War Is Not The Answer

Studie nach einem Song von Marvin Gaye

G
dd
Moderato (bearbeitetes Excerpt) ( =60) 1.3.5.D.

a D n n J kk J D kkkkk k kk kk zzz pz n n
3

kk kk kk kk zz kk kC kC k
k k k k
Vocals

f
Vocal, Accomp. f 1.Moth - er, moth - er,
3.Fath - er, fath - er,
5.Fath - er, fath - er,
3

dd
Keyboard

a D n n J kk z k ks k kk J D kkk
kkkz z
k k
kk k
k k
kk
k
kk kk kk kk kk zzz
k k k k k
p
Keyboard

mf t cresc.tt
d
f

b dD n n J JD
3

k k k k k k k k k k k k k k
Electr. Bass
Electr. Bass p

w
dd x 4
kks
2.4.6.7.D. 1.2.3.4.5.6.D.

kk
4
oz
To Coda

a 4 kkk kk kkk kkk kk kk kk kk zzz n kk zz kk kk k kk k

CA C C C ff
A
f 1.there's too man - y
2.Bro - ther, bro - ther, broth - er, 2.there's far too man - y
3.we don't need to
4.War is not the ans - wer, 4.for on - ly love can
5.ev - er - y - bo - dy
6.who are they to judge us, 6.simp - ly be - cause our

dd x 4
7.War is not the ans - wer.

a 4 kkk kkk kkk kkk kk kk kk zz kk kk z

kkkk z kkkk kkkk kkkk kkkk kkk kk kkk kkk
d
b d x44 ks k ks k k k k k k
k k k k k k k

dd
6 1.3.5. 2.4.6.
you know

a k k k k n n J 8
decresc.
k f
kk kk kk kk kk kk 4
p cresc.
of you cry - ing.
of you dy - ing. 2. We've got to
es - ca - la - te:
con - quer ha - te. 4. We've got to
thinks we're wrong,
hair is long? 6. We've got to

dd
kksk o ok ks J
(what's going on)

a kkk kkk kkk kkk zzz kkk 8

kk kk kk kk kkk kkk kkk 4
d J 84
bd k k k
f

k k k k k k k k k k k k k k k

Bearbeitete Kurzfassung (Excerpt der ersten 11 bis 16 Takte)

von Marvin Gaye's 'What's Going On' (Arrangement: Rainer Lungershausen)
 2
3

dd kk kkk kk k kk kk k kk zz
Fine
kk
8

a kk kk kk kk n kk
k k kkk k kk kk k k z J kk kk kk kk k k kk kk kks o
k k
f p D.S. x
find a way to bring some lov - in' here to- day.
find a way to bring some lov - in' here to- day.
find a way, bring some under - stan - ding herein to- day:

D.S.x
dd 3
J k k k k k k o ks
a k k k k zz k kk kkk kkk kkk kkk kk kkk kkk kkk jjj k k k k kk kk k kk kk
kk k k k D.S.x
d J o
bd
f
s
wkk k kk k kk kk kk k k k kp k k k k k k k k
dd Codaj n n 4 o ks kk k z
10 (Chorus)

o s kk k kk zzz
a jjj 8 kkk k kkk kkk kk k kk
k k
sk k k kk
kk k k k
CA
Yeah. Pick-et lines and pick-et signs, don't punish me with bru-tal-i-ty;

w
dd Coda
n n 48 k k n
a j kk kk kk jj jjj jjj
w j k j
dd Codaj n n 48 k k k k k k k k k k
b j k kkk k k k k k k kkk k k
kk kk k k kkk k k kkk
dd ksz o k okk o kks p ks k o s kk k k kksz o kk z okk k 4 kkkk o
16

a k t 4 k kk kk kk ks k kk
t t k k k k kk k k
t t kkkk k kk
3 3 mf
talk to me, so you can see. Oh, what's going on Ah

In der Vorlage folgend: Tonartwechsel (Dm/G (transp.))

dd G/A n 44 k z
kkk kkks kkk kk kkk
G/A

a jjj kkkk kkkk jjj kk zz

k z
d k k k kkk kk k
mf

bd k k k 44 k z k k k 3
kk kkk k k k k kk kk k k kk kkk p
kz C kk kkk
dd 3 (2)J ee f 24 kkkk kkkk jjj jjjjj
21

a 4 kkk kjj k k k j
[Gm9/G - Dm6->7/G -> B/G]

Info: Version vom 02. August 2006

dd 3 e
a 4 kkk J e f jjjjj 24 kkkk kkk jjj jjjj
d e j 24 jj j j
b d 34 k J ef j j j
2017 rl-musik