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Plot Summary: Imprisonment and Escape
Plot Summary: Imprisonment and Escape
" Satisfying, of
course, to see the typical good guy-gets-revenge tale but also a film which
provided some beautiful scenery and photography all the way through: a
real treat for the eyes and must-see on a widescreen DVD.
I also put on the English subtitles on the second viewing in parts, which
helped me understand a few things I missed on the first viewing and had
made the film just a bit confusing in several parts. That was cleared up,
and the rest was just enjoying the scenery and performances.
Most fun to watch was Richard Harris as "Priest," the longtime prisoner
who tutors young Jim Caviezel, the man (Edmond Dantes) unjustly
imprisoned who exacts his revenge in the last hour of the movie. Yes,
Harris' teaching stretched credibility as he seems to teach his pupil about
everything there is know in life! Harris, too, had some of the best lines in
the movie, several very profound statements. Ironic that he would be giving
Caviezel - who two years later was playing Jesus in "The Passion Of The
Christ" - sermons about believing in God! That's Hollywood! One film
you're an atheist, the next you are God.
For those who might think the first 30-40 minutes of this movie are a bit
slow, stay with it as the action picks up once Caviezel escapes from the
prison. Shortly afterward, he is aided by the other character I found most
fun to watch, played by Luis Gusman, who still sounds like he's more at
home in the streets of New York but, once again, you suspend belief and
just go along for the ride.
Strange how our human nature makes revenge so sweet when forgiveness
is the right thing to do, but Hollywood has always capitalized on this human
failing, making enjoyable films like this. To be fair, it isn't just revenge, as
this film points out, it's "justice" we all like to see. In here, the two words
are interchanged, depending upon ones rationalizations.
Plot Summary
Dedication to Revenge
Monte Cristo buys a house at Auteuil, near Paris, which was the scene
of a crime committed by Villefort, when he buried the infant child of
his lover, Baroness Danglars. Monte Cristo knows this from his servant
Bertuccio, who had a grudge against Villefort and tried to kill him at
that house. Bertuccio saved the infant's life and raised him as
Benedetto. Bertuccio also tells the count that he was a witness to a
murder committed by Caderousse and his wife, who killed the jeweler
who came to buy a diamond.
Monte Cristo gets into the favor of Villefort by saving his wife and son
when their carriage goes out of control. Then he deliberately arouses
Madame Villefort's interest in the medicinal use of poisons. Villefort
and Madame Danglars are terrified when they guess that Monte Cristo
knows the secret of their affair. They fear that their child may be alive.
Enemies Vanquished
Caderousse escapes from the prison to which he was sent for aiding
his wife in murder. He burgles Monte Cristo's house, but Monte Cristo,
disguised as the Abbé Busoni, catches him in the act. Monte Cristo lets
him go but Caderousse is then murdered by his accomplice, Andrea
Cavalcanti. Andrea is in fact Benedetto, who has been given a fake
identity as an Italian nobleman by Monte Cristo. As Caderousse dies,
Monte Cristo reveals his real identity.
With all his enemies vanquished, Monte Cristo arranges for Maximilien,
who believed Valentine to be dead, to be reunited with her. Then he
sails off in his yacht, having found love once more with Haydée.
[edit]Historical background
The success of Monte Cristo coincides with that of France's Second
Empire and besides the description of the return of Napoleon I in 1815
Dumas hints at least once to the events: the governor at the Château d'If is
promoted to a position at the castle of Ham[6]. The attitude of Dumas
towards "bonapartisme" was extremely complicated and involved. This
conflict dates back to his father,[7] who was a coloured man, borne of a
slave and who became a famous general during the French Revolution.
When new racist laws were applied in 1802 the general was dismissed
from the army and he was profoundly bitter towards Napoleon when he
died in 1806. An event in 1840 renewed the patriotic support for the
Bonaparte family in the population: the ashes of Napoleon I were brought
to France and became object of veneration in the church of Les Invalides.
In "Causeries" from 1860, Dumas prints a short paper on the genesis
of Monte-Cristo. This essay, called "État civil du "Comte de Monte-Cristo""
is included in the Pléiade edition (Paris, 1981) as an "annexe". It appears
that Dumas had close and intimate contacts with members of the
Bonaparte family while living in Florence in 1841. In a small boat he sailed
around the island of Monte-Cristo accompanied by one of the young
princes – a cousin to he who was to be emperor of France ten years later.
During this trip he promised the prince that he would write a novel with the
island's name as title. At this moment the future emperor was imprisoned
at the citadel of Ham – a name that is mentioned in the novel. Dumas did
visit him there[8], but he does not mention it in "Etat civil..." Louis
Napoleon was imprisoned for life, but he fled in disguise. This happened in
1846 while Dumas's novel was already a gigantic success. Just as Dantès,
Louis Napoleon reappeared in Paris as a powerful and enigmatic man of
the world. In 1848, however, Dumas did not vote for Louis Napoleon, but
the novel may have contributed – against the will of the writer – to the
victory of the future Napoleon III.