ZXOAH MIANOY Tlepiinymg Sidaxtéag Ang TIPOKATAPTIKH 1° ETOE. BEYER, «¢ to 75. Tvpvésparta: SCHMITT ( va. apyioet ped to KAei8i tov pa to BEYER}> pero. 4" Kiipaxes: ‘Ohes ot petCovec jie Stéceig o€ pric. oKtaBa Kan oF yS0u. Koppéna: pore o ,@OESTEN (va evkoL6tepa) var apyisovv to 3° tpipvo tov TW Racyer® 1° rove. Crorny: MPOrPAMMA ETHEION ETAZEQN: BEYER 10 74 xou dv, OESTEN xat xrijtaxes (and my 6150/8ei0u tn) or Caownyp C6 vas) 2° ETOE Tupvaspata: = HANON Evvéyeta tov BEYER Kiipaxes ‘Ohec ot peioves ne Sréceg Kar upsets Ge Sho oKTaBES Kat oe 6yB0, Enovdéc: CZERNY 100 kon LEMOINE ( tev6 opiopévo apiend tov CZERNY # BERTINI PRELUDES ET MORCEAUX.) KUNZ OP.100 Kou ev ovvezeia BACH: ANNA MAGDALENA 5,6, (ta svxohdtepa tovkiytotov 5 yt va npoay8et o padyaig omy Katwrépa Lovatives: CLEMENTI (3 riajpeig covhéq0t0v) 1} DIABELLI 1} SCHMITT. Konpésia: OESTEN xou BURGMULLER (ca. evxoddrepa) TPOrPAMMA HIPOATOTIKON EZETAZEQN ;* ) Toppwva pre tov Kavovions. (nh. Bach, Czemy, covartiva, Kopepéct)KATOTEPA. KATOTEFS. 1° ETOE Topvicpora: HANON Kiipaxect Or neifoves & 4 oxrdBes Kar oF SeKase ext Kat ot ERLGGOVES apnoveés ce 560 oxtées ‘Apmanot tov peGovov 0&2 oKt6BE6. p09: BHA Enovdéct CeERNY 30 i) CZERNY ~ GERMER T sat BERTINI Tae to 100 CZERNY) BACH: [ANNA MAGDALENA ovveyetc. KO ovhagctov 8 and 10 30 CZERNY: ovoKa. 30 onovdés Eovarives: CLEMENTI, KUHLAU I covhitjrotov 5 ex 6 onoi@v 013 KUBLAU I to vrogpentx6 mayo ard. pict Mxyorepn) A DUSSEK. Koppénia: BURGMULLER, WIMI 4 SCHUMANN ( 1a evxoh0veP) POrPAMMA ETH=IO ETAZEQN ‘Ano my aveotépo Hie, Hid. oFOVBA, BACH, Zovariva, Kowa, wAinanes 2° ETOE Typvaspata: — HANON, PISCHNA - WOLF Kuipaxect weioves, eh&scOves, UPHOVIKES KUL pedoduxés ce 4 oxrdBes ‘Apmiayio’ wexCovev Kat has sovey OF 4 oxctibes Amervnropoi: oto BEB xépt tO 2 BaKTWAo GTO WAOPO FAAKTAO KAL TO ptatep6 xépt T0 3° SK TKO GTO HADPO TAKTPO- (© ody HV Katotépa yoni 8a TPE! HOvO Rpts Saxrudopoc) LF QVdES,, CZERNY ovvexetd. Kat 70 24, BERENS 1 HELLER op.47 11 Re aa mye BERTINI OP. 29 1 PHIIPP:LE PETIT GRADUS (tovhérqiot0v Wain Wes EE 25 onovdés EK TOV onoiay ot 8 and to 30 CZERNY) BACH: oUvexela ANNA MAGDALENA kat rovhéqistov 6 KOPpATiA ano ta PETITS PRELUDES ET FUGUES. ovvexet KUHLAU I kot zovhagiatov 3 ad tO KKUHLAU I, 11 DUSSEK, f) BEETHOVEN (01 Sto. evxohec). Mmopet va yivet emboyn ya va oppetinpooel N 34 cova KUHLAU II. Suvolixé. 