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African Music: Call and Response
African Music: Call and Response
African Music: Call and Response
Music
Rhythm is one of the most important features of African Music. Much of African music
is played on percussion instruments and rhythm plays an important part in celebrations.
Much of African music is in 12/8 time (4 main beats in a bar). The focus can very often
be on the second and fourth beats of a bar which are considered the off beats in the bar
giving much of the music a slightly syncopated feel. The off beats are often stressed.
Polyrhythm is a huge part of African music. Several rhythmic patterns can be played at
the same time. This gives the music a very exciting feel. Sometimes rhythms can
sometimes be played simultaneously in different time signatures. (polymetric)
Highlife:
Talking Drums: These are master drummers in Africa that loosen and tighten the
membranes of the drums they are playing. With changes in the membrane, master
drummers are thought to be able to mirror the sounds of speech and communicate to the
other people within a tribe.
Instruments, music, dance and drama varies from tribe to tribe. Instruments can depend
on the raw materials that are available in the locality. Instruments are tuned to different
pitches also depending on the area.
Songs are all important in Africa. Songs are used for work, celebration and other events.
Field Hollers are used for example while doing repetitive work.
The call will generally be a monophonic line as it will generally be sung by one
individual.
The response can vary in texture from: Homophonic or heterophonic.
There is no fixed scale or pitch in African music. Instruments are tuned according to the
comfort level of performers.
Many melodies are based on a five-note scale known as the Pentatonic Scale
Harmony: Even when harmony sounds chordal in African music, in fact each line is
considered to be another melody with singers singing a 4th, 5th or octave below the actual
melody.
This can sometimes cause Parallel Movement. This is very common in African music
causing the music to move in parallel 3rds, 4ths, 5ths or Octaves. The vocal line is very
often sung in parallel 3rds.
African Instruments:
An enormous variety of instruments exist in the African Tradition. These are usually
made by the musicians in the tribes themselves to suit their particular style or tradition.
Materials from which the instruments are made vary according to what is available in
local areas.
Rhythmic ostinatos occur quite frequently in African music because of the heavy
reliance on rhythm in the region.
An ostinato is a short repeated rhythmic pattern. There are two types of ostinato. There
is the RHYTHMIC OSTINATO and the MELODIC OSTINATO.