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AM+DG

Halcyon Zenith R. Deloso


11 - Pongracz

Tentatibong Bibliograpiya
ika-4 ng Setyembre, 2016

Talasanggunian
Diamond, Catherine. Quest for the Elusive Self: The Role of Contemporary Philippine
Theatre in the Formation of Cultural Identity. The Drama Review 40.1 (1996): 141-169.
EBSCOHost. Web. 4 Set. 2016.
Fernandez, Doreen. Philippine Theatre in English. World Literature Today 74.2 (2000):
318-22. EBSCOHost. Web. 4 Set. 2016.
Lumbera, Bienvenido. Forum Kritika: Philippine Theater and Martial Law (Part 1):
Philippine Theater in Confinement: Breaking Out of Martial Law. Kritika Kultura 14
(2010): 97-102. EBSCOHost. Web. 4 Set. 2016.
Maggay, Melba Padilla. Pahiwatig. Quezon City: Ateneo de Manila University Press, 2002.
Print.
Pagsanghan, Onofre. Sinta and Other Plays. Print.
Panares, Alice, at Maria Cabangon. Drama-in-schools in the Philippines. Research in
Drama Education 21.1 (2016): 13-16. Taylor & Francis Online. Web. 4 Set. 2016.
Rafael, Vicente. Pagsusuri ng Palabas: Essays on Philippine Theater History, ni Doreen
Fernandez. The Journal of Asian Studies, Nob. 1999, 1194-96.
Tiatco, Sir Anril. Postscript to University of the Philippines Komedya Fiesta 2008: Prelude
to a Discourse on National Theatre. Asian Theatre Journal.26.2 (2009): 281-302.
EBSCOHost. Web. 4 Set. 2016.
Vera, Rodolfo. Forum Kritika: Philippine Theater and Martial Law: Playwriting in the Time
of Exigency. Kritika Kultura 14 (2010): 103-10. EBSCOHost. Web. 4 Set. 2016.
Walker, Peter. Cross-sensory Correspondences and Symbolism in Spoken and
Written Language. Journal of Experimental Psychology: Learning, Memory, and
Cognition 42.9 (2016): 1339-61. EBSCOHost. Web. 4 Set. 2016.

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