The document discusses the relationship between graphic design and film. Filmmakers want their films to feel realistic, so they need realistic prop and set design. There is a strong connection between film theory concepts like pastiche and parody and prop design. Many films capture a romanticized image of graphic design from the past. It is important for prop design to represent both positive and negative examples of design to create a more realistic depiction. The audience is not the only one influenced by design work - the actors need to feel immersed in the world as well.
Original Description:
The structure for my essay on film prop and set design.
The document discusses the relationship between graphic design and film. Filmmakers want their films to feel realistic, so they need realistic prop and set design. There is a strong connection between film theory concepts like pastiche and parody and prop design. Many films capture a romanticized image of graphic design from the past. It is important for prop design to represent both positive and negative examples of design to create a more realistic depiction. The audience is not the only one influenced by design work - the actors need to feel immersed in the world as well.
The document discusses the relationship between graphic design and film. Filmmakers want their films to feel realistic, so they need realistic prop and set design. There is a strong connection between film theory concepts like pastiche and parody and prop design. Many films capture a romanticized image of graphic design from the past. It is important for prop design to represent both positive and negative examples of design to create a more realistic depiction. The audience is not the only one influenced by design work - the actors need to feel immersed in the world as well.
Watching and analysing a variety of films where graphic
design has a notable role will support any research that is made in reading academic sources and researching the industry. It will also be constructive to find interviews from practicing professionals as well as interviewing them myself alongside students studying film.
Film makers, writers and directors who create films, more
often than not will want to make their film as realistic as possible. They are in need of a realistic design of props or sets that will give their film a realistic feeling.
Culture Film Prop and Set Design
There is a strong relationship with graphic design and film. Many parts of film theory including pastiche and parody, have notable impact on prop design. This is touching on Jamesons idea of nostalgia film, the idea that film encapsulates a romantic image of the past. This is demonstrated in cinema, in both cult and commercial, and studying them closely allows analysis of the idea. Online articles, such as Creative Review and Its Nice That, discuss the idea further and look into the role of production design. Other media such as blogs also communicate this idea and look into theory and the design. There are several academic sources discussing prop and set design that will come in useful when researching this idea at depth.
Many films capture a romanticised image of graphic design.
Often the more commercial designs will have been ignored and not represent the most accurate image. Although it is good to celebrate positive design in film, there will be examples of bad design and it should be demonstrated in film to create a more realistic image of the past and present.
The audience of the film is not the only audience of the
design work. The actor is also an audience. It is important for the actor and extras to feel a part of the world the film is capturing. A film is most immersive when it feels real world. A piece of prop design will be produced looking into commercial aspects of design from an example of a film script or a novel that can be adapted into a film that hasnt already.