6 covarives TOUMKOTOV Konpétia: WIM I, SCHUMANN : JUGENDALBUM (xar’enthoyt) A TSCHAIKOWSKY : JUGENDALBUM. DovativesIp6yoa siov stetacsor An6 my avaorépo Win BACH, Exovbs, Bovariva, Konné, Khipoxes 3° ETOE Topvécyora: HANON, PISCHNA~ WOLF Kyipoxes: eiloves, edécooves apnovixés, penodrxés oe 4 oxciBes, anhéc spice, Séxarec, Apmiopot (Tai wysKwv 92 20 terdpro Kat apmiopov 80~ 84). Emovdéct CZERNY 40) CZERNY - GERMER Il, BERENS 11 wat Tl {BERTINI OP 32 1 HELLER 0p.46 (rovhéztotov 30 onovséc) BACH: cuvéyeta PETITS_ PRELUDES ET FUGUES et coundotov 5-6 INVENTIONS A DEUX VOIX. 5.92 2 yea Zovirres: J HAYDN xat2 MOZART (mv FACILE rgp ry. od pete. oF : 360 Kunjoer) BONE EEE Konpéma: IEG MORCEAUX LYRIQUES I, MENDELSSOHN KINDERSTUECKE kat CHANTS SANS PAROLES, SCHUMANN, HELLER KINDERSZENEN, BEETHOVEN FUER ELISE, SCHUBERT: DANSES. ~ Ocse ae iS a Eeedots ano 10 ered EO Mendetsow iPOFPAMM: (POALOLIKON EZETAZEQN MPO THN MEZH: CZERNY, BACH INVENTION, row ex mg aviotépe | Vhng Kat eva HEPOS Govatag HAYDN § MOZART eniBeBinnévo, optiouevo 45 Hepes veopitepa. Eng erijores eEeraceis Showy tov takeoy to BACH moypeartks an BYRNE MEZH 1° ETOE Topvaopara: HANON, PISCHNA ~ WOLF. Kdipaxect MeiCoves kat chdooves amés, tpitec, EKTES, SéKatec, ovyyopdies tpieves Kat terpdpover Apmonot ne avaotpoges Lrovdec: CZERNY 40 ovvéxeta 1) CZERNY — GERMER II, CRAMER —BULOW 4 BERENS at BERTINI (tovhayot0v 30 onovdé BACH: INVENTIONS A DEUX VOIX, SUITES FRANCAISES(kat exhoyi 3-4 ua. evKohdtepa), . Lovartes: HAYDN xot MOZART 1, SCHUMANN JUGENDSONATEN (my 1" ot Gok)Koppénia: MENDELSSOHN: CHANTS SANS PAROLES. GRIEG: MORCEAUX LYRIQUES. DAQUIN: COUCOU xan 62,OV CLAVECINISTES — mg 1ias nepinov SvoKoMias. BEETHOVEN: ECOSSAISES MPOrPAMMA ETHEION EZETAZEQN Ex mg avorépe sine. To BACH vnozpearixtag ond Hm anovd%}, HEPOS sovertac (1° 4 3°, yori Kivmon). Konnact, kMyaKes 2° ETOE Topvaopata: — ovvé{eue TOV RPONYOOPEVOY Kat KULLAK: Oxrépes. Khipaxes neiCoves arhéc, spires, éxtes, Béxares o¢ aveiGem xivmony kat ot apmowoi tov peiCovav. Ot eddoooves ot evseia Kivnon Suyropsies xa apmopot SeonoCobons we8” eBdouns (Etovg apricots va zpnowjonomet o SsbtEpS SaxrvAop6s). Lnovdéc CRAMER, CLEMENTI, PRELUDES ET EXERCICES kat op WE CZERNY: L’ ART DE DELLER LES DOIGTS 4 BERENS