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The Peculiar Relations Between Brazilian Amazonian Shamanism and Ethnographic Translation
The Peculiar Relations Between Brazilian Amazonian Shamanism and Ethnographic Translation
1. Complementation
2. Exploitation and universalist domination
SHAMANISM: SACRIFICE AND CULTURALISM
Shamanism is directly related to the knowledge path
Hugh-Jones (1996) defines it in two types: vertical shamanism and
horizontal shamanism
This is the case of the Amazonian tribes called Arawet and Tupinamb
In this ritual the cannibalism occurs in order to incorporate the enemy. They
eat the other (enemy) so they can change their point of view, that is, to
nourish from this other, incorporate them and become the enemy
ETHNOGRAPHIC TRANSLATION
A way of translating based on ethnographic description used by Franois
Laplantine, Lvi-Strauss and others
The focus is not on finding equivalents on both languages for the referent (the
object which is being translated), however it is focused on the description of this
referent
They try to incorporate the other with the aim of becoming the other and
seeing through their point of view
The reader when eating (reading) the other (the author) can find it difficult
to understand or to associate. Nonetheless, that is also one of the main
objectives of ethnographic translation; to cause strangeness
FINAL CONSIDERATIONS
To translate ethnographically is to understand that the other (your object of
translation) is different from you
It is to break the paradigms of the perfect translation utopia
It is to be inside a different context, tradition and rituals
It to eat the other trying to understand their way of thinking and behaving
even if it seems impossible to be done
REFERENCES
CASTRO, Eduardo Viveiros de. Xamanismo transversal: Lvi-Strauss e a cosmopoltica
amaznica. In: ________. Lvi-Strauss: Leituras brasileiras. Belo Horizonte. UFMG
Editor, p. 79-124. 2008.
JONES, Hugh. Shamanism, History and the State. University of Michigan Press.
Michigan. 1994.
LAPLANTINE, Franois. A descrio etnogrfica. So Paulo. Terceira Margem. 2004.