Bronze Casting A ManvaL or Tecemoues Guy Thomas The Cowood PresRemarc et nt i Contents tution PARTI METHODS OF WORKING 1 Somenhere to Work ‘mature Making irk in Cay irk in Paser ‘Methods of Contacto ‘Meth of ile Casting What Makes a Good Seulpure? PARTI SCULPTING INLAY Making an Armature fora Cay Head 10 Modeling 3 Porat Heod 11 Making» Plaster Waste Mould from a Clay Head 12. Casting Pls Head rom a Waste Mould 13, Tabing Rubber Mould rom a later Head 1 Making a Wax ram a Rubber Mould 15. Sculpting a Faure in Wax PARTI THE FOUNDRY 16 What Happens tthe Foundy PARTY PROVECTS 17 Making Clay Rlie 1 Making a Wax Rell sing 2 Clay Press Mould 19 Making ido of Wax and Found Objects Glossary Ustof Supplies toe 17 18 136‘Coding ths bens W's mar ‘Menu eo Be caro hes Silbcuccare im tone ne cos of nt mor shwclosomasc ecm schsepa Tosrwaxrecnque Ser cermcc sm yma Introduction igbiryemateeatc teste mat “tea encod wipe Say ng sree eka tert ‘orcad ome ype of wand or evar bs SeoeeesPARTI Methods of WorkingSomewhere to Work sruoio exe eather, ‘we ey {oad bene heey so ey apa ga asa ae Stier Slee eases ‘Soot etn an Foal pangs ufc ‘ae cant aso hes the brags of be 28 Emagen ree meen tiene ind (SES oa cer on, ome ‘epleu fpomee comin cho coe remains mel cei te acme pore chet emied Scot eres Gip'Ererlocctmatic bs matics Touwrige. Se ease Ing procedures ox cf te tol add can be Eatin ape il ted oes et ‘Se pan tthe egg the "tre tore manna canbe ace tee aa ‘Seanbe acqted isc fam Wis, fase and Sonera ences See eee Spores| E2 ‘Armature Making ‘MOBRUNG STANDSas) Working in Clay Crabs ‘one thee es or amy cn a scone espe ee ne iy ero rk Typeset cay {tees hard rane he be ‘arama hg pce en od r 004s ND CquINMENt | ‘Aredia rg at SEE ESE Scs tore tse pres ch a head Sc pie a egies ct swe ‘nto wt hy Wedog ‘ives dance cody ne Tesine nt tt ee aig Ot tee eee ma yr conte ne Tonleat ssh sey ies plc ance Eoaaeinas Ge vses Sao. See eee, mace eecoae ‘Stancwiaianceay ey mostette et ig Se sesame chetoceraracces Secestremnete ‘Seep ete ona baron on er ie ower ape ‘Serial in pyoens ave bem ‘ve wich ae gt sn eal be “oursbowy ™ supported hile they ae bering. S77 Saestaeteaittny etna dsets tenner sine Hein Mopeuinc ey it ena in me ta ‘i deoe ml one ee ‘eipiea aan arnooet ‘Mtv bexto range and Use cn «mod Siar gine fy ang Se Zanes Eepioomene ia abu can youre as aul wg SSaaeras Secreted nape ume io ott ek ort i te ae eb ss palory sey oth ya Saat clytmiyomo he sobet mame myo iste tay pat he cy gure De hc ea. eg ‘riceg ech ou ca aie ie ‘STING USING WAX eaten ym src ‘resting sport head assign ler Sie recta Nore, wer room ene enlonp seme agus auch eS ‘Soyuade emacs4 Working in Plaster conic yenten ne sie etn Ene oh eat agate ‘MODRLNG AND CONSTRUCTING Bomsgencaceneae Seems stance to Semone te iene nn ata ‘time wth i pet Yanda 5 Working in Wax intimin pte et ‘Seb puidetnio te ot flat sewed grey ee ‘St th dy or pe a tb coral peered ae roca pan re dS te ‘he emt meting» oe Pre Been Toots AND EoUeNT iaiceee, arate patosvd atari wy coun te ‘CASTING SHEET WA seal en iy we ‘ri teat yn it ‘Mivcyseiet me = [umes Per Meu or Casing Saceaeneeee Serena ase oa ‘ining machine ‘iui be ocala ait et ies siege ort en a eit st a ‘mir twaometeiret soe ull fs peg The Casing Process oddone etomaa naw as Base oa he wa San and wea, ote me ‘EASTING RODE OF WAXsorry Teal cay asm tpl mol Frey coo a Sm n "A mass sgt cay pet oto wifsscg ese icebe yortanaong yr bod ‘saint kngh you mont sodpretimothecly, tw do hatey oa your hed ef cng ‘ting wih ma vey ia wo madi with Heendaience tt; Sen eplne oSe laren ye ci re ‘Sites cy wih i ouion ey metering’ | nipantinnebrhaldoerma whens the ay apt te femme ‘Site yorwaroThs a le esl yi ea i tno nconopesebesealéCraaie ta Joe bag = Seca ctimetiuectnetgrttome eteipt Sot see soe Temdegrenrveddrcatng Thain ee ad Stgmantciremeane cies ed eee eaTe eet | tinge See eat ero ee Tomo you mmo fetal siage Eurand mage Ras oe a ep eg yon el ah mn ae yo wl ae ‘iota wan mean cir si le Seow arse ce ‘cide tog te cs of ein nc Hacettepe ethene sss ne Supewyr apron eio ‘utd ge dah apron 20 em ang hex aught the mend Semetnrehrge Tet menos trees few glee tree yore ing mat Timi bee gad ae nay Sol lan Set STHSTTMATERIM ec etn Agony ed seca te ‘Steven rari srg tatters sm ot eat by enn th enw ape SU Ree Aintree one maa Smee bes eh Sepa came ar ow ms tomeven eis i sl ee rea Rept ment mi ath eg ine titrenrah inci scoey spewing onde ee Craicetheman Snorage im eng ecen at ‘Sesoeoe oh ere etn, se cing okt mar.5 "PAPER AND CARDBOAR Methods of Construction ee Socss7 Methods of ie cs tty min i ct fom 3 ‘Sie ht a Bow 8 ees ep ca nieve hie ‘edie marke oh cad poe Life Casting cece ne te ioeemscgutacs SSconSeeecs "hil deh ime pepe een Ger eat = ess SS aoe Sse fecseeteremeensy Sotaeosae Senoremnerne Soe SS rae Spa etyemro me ey kia be sete Sabie ce ikem Ace Se Neate men et of ant nat Youn a See Saeienrireae ema remen Set a we cnn wan ope ev ber heahe ant medoring meel ‘moles scipnne» Weireheas wuld prove Siete imei—8 What Makes a Good Sculpture? Spee sp ame lei sp taal oy at | {THETRADION OF SCULPTURE guages | Trai ere ry ce ofan he ee ee (ay on Te we ae ly in ya roving cc a ta The sci Ep rd ye Cas Saigacgna elon tal weet ema einge cace sing srr be, ah, pn ihc pipey cpt 1 feenenoral tna cape aon eh ee {ere Tan mis th a rome e se sen th yn at Sco ihtndiecrnaanene Posies! Sassen okra‘Sitiewambekice Cugarsr = a, Samy ROMY Ketch ein ay en ‘sng canbe xpi nah at ese steel ne ong wo Working vy ‘cen tana “seeioc spin tsi. sptomemmnainion oe ‘squeal o mn hima tea wih, DRAWING See {owe an wit ave ese ay 1% Yo may Fang ery ace tbe Sa Tecate elgean Roms eee ‘misquctiratpnae ttl Height oe Bar ae Soe ty os ae ano eg i ade etanmg tenet t-eonating ‘Spreng mdm ‘Wah mh Kb Bere i Methane essen Sedang ey cov ova ay xo iota emi nh gee sPap ue toute ha oe, ge ‘nr Sb mais pn ‘Rm ney py ho ‘Simcinvetindngtscaon Sroe BAUS omer ti se = ed a oe wht mae 9 ‘hiro you lum mare abut he sect od ouPART It | Sculpting in Clay9 Making an Armature for a Clay HeadModelling a EI a yr et end aa Se os nobis roars © — Portrait Head ‘oat eee he bat senna a ean as ‘ders el and ou