-

tie

the

 


 

she was chang-

and

were

of

eth.

should live

ced:

 

the

love, Love

tran-

re-

  

 

 

a fruit- full

es-

still

sires, Still

 

end- lesse

  

hate

that

 

Bassus

 


Love

one con- sent with

Soon be- gun

ev-




to










 








false

light

of thy

trai-

terous fires.

should live

free,

and true

plea-

sure prove.






 




 






Original has two g quarter notes before this note. These are not in the lute tablature, and cause the whole section
to be the wrong length and sound terrible.

Printed on November 18, 2003

http://www.laymusic.org

Third-V-Me

III-11

V. Me me and none but me.


Note that the Tenor and Altus parts have equal ranges, and in modern vocal range terms can be sung
by either a low alto or a high tenor.

Cantus








  



Me me and none but

 


draw

too

long

this

i-

fa-

tall

knell

helpe

16

 

bove,

un-

to

flie,

He

ne- ver

Altus

to

Still

my

 

dle breath:
ring.

15

 

 

a- live my

  

may

fly




to heaven a-

and earth- ly joyes to





 




to my

faith- full and be- lov- ed tur-

tle

dove.

He ne- ver hap- pie livd, that can- not love

to

die.







  


 

this

i-

dle

breath:

fa-

tall

knell

helpe

to

ring.

 


 




Still

a-

bove,

un- to

my

faith-

full and

joyes

to

flie,

He ne-

ver

hap-

pie livd, that

 

 

gen- tle


be-

sing:

 
 

 

howe I

long

I de-

 



 


death and quick- lie, for

fore my death I

heaven

http://www.laymusic.org

me, dart home O

 

long




too

hap- pie livd,

draw

 

And yet

faith- full un-

Like to the sil- ver Swanne, be-

 

sing:

I de- sire from earth

and quick- lie, for

 


death

howe I long till



Me me and none but




gen- tle

fore my death I

 

 

 


me, dart home O

Like to the sil- ver Swanne, be-

 


  

till

sire

 




And yet




may

a- live my



fly

from earth and earth-

 

to
ly



lov-

ed

tur-

tle

dove.

can-

not

love

to

die.

Printed on November 18, 2003

III-12

Third-V-Me

Tenor




  

 

Me me and none but




 





draw

too

long,

too

long,

fa-

tall

knell

helpe,

15

 
  


this

i-

helpe,

heaven a-

bove,

un-

joyes to

flie,

He

ne-


O

to

Still

ring.




tle death

death

howe I
I

de-

 





 


and quick- lie, for

sing:

And yet

 
   





dle breath:




 

gen-

fore my



 

 

me, dart home O

Like to the sil- ver Swanne, be-

a- live my




long till

may

sire from

earth

and earth- ly

 

 

fly

to



to my

faith- full

and

be-

lov-

ed

tur-

tle

dove.

ver

hap- pie

livd,

that

can-

not love

to

die.



Bassus









  


Me me and none but

me, dart home O

Like to the sil- ver Swanne, be-

 

7


16










    


gen-

too

long

this

i-

dle

breath:

O howe I long

till

fa-

tall

knell

helpe

to

ring.

Still I de- sire

from

 

 


 


and

bove,

un-

to

my faith-

full

flie,

He

ne- ver hap-

pie

Printed on November 18, 2003

livd,




 

draw

tle death

fore my death

 
 

and quick- lie, for

sing:




And yet

may

fly

 

to heaven

a- live my

 


earth and earth- ly

 

 

joyes



ato



be-

lov-

ed

tur-

tle

dove.

that

can-

not

love

to

die.

http://www.laymusic.org

Third-VI-Phbus

III-13

VI. When Phbus first did Daphne love


Cantus



 




 





When Ph- bus


If










first did Daph- ne

love,

And

mai- dens then shal chance be

sped

Ere they can




no meanes might her


scars- ly


fa-

 





 

 

 








the cause quoth she

Is,

dress their head,

yet par- don them,

for they

be

To make good Ph- bus break his




 





Then in

And bet- ter

 


rage

he

sware,

twere

child

Altus
 

 

and

said,

were borne

 




 

 




gin-

 

He craved the cause,

18

have vowd vir-

vour move

loth




i-

tie,

Past fif- teene none

none but one should live a


that




god,




maid.

a god should be for- sworne.


     








When Ph- bus first did Daph- ne love, And no meanes might her
If



 

Then that

oth.

mai- dens then shal chance

be

sped Ere they

fa-

can scars- ly





 

vour move

He





in


a rage

And bet- ter

 

craved the cause, the

dress their head,

18

yet


he
twere

sware, and
a

  

http://www.laymusic.org

said,

child were

  

cause quoth she

par- don them,

for

  
Past
borne

Is,

they be


   
a

god,

  
but
a




i-

tie, Then

break

one should live a


god, should

 

 


To make good Ph-bus

fif- teene none none


Then that




I have vowd vir- gin-

loth

 




his

oth.

 

 



maid.

be for- sworne.

Printed on November 18, 2003

III-14

Third-VI-Phbus

Tenor
 






  










   




When Ph- bus first


If




 


 


did Daph- ne love, And

no

meanes might her

mai- dens then shal chance be sped Ere they




 







can



scars- ly

   



 

fa- vour

move

He craved the cause,

the cause quoth she

Is,

dress their

head,

yet par- don them,

for they

be

To make good

 


 

 

17







loth




have vowd, I have vowd vir- gin-

  

 

i-

Ph-bus good Ph- bus break his

  


 



tie,

Then in

oth.

rage

And bet- ter twere

he sware, and

said,

Past fif- teene none

none but one should live

borne

Then that

that

child were

god,

a god should be

maid.

for- sworne.

Bassus


 




  





When Ph- bus


If

8


18





 




 

 




first did Daph- ne

mai- dens then shal chance be




 

love, And
sped







He craved the cause,

the cause quoth she

Is,

ly dress their head,

yet par- don them,

for they

To make good Ph- bus

 


Then in



a

And bet- ter

 


 


loth

 

rage

he

sware, and

said,

Past fif- teene none

none

twere

child were

borne

Then that

that

Printed on November 18, 2003

god,

can

have vowd vir-

   

   

no meanes might

Ere they

her fa- vour move

be




gin-

 
i-

break his

scars-

but one should live a

tie,
oth.

 



maid.

a god should be for- sworne.

http://www.laymusic.org

Third-VII-Say love

III-15

VII. Say love if ever thou didst find,


Cantus





 


1. Say

love


if

2. But could thy


3. How might I
4. To

 





con- stant mind, None but


spot- lesse hart,

11

end- lesse

no

fec- tions

so:

one,

Nor come neare,


See the Moone
Love

is



fi-

ry poy- sned dart

At

no




She

ject

is

are

not

sub-

ver

in

to

 


shee, shee, shee, and one-

lie she, She

one-

no,

no,

no,

no, no,

and on-

ly no, One

no

so;

So,

so,

so,

so,

so, so,

and one-

ly

but she,

Shee,

http://www.laymusic.org

shee,

shee, shee, shee, and one-

sire with

 

or

some

eye com- maunds, her


still

ly Queene of

the

same, and

no

queene

love and beau-

of

 
tie.

no- ther still doth fol-

low.

so, From heaven her ver- tues she doth bor-

row.

lie she, She

one-

a-




be, Some God- desse

one change doth grow, Yet

No,

shee,

time touch her

her thoughts that van- quish thee, There is

can com- mand af-

Loves bow, Her

Shee,

love




ror

heart saith no,


is

shee,

wo- man with

Queen is shee

she

shee,







ver thou didst find,

rare mir-

 


that faire won- der know, That mockes de-

 


That e-

  


e-

And what should that

So

her then yeeld thy shafts and bowe, That

free,

   





ly Queene of

love and beau-

tie.

