Frederic Chopin

Artist:

Frederic Chopin

Born:

1810, Zelazowa Wola, Poland

Died:

1849, Paris

Summary:

Polish composer renowned for his piano works. A

great Romantic composer, who nevertheless wrote
absolute music with formal titles such as Mazurkas,
Impromptus, Walzes, Nocturnes.

Popular Sheet Music: Polonaise

on 8notes.com

Funeral March
Nocturne Op9, No2

Frederic Chopin Biography

Frdric-Franois Chopin (March 1, 1810 October 17, 1849) is widely seen as the greatest of Polish
composers and among the very greatest of composers for the piano, the instrument for which he wrote
almost exclusively. He was born as Fryderyk Franciszek Chopin, adopting the French variant 'FrdricFranois' when he left Poland for Paris at age 20, never to return. His surname is also sometimes
spelled Szopen in Polish texts. He was another one of the extremely rare child prodigies, including
Wolfgang Amadeus Mozart and Felix Mendelssohn.

Frdric-Franois Chopin, portrayed by Eugne Delacroix.

Contents

1 Biography
1.1 Formative Years
1.2 Career in Paris
1.3 Chopin and George Sand
1.4 Death and Funeral
2 Music
2.1 Chopin and Romanticism
3 Works
4 Other
4.1 Eponyms
5 Media
6 See also
7 External links
7.1 Recordings

Biography

According to the artist himself and his family, Chopin was born on March 1, 1810. However, his
baptismal certificate, written several weeks after his birth, lists his birthdate as February 22. Chopin
was born in elazowa Wola in central Poland near Sochaczew, in the region of Mazovia, which was part
of the Duchy of Warsaw. He was born to Mikoaj (Nicolas) Chopin, a Polonized Frenchman and to his
Polish mother, Tekla Justyna Krzyanowska.
Formative Years
The musical talent of young Chopin became apparent early on and can be compared with the childhood
genius of Mozart. At the age of 7, he was already the author of two polonaises (in G minor and B-flat
major), the first being published in the engraving workshop of Father Cybulski. The prodigy was
featured in the Warsaw newspapers, and 'little Chopin' became the attraction at receptions given in the
aristocratic salons of the capital. He also began giving public charity concerts. His first professional
piano lessons, given to him by the violinist Wojciech ywny (b. 1756 in Bohemia), lasted from 1816 to
1822, when the teacher was no longer able to give any more help to the pupil whose skills surpassed his
own.

The only known photograph of Frdric Chopin, taken during the degenerative stages of his
tuberculosis
The further development of Chopin's talent was supervised by Wilhelm Wrfel (b. 1791 in Bohemia).
This renowned pianist and professor at the Warsaw Conservatory gave Chopin valuable (although
irregular) lessons in playing organ (music), and possibly piano. From 1823 to 1826, Chopin attended the
Warsaw Lyceum, where his father was a professor. In the autumn of 1826, Chopin began studying music
theory, figured bass, and composition with the composer Jzef Elsner (b. 1769 in Silesia) at the Warsaw
Conservatory. In 1831 he left Poland for Vienna before settling in Paris where he spent much of his life.
Career in Paris

Chopin first visited Vienna in early 1829, where he gave a piano performace and received his first
favorable reviews. The following year he returned to Warsaw and performed the premiere of his Piano
Concerto in F Minor at the National Theater on March 17. By 1831 Chopin had left Poland for good and
settled in Paris. He began work on his first scherzi and ballades as well as the first book of tudes. It is
also at this time that he began his lifelong struggle with tuberculosis.
The early and mid-1830s in Paris were a productive time for the composer. He completed several of his
most famous works and also performed regular concerts, to rave reviews. By 1838 Chopin had become
a famous figure in Paris. Among his closest friends were opera composer Vincenzo Bellini (beside whom
he is buried in the Pre Lachaise), and painter Eugne Delacroix. He was also friends with composers
Hector Berlioz, Franz Liszt and Robert Schumann, and although he was at times critical of their music,
Chopin dedicated some of his own compositions to them.
Chopin and George Sand
In 1836 Chopin was secretly engaged to a seventeen-year-old Polish girl named Maria Wodzinska. The
engagement was later called off. In that same year, at a party hosted by Countess Marie d'Agoult,
Chopin met the novelist Amandine-Aurore-Lucile Dupin, better known by her pseudonym as George
Sand.
Sand's correspondence suggests that Chopin was asexual; that is, that he had no inclination to have
sexual relations with anyone, male or female. Even so, his relationship with Sand lasted for ten years
until they parted after arguments over Sand's children.
A notable episode in their time together was a turbulent and miserable winter on Majorca (18381839)
living in unheated peasant huts and in the then-abandoned (and equally cold) Valldemossa monastery. 1
Chopin would also later complain of having to go to great lengths to obtain a piano from Paris and of
the difficulty of moving it uphill to the monastery. Chopin reflected much of the mood of this
desperate time in the twenty-four prludes, Op. 28, the majority of which were written in Majorca.
The weather had such a serious impact on Chopin's health and his chronic lung disease that he and
George Sand were compelled to return to Paris to save his life. He survived but never recovered from
this bout.
Death and Funeral
By the 1840s Chopin's health was rapidly deteriorating. He and Sand took several trips to remote
locations, such as Nohant-Vic, to no avail. By 1849 most of his major works were completed and Chopin
concentrated on mazurkas and nocturnes. His last work was a mazurka, in F minor.
Chopin died, officially, of tuberculosis in 1849, although there is some speculation that he may have
had another disease such as cystic fibrosis or emphysema due in part to autopsy findings (reported only

by his sister) seemingly inconsistent with the initial diagnosis. He had a terror of being buried alive,
and asked to be 'cut open' to make sure he was dead.