III Kon LV (tovréguotov 25 omovdéc) BACH: SUITES FRANCAISES, INVENTIONS A TROIS VOIX," Eovéres: Il, BEETHOVEN MORCEAUX ae €ACILES) SCHUMANN JUGENDSONATEN, CLEMENTI tdya Source MOZART VARIATIONS. PS 4 FHS Kovtoépza: HAYDN. AF OC hwo Konpéna: SCHUBERT: IMPROMPTUS kat MOMENTS MUSICAUX. CHOPIN: VALSES Kat MaCovpkec, JENSEN WANDERERBILDER, CLAVECINISTES, RAFF: oovariva.. Maprapizy: Neéeng, Hovnpién: 500 Edavexot Xopot Kar adv EXMWov ovvOerov, ALBENIZ: ESPANA, GRANADOS xopot «it TIPOLPAMMA ETHEION EZETAZEON Ex mg avorépo ding. BACH (and ng covires 360 tovAdLLo7OY népn), onovdn, époe coves A xoveseprou (1° 3° yoprit Kimmon), Komnnt, KAAS OBACH aoa coun umozpcorika ano jamhunc, Ot naparaayés va maikoveen hes i ec, Vote te ME LG. ote HA WES. Peettoven ~ Fortes fs Meee er eaioee:3° ETOE Topvespota: — CZERNY EXERCICES JOURNALIERS, PISCHNA 1, KULLAK: Oxtéfeg DORING, MOSKOWSKI ECOLE DES DOUBLES NOTES. Kyipaxes: or iBtec, va npooted0bv ot ehfioooves Ka OL apmopot tov o€ taveibem Kimmon, Kat o1 Buc tptes TOV HEILOVeDY. Oxcies, apmopot SeonoCobons ned” eB5Oue KaT ePdouns sporeinyéyne, Xponarixés, ames Kau kad 3°, 6, 10es neyéii.es Kat HUKPES Enovdéc: CRAMER at CZERNY ovvéysia 1 MOSCHELES 4 CLEMENTI GRADUS AD PARNASSUM BACH: SUITES ANGLAISES. xot CLAVECIN BIEN TEMRERE (1° BiBAio) vro ed. pe pert, pe eR. wt perl, HE EM (anoxketovpe TV It ch, and 1g EEETAGELS). Lovéres: BEETHOVEN OP.2 ap.1 ce a é2.(1") (1° Kot cehevtaio tépoc). Op-10. ap.1 oe veo &.(S)(1" Ka ‘cehevtatio WEPOC) 0.10 ap 2.o oa nert(6") Op.14 apt oF Ht ert, (9") OP.14 ap.2 oe cor. pert,(100) Kovrsgpra: - MOZART(kat” exhort) Konpéria: CHOPIN: NOCTURNES, SCHUMANN WALDSZENEN, RAFF: FILEUSE, SCHUMANN KINDERSZENEN, LISZT CONSOLATIONS, DEBUSSY: ARABESQUES Kot CHILDRENS CORNER, REINHOLD IMPROMPTU, FAURE: IMPROMPTUS, LEVY: PRELUDES CYRII. SCOTT, DANSE NEGRE, Kahouoipn: Nugeidetko kat ae Exanvecd kon Eéva. pOrPAMMA TIPOALOTIKON EEZETAEZEQN IPO THN ANOTEPA, » Kninaxes cougova pe tov Kavovens. (Tezcbens sdapaxcov 120 ~132 to tétapt0 cant apmiopov 100 -116) : rho groubée: pi CZERNY Kat ya. 2a ané my averepo ‘an, BACH rpehoove1o Kar GOUYRG (RO exetver ZOD xaBopiom Kav), covara: 1° # tehevtaio wtepog (and ervtés nov KaBopioT™mKAY), Ko}HET emiBeBhninévo opronevo 45 HépES mpiv tie cE etaoetsANOTEPA 1° ETOE Popvécpara: CZERNY EXERCICES