Printed on November 18, 2003

III-16

Third-VII-Say love

Altus







1. Say

love

 

if

2. But could thy


3. How might I
4. To

  

 


con- stant mind,




None but

Nor come neare,

end- lesse

no

See the Moone

fec- tions

so:

11




is

Queen is shee

Shee,

heart saith no,


she
love




one,

spot- lesse hart,

Love




free,




 


wo- man

with

ry

At

no

touch her

poy- sned dart

ject

not

sub-

ver

in




She

is

time

to

ror

 

Loves bow, Her




with

mand af-


or

some

eye com- maunds, her


still

the

same, and

no

queene

 

shee, shee, shee, shee, and one- lie she, She

No,

no,

no,

no,

no, no,

no, and on- ly no, One

no- ther still doth fol-

low.

so;

So,

so,

so,

so,

so, so,

so, and one- ly so, From heaven her ver- tues she doth bor-

row.

but she,

Shee,

shee, shee,

Printed on November 18, 2003

shee, shee, shee, shee, and one- lie she She

no

one-

ly Queene of love and beau-

of

shee, shee,

is

one-

be, Some God- desse

one change doth grow, Yet

sire

can com-

her thoughts that van- quish thee, There is

ver thou didst find,

that faire won- der know, That mockes de-

That eare

 
  


her then yeeld thy shafts and bowe, That

e-

rare mir-

fi-

And what should that

So

a-

ly Queene of love and beau-

tie.

tie.

http://www.laymusic.org

Third-VII-Say love

III-17

Tenor







 


love

if

2. But could thy


3. How might I
4. To






  



1. Say


  

 





e-

ver thou didst

find,

wo- man with

fi-

ry

dart

At

no

poy- sned

that faire won- der

know, That mockes de-

her then yeeld thy shafts and

 




bowe, That

 


 


time touch her


sire with

can com- mand af-







con- stant mind,

11

None but

one,

And what should that

spot- lesse hart,

Nor come neare, She

is

not

sub-

end- lesse

no

See the Moone That

e-

ver

in

fec- tions

so:

Love

    

  

is

free,




So

are

rare

mir-

ject

to

be, Some God- desse

Loves bow, Her

one change doth grow, Yet

her thoughts that

ror




some

eye com- maunds, her


still

van- quish thee, There is

or

the

same, and

no

queene

   


of

 

Queen is shee

Shee,

heart saith no,

No,

no,

so;

So,

so,

but she,

Shee,

she
love

is

shee,

shee,

http://www.laymusic.org

shee,

shee,

no,

no,

so,

so,

shee,

shee,

shee, shee, and one- lie


no, no,

and on-

ly

so, so,

and one-

ly

shee, shee, and one- lie

she, She

love and

beau- tie.

no- ther still doth

fol- low.

so, From heaven her ver- tues she doth

bor- row.

no, One

she, She

oneno

one-

ly Queene of
a-

ly Queene of

love and

beau- tie.

Printed on November 18, 2003

III-18

Third-VII-Say love

Bassus













1. Say

love




if

2. But could thy


3. How might I
4. To

5








con- stant mind,

11


 

None but

one,







Nor come neare, She

is

not

sub-

no

See the Moone That

e-

ver

in

fec- tions

so:

 





  


  


So

are

ver thou didst find,

wo- man with

ry

At

no

 

mir-

ject

to

heart saith no,

No,

no,

no,

no,

no, no,

no, and on- ly no, One

so;

So,

so,

so,

so,

so, so,

so, and one- ly

but she,

Shee,

shee, shee,

Printed on November 18, 2003

ror







one-

or

some

eye com- maunds, her


still




the

same, and

no

queene

ly Queene of love and beau-

of

 
tie.
low.

so, From heaven her ver- tues she doth bor-

row.

one-

a-




no- ther still doth fol-

shee, shee, shee, shee, and one- lie she, She

no

sire with




be, Some God- desse

Loves bow, Her

time touch her

can com- mand af-

van- quish thee, There is

shee, shee, shee, shee, and one- lie she, She

is

one change doth grow, Yet

shee, shee,

she

rare

Queen is shee Shee,

love

poy- sned dart




e-

her thoughts that

 


that faire won- der know, That mockes de-

And what should that

free,

fi-

end- lesse

is

her then yeeld thy shafts and bowe, That

spot- lesse hart,

Love

ly Queene of love and beau-

tie.

http://www.laymusic.org

Third-VIII-Flow not

III-19

VIII. Flow not so fast yee fountaines,


Cantus





 

 


  


Gen-

20



 

tle springs,

must

Altus

still fall

 





  

Swell

not

a-

bove your moun- taines, nor spend your time

a-

pace whom Rea-

foun- taines, what need- eth

son,

or

all

so- row can

no

sea-

son,

3. Time

can

the

ter-

rour

is

er-

rour, True griefe will still

a-

bate

com- mon griefe




ly your

 

salt

 


Of

 

e-

must

 


this haste,
in waste,

verie com- mon paine,

re- maine.

teares



Nor ought be- sides ap- pease



ling- ring time can ease:

My

2. Weepe they

still fall

ping from

drop-

 

ping

  


their spheares.

spheares.







yee foun- taines, what need- eth

  


1. Flow

not

so

fast

Swell

not

a-

bove your moun- taines, nor spend your time

2. Weepe they

a-

pace whom Rea-

son,

or

all

so- row can

no

sea-

son,

3. Time

can

the

ter-

rour

is

er-

rour, True griefe will still

a-

bate

com- mon griefe

 

this haste,

Gen- tle

in waste,

ling- ring time can ease:

My

But

drop- ping drop- ping drop- ping drop- ping fall drop-


 


 


fast

 

 


yee

so

gen- tle springs fresh-

not




1. Flow

But

Nor ought be- sides ap- pease


Of

e-

verie com- mon paine,


re- maine.





  

  

 




 














springs, gen- tle springs fresh- ly your salt teares must still still fall drop- ping still fall drop- ping must still still fall drop- ping

22




  

 


  



   

  

 


  


still fall drop- ping must still fall drop- ping drop- ping still fall drop- ping fall drop- ping from their spheares. Must still spheares.

http://www.laymusic.org

Printed on November 18, 2003

III-20

Third-VIII-Flow not

Tenor





 







    





yee

 




 




1. Flow

not

so

fast

Swell

not

a-

bove your moun- taines, nor spend your time

in

2. Weepe they

 


foun-

taines, what need- eth

a-

this haste,
waste,

pace whom Rea-

son,

ling- ring time

can

ease:

so- row

can

no

sea-

son,

Nor ought be- sides

ap-

pease

3. Time

can

bate

the

ter-

rour

Of

verie com-

mon paine,

is

er-

rour, True griefe will still

re- maine.

a-

com- mon griefe

  


or

all

My

But

  


e-

  


  

Gen- tle springs, gen- tle, gen- tle springs fresh- ly your salt teares must still must still fall fall drop- ping fall drop- ping must

 

20

 

  


  

   


  

 




 

  

   


still stil fal fal drop- ping fal drop- ping must still fal drop- ping still fall drop- ping from their

Bassus








 






   


springs, gen- tle springs

22


 


    

ping stil fal



 




 
    


yee foun-

taines, what need- eth

so

fast

not

a-

bove your moun-

taines, nor spend your time

2. Weepe they

a-

pace whom Rea-

son,

My

so- row can

no

sea-

son,

3. Time

can

the

ter-

rour

is

er-

rour,

a-

bate

com- mon griefe

 

  



     

drop- ping drop- ping stil fal

Printed on November 18, 2003






  

 

or

all

 




this haste, Gen- tle


in waste,

ling- ring time can ease:

Nor ought be- sides ap- pease


Of

e-

verie com- mon paine,

True griefe will still re- maine.

