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Lesson 6 - BB PDF
Lesson 6 - BB PDF
Rhythm
Bebop Scale on the Dominant 9th
Drill
Connecting and
Basic Chord Embellishing
Changes forWillie
the 8 Bar
Track 1Pentatonic
[A} Section P
Thomas
4
Pentatonic
#
PairsVI7
Embellished
# ...
andV7Connected
&14 # b 4
& 4 4 # ..
IMaj7 ii7 IMaj7 VI7
b n
& 44 ..
&4 ..
#
A Dorian Scale on the Minor 9th IMaj7
& Cb 7 #
VI7 ii7 V7 IMaj7
PairsPattern
andConnected ..
..
Embellished - Around the Circle
& .
b n 8 9 b # b
6on# The 87 Bar
&5
5
5
1 2 3 4 Exercise [A] Section Around the Circle of Fourths
2A
Traditional Bebop Lick on the5 Flat 7
. b .. b
G 7th ChordC built on Fb7
F7Maj7 D7 7 7 Maj7 D7
. b n
D7 F
& & ( # ) & b # # n b #
Major
-7
3 8
5 5
99
1 b 72
BF Maj7 D7 G1 7 3C 7 5 F Maj77 F
b & #D7 b n A-7bb b
ii7/V7 Bebop Licks around the Dominant cycleb n
A -7
3
& #1313 nEb 7
& .. .. G7b
b B Maj7 b b
G7b n b C7 Fb 7 b B Maj7
& b
n b
11
17& b n n
5
b7
# n Bb Maj7 b Maj7
D7 D -7 G7 D -7
G 7 7 F 7
A
&
&b b b n b b n b bb b
17
C B
4 & bb n
15
21
D 7
b B b 7 E b Maj7
& 25 b E Maj7 C 7 b F7 b
#
Fb b7 n
n b n
C7
&# #b # # # # n # # #
7
# #b
19
25& b b
7 n b
E Maj7 F 7 C 7 F 7 C -7 B 7 E Maj7
b n
C7 C -7
& &b b b b b b
29
B
b
# # n #
23 29&# # # # # # #
33 2008 Willie Thomas
Jazz Everyone...! Lesson 6, Page 2 Aebers
# ..
Pentatonic Pair Setup for Tonic Major Patterns
& 44 # # # ...
7 ii7 V7
# #
( )
5 6 1 2 1 3 5 7 9
Tonic Major 9th
IMaj7 ( ii7 V7 )
E -7
e of Fourths...Combining ii-7 V7 IM7 BebopLicks
A7
# D 7
# # ..
n &
# # n # # # ...
( )
5
1 3 5 7
n ii-7
V7 IM7 Bebop Licks in all Keys
G7 C7 F Major 7th
#
D 9
# # # #
E m9 A9
F Maj7 & # # n #
n b Em9 D 9
11
A9
3 #
# #
& # n
n b C 7 16 F 7
C 9
D G9
m9
b
& # n #
n b Dm9
B Maj7b20
C 9
G9
#
& # n
3
n b b24
b b
B 9
# #
F 7 C m9B 7 F9
b
# &# b b
b n
b 28 b 9
E Maj7 C m9 F B
9
& b b b b
# # 32 # b b b
2008 Willie Thomas Aebersold Volume 3 Track 1
sold Vol Jazz
16 CD1Everyone...!
Track 3 Lesson 6, Page 3
b b A 9
b
Unit 1 Lesson 6 traditional Bebop Licks pt2 - Concert
2
B m9 E 9
& b b b b b b b
b n
36
b
B m9
b
E 9
b
A 9
b
&b b b b b b b b b
3
b b b b b
b b b
40
A m9 D 9 G 9
& b b b b b b b b b b b b
b b n
44
b
A m9
b
D 9
b
G 9
&b b b b b b b b b
3
b b b b
b b b
48
F 9
G m9 C9
b b n
&
52
3 #
G m9 C9 F 9
& b
b b
b9 b
56
E 9
b b b b
F m9 B
& b b b n
b b
E 9
3 b
60
F m9 B 9
b b b b b b
&b b b b
b m9 b9 b
64
E A D 9
b b b b b b
& b b b b b n
68 b b b
D 9
b b
E m9 A 9
3b
&b b b b b b b b b b
b b bbb
72
B 9
3
C m9 F 9
# # # # # # # # #
&# # # n
# #
76
#
C m9
#
F 9 B 9
# # # # # #
3
&# # # n # # # #
80
# #
B m9 E9 A 9
& # # n # # # # # #
# #
A 9
84
B m9 E9
& # # n # # # # #
3
88
A m9 D9 G 9
& # #
# n #
G 9
92
A m9 D9
& # n # #
3
96
F 9
G m9 C9
& b b n
100
G m9
3 #
C9 F 9
b b
& w
104
#
Track 16
Start on II of Tonic Up a Major 2nd
# E (II)
& # 44
A 9 (V) F m9 (II)
m9
b m9 (II) b9
Same Note Down a half step
## B 9(V) B m9 (II)
E 9 (V) B
n b
E
w b
(V)
&
4
D 9 (I)
#
D 9
Down a half step to tonic Down a half step to tonic
##
1.
w
F m9(II) B 9 (V)
& ..
#
7
G 9 (I)
Up Major 5th To Tonic Major
##
A m9 (II) D 9(V)
& w
11
## w
B m9 (II) E 9 (V) E m9 (II) A 9 (V)
& w
15
# m9
Start on II of Tonic Up a Major 2nd
##
E m9 A9 F B9
& # w
19
b b D 9
Same Note Down a half step Down a half step to tonic
# B m9
E9 B m9
b
E 9
w
& # b n
23
& 4 . . . . # . n
. . . . . > # n
>
b b
>
# # # > # - . > 3 # 3 n n b 3 n b 3 b n - b . j
B9 B m9 E9 B m9 E 9
& J J
>
D 9
# D 9
4
1.
G9 F m9 B9
##
. j .
. . j .
& # . k k # > # k . # k k > # k J
7
> .
G 9
- n # > 3 > .
A m9 D9
# # n > .
. # j . . J
& k .
11
>
> # - - n .
B m9 E9 A9
## > - . j > - # > - .
& . # . .
# m9
15
E m9
>3 > - A9 F
3 #>
B
# - .
9
## # . . >
>
.
& . . . # . n #
. . . . . > n
> J
b b D 9
19
B m9
> E9 B m9 E 9
# # 3 # 3 n n b 3 n b 3 b n - . j
& b # . j #
J > > k k > k .
23
>> If it's faster than mm=104 it's too fast to Double time
>> Strive for rhythmic accuracy
>> Target tones are essential
>> Control is the key...Practice makes perfect
Patterns on Beat one
# .
Continue Blues form
4
G7 C7 G7 G7
& 4 # . # . ~~~~
# # n.
b n # . # .
~~~~
G7 C7 G7 G7
& .
5
Syncopating Doubletime
Continue Blues form
. r b . r b . # r ~~~~
G7 C7
&
10