The grave of Chopin in Paris

He had requested that Mozart's Requiem be sung at his funeral, held at the Church of the Madeleine.
The Requiem has major parts for female singers but the Madeleine had never permitted female singers
in its choir. The funeral was delayed for almost 2 weeks while the matter raged, the church finally
relenting and granting Chopin's final wish. Although Chopin is buried in the Pre Lachaise cemetery in
Paris, his heart is entombed in a pillar in the Church of the Holy Cross in Warsaw.
Music
Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato,
chromatic inflections, and the style of Johann Sebastian Bach), as well as a piano technique which was
of his own creation. This mixture produces a particularly fragile sound in the melody and the harmony,
which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new
salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication,
and endowed popular dance forms, such as the Polish mazurka and the Viennese waltz with a greater
range of melody and expression. Chopin was the first to write Ballades (a genre he invented) and the
Scherzi as individual pieces. Chopin also took the example of Bach's prludes and transformed the
genre.
Several melodies of Chopin's have become well known; because of their unique melodic shape they are
instantly memorable and easily recognized. Among these are the Revolutionary tude (Op. 10, No. 12),
the Minute Waltz (Op. 64, No. 1), and the third movement of his Funeral March sonata (Op. 35), which
is used as an iconic representation of grief. Interestingly, the Revolutionary Etude was not written with

the failed Polish uprising against Russia in mind, it merely appeared at that time. The Funeral March
was written for funerals, but it was not inspired by any recent personal loss of Chopin's. Other melodies
have even been used as the basis of popular songs, such as the slow section of the FantaisieImpromptu (Op. 66). These pieces often rely on an intense and personalized chromaticism, as well as a
melodic curve that resembles the operas of Chopin's day - the operas of Rossini, Donizetti, and
especially Bellini. Chopin used the piano to re-create the gracefulness of the singing voice, and talked
and wrote constantly about singers.
Chopin's style and gifts became increasingly influential: Schumann was a huge admirer of Chopin's
music although the feeling was not mutual and he took melodies from Chopin and even named a
piece of his Carnaval Suite after Chopin; Franz Liszt, another great admirer of the composer,
transcribed several Chopin songs for unaccompanied piano. Liszt later dedicated a movement of his
'Harmonies Potiques et Religieuses' to Chopin, titling it 'Funrailles' and laconically dedicating it
'October 1849.' The mid-section recalls, powerfully, the famous octave trio section of Chopin's Opus 53
Polonaise.
Chopin had strong opinions of how his music should be performed and many common performances
practices of Chopin today are at odds with his aesthetic. Arguably, some of the best records of Chopin
include those by Koczalski, Friedman, Cortot, Rubinstein, Malcuzynski, Janis, Magaloff, Pollini and
Zimerman.
Chopin performed his own works in concert halls but most often in his salon for friends. Only later in
life, as his disease progressed, did Chopin give up public performance altogether.
Several of Chopin's piano works carry with them their own technique: his prludes (Op. 28) and tudes
(Op. 10 and 25) rapidly became standard works. They also became influential, inspiring both Liszt's
Transcendental tudes and Schumann's Symphonic tudes.
Chopin and Romanticism
Chopin regarded the Romantic movement with indifference, if not distaste, and rarely associated
himself with it directly. Even so, today Chopin's music is considered to be the paragon of the Romantic
style.
All of his works, without exception, involve the piano, whether solo or accompanied. They are
predominantly for solo piano but include a small number of works for piano and secondary instruments,
including a second piano, violin, cello, voice, and orchestra.
Works

Chopin's compositional output consists mainly of music for solo piano. His larger scale works such as the
ballades, scherzos, the barcarolle, and sonatas have cemented a solid place within the repertoire, as
well as shorter works like his impromptus, mazurkas, nocturnes, waltzes and polonaises.
Two important collections are the 24 Preludes Op. 28, based loosely on Bach's Well-Tempered Clavier,
and the etudes, which are a staple of that genre for pianists.
Chopin's two piano concertos, Opp. 11 and 21, are masterpieces still often performed. In addition, he
wrote several songs set to Polish texts, and several pieces including a piano trio and a sonata for cello
and piano.
For a complete list of Chopin's works by opus number, see List of compositions by Frdric Chopin.
Other
In commemoration of the genius of Frdric Chopin, the International Chopin Piano Competition is held
in Warsaw, Poland every five years.
Eponyms
The following have been named after the composer:
Asteroid 3784 Chopin
Warsaw Frederic Chopin Airport (also known as Frederic Chopin International Airport).
Media
Listen to Chopin's Fantaisie-Impromptu in C-sharp minor, Op. 66 (20kB MIDI file) or download
high quality synthesized version (3.5MB Vorbis file). Most of this piano solo features 4:3 polyrhythm.
See also
Category:Chopin compositions
Great Emigration
Carl Mikuli, student, teaching assistant and editor of Chopin.
External links
ChopinMusic - Chopin website with recordings, sheet music, photo galleries, a forum and more.
Biographies (Project Gutenberg e-texts):

Life of Chopin, by Franz Liszt

Frederick Chopin as a Man and Musician, by Frederick Niecks

Chopin: The Man and his Music, by James Huneker

Chopin's partitions from Mutopia Project
Chopin's music collection on Classical Music Archives
International Frederick Chopin Piano Competition

Recordings
Free recordings of Chopin's music performed by Donald Betts (3 ballades, 3 tudes, 2
nocturnes, 1 mazurka)
Free recordings of Chopin's music performed by Paul Cantrell
Piano Society.com Chopin Various free recordings of Chopin's music in MP3 format.
Classic Cat Chopin An overview of free Chopin recordings on the internet by Classic Cat
the free classical music directory.
The Chopin MIDI Archive Chopin's works in MIDI format.

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