    

not




Swell

fresh- ly your salt teares must still fall drop- ping still fall

1. Flow

But

spheares. Must still spheares.






 

drop- ping drop- ping must stil fal drop-

 



  

   

drop- ping stil fal drop- ping still fall drop- ping from their spheares. Must spheares.

http://www.laymusic.org

Third-IX-What if I never speede,

III-21

IX. What if I never speede,


Cantus




 

 

 

feede

That

prove

1.

2.

Oft have I dreamed of




can

shall I change my

no

paire.

can com- mand my

hart.

noy

my

griefs each oth-

er

greete.

And

lost

re-

turne:

stil



love,

for

find

joy, yet

ne-

my hope,

  

losse re-

wil

left

scope,

ver speede, Shall I straight yeeld to dis- paire, And still

2.

as

 
But

if

He that once loves

part, and




on so- row

in

my rea- son

ver felt the sweete, But tir-

ed with an-

by fate for- lorne. But Love aimes at one

  
    



she will

  

power to de-

a wretch







ne-

What if

Oft have I

  

1.

or

  


 

 




pit- tie my de- sire, And

my love

re-

with a true de- sire

ver can

de-

ne-




12

1.

quite,

2.

part,

17

1.

  

 

then
for

e-

while I have a heart to de-



ver shall shee

live

my deare de-

pid

king



Cu-

 

 

is

sire thee.

http://www.laymusic.org

the


Come,

of


come,

e-




Come,

come,



come,

hart.


come,

light.

very






for

  

ei- ther I will love

 


or ad- mire



thee.

Printed on November 18, 2003

III-22

Third-IX-What if I never speede,

Altus





1.

 

What if
or

2.

1.

2.

 
  

 

feede That

can


 


no

losse

re- paire.

can com- mand

my hart.

my

griefs each oth-

er greete.

lost

re- turne:

 

 

quite,

2.

part,

17







wil

stil




ver speede, Shall I straight yeeld to dis- paire, And still




left

   

noy

1.

1.




love,

for

joy, yet

my hope,







But if

as







 

for Cu- pid

the king of

very

hart.

have a heart

to

de- sire thee.

Printed on November 18, 2003

ne-

power to de-

 

e-

Come,


come,




part, and




on so- row

in

my rea- son

ver felt the sweete, But tir-

ed with an-

by fate for- lorne. But Love aimes at one


   



    




  

for













 

Come,




true. a true, a true de- sire ne- ver can de-

 
light.

find

He that once loves with a

de-


  

   


she will pit- tie, pit- tie, pit- tie my de- sire, And my love re-

shee live my deare

 

a wretch

then e- ver shall


is

  

ne-

Oft have I dreamed of

prove

scope, And

12

shall I change my

Oft have I

  

come,

ei- ther I will love




come,







while I




  

or

ad- mire

thee.



http://www.laymusic.org

Third-IX-What if I never speede,

Tenor
 

III-23

 
 



1.

What if
or

2.

 
   

 
feede

1.

2.

That

prove

noy

my

can

12

1.

no







re-

turne:

 
1.

sire





is

 
thee.

stil

as

find

ne-




part, and







on so- row

in

my rea- son

ver felt the sweete, But tir-

ed with an-

by fate for- lorne. But Love aimes at

 


  


power to de-

a wretch

she will pit- tie

He that once loves with





the king of

Come,

for

joy, yet

But if

(1)




my

come,




de- light.

e-




shee live my deare







 

one

  

de- sire, And my love,

my love,

re-

true de- sire ne- ver can,

ver can,

de-

hart.

lost

love,

my hope,

paire.

greete.

part, for Cu- pid

18

losse re-

er

wil

left

ver speede, Shall I straight yeeld to dis- paire, And still

   
 

griefs each oth-

quite, then e- ver shall

2.

 


ne-

Oft have I dreamed of

can com- mand my

scope, And

shall I change my

Oft have I

  




Come, come,

 

come, while

  
   

 
 


I have a heart to de-

very hart.



for







ei- ther I

will




love




 

or ad- mire



thee.

rest is editorial.

http://www.laymusic.org

Printed on November 18, 2003

III-24

Third-IX-What if I never speede,

Bassus




1.

 

What if
or

2.

1.

2.







still

on so- row feede That

in

my rea- son prove

tir-

ed with an-

Love aimes at

11


  

 

can




ver

left

speede,


no



  

re-

turne:






love

re- quite,

then e- ver shall

shee live my deare

2.

can

de- part,

for Cu- pid

the king of

17

 


1.

have




 

a heart to de-


sire


thee.

Printed on November 18, 2003




Come,


come,



But if

1.

is



to dis-

paire,

And

part,

and

ver

felt the

sweete,

But

by

fate for-

lorne.

But






  
  

 




 



she will pit- tie my de- sire,

And my

He that once loves with a true de- sire

ne- ver

hart.

lost

ne-

a wretch



 


power to de-

as

greete.

find

yet

er

stil

joy,

griefs each othwil

for

paire.




hope,

losse re-

Shall I straight yeeld

love,

my

can com- mand my

my

one scope, And




noy

ne-





 

Oft have I dreamed of

 
 

 

shall I change my

Oft have I




de- light.

e-







Come, come,




come,







while I

very hart.



for










ei- ther I will

 

love

or ad- mire



thee.

http://www.laymusic.org

Third-X-Love stood amazed

III-25

X. Love stood amazed


Cantus


 

 

 





at

2. Then his teares bred

 




said that all

in thoughts

do

you raine?

of

dis- paire,




the rocke

ty movd the




gods



vine,

But

fire:

Yet

faire,

those eies

Fel

from

his

Eyes

but

too

Are

you

just

He

fals,

in

To

Phe-

nix

the change love

 




when Love saw that beau- tie


in

such wise

as






Love would have

salt brine,

you false gods? why then

Ex- peld by rage of

would

an- guish

die:

af-

fords,

You an- grie gods do

know,

With guilt- les bloud your scep- ters

you

stain,

gods? why then have you slaine

The life

of love on

earth.

Beau- tie,

now

face lives in

the

skies,

hope

Or

on stones to

burst,

Or

cold waves to spend his

last

breath,

tie,

He

loves the sunne be- cause it

 

Hee
He
On

to smo- ther in thaire,

move

gast,

   

all

a-

did

ex- presse in these

to heavns did

poore true hearts like

crie,

gods,

on

gods,

is

 

what wrong

is

mine.

his

last

words

His

in,-

his

in-

fin-

ite

de-

sire.

rants

you

raine:

Un-

just,

un-

just,

why

do

you

so?

live

in

thine

eyes,

felt

ne-

ver death.

his strange life

to

end

by

strange death,

But

ne- glects, he

lives

but

by

And would, and would,

aire,

Where blisse, where blisse,


fate,

but

fate,

faire,



ty-

me

http://www.laymusic.org

thy

 

let

Sleepe he

now

els

His won- ted pro- per-

  


Beau- tie
Or

skies,

of

4. Are

And Gods but halfe di-

the

ties paine:

now

was but vaine,

e- huid by

beau-

you fled faire? where are

eyes, like raine in sun- shine

shape, yet can- not re-

18

sweet

  

3. Are

6. With pi-

 

1. Love stood a- mazd

5. Then from high rock,




for-

bid

the worst.

but

can-

not

die.

