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Pirates of the Caribbean: Dead Men Tell No Tales

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Sinopsis :Captain Jack Sparrow is pursued by an old rival, Captain Salazar, who along with his crew of ghost
pirates has escaped from the Devil's Triangle, and is determined to kill every pirate at sea. Jack seeks the
Trident of Poseidon, a powerful artifact that grants its possessor total control over the seas, in order to
defeat Salazar.
Cast: Johnny Depp, Javier Bardem, Georey Rush, Kevin McNally, Orlando Bloom, Keira Knightley, Kaya
Scodelario, Paul McCartney, Brenton Thwaites, Stephen Graham, Golshifteh Farahani, David Wenham,
Martin Klebba, Angus Barnett, Adam Brown, Bruce Spence, Jessica Green, Mahesh Jadu, Zoe Ventoura,
Goran D. Kleut, James Mackay, Alexander Scheer, Robert Morgan, Suzanne Dervish-Ali, Brooke Chamberlain,
Wassim Hawat, Giles New, Danny Kirrane, Haley Madison, Delroy Atkinson, Juan Carlos Vellido, Rodney Af,
Travis Jeery, Kiara Freeman, Piper Nairn, Ben O'Toole, Christie-Lee Britten, Winnie Mzembe, Finn Ireland,
Nico Cortez, Mollie McGregor, James Fraser, Donnie Baxter
Genre: Action, Adventure, Comedy, Fantasy
Production: Walt Disney Pictures, Jerry Bruckheimer Films, Innitum Nihil, Moving Picture Company (MPC)
Keyword: #sea #ship #sequel #artifact #period piece #pirate #swashbuckler #ghost #caribbean

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Here's how every 'Pirates of the Caribbean' sequel seems to go: it starts o fun, light-hearted and clever,
then as things go along it becomes more and more convoluted until it reaches the point where it becomes
so self-loving and obsessed with it's own cleverness that it is nothing short of unwatchable. Unfortunately
'Pirates of the Caribbean: Dead Men Tell No Tales' is no dierent, however it is better than some of the
previous installments.
Unless you somehow have managed to care enough to follow the mythology that the stories follow, then
you (like me) are here for Johnny Depp playing 'Jack Sparrow'. You're happy for there to be a story and for
other characters to have their time in the spotlight, but at the end of the day you've paid your $20 to see
Depp. That's why the last quarter of these lms is always so disappointing, because his character almost
always becomes nothing more than a chess piece in the extravagant action sequences.

The rst 3/4 of the lm, where Depp is allowed to do what he does best, are admittedly very good. Almost
all of his jokes land and the lm keeps a good pace avoiding being bogged down by storytelling. Javier
Bardem is the other bright light in this lm. His performance is genuinely scary at times. These lms are
incredibly frustrating because they truly could be great, but instead always end up sinking into mediocrity.
For the past decade or so, the Pirates Of The Caribbean franchise has been living, lumbering proof of
Hollywood at its most excessive and prot-oriented. It's hard not to look at the three lms following the
sublime Curse Of The Black Pearl as shameless money- making opportunities the budgets grew bigger and
the action sequences more extravagant, sure, but the plots also became more convoluted and forgettable.

One would be forgiven for assuming that Salazar's Revenge (or: Dead Men Tell No Tales), the fth and
purportedly nal Pirates installment, is every bit as bloated, clunky and (largely) free of artistic merit.
Surprisingly, that's not the case. While Salazar's Revenge does suer from some of the franchise's most
pervasive problems, it's a fun, perfectly decent blockbuster that remembers to add some very welcome
heart and soul back into its story and characters.

The lm opens on Henry Turner (Thwaites), now a young man determined to free his dad Will (Bloom) from
his cursed servitude as the ghost captain of The Flying Dutchman. Henry's quest prompts him to seek the
help of Captain Jack Sparrow (Depp) as he hunts for the Trident of Poseidon, the magical MacGun that can
undo the many nautical curses plaguing the high seas. Along the way, Henry's fate becomes entangled with
that of astronomer extraordinaire Carina Smyth (Scodelario), who is the key to deciphering the map that
points the true way to the Trident.

