Apariencia Desnuda

Bb Clarinet, Viola, Violoncello

2010
Omar Fraire

Program Notes
Tension and attention as parameter on various levels through the piece.
This energy breaks the boundary between the musical performance,
the choreographic gestion of meaning and the theatrical aspect of
the production of sound.

Apariencia desnuda

Score
q = 90 - 94

Bb Clarinet

& 45

>> >

slap

xj

fl

w
>

B 45

b
. .
>> >

Cello

15

Bb Cl

? 45 *

b
>> >

j
x

&

F
P

Vla

Vlc

B ..
?

4
4 w

j
b . w
>
tenuto

s.v.

44

..

..

..

X5

..

..

molto oscil.

ord.

bisb. irreg.

.
P

ord.

j
.
P

*) Silent scenic actions: Soundless actions are notated inside these line dotted boxes,
only intention and physical gesture with no sound, will be present when these boxes appear.

5
5

. .

P

J

cras

ord.

b
>

P **
w
..
w
F

flz.

w
>

ww

**) Mute strings with the hand, without producing harmonics.

The bow pressure is ordinario, with no air sound.

ww

s.t.

IMMOBILE

w
w

IMMOBILE

s.t.

..

rebow when
necessary

m.v.

Viola

44

breath when necessary

ord.

Omar Guzmn

***) Without movement

..

X 13

..

.. ww

..

..

..

10

IMMOBILE

10
10

***

IMMOBILE
39

Bb Cl

&

Vlc

58

Vla

*
B j .
b
fl

Vla

Bb Cl

&

& J
?

j.
b
fl

pizz.

ord. s.v.

s.p.

.. w

j w
b
fl

Vlc

.. w

.. w

.. ..

B j
b
>

&

O Ow

*) Silent scenic actions: Soundless actions are notated inside these line dotted boxes,
only intention and physical gesture with no sound, will be present when these boxes appear.

.. w

w
x

> p

m.s.p.

.. .. w

.. w

raise the bell

X4

punta
irreg.

bisb. irreg.

w
w
p

sul I

&

J .

raise the bell

blow through
the F holes

Ow

ord.

Ow

.. w

.. ..

Ow

bisb. irreg.

raise bow

j
h-

b>
J

(bell raised)
70

Bb Cl

X4

w
& ..

.. .. w

X3

.. w

blow into and arround

the clarinet
(let some air to escape)

IMMOBILE

& ..

Vlc

? ..

.. ..

en el puente

.. ..

..

..

[SH--]

j
b
>

simile

[SH--]

Vla

Bb Cl

& ..

X5

..

meanwhile walk
to the back of
stage and stay there

Vla

Vlc

w
& ..
? ..

.. w

.. > >
J
J

ord
m.v.

- >
Z- J
J

cut the air

with the bow

> >
J J

F p

.. w
..

X4

IMMOBILE

JJ
fF

..

(cepillado)

..

m.v.

.. j j

p
f

Knock the viola

with knuckles

j
..

x
.
>
F

j j j
b
b
>
>>

raise the bell

back to the front

give the cue on
measure 92
87

ord.

..

.. w
..

..

..

m.s.p.

..

..

.. w

.. w

bw

&

X7

X 10

..

..

b . Z
R
J

F
Knock the viola
with knuckles

> > >

J
F
f

..

6
96

Vlc

102

Bb Cl

Vla

Vlc

6
4

&

Vla

46

&

Bb Cl

& j
.
f
B
b
? J

r .

46

..

..

xj j

.
>
[SH--]

f
cras
>

J J

j r
.

F

..

&

..

j j
x
- .
>
[SH--]

f
>cras
>
J
J

..
.. J
f

r .
. . . . .
f
5

r .

>>>
f

cras

b >
J
f
pizz.

44

j
x
>
F

&

4
4
44

j

>

..

j
x
>
F

b >
J
F

.. >
J
F

.. .

b > .
& J
f

pizz.

j j
-
>
X3

r .

>
J
f

..

> > >

pizz.

b
F

..

b
P

> ..
J
f

pizz.

b
p

b >
J
f

b
p

7
109

Bb Cl

Vla

Vlc

& ..

Vla

Vlc

&
B
?

B .. j
b
>

pizz.
b>
? .. J
f
117

Bb Cl

>
J

>
J
P

J ..
p

..

..

J
P

pizz.

F
F

b >
J

b >
J

X3

..
J
P

..

-H

cut the air

with the bow

Z>
J
f

.
.. J
P

[SH--]

[SH--]

-H

3
b > > >

m.v.

..

-
J

X4

[SH--]

. .
J J .
P

Z > j -h
J J b
>
F
F
F
f
m.v.
>
>
b
>Z J
J

> .. j
J
b
>

F
..

..

-
J ..

.
J
p

..

..
..

.
. .
J

124

Bb Cl

Vla

Vlc

&
B h

? >
F

1.

& 43 R

Vla

Vlc

bw

44
44

B 43 h
f

.. 42 .. H
f

? 43

.. 42 ..

43

.. 42 .. R .
f
2.

3 .
4
p

j H >

b
J J
>
F F

b
b.
J J

130

Bb Cl

44

.. j j
x
x
>
>
F

..
b
f

3
4 b j
>
f

..

b
>>>

pizz.

4
.
.
.
.
& 4 J
f

[SH--]
f

. 4 . >>
. 4 .

F
f

cras

>>>

.. 44 .. .

3
. . . .

. j j
x
x

f
>
>
F

b
>>>

..

j j

- >
f

cras

43

j
b
f

..
- .
f

. . 3

4
f

3
4

9
137

Bb Cl

& j j

>
F >
cras

B
f

Vla

146

Bb Cl

Vla

Vlc

ord

m.v.

>
b
3
J


f

Vlc

X9

& ..

..

..
w

? ..

m.v.

..

simile
b>

J J

give the back to

audience
Wait for the end

B ..
w

# -

walk out the scenario

..

X3

..

..
w

..
w

b
.. J .

..

46 ..

46 ..

46 .. N w
P
m.v.

simile
b> b> b
J J J J J J J J

X6

..

..

.. w
P

IMMOBILE

bw
P
w

10 ' 35 '' ca.

Oct 2010 Aguascalientes, Ags.