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Fate Vs Free Will in Moby Dick Final
Fate Vs Free Will in Moby Dick Final
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Fate is a questionable aspect in the manner it exists. Some individuals believe in it while
others do not. In Moby Dick Fate is seen as an idea that is common throughout the novel.
Additionally, fate plays a vital role when considering what type of novel Moby Dick is.
Melville is perceived as an emergence novelist because of the manner in which he attempts new
adventures without an objective. Unfavorably, he creates two main characters that are unlike him
who just wants to reach at an end. Even though he writes using the emergence method, Melville
includes the notion of fate in this story, which he uses in a large way to play a part in the way he
thinks and develops the novel. Even though Moby Dick appears to be bewildered, fate is seen
as a theme and idea which Melville does not apply to confuse the readers. Instead, he uses
experience as his style of writing. Fate gives a suggestion that there exists an overall destiny or
purpose, while free will suggests that there is no purpose. This argument basically forms the
Fate is often linked to the notion of an individuals free will. Melville repeatedly
represents two themes of fate and free will through the interaction between Queequeg and
Ishmael. Queequeg is displayed as a passive individual who allows Ishmael to make decisions
for the two men. Consequently, Ishmael seems to be in control of Queequegs destiny, whereby
in real sense neither of the two men has control of their destinies. A good example of a time
when Ishmael behaves like the controller of Queequegs destiny is when he forces Ishmael to
make a choice of the ship on which they were supposed to sail. When Ishmael heads to the
docks, he haphazardly picks the Pequod, having refused to pick two other ships mainly because
of their names. Ishmael somehow develops a feeling that the Peqoud is the best ship. It becomes
Fate and free will are intertwined again in the novel whereby Queequeg is seen weaving a
mat, which makes Ishmael think. He begins to consider the manner in which free will can
determine the fate of human beings, in the same way that every weave in a mat fits with the ones
that surround it. Ahab seals his fate when he decides to hunt Moby Dick (Melville 68). The
journey is filled with bad omen all through the book, but he does not care much, he is controlled
by a force which is explicitly out of his control. This is the same case with Ishmael since he has
numerous bad omens in his life, yet he does not pay attention to them. This indicates that the two
men come to realize that even though they have a free will which gives them permission to make
controlled by an aspect that he is unable to define or comprehend and therefore decides to refer
to it as fate. Ahab sets out on a mission to take vengeance on Moby Dick mainly because the
whale swallowed his leg. It appears that Ahab is made to stand up to gods together with his
injustice, and through this act, he determines his fate. Melville presents one of the biggest
questions in the book asking whether or not Ahab has been doomed from the beginning of
finding Moby Dick and getting destroyed by him (Rampersad 165), or the fact that he might
have chosen to be free at some point. Numerous chances are given for Ahab to change his mind
and turn back, from Rachel making pleas to him, to desperate reasoning by Starbuck. Together
with these opportunities, there is a notion of facing doom I the atmosphere from the very
beginning.
The reader is introduced to the idea of fate in the manner ideas about Ishmael and what
made him come to the sea and go whaling are presented. Ishmael is of the belief that the free will
of human beings exists, but it is evident that he is influenced by forces that are unseen. Initially,
Ishmael is convinced that his only wish was to have a view of the grandeur of whales and the
whole universe, but after all the occurrences in his life, he is of the belief that everything that
took place in his life was influenced by a greater force which is unknown. This can be perceived
as Ishmaels last choice in his life. He seemed like he was ready to take away his life through
committing suicide, but by the manner in which he had whaling been chosen for him or choosing
whaling, Ishmael brings himself to the end of his life in another way. No matter what choice he
makes, death is still upon him which is a confirmation that fate was already in control of his life.
Even before Ishmael had reached his ship, he is able to see Bulkington somewhere in the
Spouter-Inn. Even though he does not seem to realize it, Bulkington was bound to end up on the
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Pequod with Ishmael; already he was being fascinated in the ships fate which at that moment he
had not yet seen. This gives a suggestion that not only does Ishmael appear to be led by destiny,
but so are the souls of individuals who were supposed to be aboard the Pequod. The manner in
which lack of knowledge is displayed in this context about the power of fate which makes every
individual along their lives makes the reader to remember about Melville mainly because his life
is also being guided along by fateful moments, yet he attempts to write using an emergence style.
When Melville writes using an emergence style in the book Moby Dick yet includes much
detail about destiny, it is evident that he is displaying his real beliefs that fate is real and it exists.
Fate is so real that Melville is not able to escape it in his style of writing.
Religion is perceived to be a huge portion of the novel Moby Dick and together with
the numerous references to Christianity, there exists submissions about fate. The sermon given
by Father Mapple is among the largest insinuations to the fate that has afflicted the lives of every
individual in the novel. Father Mapple gives a discussion of the way that man is unable to defy
the will of God or escape Fate. Father Mapple gave an example that illustrated how Jonah in the
Bible attempted to run away from his fate, but is later swallowed by a whale. The sermon given
by Father Mapple relates to whaling and the notion that God uses a whale as a punishing force.
Since Christianity is mostly used throughout the novel, Melville brings out the theme of destiny
for more than one time thus grasping the attention of the reader.
The kind of fate which the men that are on the ship are being led to is clearly seen in the
novel at an early point. Prior to the moment when Ishmael leaves the town, he is imparted with
signs of disaster and death in every place that he visits. Between the gallows that had been
painted on the symbol of a particular inn found in the Nantucket, as well as the name Peter
Coffin it appeared to Ishmael as if there were bad signs in every place. Either he believed that the
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fate of Pequod had been decided already, or Ishmael was just perceiving these things mainly
because he was full of anxiety about embarking on his journey. Looking at it from a different
angle, it is possible to say that may be Ishmael wished to see death. The main reason for this
perception is because Ishmael was dealing with a portion of his life that was making him get
depressed and even though he is able to see the numerous signs of death brought to him, there is
nothing that seems to stop him from going on with his whaling expedition.
Conclusion
Melville is a writer who is creative in the way he adds deep ideas and humor to his work.
It is easy to point out that he issues which he puts across are difficult to recognize and
comprehend, but the theme of fate versus free will is clear in this book. He is convinced that free
will and fate can interact, but ultimately fate gets the upper hand. Most individuals develop many
notions in regards to life and death and this book illustrates that Melville is human. His notions
are just as confused as those of fellow human beings. He therefore attempts to get an answer as
to how free will and fate interact. In fact, he seems to have achieved it by showing the reader that
these two issues interact. Even though he jumps around in this book, Melville finally gives a
clear statement about death and life through his comparison between fate and free will.
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Works Cited
Melville, Herman, Specially adapted version by Shirley Bogart, and Illustrated by Rick
Rampersad, A. (1997). Shadow and Veil: Melville and Modern Black Consciousness. Bryant and
Milder, 162-77.