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Bibliography: Dictionary, Vol. 5. David Noel Freedman
Bibliography: Dictionary, Vol. 5. David Noel Freedman
Bibliography: Dictionary, Vol. 5. David Noel Freedman
BIBLIOGRAPHY
Altman, Rick. The American Film Musical.
Bloomington: Indiana University, 1989.
Anderson, Gary A. Sacrifice and Sacrificial
Offerings. Entry in The Anchor Bible
Dictionary, vol. 5. David Noel Freedman,
Editor-in-Chief. New York: Doubleday,
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Arcand, Denys. Avant-Propos, Jsus de
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Babington, Bruce, and Peter W. Evans.
Biblical Epics: Sacred Narrative in the Holly-
wood Cinema. Manchester: Manchester
University Press, 1993.
Bakhtin, M. M. Forms of Time and of the
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of Texas Press, 1990.
Barnes, Richard. The Who: Maximum R & B. London: Plexus, 1982.
Barton, Bruce, The Man Nobody Knows: A Discovery of the Real Jesus.
Indianapolis and New York: Bobbs-Merrill, 1925.
Baugh, Lloyd. Imaging the Divine: Jesus and Christ-Figures in Film. Kansas City:
Sheed and Ward, 1997.
Beal, Timothy K., and Tod Linafelt, eds. Mel Gibsons Bible. Chicago:
University of Chicago Press, 2006.
Bird, Michael. Film as Hierophany. Repr. in John R. May and Michael
Bird, eds., Religion in Film. Knoxville: University of Tennessee Press, 1982.
Blaetz, Robin. Visions of the Maid: Joan of Arc in American Film and Culture.
Charlottesville: University Press of Virginia, 2001.
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Eliade, Mircia. The Sacred and the Profane. New York: Harper Books, 1961.
Emmerich, Anne Catherine. The Dolorous Passion of Our Lord Jesus Christ.
Rockford, IL: TAN Books and Publishers, 1983.
Episcopal hymnal. New York: Church Pension Fund, 1940.
Feuer, Jane. The Hollywood Musical. 2nd edn. Bloomington: Indiana
University, 1993.
Forshey, Gerald E. American Religious and Biblical Spectaculars. Westport, CN:
Praeger Publishers, 1992.
Fraser, Peter. Images of the Passion: The Sacramental Mode in Film. Westport,
CN: Praeger Publishers, 1998.
Girard, Ren. The Scapegoat, trans. Yvonne Freddero. Baltimore: Johns
Hopkins University Press, 1986.
Girard, Ren. Things Hidden Since the Foundation of the World, trans. Stephen
Bann and Michael Metteer. Stanford: Stanford University Press, 1987.
Grant, Barry Keith, ed. Film Genre Reader III. Austin: University of Texas,
2003.
Harty, Kevin J. Jeanne au cinma. In Bonnie Wheeler and Charles T. Wood,
eds., Fresh Verdicts on Joan of Arc. New York: Garland Publishing, 1996.
Hengel, Martin. Crucifixion in the Ancient World and the Folly of the Message of
the Cross. Philadelphia: Fortress Press, 1977.
Humphries-Brooks, Stephenson. Cinematic Savior: Hollywoods Making of the
American Christ. Westport, CN: Praeger Publishers, 2006.
Kasser, Rodolphe, Marvin Meyer, and Gregor Wurst, eds., The Gospel of Judas:
From Codex Tchacos. Washington: National Geographic, 2006.
Kazantzakis, Nikos. The Last Temptation of Christ, trans. P. A. Bien. New York:
Scribner, 1998.
Kelly, Mary Pat. Martin Scorsese: A Journey. New York: Thunders Mouth, 1991.
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Keyser, Les, and Barbara Keyser. Hollywood and the Catholic Church: The Image of
Roman Catholicism in American Movies. Chicago: Loyola University Press, 1984.
Kinnard, Roy, and Tim Davis. Divine Images: A History of Jesus on the Screen.
New York: CitadelCarol, 1992.
Keil, Charles. From the Manger to the Cross: The New Testament Narrative
and the Question of Stylistic Retardation. In Cosandey et al., eds., Une
invention du diable?
Lang, J. Stephen. The Bible on the Big Screen: A Guide from Silent Films to Todays
Movies. Grand Rapids, MI: Baker Books, 2007.
Malone, Peter, Movie Christs and AntiChrists. New York: Crossroad, 1990.
Margolis, Nadia. Joan of Arc in History, Literature, and Film. New York:
Garland Publishing, 1990.
Margolis, Nadia. The Joan Phenomenon and the French Right. In Bonnie
Wheeler and Charles T. Wood, eds., Fresh Verdicts on Joan of Arc. New York:
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Marsh, Clive, and Gaye Ortiz, eds. Explorations in Theology and Film. Oxford
and Malden, MA: Blackwell Publishers, 1998.
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and Ideology in Popular American Film. Boulder, CO: Westview Press,
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Miller, Monica Migliorino. The Theology of the Passion of the Christ. New York:
Alba House/Society of St Paul, 2005.
Mitchell, Jolyn, and S. Brent Plate, eds. The Religion and Film Reader. New
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Pasolini, Pier Paolo. Heretical Empiricism, trans. Ben Lawton and Louise K. Barnett,
Bloomington: Indiana University Press, 1988.
Piper, John. The Passion of Jesus Christ. Wheaton, IL: Crossway Books, 2004.
Propp, V. Morphology of the Folktale, trans. Laurence Scott. Austin: University
of Texas Press, 1992.
Raknem, Ingvald. Joan of Arc in History, Legend and Literature. Oslo:
Universitetsforlaget, 1971.
Reinhartz, Adele. Jesus of Hollywood. Oxford: Oxford University, 2007.
Reinhartz, Adele. Scripture on the Silver Screen. Louisville, KY: Westminster John
Knox Press, 2003.
Reynolds, Herbert, From the Palette to the Screen: The Tissot Bible as
Sourcebook for From the Manger to the Cross, in Cosandey et al., eds., Une
invention du diable?
Sanders, E. P. The Historical Figure of Jesus. London: Penguin Books, 1993.
Sanders, Theresa. Celluloid Saints: Images of Sanctity in Film. Macon, GA: Mercer
University Press, 2002.
Schrader, Paul. Transcendental Style in Film: Ozu, Bresson, Dreyer. Berkeley and
Los Angeles: University of California Press, 1972; repr. New York: Da Capo
Press, 1988.
Schwartz, Barth David. Pasolini Requiem. New York: Vintage Books, 1995.
Scorsese, Martin. Scorsese on Scorsese, ed. David Thompson and Ian Christie.
Boston: Faber and Faber, 1989.
Scott, Bernard Brandon. Hollywood Dreams and Biblical Stories. Minneapolis: Fortress
Press, 1994.
Shapiro, James. Oberammergau: The Troubling Story of the Worlds Most Famous
Passion Play. New York: Pantheon Books, 2000.
Sklar, Robert. Of Warm and Sunny Tragedies: An Interview with Denys
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Smith, Morton. Jesus the Magician: Charlatan or Son of God? New York: Harper
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Snyder, Julene. Jesus Christ Superstar. Salon, March 19, 2002.
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