Printed on November 18, 2003

III-26

Third-X-Love stood amazed

Altus


 

said that all

was but

 







 




   


1. Love stood a- mazd

at

2. Then his teares bred

in thoughts thoughts of

sweet

3. Are

you fled faire? where, where

4. Are

you false gods? why,

are

from

his

Eyes

but

too

raine? Are

you

just

of

dis-

paire,

He

fals,

in

love

To

Phe-

nix

  

 

gods,

gods

the change

 





eies

Fel

you

the



brine

do

6. With pi-

  

paine: Love would have

salt

now those

rocke,

then

rocke,

why

the


  

sweet beau- ties

5. Then from high rock,


ty movd

vaine, And Gods but halfe di-

vine,

But when

Love saw that beau- tie, beau- tie would

eyes, like raine in sun-

shine Ex- peld by rage of

fire:

Yet

such wise

faire,

skies, You an- grie gods do

know, With guilt-

les

slaine The life

of love on

earth. Beau- tie,

now

on stones to

burst,

Or

on

cold waves to spend, to spend his last breath,

tie,

He

loves

e- huid by

the

hope

to smo- ther in the aire,

shape, yet can- not re-


  

gods? why then have you

18




 


  


els

  

Hee

all

a-

He

did

ex- presse in these, in these

On




ty- rants, ty-

crie,

fords,
stain,

thy

face lives, face lives in




in-

fin-

ite,

rants you

raine: Un-

just,

un-

just why

me

live,

me

live

in

to

end,

to

end

by strange death, But

ne- glects, he

lives,

he

lives

but

by

 

in-

fin-

ite

do,

why

is

skies,

faire,



 

gods what wrong, what wrong is

eyes, Where blisse, where blisse felt

aire,

the

the sunne be- cause, be- cause it

gods,

let

Printed on November 18, 2003

as

words His

thine

an- guish, an- guish af-

bloud your scep- ters, scep- ters you

last

his

his strange life

Sleepe he

now

to heavns, to heavns did

poore true hearts like

Beau- tie
Or

gast,

Or

move His won- ted pro- per-

in

die:

dedo you

mine.
sire.
so?

ne-

ver,

ne- ver death.

for-

bid,

for-

bid the worst.

And would, and would, but

can-

not,

can- not

fate,

but

fate

die.

http://www.laymusic.org

Third-X-Love stood amazed

Tenor


  




III-27




1. Love stood a- mazd

at

2. Then his teares bred

in thoughts of




you fled faire? where are

4. Are

you false gods? why then

  


   








sweet beau- ties paine: Love would have said that all

3. Are

6. With pi-

 

5. Then from high rock,




 



gods




from

now those eies Eyes

was but

his eyes, like raine in sun-

but

too faire,

do

you raine? Are

you

just gods? why then have you

of

dis- paire, He

fals,

in

Phe-

nix shape, yet can- not re-

the rocke

ty movd the

salt brine, Fel

the change love

  

 

To




 


hope

e- huid by

the

to smo- ther in

 

 

vaine,

Yet

Ex- peld by rage of

You an- grie gods do know,

With guilt- les bloud your scep- ters, scep- ters

slaine

The life

of love on earth.

Beau- tie,

now

on stones to burst,

Or

cold waves to spend his

Or




 

els

His won- ted pro- per-




fire:

when Love saw that beau- tie would die, would

shine

move

But

skies,

thaire,

19

And Gods but halfe di- vine,

tie,

He

  

in

such wise

on

thy

as

an- guish af- fords, af-

face lives

in

loves the sunne be- cause it

 


die:

Hee

all

a-

did

ex-

fords,

He

you

stain,

On

the skies, the

skies,

Beau- tie

last breath, last breath,


is

faire,

is

faire,

Or

poore true

his strange

Sleepe he

  

now

ne-



gast,

to heavns, to heavns did crie, did crie,

gods,

last

words

His

in-

fin-

ite,

in-

fin-

ite

rants you

raine:

Un-

just,

un-

just why

do,

why

presse in these, in these


hearts like

ty- rants, ty-

his

let

me

live,

me

live

in

life

to

end,

to

end

by strange

glects, he

lives,

he

lives

but

http://www.laymusic.org

thine

by

eyes,
death,
aire,

gods what wrong, what wrong is

Where blisse, where blisse felt

dedo you

mine.
sire.
so?

ne-

ver,

ne- ver death.

for-

bid,

for-

bid the worst.

And would, and would, but

can-

not,

can- not

But

fate,

but

fate

die.

Printed on November 18, 2003

III-28

Third-X-Love stood amazed

Bassus



 

 

 


 









1. Love stood a- mazd

at

2. Then his teares bred

in thoughts

 







said that all

was but vaine,

ties paine:

of

salt brine,

but

too

Are

you

just

of

dis- paire,

He

fals,

in

To

Phe-

nix




ty movd the

And Gods but halfe di-

gods



vine,

But
Yet

the

change love

 

when Love

With guilt- les

The life

of love on

earth.

Beau-

Or

on stones to

burst,

Or

tie,

He

to smo- ther in

thaire,

 ?  
die: Hee
fords, He
stain, On




gast,

all

a-

ex- presse in these

to heavns

poore true hearts like

in

such wise

as

an- guish

bloud your scep- ters

now

thy

face

on

cold waves to

crie,

gods,

words

His

in,-

His

ty- rants you raine:

Un-

just,

un-

in-

spend his

last

is

mine.

ite

de-

sire.

just, why

do

you

so?

me

live

ne-

ver

death.

to

end by strange death,

But

fate, for-

bid

the

worst.

lives

And would, And would, but

can-

not

die.

ne- glects, he

Printed on November 18, 2003

but by

aire,

but

is



let

fate,

afyou
the

fin-

Where blisse, where blisse, felt

would

lives in

gods what wrong




saw that beau- tie

tie,

 

did

eyes,

loves the sunne be- cause it

last

in thine




his strange life

faire, Sleepe he

now

els

His won- ted pro- per-

did

skies, Beau- tie


breath, Or

move

his

Eyes

the rocke

those eies

from

you raine?

fire:

hope

Fel

do

know,

skies,

Love would have

now

Ex- peld by rage of

the




you false gods? why then

You an- grie gods do

e- huid by

you fled faire? where are

eyes, like raine in sun- shine

shape, yet can- not re-

beau-

faire,

gods? why then have you slaine

18

4. Are

6. With pi-

sweet

3. Are

5. Then from high rock,

 


http://www.laymusic.org

Third-XI-Lend your eares

III-29

XI. Lend your eares to my sorrow

Cantus




 


1. Lend your eares


For
2. Once

 


to

my

 


Mine

own

No

griefe

joyed

wil

bor-

once

knew de- light,

Gracd with love, cheerd with beau- ties sight,

 

12

 


pi-

tie:

dit-

ty:

plea-

sure

trea-

sure,

en-

ter:

cen-

ter,

 

 


griefe which here


lone

Altus

froreape

 




Chant






zen

is

 

 


to my

what a Heavn

is

love firme-

ly em-

Mu-

tu- all joies

in

hearts tru-

sad

des-

paire

Can

find

light

In

For-

tunes

bo-

state

con-

vert

Like

heavn

still

in

1. Lend your eares


For

that have

no ease
some eit- selfe






 


dole- ful

lone true heavn- ly

of

love could

no time

this earth- ly

 



tell

Such

power

a-

Doe

earth

to



 


of tor- men-

ting.

plac-

ed.

de-

light-

ed.