Matters are complicated, of course, by the lm's top-billed, Oscar- winning antagonists. Salazar (Bardem), a
ghostly menace trapped in the moment of his grisly death, rises from the depths to exact his titular
vengeance upon Captain Jack. He is helped (and occasionally hindered) by Hector Barbossa (Rush), whose
complicated relationship with Jack teetering as it always does on the knife-edge between friend and foe
has been the unmitigated highlight of even the worst lms in the franchise.

That's a lot of plot and character to work with, and Salazar's Revenge doesn't always succeed in tying all
the threads together. Setting all the characters on an inevitable collision course takes ages. The sprawling
action sequences too often seem to forget when to call it quits. Je Nathanson's script, while sharper and
more coherent than its predecessors, tends to get mired in laddish moments and gags that aren't even that
funny the rst time around: from the pirates' amusement with Carina declaring herself a 'horologist', to an
awkward beachside wedding that's as uncomfortable for audiences to watch as it must have been for the
actors to shoot.

What the lm gets right is its decision to return Captain Jack to supporting-character status. That's not to
say he doesn't have plenty of screen-time. As he has done since 2003, the perennially half- drunk Jack
shambles throughout the lm, oozing his trademark insouciant charm as he tries to make his crew pay for
the privilege of serving and saving him. But Jack is not called upon to carry the emotional weight of the lm
here, as he has been for the past few lms especially Stranger Tides, a peculiar misre on almost all
counts. Instead, he's allowed to do what he does best: steal most of the scenes he sashays through.

As a result, the lm makes a real eort to focus on its newcomers, and is all the better for it. Carina, in
particular, is an intriguing creation. While clearly set up as a love interest for Henry, that's not all she is: her
hunt for the Trident is entirely her own, tied to a storyline that isn't romantic in the least. Smart and
determined (more so than all of the pirates she encounters), she ghts or thinks her way out of tough spots
and never lingers in the background, damsel-in-distressing. Her relationships with everyone she meets
from Henry to Jack and Barbossa form the lm's emotional core, anchored by Scodelario's fun, feisty
performance.

That said, it's Rush who remains the franchise's ace in the hole. From dastardly villain to reluctant ally,
Barbossa has enjoyed a character trajectory that can only be pulled o by an actor of Rush's calibre.
Thankfully, he's given excellent material to work with in Salazar's Revenge. There's a surprising amount of
heartbreak in Barbossa's share of the story, and Rush sells it all beautifully. In just a look or a twist of his
gnarled features, Rush communicates the soul of the man long ago buried beneath the swish and swagger
of the pirate Barbossa became.

There's no denying that the Pirates franchise has lost its way over the past decade. It tried desperately to
expand the mythology of a one-and-done nautical escapade, and missed the mark more often than not.
Salazar's Revenge should have been the nal nail in the con. And yet, it's deed the odds (and myriad
delays) to be the most enjoyable Pirates outing since the very rst. On top of lush seascapes and jaw-
dropping oceanic rescues (including one that stretches to the very bottom of the sea), the lm's emotional
stakes have been raised successfully. If this is truly the last we'll see of the characters we rst met 14
years ago, it's a good way to go out.
Nearly 15 years since the rst pirates movie back in 2003, jack sparrow is back with a. New adventure. After
the mixed reception that was on stranger tides, Jack is looking for the trident of Poseidon which allows the
one who wields it the control of the seas.it could prove to be rather helpful towards Jack especially when his
old enemy captain Salazar who he trapped in the Devil's Triangle wants revenge against his old foe. I will
say it was great to see will turner and Elizabeth swan again after their absence in the fourth lm. It helps
the plot is more straight forward and enjoyable.

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