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Diego Rivera and The Man and The Crossroads
Diego Rivera and The Man and The Crossroads
favored by many in the artistic realm. Some of his pieces, including the one that will be
discussed later, are Flower Seller, Flower Carrier, Nude with Calla Lilies, Jacques Lipchitz, Man
at the Crossroads, Indian Warrior, and many more. From birth to death, Rivera painted many
wonderful masterpieces that have still amazed people for ages. But let us take this slow, and start
y Rodrguez was born on December 8, 1886 in Guanajuato, Mexico, and right after birth he was
an early artist. As he got older and continuing in drawing, he went to study art at the San Carlos
Academy of Fine Arts in Mexico City. One influencer of art on Riveras early life was Jos
Posada, who was running a print shop near the academy. In 1907, when Rivera was 21, he had
traveled to Europe to further his study of art. In the time he was in Europe, he had became
friends with Pablo Picasso and many other artists making it big in Europe at the time.
After Europe and making his back and returning to Mexico, he had begun showing his
artsy ways using little hints of mexican culture and incorporating it into his artwork. From there,
he painted his first painting named Creation. This was a touchstone for Mexican Muralism.
Rivera had many relationships with women. But, he married his last wife, Frida Kahlo in
1929. He had many kids from past relationships and eventually having some more with Kalho.
They both had many things in common like art, radical politics, and Marxism.
In the 1930s, Rivera had gone through a slow time that involved his work. Around the
same times of his work slowing and the complications, he had begun to have relationship
complications between Kahlo and himself. Instead of fighting, they both decided to divorce in
1939. Then a few years later, on November 24, 1957 he past away in Mexico City, Mexico.
Man at the Crossroads was constructed in 1934, or the first version at least. Rivera had
this piece of art at Rockefeller Center in New York City(NYC), but about ten months later, it was
destroyed after months of controversy. The composition depicted many aspects of contemporary
social and scientific culture. In the center a man is controlling machinery. A giant hand has an
orb of atoms and dividing cells in the cemical and biological generation. From the central figure
to the four propeller shapes to the corners of the painting, acting as light rays from a magnifying
glass-like reflective light. Showing different behaviors from four different people. The
controversy from the painting was from the image of Lenin and a Soviet Russian May Day
parade and it was taken down. But Rivera recreated the painting and it is now in NYC, where
http://www.theartstory.org/artist-rivera-diego-artworks.htm#pnt_4
http://www.biography.com/people/diego-rivera-9459446