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Here's Another Simple Way To Voice Minor Ninth Chords - Hear and Play Music Learning Center
Here's Another Simple Way To Voice Minor Ninth Chords - Hear and Play Music Learning Center
Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
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HeresAnotherSimpleWayToVoiceMinorNinthChords
inChords&Progressions,Piano,Theory
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
Like 49peoplelikethis.Bethefirstofyourfriends.
Inthislesson,wellbeexploringanotherwaytovoiceminorninthchords.
Therearediversewaysofvoicingtheminorninthchord.Wevecoveredsomeoftheminthepastandwellstillstudyalotmoreoftheminsubsequentlessons.
Therearesomanyreasonswhypeopleshyawayfromninthchords.Whilesomepeopleconsiderthemtobeharmonicallycomplex,othersfindthemchallengingtoplay
becauseoftheirwidth.
Attention:Thewidthofachordisdeterminedbythenumberofnotesitencompasses.Ninthchordsencompassninenotesofthescaleandexceedthecompassofan
octave.Consequently,theyareconsideredtohavealargewidththatanaveragehumanhandmayfindchallengingtoplay.
Ifyoubelongtothelatterschool[thatfindninthchordschallengingduetotheirsize],thislessonisforyou.Wellbemakingtheminorninthchordeasiertoplayusinga
techniqueknowntomusicscholarsasthepartoverrootvoicingtechnique.
Butbeforewegetintoallthat,letsdoareviewontheminorninthchord.
AQuickReviewOnTheMinorNinthChord
Achordisacollectionofrelatednotesthatareplayedorsoundedtogether.
Usinganyscale,youcanformachordinintervalsofseconds,thirds,fourths,andfifths.
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
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UsingtheAnaturalminorscale:
wecanformchordsinseconds:
thirds:
fourths:
andevenfifths:
However,theformationofchordsisusuallydoneinintervalsofthirds,followingstricttraditionalguidelinestochordformation.Chordsformedinintervalsofthirdsare
associatedwithtertianharmony.
So,WhatAreNinthChords?
Ninthchordsaresimplychordswhosewidthencompassninedegreesofanygivenscale.
Forexample,usingtheAnaturalminorscale:
youcanformaninthchordbystackingnotesinintervalsofthirdsuntilninedegreesofthescaleisencompassed.
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
Heresapracticalexample
StartingfromA:
athirdfromAisE:
athirdfromAC:
isE:
.athirdfromACE:
isG:
Atthispoint,weveencompassedAtoG:
whichisjustaseventh.WellhavetoaddanotherthirdtoACEG:
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
AthirdfromACEG:
isB:
FromAtoB:
encompassesninedegreesoftheAnaturalminorscale,therefore,ACEGB:
isaminorninthchord:
Ifyoutransposetheminorninthchordtootherkeys,youllhavetheseminorninthchords
Cminorninthchord:
C#minorninthchord:
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
Dminorninthchord:
Ebminorninthchord:
Herearetherestofthem
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Beforewegetintothepartoverrootvoicingoftheminorninthchordthatwejustcovered,permitmetoreviewtheconceptofvoicing.
ThePartOverRootVoicingTechnique
Thepartoverrootvoicingtechniqueisoneoftheseveralvoicingtechniquesthateveryseriouspianistmustbeacquaintedwith.Butwaitaminute!Whatisvoicing?
AShortReviewOnTheConceptOfVoicing
Voicingisconcernedwiththeconsiderationofthenotesofachordasvoicesorvoiceparts.
Inachoir,thereareusuallyfourvoiceparts
Soprano(thefirstvoice)
Alto(thesecondvoice)
Tenor(thethirdvoice)
Bass(thefourthvoice)
Theconsiderationofchordtonesasvoicessoprano,alto,tenor,andbassiscalledvoicing.
Voicingfocusesontherearrangementofthesevoicesandthereareavarietyofvoicingtechniquesoutthere,rangingfromtheskeletonvoicingtechnique[thatwecovered
inapreviouspost],tothedrop2voicingtechnique,andlotsmore.
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
Intodayslessonwellbemakingthepartoverrootvoicingtechniqueourfocus.Hereswhatthepartoverrootvoicingtechniqueisallabout
Thepartoverrootvoicingtechniquefocusesontheisolationoftherootofachordfromotherchordtones.Theremainingchordtonesareconsidered
differentlyasapart.
Letsvoice[orrearrange]theAminorninthchord:
usingthepartoverrootvoicingtechnique.
Ourdutyhereistoisolatethebassnotefromtherestofthechord.
