Proro “eum ceils ma z 2 g g & & : z Z s é 4NOTES AUDIENCE voooIn 6 SHER cD wE SC ws: ON ats PERCLSSION: 2 Timpani Fea e— 6 Tenor Drums (or small Timpani * sf available) eaegs ete 28. 3 Temole Blocks (Iligh, Middle Low) 2 Suspended Cymbals (Smal, Large) | Wooden Wind C simes IVY! runes ty Sticks VIOLA; ‘ : + “Circular Bowing™ pp Flautando col legno. E ich stroke up bow to the middle dhen 4 avick “sighing” portamento bate to the tip. I dre ‘An ostinaio passage of a specified duration (ix.30") **Roto Toms” — Remolnc.4 10",2 8” Cover Design, C. GRANT SWANTTND, Sole Sein. gents HICHILAND W ISIC COMPANY, 311.N. lighlnd Ave. Hollywood, Cl. 90028,To Milton Thomas and Kenneth Watson 1 REDWOOD I Paul Chihara Girculer Bowing: Each stroke up bow to the mide, ee ‘then quick “sighing” portamento ack to tp a, Con sord. col tegno 12 30” (12 repetitions) 2 VIOLA E ry, PP = — 36” (12 rope DRUMS pa —— snp @ SSE re eee = (——_— f§ = = 4 (d=120) 23456 7€ F cathe wingwees 4 earetts: prs off the string. ee ee eee, Ft tase a . ==, ‘sempre p Redwood 6 (No decrese. no rt.) 2 4VIOLA Risoluto DRUMS 13 pe eee es espressiva Temple Blocks Moderato-Cadenza (Liberamente) 43 44 4 aA = sie i i = $33 ee crese, 5 0 areata tert tra bam 9 bas Va2mm en % - J ‘. a el = fF $—— P d-00 Andante cantabile_ “Oe RR SSS suvitopp ——— re. ——————————— oe Adenas) _ f ® Improvisition ff Ver ine igh pot of competion 4-60 Gireular Bowis a ing con sord. col leno 25” (10 repeti P—— 30” (10 repetitions) = 22 ete Redwood 6Molto espressivo Legato Il CODA fonts a, a te fie fie p= — > Affretiando 5 — ces oe. ‘Temple Blocks (Brushes) 2 Suspended Cymbals ‘Temple Blocks (Brushes) p== —= ~ — PP *? —_—__—_ f —————__ Suspended Cymbals | z p ——_ » Vib sce ty then da, wie vibrato. - |Morendo a non vib. eS ee Teeralo| at a agit B p a Obs —er _ a a ed = ca Es Deis wind ciimes a0 Ae % TP ee PP i ‘PPPP Lee *1¢ Wind Chimes are not avaiable, rates should ae PP ‘be rolled against the rim of the C Timpani, Tokyo, 1967 Redwood 6studied at Comell University, in Paris with Nadia tthe Hochachale fy Mask in West Berlin, and at Tanglewood with Gunther Schuller. He now teaches in the music department at UCLA. His works have been performed in Japan, America, and Europe. “REDWOOD" is the third in a series of tone pic- tures dealing with tos The other: opi by Protone Musi, are “TREE MUSIC,” for 3 violas and 3 trombones, and “BRANCHES,” for 2 bas- toons and percussionist. “REDWOOD” has been recorded by MILTON THOMAS viola and KENNETH WATSON per. Photo: Cari Furuta