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Topic: Integration of Biophilic Design Within Built Environment
Topic: Integration of Biophilic Design Within Built Environment
ABSTRACT
The world is developing each day. In the process, the nations around are continuously losing the
green cover at a faster pace. The recent analysis done by the times of India states that our
nation, India has lost 60% of its green cover in the last 10 years. It is a responsibility of any
citizen to preserve the nature, and yet maintain the development, thereafter the concept of the
biophilic design steps in. Every individual has an unknown affinity towards nature. Living with
the nature keeps a person active, stress free and calm, stated by the psychologists who have been
studying biophilia. Nature within the built environment would control the rapidly diminishing
green cover and even enhance the relationship between the architecture and the individual.
Education has always been a critical half in influencing an individual towards a positive
direction. Therefore, to create an impactive skyline and to maintain its resonance, integrating the
biophilic design into educational spaces is the productive approach. The concept of biophilic
design would generate seeds for a better and a responsive built environment in future. This study
would bring in case studies and references and would focus on the reflection of biophilia within
KEYWORDS
INTRODUCTION
Biophilic design is a method of design which binds both an individual and nature. Considering
the human and nature connection, it can reduce stress, therefore improving cognitive function
and creativity of an individual, improve our well-being and faster healing. As the world
population and the urbanization continues to increase, these qualities are getting even more
important.
TOPIC: INTEGRATION OF BIOPHILIC DESIGN WITHIN BUILT ENVIRONMENT
Biophilic design is important for providing individuals with opportunities to live and work in
healthy spaces with minimum stress and greater overall health and well-being.
Biophilia is biological connection of an individual with nature. This paper is to articulate the
relationships between nature, and the built environment so that we may experience the human
TEXT
CURRENT SCENARIO
NATURE-DESIGN RELATIONSHIP
Natural Biophilic design may be broadly classified into three categories Nature in the Space,
nature analogues, and Nature of the Space providing a framework for grasping and enabling
thoughtful incorporation of diversity of strategies to imbibe nature into the built environment
TOPIC: INTEGRATION OF BIOPHILIC DESIGN WITHIN BUILT ENVIRONMENT
It adds the direct, physical and less time existing presence of nature in a space or place. It
includes plants, water, animals, as well as breezes, scents, sounds, and other natural elements.
The strongest design belonging to this category experiences are achieved through the creation of
direct connections with these natural elements in a meaningful way, particularly through
other living things within your design. Viewing scenes of nature stimulates a larger portion
of the visual cortex than non-nature scenes, which triggers more pleasure receptors in our
Natural flow of a body of water; Vegetation, including food baring plants; Animals, insects;
the nature in an indirect manner. A space with a good Non-Visual Connection with Nature
feels fresh and well balanced; the ambient conditions are perceived as complex and variable
but at the same time familiar and comfortable, whereby sounds, aromas, and textures are
textured fabrics/textiles that mimic natural material textures; Audible and/or physically
something special, something fresh, interesting, stimulating and energizing. It is a brief but
welcome distraction.
EXAMPLES
Naturally Occurring examples
Cloud movement; Breezes; Plant life rustling; Water babbling; Insect and animal movement;
Billowy fabric or screen materials that move or glisten with light or breezes; Reflections of
water on a surface; Shadows or dappled light that change with movement or time; Nature
relative humidity, flow of air across the skin, and surface temperatures that mimic natural
ecosystem and its elements. Like when we move under a tree, we feel the cool breeze during
5. Presence of Water
EXPERIENCE
A space which has a Presence of Water condition feels capturing and exiting. Fluidity, sound,
lighting, proximity and accessibility each of these qualities of water contribute to whether a
water (real or simulated) on another surface; Imagery with water in the composition
EXPERIENCE
TOPIC: INTEGRATION OF BIOPHILIC DESIGN WITHIN BUILT ENVIRONMENT
A space with a good Dynamic and Diffused Light conveys various expressions of time by
the variations and motion to generate feelings of drama and intrigue, buffered with a sense of
calmness
EXAMPLES
Naturally Occurring examples
Daylight from multiple angles; Direct sunlight; Diurnal and seasonal light; Firelight;
lighting on walls and ceiling; Day light preserving window treatments; Task and personal
lighting; Accent lighting; Personal user dimming controls; Circadian colour reference (white
light during the day and lack of blue light at night); Colour tuning lighting that produces
white light during the day, and minimizes blue light at night.