IsolatingA:
fromtheAminorninthchord:
producesitspartoverrootvoicing,whichconsistsofitsroot(A):
andapart(theCmajorseventhchord):
Inanutshell,theCmajorseventhchord[thepart]overA[theroot]:
producesanoverallAminorninthchord:
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
Nowthatwevecoveredthebasicsofthepartoverrootvoicingoftheminorninthchord,letsgoonastepfurtherbyexploringhowthepartoverrootvoicingof
minorninthchordsareformed.
TwoEasyStepsToTheFormationOfThePartOverRootVoicingOfTheMinorNinthChord
Therearesomanywaystoformthepartoverrootvoicingoftheminorninthchord,rangingfromthesimplesttothemostcomplicated.Butinthislesson,Illbe
showingyouhowtoformtheminorninthchordintwoeasysteps.
Checkitout
Step1Determinetherootoftheminorninthchord
Step2Gotothethirddegreeoftheminorscaleandformamajorseventhchord.
Letsputthesestepstoworkintheformationoftheminorninthchordusingthepartoverrootvoicingtechnique.
FormationOfTheBMinorNinthChord
Step1Determinetherootoftheminorninthchord.
TherootofthechordisB:
Step2Gotothethirddegreeoftheminorscaleandformamajorseventhchord.
ThethirddegreeoftheBminorscale:
isD:
consequently,theDmajorseventhchord:
Altogether,theDmajorseventhchordoverBonthebass:
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Here'sAnotherSimpleWayToVoiceMinorNinthChordsHearandPlayMusicLearningCenter
producesthepartoverrootvoicingoftheBminorninthchord.
Suggestedreading:TheMajorSeventhChord.
FormationOfTheGMinorNinthChord
Step1Determinetherootoftheminorninthchord.
TherootofthechordisG:
Step2Gotothethirddegreeoftheminorscaleandformamajorseventhchord.
ThethirddegreeoftheGminorscale:
isBb:
consequently,theBbmajorseventhchord:
Altogether,theBbmajorseventhchordoverGonthebass:
producesthepartoverrootvoicingoftheGminorninthchord.
Formationoftheminorninthchordusingthepartoverrootvoicingtechniquedoesntgetanyeasierthanthis.Followingthesameprocedure,youcanformtheminor
ninthchordonalltwelvekeys.
Attention:Themajorseventhchordistheupperstructureoftheminorninthchord.So,thatsanotherpracticalapplicationofthemajorseventhchordthatwellcover
thoroughlyinsubsequentlessons.
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FinalWords
Aknowledgeofthepartoverrootvoicingoftheminorninthchordisessentialbecausetheisolationofthebassnotefromtherestofthechordtones,leavestheright
handwithonlyfournotes.Thismakesiteasyforanyonetoplaytheminorninthchord.
Inadditiontothethat,youllalsohaveanideaofrootlessvoicings.
HeresHowRootlessVoicingsAreFormed
Playingachordwithoutitsrootnoteproducesitsrootlessvoicing.
KnowingthattheCmajorseventhchordoverAonthebass:
producestheAminorninthchord,theCmajorseventhchord:
canbeseenastherootlessvoicingoftheAminorninthchord:
Wejustbeganourstudyonthepartoverrootvoicingtechnique.Inasubsequentlesson,wellexplorehowtoplaythe251chordprogressionusingthisvoicing
technique.
Untilthen,allthebest!
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ChukuOnyemachi
MusicConsultantatHearandPlayMusicGroup
Hello,I'mChukuOnyemachi(aka"Dr.Pokey")amusicologist,pianist,author,clinicianandNigerian.InspiredbymyrolemodelJermaineGriggs,
IstartedteachingmusiciansinmyneighborhoodinApril2005.Today,I'mprivilegedtoworkasamusicconsultantandcontentcreatorwith
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HearandPlayMusicGroupsharingwhatIknowwiththousandsofmusiciansacrosstheworld.
Relatedposts:
1.PartOverRootVoicingsOfTheMajorNinthChord
2.HowToPlayNinthChordsUsingThreeNoteVoicings
3.IntermediateVoiceLeadingTechniquesforSeventhChords
4.VoiceLeadingTechniquesforApproachingThe251ChordProgression
5.ABreakDownOfTheMinorSeventhChordIntoTwoMutualThirdIntervals
6.Demystified:PartOverRootVoicingsoftheMinorSeventhChord
7.PartOverRootVoicingsOfTheMajorSeventhChordInAll12Keys
Taggedas:chordvoicing,minor9,minor9th,minorninth,minorninthchord,minorninthchords,partoverroot,partoverrootvoicings,voicing
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