to

my

sor- row

Good

peo-

ple,

wil

bor-

ow

Mine

own,

mine

livd,

once

knew de-

light,

No

griefe,

no

griefe

did

Gracd with love, cheerd with beau- ties

sight,

joyed,

joyed

a-

3. Cold as

Ice

fro-

hart, Where thought, where

thought

of

Such

life

reape

part Whose weight, whose

weight cleaves

of

is

that

the poor- est

peo-

eyes

zen

good

foorth my

ver




And

ted

 

ny

a-

brac- ed,

ni-

a-

no

2. Once

http://www.laymusic.org







ri- ming,

ly u-



 

in

rude like

de-

 




did sha- dowe then my

that hart, Where thought

then my voice though

the poor- est part Whose weight cleaves to

fixe

can

heaven- ly

Ice
life

shal grace, my

ow

eyes

of

ple

Good

livd,

Such

peo-

row

3. Cold as

sor-

no




own, shal

ple
grace,

Printed on November 18, 2003

III-30

Third-XI-Lend your eares




that have

a-

my dole-

ful

sha- dowe


ny

love could

tell

tie:

dit-

ty:







a-

to heav- en-

Tenor

lone

what a Heavn

Mu-

tu- all

joies

 





 
 

 

like

to my

ri-


  

ming, And

firme- ly em- brac-

in

hearts tru-

 


sad

des-

paire

Can

find

de-

light

In

For-

tunes

bo-

state con-

vert

still

in




Like heavn

 





ly u-

 

no ease

ed,

Such

ni-

ted

Doe

it- selfe

sor- row Good peo-

 


ting.

ver

plac-

ed.

de-

light-

ed.




of tor- men-

some e-







  



1. Lend your eares

to

my

For

wil

bor- ow Mine own

knew de- light,

no

eyes

livd, once

3. Cold as

Ice

fro-

Such

life

reape

of


  

 

zen

that have

shal

grace, my



pi-

tie:

dole- ful dit-

ty:

did sha- dowe my plea-

sure

joyed

a-

lone heavn- ly trea-

sure,

of

love could not en-

ter:

that hart, Where thought



ny

a-

griefe

the poor- est part Whose weight cleaves to




is

ple

No

Gracd with love, cheerd with beau- ties sight,

love

in

2. Once

rude

is

fixe

ly

 

can

ter,

foorth my griefe which here

earth




Chant then my voice though

ter:

power

sure,

cen-

sure

trea-

earth- ly

11

 

pi-

no time en-

this



 

then my plea-

lone true heavn- ly

to

 

 





this

cen-

ter,


  





Chant

then my voice,

what a Heavn,

Mu-

tu- all

12

joies

 

my voice though
a Heavn

is

in hearts tru-

 


rude

like

ly

ming, And

ly em- brac-

u-

ni-

ri-

to my

love firme-




tell

foorth my griefe which

ed,

Such power

a-

ted

Doe earth

to




 


lone

can

heaven- ly

 

here

in

sad

des-

paire Can

find

no

ease

of

tor-

fixe

de-

light

In

For- tunes

bo-

some

e-

ver

pla-

ced.

in

it-

selfe

de-

light-

ed.

state

con- vert

Like

heavn still

men-

ting.

Note that the 3/4 section in this part starts a quarter note into a 3/4 measure, because of the dotted rhythm in
the previous beat.

Printed on November 18, 2003

http://www.laymusic.org

Third-XI-Lend your eares

Bassus


Bassus

 







III-31

 

1. Lend your eares

to

For

wil

no

2. Once

eyes

 



livd, once







my

sor- row Good

bor- ow Mine

knew de- light,

6


 



pi-

tie:

dit-

ty:

Chaunt



Ice

fro-

Such

life

reape

  

of




it my voice though rude

like

what a Heavn

is

love

firme-

Mu-

tu- all joies

in

hearts

tru-

is

that hart,

to my

  

peo-


ny

own

shal grace, my

dole- ful

did sha- dowe

then my

joyed

a-

lone true

of

love could no time

ri- ming, And

griefe

Whose weight cleaves to

  

ple that have a-

Where thought

the poor- est part

  

 

plea- sure

zen



No

Gracd with love, cheerd with beau- ties sight,


3. Cold as

 





 

tell foorth my griefe

this


 



heavn- ly

earth- ly




which

here

in

fixe

de-

ly em- brac- ed, Such power

a-

lone

can

ly u-

to

heaven-

ly

trea- sure,
en-

ter:

ni- ted

Doe earth

state con-

cen- ter,

13



sad




des-

 

paire

Can

find




no ease




of

tor-

men-

ting.

light

In

For-

tunes

bo-

some

e-

ver

pla-

ced.

vert

Like

heavn

still

in

it-

selfe

de-

light-

ed.

http://www.laymusic.org

Printed on November 18, 2003

III-32

Third-XII-By a fountain

XII. By a fountain where I lay


Cantus



 


 

 




1. By

By




foun- taine where

the glint- ing

2. Faire with gar- lands


Bless-

 



ed

3. Then

And

u-

a-

in

lay,

     

lone

sed

bee

that

bless- ed

her

shin- ing

Oh ne-

ver

bee

all

ad- drest, Was ne-

ver

Nymph more

faire-

she

e-

ver

bless- ed

all

faire

and

cleane did

the

grace

of

beau- tie



So may

My true loves

When I might see

done

Came to this foun- taine neere,

With such

blest,

Plaid

Wel- come faire Queene of

lay,

 

 

Al bles-

a heavn- ly ground, All in



 

the sun,

the highest de- gree,

pon

 

of

day

this round- e-

forth- with tooke my pipe Which I

 

fair- est


one,







ly




Loves deer light, Loves cleare sight

smil- ing cheere,

Such

May,

face, Such

Sing sweete aire, Wel-

grace,

come faire.

be,
wipe
found,

12

 












No worlds eyes can clearHap- pie, hap- pie eyes


Wel- come




 







er

see

fair-

none

none

can

be.

that

see

Such

heaven-

ly

sight

as

she.

The

glo-

rie

of

all

our

be the shep- heards Queene,

er sight

 

greene.

Altus




 

 
1. By
By



a




foun- taine where

the glint- ing

2. Faire with gar- lands


Bless-

Printed on November 18, 2003

ed

3. Then

And

u-

in

     


 


lay,

Al

bles-

sed

bee

that

of

the

sun,

Oh

ne-

ver

bee

her

all

ad- drest,

Was

ne-

ver

Nymph more

the highest de- gree,

forth- with tooke my


pon

pipe

a heavn- ly ground,

So

may

she

e-

ver

Which

all

faire

and

All

in

the

grace

of

http://www.laymusic.org

Third-XII-By a fountain

 (1)  
    
 


bless- ed

III-33




day

When I

shin- ing done

Came to

faire- ly blest,

Plaid this round-

might see

a-

lone

My true loves

this foun- taine neere,


e-

lay,

With such




fair- est


one,










Loves deer light, Loves cleare sight

smil- ing cheere,

Wel- come faire Queene of



Such

May,

face, Such

Sing sweete aire, Wel-

grace,

come faire.

be,

bless- ed

cleane did wipe


beau- tie found,

12













No worlds eyes can clearHap- pie, hap- pie eyes


Wel- come




er

see

that

see

Such







1. By

fair-












When I

done

Came to

blest,

Plaid this round-

ed

in

of,




 

fair- er

en-

the glo- rie

of

 


lay,

 


sight none none

such a heav-

 

 

bee

that bless- ed

bee

her shin- ing

all

ad- drest, Was ne-

ver, ne-

ver Nymph more faire- ly

de-

gree, So

a heavn- ly ground, All

lone

My true loves

With such

lay,

ver

may she, may she

the grace, the

e-

ver, ne-

the high- est

this foun- taine neere,

Oh ne-

u-

a-

the sun,

And

might see




ed, bless- ed

greene.

of

all




I forth- with tooke my pipe Which I


pon

she.

our

  

Al bless-

be.

