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The Poetics of Disaster - Draft-Outline 6-19-10
The Poetics of Disaster - Draft-Outline 6-19-10
The need to which the poetics of disaster responds has long been felt if not known. It is in fact
the case that the earliest appeal for such a poetics, voiced by Hlderlin, in Brot und Wein, in which
he wrote Aber Freud! Wir kommen zu spt. Zwar leben die Gtter, Aber ber dem Haupt droben in
anderer Welt... und wozu Dichter in drftiger Zeit?1 Here, what is disastrous, or the disaster itself, is
the destitution of the times the retreat of the Gods which calls into question the role of the poet, and
thereby, of all writing.
When all is said, what remains to be said is the disaster. Ruin of words, demise writing,
1 Friedrich Hlderlin, Dichtungen und Briefe (Mnchen: Winkler, 1952), pg. 166.
faintness faintly murmuring: what remains without remains (the fragmentary) (33)
Quand tout est dit, ce qui reste dire est la dsastre, ruine parole, dfaillance par l'criture,
rumeur qui murmure ce qui reste sans reste (le fragmentaire) (58)
cf. 116-7
* If disaster means being separated from the star (if it means the decline which characterizes disorientation when the link
with fortune on high is cut), then it indicates a fall beneath disastrous necessity. Would law be disaster?? ...the idea of
totality cannot delimit it... The disaster... exposes us to a certain idea of passivity.... (2-3)
3. Disaster calls everything into question; as a non-concept it is exterior to totality and outside
of the System (of Knowledge Hegel). Disorients the Absolute (4)
(A Primal Scene?) 72, 114, 125 Disaster experienced, inserted into story imagery: sky (Grenier
L'Attrait du Vide?)
*The disaster, unexperienced. It is what escapes the very possibility of experience it is the
limit of writing. This must be repeated: the disaster de-scribes. Which does not mean that the
disaster, as the force of writing, is exclued from it, is beyond the pale of writing, or
extratextual. (7)
*May words cease to be arms; means of action, means of salvation. Let us count, rather, on
disarray. When to write, or not to write makes no difference, then writing changes whether it
happens or not, it is the writing of the disaster (11-12)
Literary practice
Purely de-scriptive poetics
Fragmentary
Excessive
Corpus:
Le Bleu du Ciel, L'Instant de ma mort, Paul Celan
fiction and testimony > compare Instant with Borges' Secret Miracle
Wake: OED:
n1 1. The state of wakefulness esp. during normal hours of sleep. Obs. exc. in sleep and (or) wake, wake and
dream.
b. A state or period of wakefulness. Obs.
c. The act of awaking. Obs.
2. Abstinence from sleep, watching, practised as a religious observance: often coupled with fasting. Also, an
instance of this; a night spent in devout watching (on the eve of a festival, of the reception of knighthood, etc.); a
watch, vigil.
n2 I. 1. The track left on the water's surface by a ship (in the sea often marked by a smooth appearance).
2. transf. Anything compared to the wake of a vessel.
4. in the wake of. a. Naut. or quasi-nautical. in the wake of (a vessel); in her (its) wake, etc.: immediately
behind, and (properly) in the actual track made by, a vessel; immediately backward and along the track made. Also
used of any person or persons aboard, as in his, our, etc., wake; behind his, our, etc., vessel.
c. transf. and fig. (a) With nautical metaphor (often jocular): Following close behind (a person compared to a
ship). (b) In wider use (cf. 2): In the train or track of, behind (a moving person or object); in imitation of;
following as a result or consequence
Corpus:
V. Literary Practice
* Inasmuch as the disaster is thought, it is nondisastrous thought, thought of the outside. (6 c.f. Foucault)
The Fragmentary
Non-dialectical interruption
Nietzsche
125
Kafka
Freud
Lacan
Hlderlin Klossowski on Nietzsche Ch. 9 The Euphoria of Turin. Nietzsche's last letters.
De Sade
Artaud
Ovid Narcissus
Aeschylus Orestes
Adorno
F. Schlegel
(Bataille)