Danielle Conneely

Shot List
Film: Tell Me You Love Me
Director: Danielle Conneely
Date: 14th October & 5th November 2016
Cinematographer: Joshua Hurst
Location: House, Barkingside Park & Barkingside Cemetery

Shot: Angle: Movement: Sequence: Note:

SCENE 1
ESTABLISHING Exterior of Used in final
SHOT KARINAs house production
CLOSE UP SHOT Alarm clock Not used in
beside final
KARINAS bed production
FOCUS PULL Alarm clock to Not used in
KARINA in bed final
production
MEDIUM CLOSE KARINA looking Not used in
UP SHOT at phone final
production
EXTREME CLOSE Display of Not used in
UP SHOT IPhone final
production
CLOSE UP SHOT KARINA smiling Not used in
at phone final
production
WORMS EYE KARINA getting Not used in
VIEW SHOT off the bed onto final
the floor production
CLOSE UP SHOT Radio being Not used in
turned on final
production
OVER THE Tracking KARINA walking Not used in
SHOULDER SHOT towards final
wardrobe production
LONG SHOT KARINA taking Not used in
out top and final
jeans production
CLOSE UP SHOT KARINA picking Not used in
up IPhone final
production
POINT OF VIEW KARINA dialling Not used in
SHOT phone number final
production
EYE LINE CLOSE KARINA looking Not used in
UP SHOT for jacket final
production
OVER THE Tracking KARINA walking Not used in
SHOULDER SHOT downstairs final
Danielle Conneely

production
MASTER SHOT KARINA lying in Used in final
bed production
CLOSE-UP SHOT Necklace Used in final
hanging from production
stand
WIDE SHOT Canted Reflection in the Used in final
Angle mirror of production
KARINA lying in
bed
CLOSE-UP SHOT Photo frame of Not used in
couple final
production
BIRDS EYE VIEW High KARINA lying in Used in final
SHOT Angle bed production
CLOSE-UP SHOT KARINA Used in final
reaching for production
phone as alarm
goes off
CLOSE-UP SHOT KARINA looking Used in final
at phone production
POV SHOT KARINA Typing Used in final
on phone production
CLOSE-UP SHOT KARINA Takes Used in final
remote from production
bedside and
turns on
speaker/radio
CLOSE-UP SHOT KARINA Picks Not used in
up photo frame final
and smiles at it production
SIDE PROFILE KARINA walking Used in final
SHOT up to wardrobe production
and taking out
clothes
CLOSE- Tracking KARINA applies Used in final
UP/CONTINUOUS mascara walks production
SHOT out and back
into frame
KARINA applies
lipstick walks
out and back
into frame
KARINA puts on
leather jacket
walks to bedside
to pick up phone
EXTREME CLOSE- KARINA holds Used in final
UP SHOT locket in hand production
Danielle Conneely

FRONTAL VIEW KARINA leaving Used in final

SHOT the bedroom production

SCENE 2
SIDE PROFILE KARINA sitting Used in final
VIEW SHOT at the bus stop production
POINT OF VIEW KARINA walking Not used in
SHOT to bus stop final
production
LONG SHOT KARINA sitting Not used in
at bus stop final
production
POINT OF VIEW KARINA looking Used in final
SHOT around at traffic production
LONG SHOT Tracking KARINA walking Not used in
onto bus final
production
SCENE 3
FRONTAL VIEW Tracking KARINA walking Used in final
SHOT to front and production
knocking on
door
SIDE KARINA Used in final
PROFILE/MEDIUM standing at the production
CLOSE-UP SHOT door
EXTREME CLOSE- Low KARINA taking Used in final
UP SHOT Angle phone out of production
pocket
CLOSE-UP SHOT KARINA putting Used in final
phone to ear production
CLOSE-UP SHOT KARINAS facial Used in final
expression production
MEDIUM CLOSE- Tracking KARINA turning Used in final
UP SHOT away from door production
SIDE HAYDEN Used in final
PROFILE/TWO tapping KARINA production
SHOT on the shoulder
CLOSE UP SHOT KARINA puts Used in final
phone back in production
pocket
TWO SHOT KARINA and Used in final
HAYDEN face production
to face
SHOT REVERSE KARINA and Used in final
SHOT HAYDEN in production
conversation
Danielle Conneely

