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Logan
Logan
abilities are in decline and who makes a living as a chauffeur, boozing to ease the
pain and keeping a low profile in a desert hideout alongside his even older friend
Charles Xavier (Patrick Stewart). But trouble finds him in the form of a mutant-
hunting mercenary squad searching for a young girl named Laura (Dafne Keen) with a
very familiar power-set...
?????
When asked what his cinematic influences were for the latest and supposedly final
Wolverine stand-alone movie, director James Mangold reeled off an impressive and
enticing list that included none-more-classic Western Shane, indie-hit heart-warmer
Little Miss Sunshine and Darren Aronofsky's bruising character piece The Wrestler.
Well, he wasn't lying. In fact, Logan owes these three films more than it does the
Mark Millar-penned comic series Old Man Logan, of which this is the loosest of
adaptations.
The overall mood is sombre and elegiac, much like the 1953 Alan Ladd movie; Mangold
(co-writing with Scott Frank and Michael Green) even has one character repeat
Shane's "there's no livin' with a killin''" speech verbatim to true tear-jerking
effect. Logan himself, meanwhile, echoes Mickey Rourke's lumpen, over-the-hill
show-fighter in The Wrestler, being a shadow of his former perfect-killing-machine
self. He still regenerates, but more slowly and painfully, every wound leaving a
scar. He's slower and clumsier, limping and lurching, and even his claws don't
'snikt' neatly like they used to; one's got a bit lazy and started to stick.