as

all

can

ly sight

3. Then

day

er sight,

the glint- ing

Bless-

glo- rie

2. Faire with gar- lands

a foun- taine where I

By

a heaven- ly,

be the shep- heards Queene, The

Tenor

 




in

faire, all

fair- est

one,

ver bless- ed
and cleane did

grace




of




beau- tie

Loves deer light, Loves cleare sight

smil- ing cheere,

Wel- come faire Queene of

efaire

Such

May,

face, Such

Sing sweete aire, Wel-

grace,

come faire.

be,
wipe
found,

12
















No worlds eyes can clearHap- pie, hap- pie eyes


Wel- come




er

see

that

see

be the shep- heards Queene,




A fairSuch a
The glo-







er sight, a

fair-


er

hea- ven- ly sight, heavenrie

of, the glo-

rie

 





sight

none can

be.

ly

sight as

she.

of

all our

greene.

original has a whole note

http://www.laymusic.org

Printed on November 18, 2003

III-34

Third-XII-By a fountain

Bassus


 

 

 







1. By

By

the

2. Faire

with

Bless-

5


  




bee

that bless- ed

bee

And

u-



When I

her shin- ing

done

Came to

Nymph more faire- ly

blest,

Plaid this round-

e-

ver bless- ed

faire

and cleane did

 


of

beau- tie



face, Such

Sing sweete aire, Wel-

lay,

Al

bles-

sed

of

the

sun,

Oh

ne-

ver

all

ad-

the highest de-

drest, Was

ne-

ver

gree,

may

she

all

in

the

forth- with tooke my


pon

might see

a-

this foun- taine


e-



So

pipe Which

a heavn- ly

ground, All

lone

My true loves

neere,





one,

smil- ing

cheere,

Wel- come faire Queene of

May,

fair-

est

With such

lay,




be,
wipe
found,



Loves deer light, Loves cleare sight


Such

in

day

grace

11




gar- lands

 
     





foun- taine where


glint- ing

ed

3. Then














No worlds eyes can clear-

grace, Hap- pie, hap- pie eyes

come faire. Wel- come

Printed on November 18, 2003




er

see

that

see



  


 

A fair- er sight none none


Such a hea- ven-

be the shep- heards Queene, The glo-

rie

ly

sight

of

all

can

be.

as

she.

our greene.

http://www.laymusic.org

Third-XVIII-Silly Bees,

III-35

XVIII. It was a time when silly Bees could speake,


This is yet another poem that may have been written by the Earl of Essex to Queen Elizabeth. (cf.
Can she excuse my wrongs Page I-20 and O sweet woods, Page II-24)

Cantus


 


1. It

  

time

blesssafe

 







 


 


  


 

was

time

when sil-

ly

Bees could speake,

And

2. Then thus

buzd,

when time

no

sap would

give,

Why should this

3. My liege, Gods graunt

thy time

end,

And




sil-

lie

Bee,

Who

fed

ed

time

to

me

be

drie,

Sith

by

to

heare my plaint

of Time,

Which fruit-




was

may ne-

ver




on

Time

un-

this

Time

the

lesse

Flies

have

 

til

my heart

la-

zie drone doth

found to

in

that

yet vouch-







gan break,

have

live,
friend,


 

13


Yet

19

 

 

ne-

ver


 




The waspe, the

worme, the

gnat, the but- ter-

And

downe when



cast

 





A-

ro- mies do

 

one-

ly

did

not thrive,

Yet

brought

ed

on

my knees,

And

thus

vish

Thart bound

Peace pee-

http://www.laymusic.org

Bee,

 

time would fa- vour

kneelthus,

the

found

mee.

Of

flie,

 
waxe

com- plaind
to

serve

The

  


all

Mat-

clime.

the

ed with
king re-







swarme

griefe,

plied

but




and ho-

ney

to

the

hive.

un-

the

king

of

Bees.

the

time

not

thee.

to

the time,



Printed on November 18, 2003

III-36

Third-XVIII-Silly Bees,

Altus



 
  



1. It

 

 

11

in

Why

should this

And

yet

 


And

that

time

time, when sil-

buzd, when time no sap would

drone, zie drone doth

The waspe,
And




swarme I
griefe,

plied but

one-

live,

a friend,

 
 

ly,

I one-

ly




ver

end,

 

lie

Bee,

Who

fed

on Time

un-

til

my

time to

me

be

drie,

Sith

by

this Time

the

la-

zie

heare my plaint of

Time,

Which fruit- lesse Flies

have

found

to

 

ver

found









the

time would fa-

vour

the worme,

the

gnat, the but-

ter-

flie,

cast downe

when

do

clime.

 
 


Yet

kneel- ed, I kneel- ed

on

And

thus, Peace

pee- vish

Printed on November 18, 2003




time may ne-

give,

sil-

did not thrive,

pee- vish,

ly Bees could speake,

 
  

graunt, Gods graunt, thy




  

ne-

have

Yet

was

heart, my heart gan break,

buzd,

 

time,

 

heare, to


 




time, ed

to

was

was, I

bless- ed

vouch- safe






have, to

18



2. Then thus

3. My liege, Gods

my knees,
Bee,

A-

brought I

ro- mies

waxe and ho- ny, ho-

thus com- plaind un-

Thart bound to

mee.

to




Of

all

the

Mat- ed with
The king re-

  
    
ny



to the hive.

the king,

the king of Bees.

serve the time, the time,

the time not thee.

http://www.laymusic.org

Third-XVIII-Silly Bees,

III-37

Tenor








 

    








was

time, a

time when

2. Then thus

buzd, I

buzd, when time no sap would

3. My liege, Gods

1. It







   



sil-

graunt, Gods graunt thy

ly Bees could speake,

time may ne-




ver

end,

  


give,

 


And

in

Why
And

sil-

lie

Bee,

Who

fed

should this bless- ed

time to

me

be

drie,

Sith

by

yet

heare my plaint

of

Time,

12

that time

vouch- safe

was

to




ne-

ver found the time,







on

Time un-

til

my heart gan

this Time the

la-

zie drone doth

Which fruit- lesse Flies have

  

 




found to have

  


break,

Yet

live,

The waspe, the worme, the gnat,

friend,

  

19

And

the

time would fa- vour mee.

the gnat, the but- ter-

cast downe, cast downe when

 

A-

flie,

ro- mies do clime.

 

did

not thrive,

Yet

brought

on

my

knees,

And

thus

pee- vish

Bee,

Of

 

all the swarme, the swarme I

Mat- ed with

griefe, with griefe, I

The king re-

plied, re-

    






plied but




one-

ly,

one-

ly

kneel- ed, kneel- ed


thus, Peace pee- vish,

Thart bound

waxe

com- plaind
to

serve

and ho-

ney to the hive.

un-

the king of Bees.

to

the time,

the time not thee.

rest is editorial.

http://www.laymusic.org

Printed on November 18, 2003

Third-XVIII-Silly Bees,

L-1

Bassus













1. It







was

time, a

time when

2. Then thus

buzd, I

buzd, when time no

3. My liege, Gods graunt, Gods graunt thy

5


 
And

12




in

that

time



was


a

fed

me

Sith

by

drie,

And

to

heare my plaint of

Time,


Yet

live,

 
onekneel-



   
  

 

 

ne-

ver found


the

the gnat, the but- ter-

And

when A-


ly,


I one-

ed, I kneel-

thus, Peace

cast downe









ly

did not thrive,

Yet

brought

ed

on

And

thus

pee- vish,

http://www.laymusic.org

my

knees,

pee- vish

Bee,

Thart bound




zie drone doth



Of

(2)
waxe

com- plaind
to

la-

flie,

end,

this Time the

clime.

ver


 


give,

my heart gan

mee.

ro- mies do

sap would

til

time would fa- vour

Time un-



The waspe, the worme,


I

Which fruit- lesse Flies have




on

ly Bees could speake,

time may ne-




Who

be



Bee,

time to

yet vouch- safe

sil- lie

ed

friend,



Why should this bless-

break,

19

 




sil-

serve

found

to

have

 


 

 

all the swarme, the swarme I

Mat- ed with

griefe, with griefe,

The king re-

plied, re-

 






and ho-

ney

un-

the

king

the

time

to

the time,

to

plied but



the hive.
of

Bees.

not thee.