EXPERIENCE
A space with a good Connection with Natural Systems evokes a relationship to a greater
whole, making one aware of seasonality and the cycles of life. The experience is often
Hydrology (precipitation, surface water flows and resources; flooding, drought); Geology
EXPERIENCE
A space having Biomorphic Forms and Patterns gives us a feeling that is interesting and
details: trim and mouldings, glass colour, texture, mullion design, window reveal detail;
Acoustic panelling (wall or ceiling); Railings, banisters, fencing, gates; Furniture form;
Window details: frit, light shelves, fins; Pathway and hallway form.
EXPERIENCE
A Material Connection with Nature includes the material and elements from nature that, are
being made through minimal processing, reflect the local ecosystem or geography to create a
distinct sense of place. Nature feels rich, warm and authentic, and sometimes stimulating to
the touch.
EXAMPLES
Decor examples
Accent details made (natural wood grains; leather; stone, fossil textures; bamboo); Interior
greens
Form/Function examples
Wall construction (wood, stone); Structural systems (heavy timber beams); Faade material;
EXPERIENCE
Complexity and Order is rich sensory information that adheres itself to a space hierarchy
mouldings, glass colour, texture, mullion design, window reveal detail; Plant selection
spandrel and window hierarchy; Building skyline; Floor plan, landscape plan, urban grid;
1. Prospect
EXPERIENCE
Prospect is an unobstructed view over a distance for surveillance and planning. A space with
a good Prospect condition feels open and freeing, yet imparting a sense of safety and control
partitions)
Common Features
Transparent materials; Balconies, catwalks, staircase landings; Open floor plans; Elevated
planes; Views including shade trees, bodies of water or evidence of human habitation
2. Mystery
EXPERIENCE
Mystery is the promise of providing more information which is achieved through partially
obscured views that forces an individual to travel deep into the environment. A space with a
TOPIC: INTEGRATION OF BIOPHILIC DESIGN WITHIN BUILT ENVIRONMENT
good Mystery condition has an immense sense of anticipation, or of being teased, offering
the senses a kind of denial and reward that compels one to further investigate the space.
EXAMPLE CHARACTERISTICS
Spatial Attributes
At least one edge of the focal subject is obscured, preferably two edges; Auditory
Common Features
Light and shadow; Sound or vibration; Scent; Activity or movement; Artwork or installation;
3. Risk/Peril
EXPERIENCE
A space with a good Risk/Peril condition gives a feel of thrill, and with an implied threat,
maybe even a little mischievous or perverse. One would feel, it to be dangerous, but
intriguing, worth exploring and possibly even irresistible. In short, it is a threat which exists
Faade with floor-to ceiling transparency; Experiences or objects that are perceived to be
defying or testing gravity; Transparent railing or floor plane; Passing under, over or through
water
What it would look like after integrating biophilic design into the built environment
TOPIC: INTEGRATION OF BIOPHILIC DESIGN WITHIN BUILT ENVIRONMENT
CONCLUSION
In this paper, it has been indicated the ways through which the condition of biophilia can be
attained through architecture. It states the methods by which the condition of biophilic design
can be attained within a built environment along with examples stated with every aspect that
It states three broad design considerations and further classification. One amongst the
classification is to be followed from all the major three categories to attain a biophilic design into
a built environment.
REFRENCE
http://www.yardi.com/blog/news/biophilic-design/2706.html
http://blog.interface.com/the-promise-of-biophilic-design
http://www.terrapinbrightgreen.com/reports/14-patternsofbiophilicdesign
TOPIC: INTEGRATION OF BIOPHILIC DESIGN WITHIN BUILT ENVIRONMENT
BOOK
Biophilic Design: The Theory, Science and Practice of Bringing Buildings to Life
By Stephen R. Kellert