Bibliography: Dictionary, Vol. 5. David Noel Freedman

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BIBLIOGRAPHY
Altman, Rick. The American Film Musical.
Bloomington: Indiana University, 1989.
Anderson, Gary A. Sacrifice and Sacrificial
Offerings. Entry in The Anchor Bible
Dictionary, vol. 5. David Noel Freedman,
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Arcand, Denys. Avant-Propos, Jsus de
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Babington, Bruce, and Peter W. Evans.
Biblical Epics: Sacred Narrative in the Holly-
wood Cinema. Manchester: Manchester
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Bakhtin, M. M. Forms of Time and of the
Chronotope in the Novel. In The Dialogic Imagination. Austin: University
of Texas Press, 1990.
Barnes, Richard. The Who: Maximum R & B. London: Plexus, 1982.
Barton, Bruce, The Man Nobody Knows: A Discovery of the Real Jesus.
Indianapolis and New York: Bobbs-Merrill, 1925.
Baugh, Lloyd. Imaging the Divine: Jesus and Christ-Figures in Film. Kansas City:
Sheed and Ward, 1997.
Beal, Timothy K., and Tod Linafelt, eds. Mel Gibsons Bible. Chicago:
University of Chicago Press, 2006.
Bird, Michael. Film as Hierophany. Repr. in John R. May and Michael
Bird, eds., Religion in Film. Knoxville: University of Tennessee Press, 1982.
Blaetz, Robin. Visions of the Maid: Joan of Arc in American Film and Culture.
Charlottesville: University Press of Virginia, 2001.

The Religious Film: Christianity and the Hagiopic Pamela Grace


2009 Pamela Grace ISBN: 978-1-405-16025-4

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Bordwell, David. Filmguide to La Passion de Jeanne dArc. Bloomington: Indiana


University Press, 1973.
Bordwell, David. The Films of Carl Theodor Dreyer. Berkeley and Los Angeles:
University of California Press, 1981.
Borg, Marcus J., and N. T. Wright. The Meaning of Jesus: Two Visions. San
Francisco: Harper, 2000.
Burch, Nol. Life to those Shadows. Berkeley and Los Angeles: University of
California Press, 1990.
Campbell, Richard H., and Michael R. Pitts. The Bible on Film: A Checklist,
18971980. Metuchen, NJ, and London: Scarecrow Press, 1981.
Cawelti, John G. Chinatown and Generic Transformation in Recent
American Films (1979). Reprinted in Barry Keith Grant, ed., Film Genre
Reader III. Austin: University of Texas, 2003.
Chilton, Bruce. Mel Gibsons Lethal Passion. In Timothy K. Beal and Tod
Linafelt, eds., Mel Gibsons Bible. Chicago: University of Chicago Press, 2006.
Christianson, Eric S., et al., eds. Cinma Divinit: Religion, Theology and the Bible
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Cosandey, Roland, Andr Gaudreault, and Tom Gunning, eds. Une invention
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Crossan, John Dominic. The Historical Jesus: The Life of a Mediterranean Jewish
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Crossan, John Dominic. Hymn to a Savage God. In Kathleen E. Corley
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Film, the Gospels, and the Claims of History. London and New York:
Continuum, 2004.
Crossan, John Dominic. Jesus: A Revolutionary Biography. New York:
HarperCollins, 1995.
Corley, Kathleen E., and Robert L. Webb. Jesus and Mel Gibsons The Passion
of the Christ: The Film, The Gospels, and the Claims of History. London and
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Custen, George F. Bio/Pics: How Hollywood Constructed Public History. New
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Debord, Guy. Society of the Spectacle. London: Rebel Press, 1967.
Dyer, Richard. Entertainment and Utopia. In Steven Cohen, ed., Hollywood
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Ebert, Roger. Jesus Christ Superstar (review). Suntimes, August 15, 1973.
Eagleton, Terry. Sweet Vioence: The Idea of the Tragic. Malden, MA: Blackwell
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Eisenschitz, Bernard. Nicholas Ray: An American Journey. London: Faber and
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Eliade, Mircia. The Sacred and the Profane. New York: Harper Books, 1961.
Emmerich, Anne Catherine. The Dolorous Passion of Our Lord Jesus Christ.
Rockford, IL: TAN Books and Publishers, 1983.
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Feuer, Jane. The Hollywood Musical. 2nd edn. Bloomington: Indiana
University, 1993.
Forshey, Gerald E. American Religious and Biblical Spectaculars. Westport, CN:
Praeger Publishers, 1992.
Fraser, Peter. Images of the Passion: The Sacramental Mode in Film. Westport,
CN: Praeger Publishers, 1998.
Girard, Ren. The Scapegoat, trans. Yvonne Freddero. Baltimore: Johns
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Girard, Ren. Things Hidden Since the Foundation of the World, trans. Stephen
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Grant, Barry Keith, ed. Film Genre Reader III. Austin: University of Texas,
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Harty, Kevin J. Jeanne au cinma. In Bonnie Wheeler and Charles T. Wood,
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Humphries-Brooks, Stephenson. Cinematic Savior: Hollywoods Making of the
American Christ. Westport, CN: Praeger Publishers, 2006.
Kasser, Rodolphe, Marvin Meyer, and Gregor Wurst, eds., The Gospel of Judas:
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Kazantzakis, Nikos. The Last Temptation of Christ, trans. P. A. Bien. New York:
Scribner, 1998.
Kelly, Mary Pat. Martin Scorsese: A Journey. New York: Thunders Mouth, 1991.
Kermode, Frank. The Sense of an Ending. New York: Oxford University Press,
1979.
Keyser, Les, and Barbara Keyser. Hollywood and the Catholic Church: The Image of
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Keil, Charles. From the Manger to the Cross: The New Testament Narrative
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invention du diable?
Lang, J. Stephen. The Bible on the Big Screen: A Guide from Silent Films to Todays
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Margolis, Nadia. Joan of Arc in History, Literature, and Film. New York:
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Margolis, Nadia. The Joan Phenomenon and the French Right. In Bonnie
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Marsh, Clive, and Gaye Ortiz, eds. Explorations in Theology and Film. Oxford
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Martin, Joel W., and Conrad E. Ostwalt, Jr. Screening the Sacred: Religion, Myth,
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Mitchell, Jolyn, and S. Brent Plate, eds. The Religion and Film Reader. New
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Pasolini, Pier Paolo. Heretical Empiricism, trans. Ben Lawton and Louise K. Barnett,
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Piper, John. The Passion of Jesus Christ. Wheaton, IL: Crossway Books, 2004.
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Reinhartz, Adele. Scripture on the Silver Screen. Louisville, KY: Westminster John
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Sanders, E. P. The Historical Figure of Jesus. London: Penguin Books, 1993.
Sanders, Theresa. Celluloid Saints: Images of Sanctity in Film. Macon, GA: Mercer
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Schrader, Paul. Transcendental Style in Film: Ozu, Bresson, Dreyer. Berkeley and
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Scott, Bernard Brandon. Hollywood Dreams and Biblical Stories. Minneapolis: Fortress
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Snyder, Julene. Jesus Christ Superstar. Salon, March 19, 2002.

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Sobchack, Vivian. Surge and Splendor: A Phenomenology of the


Hollywood Historical Epic. Repr. in Barry Keith Grant, ed., Film Reader
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Sontag, Susan. Spiritual Style in the Films of Robert Bresson. Repr. in Against
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