JOURNALIERS, PLAIDY, KULLAK, MOSKOWSKI. Kiipaxes ox Steg ( var weheenBobw LEGATO, STACCATO) ot Buthéc tpites ehdoooves. Emovdéc: CZERNY, CLEMENTI, MOSCHELES. BACH: CLAVECIN BIEN TEMPERE, ex ms bAn¢ tov revnaKay eberacea 7rot: veo pert, vro Sieon| HEI 1 Soeon peiLove, oa ner, ga Seon perl, oa Bieon chi, ook pail, OLEL, 2a. v9. nate, OR Bieon eh, Not perl, OL ‘v9, perc, or pert (1° BiBAio) veo pert, vro eh, veo Bison eit, veo Bizom &h, pe Here, pe ed, Ht VO. HEI, Meh, PE eid, gat eR, Qo. dio eh, GOA pert, GO) cha, he wer, Dot 1, avg. uer, 01 £2 (UI BiBAio) tovddyorov 4 GobyKES : Kar’ ét0¢, sCARLATTI: oovites. BACK Tlaptizec, CLAVECINISTES, Lovares: BEETHOVEN ex ti¢ vig tov rrvgiov, frou: OP.2_ 9p Ge weit(3"), OP.10 ap:3 pe nets (7"), OP.13 veo eh (8"), OP.26 da. v9.(12"), OP. 27 dip. | gt vg, (13°), OP.27 ap.2 vto Bieon €d(14"), OP.28 pe net (15°),0P.31 ap.) Gh (16"), OP 31 ap.2 pe ed.(17"), OP.31 ap.3 pive.(18") OP 78 gu. Bieon weit, (24"), OP.90 Gok pert 27"), tovddmatov 2 covdtes Kar’ €t06, SCHUBERT: Zoverres, : Koyroéptaz MOZART kor BEETHOVEN atc vto ptt, (020x090) Konpétia: Kat’ exhor, TIPOrPAMMA ETHEION EEETAZEQN Ex me avorép Oey pis onov8i,. BACH, Hépos oowdieas A Koveoéprov (yopy" cian) Kompd. Oh arto pwhuens, any ms oovatag A Kovtoéptov. KAipaxec. 2ETOZ Topveopora: au nponyoopeva: kan va npooteBody mpomperiKths CORTOT: PRINCIPES RATIONELS DE LATECHNIQUE PIANISTIQUE xan dha obpoova He tov Kavoviop6 K)ipoxes: 1 iStes Ka va npooteBoby OL zpoparuces *pITES. Lnovdéc: ornponyooueves Kou KESSLER, BACH: CLAVECIN BIEN TEMPERE (nepinov 4 podyxes), Tlaptites SCARLATTE. oovates, CLAVECINISTES «An. Lovartes: BEETHOVEN dies 2 tovhéqistov, SCHUBERT kat GRIEG. Kovtoépta: Kar’ exhort Kopparia: Béva xan EXdivev ovvOerdov Kat’ exhoyi). TPOrPaAl! A ETHEION EZETAZEON Mia onové, BACH, covéra. (1° 4 tehevtaio népos, OPT xtvjon) vrogpe@riKees Kovrsépto KL KOBE, Cha amd EVANS. 3° ETOE Duvézera tng TPoNyOoHEVNS vane. Na npoctedovv ot ETUDES CHOPIN Kat BACH Irantx6 Kovisépto CAPRICCIO ot v9., Toxkértes mporPal A ETHEION ESETAEES IN nor PAMMA ETHEL rrr Mic: onov6i (ct Suvarév CHOPIN), BACH oovirta,, Kovtoepr0, KOMpET, Oho ad NS, Ero npoypanya tov Sindoparuxdy ekeTocov oupmepi.aydvoveat Kat ta napuxtrta Koytaepra tov MOZART Peek. KV. 466 No eh. KV 491 Pe peit,. KV 537 (me otéyews)