Printed on November 18, 2003

Part IV
Lachrimae

L-3

Lachrim-1-Lachrim Antiqu

L-5

1. Lachrim Antiqu
Cantus


40




21

30



10





   


 





 

http://www.laymusic.org

 



       


 
  

 

 

 

  




 







 




 




 







  


 




 


  




 

 

 







Printed on November 18, 2003

L-6

Lachrim-1-Lachrim Antiqu

Altus





 

10

   

  

 




   
   

 

  





   





 


 

 

24




 

  

 

   

 

  

  





   

36

  


     


 

 

  







 





   


Printed on November 18, 2003

http://www.laymusic.org

Lachrim-1-Lachrim Antiqu

Tenor


11





8

L-7

 




   




 

(1)
 

  


 


 


24

  

 

 


   
   
 

   

    

 

         

 

 




   

37

 


 

 


  

   

original has B and A quarter notes

http://www.laymusic.org

Printed on November 18, 2003

L-8

Lachrim-1-Lachrim Antiqu

Quintus



8

 

11




  

 


  

   























 

 
 

24







   

   

  





(2)

37

 

 

   




 





Original has double whole note

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-1-Lachrim Antiqu

L-9

Bassus




13


26


39












 

http://www.laymusic.org

  


    

 




  

  






 




Printed on November 18, 2003

L-10

Lachrim-2-Lachrim Antiquae Nov

2. Lachrim Antiqu Nov


Cantus


19

30

40

  

   

  

 



 


 



   

 

 
   

 
 

 




 

 

 

Printed on November 18, 2003


   

 

 

 












   




   

 

 

 

 

  


     




 
       

     

    

 





     

 

 

 

  
 


http://www.laymusic.org

Lachrim-2-Lachrim Antiqu

Altus



29

40

 


  

 

  

Tenor





 


 

 

 




 


 










 








     






   

 
  


 





 
  

 

 

 





 

 

 

  




 
  

 




 


   

19

L-11







   




 

 



    

   

 

        
 














   

23


              
   


   











 

     

     
 

37

            
      

   

        
 


(2)


Original has a longa here.

http://www.laymusic.org

Printed on November 18, 2003

L-12

Lachrim-2-Lachrim Antiquae Nov

Quintus





8

12

    

  


 

   

  

 


   










 





  


   
        

23

 
 
         



   


    

   

32

 

  

  











  




41


     







   

 

 

 

 

   

(1)
 
 



Original has quarter note.

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-2-Lachrim Antiqu

L-13

Bassus





  

    


http://www.laymusic.org




 

     

  




   








     
   

  




       




Printed on November 18, 2003

L-14

Lachrim-3-Lachrim Gementes

3. Lachrim Gementes
Cantus


 


 

18

28

 

39

2
6








 




 




 

  

(2)
 






 
  

 

 


 

 











 


     

 

    

  

 

 
  




 



    

 


 

  

(6)
  





 

 




 

Original has a half note.


Original had half note, half rest (eh guess)

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-3-Lachrim Gementes

Altus




      

 
       












31

41

1
7

 

 

  


 

    


  
        







          

  

 

  
   






23


12

L-15


  


 
  

(7)
    



   

   

 

  





(1)
 
   

     
       

 

 

This is a half note in the original (Edgar Hunts guess)


This rest is an EH guess

http://www.laymusic.org

Printed on November 18, 2003

L-16

Lachrim-3-Lachrim Gementes

Tenor



 

 

    


  

    
          





    


   


      


   


 


 


 


19

   






   


 

  


  




28

 

     


   

 

  

 

  

40

    

 

 



    


   


   (4)
 


original is half note (eh guess)

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-3-Lachrim Gementes

L-17

Quintus




8

 

     

14


    

  


     

 

   

 









 

 










24







   






  

 


  


  



  












  

 

 

32

 





    

 



  
 







41










  (3)  
   


http://www.laymusic.org

Printed on November 18, 2003

L-18

Lachrim-3-Lachrim Gementes

Bassus





 

13


40







 

26

 





 

 

 








(8)

 

    

 




 


 


 

 

 







This rest is an eh guess.

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-4-Lachrim Tristes

L-19

4. Lachrim Tristes
Cantus

 

 

 




20

31

   

42




   

 

 



   

   

  

   

 

 
   

 


(2) 




   


 




 

 


 





 

 


 


 
    

  


    

 

   

 



   

    


  

                  

 



Original is half rest (Edgar Hunt guess).

http://www.laymusic.org

Printed on November 18, 2003

L-20

Lachrim-4-Lachrim Tristes

Altus

  


   

 


  


 
  

 

 
  

 

18









 


 
   

   


 





(1) 


 
    

 

     


  

29

 
  

 

40

 
 

 
  

    
    


 
  


 

 
   




  


  





 

 

 

Originally dotted quarter eighth. Also the D] C seems unlikely

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-4-Lachrim Tristes

Tenor




   



     
   

  

 
 


      


 


8

L-21









     

   


 

    


20

 


 
      






   










31




 


   


 





 

 





 

 
  

 

  

42


     

  

(3)  
  
 


   





Original is dotted half (Edgar Hunt guess).

http://www.laymusic.org

Printed on November 18, 2003

L-22

Lachrim-4-Lachrim Tristes

Quintus




  


10




 




 
   

 

     

 


  





(2)



 

   

 

22




 

   

31




   

 


   


   

     


  

  

     


43



 

  

  


     

 

 


Original has dot to breve on other side of double bar, so would be a whole note c

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-4-Lachrim Tristes

L-23

Bassus







 

10


22

 

  


 





 


   

  


   




 







 

(1) 

       

  


 
    

      


 


 




    


  




Original is a quarter note (Edgar Hunt guess).

http://www.laymusic.org

Printed on November 18, 2003

L-24

Lachrim-5-Lachrim Coactae

5. Lachrim Coactae
Cantus




 
   

 




 


 

 

 





 

 

20

  

28

 
39

1
1

 








 

 

      

 

 

 
 

 




(1)
 
    
    




 

 

 


   


 




   


  


   




  

   

 

 


 


   


   


       

 

Original has the clef on the last two of three lines of this part on the second line, but this seems to just be an error
Original is a quarter note

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-5-Lachrim Coactae

Altus


13

 
  

25

  

39

L-25

 
      




  

 

 





 
 
        

 
      


 

 


  


 


   




 










  
  

     


     

 
  



  

(2)
  
 


    

 

 

     


  

 

 

Original has E sharp.

http://www.laymusic.org

Printed on November 18, 2003

L-26

Lachrim-5-Lachrim Coactae

Tenor





 

10




 







 

     





  


   


   
 




23

 

    



   

  

  








      

36

  


 

 


 

 

   

    

  

 


Printed on November 18, 2003

http://www.laymusic.org

Lachrim-5-Lachrim Coactae

L-27

Quintus





8

 
   

 

 

 
  

 




  


  








  


 







 

 

20

 

 

  

 
  




  
 

 
  

 

 
    


 

28

   


  

 

 

    

   

  


  

39

 








 


   





http://www.laymusic.org

Printed on November 18, 2003

L-28

Lachrim-5-Lachrim Coactae

Bassus




 