cna en sche getten hes ‘Pion kreanpcfagconttotom abo ile ec ‘te Co" a Plaster Waste Mould from a Clay Head ser noctr Ft ed a ch "ey od Sees {hey Ay clo ate he pte ces Soo eace Zee erat eas orev ete Be en el cag an me te oy ‘te he bly» om ae bce ‘onyutcy had When 6h ed pe hssyor dh inter partes eee Sy ha ng ing whch me tn ry ae, te in pepo Syeetnenh cheater Maing Clay Wal il wit anebng ony oe tate, wach hivon yuri tome see tay Mein Mou Keys king theft Cot Jovytransm ea potentince moe ane wi coed Ste le aig al ho + cee uncanny ner se hoagie i am : Chnigand Sig ear its Seen ie or —2 Casting a Plaste r Head from a Waste Mould ‘Somat ana yh Spree tw yu oop ol $e sent om 9 ed cnat whch il the Silty wgrhr laste Srmee eo epg ot the Molta ‘Taking a Rubber Mould from a Plaster Head tt eta mae sector a Sincaemeudetens ‘Sorel Te ar han ered wis {Uke ptesont pa mien ‘Sat andes hp tenant nt sears te ‘ur oh he tS ‘Sheena cy ee Bake cates dotgrgrereegerts “Sy fa els wr nth com SiStetmestacasay Beane ey hinge sn ie ng, meter nen ‘ety ain ne ‘ephlinenmeng etait "Cla bie he te Sayan eran td ho Seip ne eshte he ‘aN TE RUBBER MOULD oa eg ‘ermine mo ean pez be eo eed omc nk jh att aad nek ‘liste om cy kta mars escondstgre ning pesos Mahia Cay tlt Soom mpr ange he hereon coy se ein the Clay Blake and Keynay pees eae ae Peta aia aed ee ee teBMD)— 4 Making a Wax from a Rubber Mould weei 1 — J PART II Sculpting in Wax15 Sculpting a Figure in WaxThe Seat and the ih eg Dettiespehact maar Seuedciganencct mks ety The Arm and Upper Chest ‘5m an the tate he penn ean ne Mong the Dre ‘shite encores ihprecaeaiecne a mousemat Sonate log on atch he cs iy, Th veo aig eee ee Shred osc nee meer oe seth ee spe ane Richalic esata Boa sete cane wm hc dant © rca» at and eg ergy a ‘hep te une he re The ‘eg etn ty it al Saget Statin sdb eninge pee tg in Fiinescoddnethonenmodse =e meeeeena ee smaeiaeerenees competing the Det wth wal re camped od cy Heeroma facmnereinnae ope etearcl iad iain blanca etch hen ant modePART IV The Foundry— 6 — What Happens at the FoundryPART V Projects18 Making a Wax Relief using a Clay Press Mouldegies Making a Bird out of Wax and Found Objects Stam you tam, o cou, sing yu eA ange i gs ha an cpa in Seatac fyi tenet nog ee store ceahiitnceyemnastiiihe Rite weave SET ot ao aig» sre te i in ‘inten song oe esac ying Sr ondimency eo Fhe wonating on the Les Siete orto ‘Adige Ftge Se We ac ae an conan sont pe lh yo hse lor of ee tte neespugjucanseeate ala Finan he HeadGlossary (fetie Ln tel ce ane we oa Se neninih pein mr noosa Soe Sonia See arin ti to emai eann wes Ss mt ie oe of omg + ater ROPES occ penton Selma eh 6 tng {te erwin comate egal kon ne ase hin sts Fe Shee i mt Sg at Th pon tc era at ie ett elre aoe Len pins wae ote ni eer Say Armee no isa st ng hy mee» igh {een pS “ tae manl carport yh gs induc’ The tale mane for per bre 8 per mich stan cm fl pee cetenyen nn che ‘Sv ican ont stn ci tinh fn ad hay Silay ws et nn Sr ota sma anne per ‘ting Sera in wth aa eveList of Suppliers Index ‘ry aaa 1 ci spe Nave nine» US eae zen Peseta mene