CLOSE UP SHOT HAYDEN Used in final

shakes head production
and kisses
KARINA on the
cheek
TWO SHOT Tracking KARINA and Used in final
HAYDEN walk production
along the
driveway and
past the wall
FRONTAL VIEW HAYDENS Used in final
SHOT sister opens the production
door
CLOSE UP SHOT HAYDENS Used in final
sister reaction production
POINT OF VIEW HAYDENS Used in final
SHOT sister watching production
the couple
WORMS EYE KARINA getting Not used in
VIEW SHOT on the bus final
production
WORMS EYE KARINA getting Not used in
VIEW SHOT off the bus final
production
POINT OF VIEW KARINA walking Not used in
SHOT final
production
EXTREME CLOSE KARINAS hand Not used in
UP SHOT knocking the final
door production
CLOSE UP SHOT KARINA taking Not used in
IPhone out of final
her pocket production
EXTREME CLOSE IPhone display Not used in
UP SHOT final
production
MEDIUM TWO HAYDEN Not used in
SHOT standing behind final
KARINA production
CLOSE UP SHOT KARINA and Not used in
HAYDEN final
interacting production
SCENE 4
WORMS EYE High Birds flying Used in final
VIEW SHOT Angle above production
TWO SHOT HAYDEN and Used in final
KARINA sitting production
on a bench
FRONTAL VIEW HAYDEN Used in final
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TWO SHOT touches production

KARINAS leg
as she smiles at
him
POINT OF VIEW Tracking Teenage girl Used in final
SHOT walks past the production
couple and
stares
CLOSE UP SHOT Teenage girls Used in final
reaction production
TWO SHOT Tracking KARINA running Not used in
and laughing final
production
POINT OF VIEW HAYDEN Used in final
SHOT watching production
KARINA on the
floor
POINT OF VIEW HAYDEN Used in final
SHOT crouched over production
KARINA
TWO SHOT HAYDEN and Used in final
CLOSE UP KARINA on the production
ground staring
at each other
CLOSE UP SHOT KARING fiddling Used in final
with heart- production
shaped locket
MEDIUM CLOSE Tracking Couple walking Not used in
UP past KARINA final
and HAYDEN production
CLOSE UP SHOT Couples faces Not used in
final
production
WORMS EYE Low Tracking KARINA and Not used in
VIEW SHOT Angle HAYDENS legs final
as they walk production
onto the bus
SCENE 5
TWO SHOT KARINA Used in final
kneeling in front production
of a grave,
HAYDEN
kneeling and
placing hand on
shoulder
CLOSE UP SHOT KARINA taking Used in final
funeral production
programme out
of pocket and
begins to open
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MASTER SHOT KARINA rising Used in final

to stand up in production
front of
gravestone
CLOSE UP SHOT KARINAS eyes Used in final
as she begins to production
tear up
LONG SHOT Tracking KARINA and Not used in
HAYDEN final
walking towards production
arch of
cemetery
TRACKING SHOT Tracking KARINA walking Not used in
towards the stall final
production
EXTREME CLOSE KARINA Not used in
UP SHOT smelling the final
roses production
CLOSE UP SHOT HAYDEN Not used in
smiling, then final
kissing KARINA production
on the forehead
LONG SHOT Tracking KARINA walking Not used in
towards the final
headstone production
EXTREME CLOSE KARINA crying Not used in
UP SHOT final
production
SCENE 6-
WITHOUT
HAYDEN
LONG SHOT KARINA Not used in
kneeling at final
gravestone and production
crying
FRONTAL VIEW HAYDENS Used in final
SHOT sister opens the production
door
CLOSE UP SHOT HAYDENS Used in final
sisters face production
LONG SHOT Tracking KARINA walking Used in final
along the production
driveway and
past the wall
SCENE 7-
WITHOUT
HAYDEN
MEDIUM SHOT KARINA sitting Used in final
on a bench production
Danielle Conneely

CLOSE UP SHOT Tracking Teenage girls Used in final

reaction production
LONG SHOT Tracking KARINA walking Used in final
away smiling production
POINT OF VIEW KARINA picking Used in final
SHOT up roses production
SIDE PROFILE KARINA Used in final
SHOT smelling the production
roses
MEDIUM CLOSE Tracking Couple walking Not used in
UP SHOT past KARINA final
and HAYDEN production
CLOSE UP SHOT Tracking Couples faces Not used in
final
production
SCENE 8
POINT OF VIEW KARINA looking Used in final
SHOT at HAYDENS production
face on funeral
programme
POINT OF VIEW KARINA Used in final
SHOT watches production
HAYDEN wave
back at her,
then fades
MASTER SHOT Tracking KARINA placing Used in final
rose in front of production
gravestone,
then gets up
and walks away
CLOSE UP SHOT Rose in front of Used in final
gravestone production
CLOSE UP SHOT KARINA Not used in
reaching into final
her pocket production
EXTREME CLOSE Funeral Not used in
UP SHOT programme final
production
MEDIUM CLOSE Low KARINA falling Not used in
UP SHOT Angle to her knees final
production
CLOSE UP SHOT HAYDENS face Not used in
final
production
Danielle Conneely