Alberti attempted to bring classical ideals to the design of a church facade in Florence while harmonizing with the existing medieval structure. His contributions included decorating the frieze with squares and adding a round window, pediment, and enormous S-curved volutes. He also added Corinthian columns and concealed sloping roofs with scrolled volutes, a feature that became ubiquitous in architecture. Alberti related parts of the facade through simple numerical ratios and modules.
Alberti attempted to bring classical ideals to the design of a church facade in Florence while harmonizing with the existing medieval structure. His contributions included decorating the frieze with squares and adding a round window, pediment, and enormous S-curved volutes. He also added Corinthian columns and concealed sloping roofs with scrolled volutes, a feature that became ubiquitous in architecture. Alberti related parts of the facade through simple numerical ratios and modules.
Alberti attempted to bring classical ideals to the design of a church facade in Florence while harmonizing with the existing medieval structure. His contributions included decorating the frieze with squares and adding a round window, pediment, and enormous S-curved volutes. He also added Corinthian columns and concealed sloping roofs with scrolled volutes, a feature that became ubiquitous in architecture. Alberti related parts of the facade through simple numerical ratios and modules.
Alberti attempted to bring classical ideals to the design of a church facade in Florence while harmonizing with the existing medieval structure. His contributions included decorating the frieze with squares and adding a round window, pediment, and enormous S-curved volutes. He also added Corinthian columns and concealed sloping roofs with scrolled volutes, a feature that became ubiquitous in architecture. Alberti related parts of the facade through simple numerical ratios and modules.
volute :a spiral scroll characteristic of Ionic capitals and also used in
Corinthian and composite capitals S
BIOCHROMATISIM: Pertaining to colour produced by processes in living organisms. T . Alberti attempted to bring the ideals of humanist M architecture, proportion and classically inspired detailing to bear on the design while also creating A harmony with the already existing medieval part of the facade. R His contribution consists of a broad frieze decorated I with squares and everything above it, including the four white-green pilasters and a round window, A crowned by a pediment with the Dominican solar emblem, and flanked on both sides by enormous S- curved volutes. N The four columns with Corinthian capitals on the lower part of the facade were also added. The O pediment and the frieze are clearly inspired by the antiquity, but the S-curved scrolls in the upper part V are new and without precedent in antiquity. E Alberti used a tall frieze and the extremities of the lower story were firmly defined by classical piers of L exceptional purity integrated into the historical mix . L Alberti concealed the sloping roofs of the side aisles with a scrolled gable or volute that was to become A an Omni present feature in architecture until the modern age . His method was to relate the parts to one another through simple numerical ratios using as a module the dimensions of the huge square within which the entire faade could be inscribed : two squares half the size of the large square contained the lower faade and each one was equal to the square outline of the upper story temple.