23




 




 
  




Printed on November 18, 2003

 


 
   

         
 

 

    
 

 


 

   







   



 

  




 


  






   

http://www.laymusic.org

Lachrim-10-Langton

L-29

10. M. John Langtons Pavan.


Cantus

 

20

 


38

 

    

  


 

   

   

   

   

     


28

    






 

 




  

 

 

 
  

 


 


  

 
  

 

 
    

   


 
   

   




                 



(1)
                   


  

   


 



  

   
  

    




Original has quarter note

http://www.laymusic.org

Printed on November 18, 2003

L-30

Lachrim-10-Langton

Altus



24

37


    

11

 

   

 

  


 

 




 

 

   

 
  

Printed on November 18, 2003

   




   



         



      
 
  




 

    

 





    

 


  

     

 

 

 


 


 



      

  


http://www.laymusic.org

Lachrim-10-Langton

L-31

Tenor













 








 








 




   

 

   

 







20

    


 

    


 

    


 

30










   

   

     
 


 







 

39

 

   




  








(2)
 

 


Original has quarter note

http://www.laymusic.org

Printed on November 18, 2003

L-32

Lachrim-10-Langton

Quintus







  


  


    








 

11

 


 

  

  
 

 
  

 





 
  



  





    


21




 

   








 

 
  


 


31





     


   










 


 

 

 

39







  













Printed on November 18, 2003

http://www.laymusic.org

Lachrim-10-Langton

L-33

Bassus


12


 







 
 









 

 

 







  

 


     

 

37




 

 




      




        

    




 

24







   




http://www.laymusic.org

Printed on November 18, 2003

L-34

Lachrim-12-Earle of Essex Galiard.

12. The Earle of Essex Galiard.


See also the vocal version, Can she excuse my wrongs?, Page I-20.

Cantus

 (1)

 


16

Altus

 (3) 
    

17

 

   


 

 




     



    








(4)
  




 



        

        

 





 


 

   

    

 

 


(2) 

         



 




   

   
   

 

 


 

     

 

  
  
 


 

 

   

-3

I think the convention is that the double bars are repeats.


Original is G whole note.
2
Single bar in original
4
Original looks dotted.

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-12-Earle of Essex Galiard.

Tenor

 

   


 

L-35

 





 


 

  


 
    


    





 







 


      


17

  

  
 


  







Quintus

   

   

 

  

 

 

   





    


  


 











 




 
     
    


 

17

   

 



     


 



      


 

 

   

http://www.laymusic.org

Printed on November 18, 2003

L-36

Lachrim-12-Earle of Essex Galiard.

Bassus

9


17


  







 





 




Printed on November 18, 2003





















  




http://www.laymusic.org

Lachrim-13-Sir John Souch Galiard

L-37

13. Sir John Souch his Galiard


See also the vocal version My thoughts are winged with hopes, Page I-12.

Cantus

17







Altus

  

  




17


 







   

 




     

http://www.laymusic.org

 
 
   

   




   




 





 





 







 

 


  


      


  





 




  







   

  


  


Printed on November 18, 2003

L-38

Lachrim-13-Sir John Souch Galiard

Tenor







 




   




















 


  


 





  





  

16

   


     

    




  


 
  

  

 

Printed on November 18, 2003

http://www.laymusic.org

Lachrim-13-Sir John Souch Galiard

Quintus

L-39

  

     


 

  

 

 


  




 

(1) 

    


   

  

    

  
      


     

16





    


  


 

 

       





Bassus

17




 


 







 

 


 





 





 




 


 

 





     

 




The print is pretty bad at this point, but this reading makes everything end at the same time.

http://www.laymusic.org

Printed on November 18, 2003

L-40

Lachrim-18-Digorie Piper Galiard.

18. Captaine Digorie Piper his Galiard.


See also the vocal version, If my complaints could passions move, Page I-16.

Cantus



 

   

  

Altus

17

16




 

  


 


 





   




 
 
   

Printed on November 18, 2003







  

 





 




   

 

 




   

 

 


 

 

  




 

 

 





 



   


 



      
   

http://www.laymusic.org

Lachrim-18-Digorie Piper Galiard.

Tenor







L-41

 




 


 

 





 


 

   

  








 











16




 

 







 


  





 

Quintus




     









      


   




    


  


(1)
   

 


 

 


  

 
 

    

17

(2) 


   

 




           
   

   




1
2

No dot in original
Rest is editorial

http://www.laymusic.org

Printed on November 18, 2003

L-42

Lachrim-18-Digorie Piper Galiard.

Bassus


17




(3)


 



















  



These two rests are editorial

Printed on November 18, 2003

http://www.laymusic.org

Part V
A Pilgrimes Solace

L-43

Pilgrim-IX-Goe nightly cares

P-1

IX. Goe nightly cares,


Cantus.

 

 


 

  





  


 

Goe nightly cares

 

        


16

24

 

38

 (4)  

     

52

62

 




 






 

        

  



  


A 

  



      

     (5)   
   

  


    
 

(2)

   

     

      

44

   

    (3)
 

31


   








 




 

  



     

 

 

 


   

(1)

     


      



      


  


     




      


         


          


 

  

  
















   




      

 

  


   






    

 
 


   

    
   

  
      

 


The meter is written C 3. My guess is that the three is an error.


Original is half note
3
Original is missing this note
2

http://www.laymusic.org

Printed on November 18, 2003

P-2

Pilgrim-IX-Goe nightly cares

Altus.

 


 





Goe night- ly

 


  

night- ly

well

False

e- nem- y

to

rest,

Now

Free from, free from thy




long, so






I

blest,

En- joy- ing peace,

long, so




that loe





Or


let

me

nor feares or

 

56

 

65

(1)




give

me





I




life,







as

de-

sire

the

death.

dis-

turbe

her

hap-

py

state.




live

for e-

life

be- reav- ed quite,

  

 





draw my wear-

y breath,

nor

sor- rowes shall

a-

And thus







And thus

no




life,

A hell,

thy joyes

un- true,




leave




  




Wel- come sweete death,

And thus

mate

 


And thus

leave,

wel-

to




sweet death

wel- come sweete death

ver

Wel- come sweete death,


I

  

hath lyne u- pon my

of

dye,

live

time

 


 

En- joy- ing peace, En- joy- ing peace, and heaven- ly true de- light.

teares

 


 

hopes,

I doe not weigh thy

live, that loe

 


now do thy worst,

long, your weight

to vexe my griev- ed

De- light, whom woes

while




free from, free from thy cares,

live,




do,




so

cares,

That loe

long your weight,

brest,










47

well, the

So

For- beare, for- beare a

sprite,

39

rest,

to

spight:

30

 

e- nem- y




 



Goe

cares, the

world fare22




cares,

False world fare12


I

 

Then

thus,

and

thus

and

thus,

and

thus vaine world a- gaine

leave,




come, Oh
leave

thy


 

bid the world farea-

well.
due.

drawn as a breve in original

Printed on November 18, 2003

http://www.laymusic.org

Pilgrim-IX-Goe nightly cares

Bassus.





P-3




Goe

 
    



9




19





 

39


 

54


 

63


   


  




46

 

   

    







  

   

 













 




    





  





 


    


   


 
  

 

   

  


    

  


      

   

 

  





    

   

 

   

  




cares

 


 
  

 

night- ly

    


   

        



29

    


 
     

 


 

Original has incomplete circle with dot, and also the number 2.

http://www.laymusic.org

Printed on November 18, 2003

Bibliography
[Pou82] Diana Poulton. John Dowland. University of California Press, second edition, 1982.

??-5

??-6

Printed on November 18, 2003

http://www.laymusic.org

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