Music and Lyrics by Benj Pasek & Justin Paul Book by Peter Duchan Based on the Warners Bros. Film and Sercenplay by Bob Comfort NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft block lead pencil only NOT FOR SALE This book is rented for the period specified in your contract. It remains the property of: PLEASE RETURN ALL MATERIALS TO: MTI MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD ‘Mosic Tuearen burenmarionas NEW HARTFORD, CT 06057 12) West Sah Strset New York, NY 10019 (212) 5a14asa Jus 2013 by DFIGATT LP an fustin Pat 1 breatheltke music (ASCAM)DOGFIGHT Guitar (Acoustic, Electric, Steel String Acoustic, Nylon Acoustic) Act One 1. Prelude — Take Me Back. Ja, Before ‘Some Kinda Time’ oo... 2. Some Kinda TIMe su nsnnmnnnnnnnnninnennnnnnnnnnmnnn 2a. Some Kinda Time—Playoff 3. We Three Bees 4. Hey, Good-Lookin’ 4a, Hey, Good-Lookin’ —Playoff. 4b. Give Way (At The Diner)... 5. Come To A Party 6. Nothing Short Of Wonderful 6a, Transition To Street 7, Come To A Party —Reprise .. 7 7a. Walk To The Party... 7. Nothing Short Of Wonderful (Reprise) Je. Before The Party Blast Off ... Sa. That Face . 8b, It’s Just A Party 9. It’s A Dogfight. 9a. It's Just A Party—Reprise 9b. Transition To Rose’s Room 10. Pretty Funny 14 15 7 29 30 33, 37 39DOGFIGHT Guitar (Acoustic, Electric, Steel String Acoustic, Nylon Acoustic) Act Two TL. Entracte: Hey, Go0d-LOOKIN ssn 46 12, Hometown Hero's Ticker-Tape Parade... 47 12a. Back To Rose 52 13. First Date / Last Night pdatieadaccietaticis 5 13a. Fancy Restaurant Music. ee are Set 13b. First Date /Last Night—Reprise ee eee 14, Hometown Hero's Ticker-Tape Parade (Reprise) 58. Ma, Golden Gate Bridge cc 59 15. Before It’s Over z aercesnase 59 15a. After “Before It’s Over"... o 16. Give Way Esterases Gal 17. Some Kinda Time —Reprise ‘17a. War Sequence (Part 1) 17b, War Sequence (Part 2) 69 17e. Transition — Take Me Back 18. Come Back ‘| ne 71 19. Finale — Take Me Back 20. Bows: - eee TS 21. Exit Music Haat ttatiaeeatt tg: APPENDIX: Onstage Vocal w/Guitar 1. Prelude — Take Me Back. eee eee 4b, Give Way (At The Diner)... aati 8 16. Give Way Paes scores: SL NN AVL ID I IT I) hhGuitar Dogfight [ a Acoustic ene PRELUDE - TAKE ME BACK Must and Lyrics by Ben] Pate & Jasin Pad Haunting, Folky rehetaton by Sichae! Sob (playing along with onstage guitar) Solo Am? Bia = 2S 1S 1S mp - picking. Lv. sempre "Some kind.” Am? in FIA, E2p GA Fe Cie prsus praddé Hae Sieg Eni? cua? (otrun) a0 atte ca % Vamp (crossfade to #1A on cue} 4] Am? Din, Am’ Din AAARRARHARARARARARARRARARAALPRAAHRAARAA.Guitar Dogfight cee ea Dee, (A BEFORE SOME KINDA TIME Continue vamp from #1 (bars 34 - 37), fade (old tempo) 3] Steady ae With force rit. ‘ avg) nts) a oe ow Segue as OneGuitar Dogfight | Acoustic (de-tuned down halt step) | 2 Acoustic (Standard tung) L OME KINDA TIME ad cowen bal ep. plas nD) te on Opes by Michel Sonn ing, with a steady motor Play 3x D prsus D prsus D prs ob ps op o7 Cig G? oD pres fp prs D p7sus D o7sus 0 Em? Fo ify a? Cig G7 D p7sus av Con By A py FP A Gous G mf Tif ——= sf ‘| Bm? E7 a? Gin D Bm? f a!Guitar (Acuustic, destuned) SOME KINDA TIME Dogtiat 26 ‘ft Vamp (On cue, jump after beat 2 or 4) oD o7ses . o7ss Heavier, with swagger D 7s Oo D p7sus Cig GT ps prs SSO eS Ee} ‘7 sus pgaay (ACOUSTIC UIT] G7 oc D708 [385] standard tuning) AL tandard tuning} @ iq G7 S peu AT COBO c? Fp ATE Gaus © 386 38 97 wseoseiteonn2 oa) -5Guitar (Acoustic, standard tuning) 3. SOME KINDA TIME Dogfight Relax tempo, but accented and sharp 0 Sm Bl ae ep 8g a0 st uf uf 8h Bie, Big Fp ta Double-time feel mrad Dig cz Em7ades Dey ra oss SS af Moving forward, half-time feel os on By Saemns 2% Bie Fisus Bat Bing Bie E Eo ne oe — of ‘Tempo primo B Bsus B Brus straight ahead o7sus Cer C7su8 co c7sus Cc Dm? EO Cig Fv F6F7 c cis Solo tll ————, esos -6~Guitar (Acoustic, standard tuning) 4, SOME KINDA TIME Applause segueAcoustic Guitar Dogfight [ 2a SOME KINDA TIME - PLAYOFF Music an Lies by Benj Pasek & Oncestration by Miche! [ACOUSTIC Driving, with a steady motor D p7sus D pms op WE THREE BEES 3 TACET Gacasnioswonnn ret -8-Guitar Dogfight [+ | HEY, GOOD-LOOKIN' Atusic and Lvs by Bon Paso & Sesto Paul Guchesraon by Micha! Stara (eTECTRIC) Bluesy rock shuffle, swing 2) 's wueePwS) Be her a Bher F Bhp ‘7 Bhp F Bhig 7 Big Rink,Guitar HEY, Half-time feet Dh “counnry*fits Ab eb ob Bluesy Rock Shuttle &] Bhp F7 F Bip er Big 36 a7 28 back ro shuffle Vamp (On cue, jump afier any beat 2 or 4 10 m4) FP muted Boye Fr Boe (Pro. gliss) 99 - under dialogue if Bip FT Bhp F Bhp oF Vo een = 10-Goitve 3, HEY, GOOD-LOOKIN Dowfight g ¢ icine Bb Ebi, Bl? Ebipy, 8b Ebig, Bhp ee oF FEG Half-time feel " Boe Bs FE Be elGuitar 4. HEY, GOOD-LOOKIN Dogtight Rock out {bridge p.u.) ] GC Cig a7 Cig ea = ear cs Sf ‘a3 rock out Bi? "eck pa.) Bb Ebrab — ne 5 i ee cee a [5] 7 104 mp ere8C. poco a poco A Om” Ar Din aT (bridge p.u.) Pt deer | e sen - 125.HE’ GOOD-L.00KIN Dostixbt Stay in Double-time, Full rock out ae my y (Solo all)Guitar Dogfight Electric 4A HEY, GOOD-LOOKIN' - PLAYOFF Double-time, full rock out (owing B'S) egy Opty ea Gecestusoamn zene 4- HOHORMOLA HOODOO AnneeGuitar (Capo 1) Dogfight [48 [Sounds in B+] GIVE WAY (At The Diner) TACET Oretesirenon hy Michac Sarobin (On-stage Guitar) atcan [get you? BIRDLACE: Haven’ had good ‘cup of coffee since before basic Training, Bets prety thing, like you could fix that MAMA. Coming right up. {Ske moves away to fetch his order BIRDLACE looks around the diner. desperate for any potential dates Time is runing eat) (Figuring ow chords ‘as she plays, struggling) A flo-wer bows ta autumn chill, Oc - to [ONSTAGI GUITAR : DMai? G2 DFE AE OD om on Pig? PR _ (Capos at Ist fret) BIRDLACE: Wow. (ROSE stops, turns LACE natives ROSE. Sea teniribaen wae Tee} Me a her for the fst ime) Please, don't stop. You sound real gooe.Guitar Dogfight {| efit is tl Steel String, L ant COME TO A PARTY Mase a Lyrics by Hen Pasck & Junin Past Orchestration by cla! Stary Conversational Vamp (vocai last x) ‘ eee Hu Bb 3 © 12 2 com 2 fea, — “e + tens 5 4 be end = © 70 VS.Guitar 2. COME TO A PARTY 18 poco rit =~ FMaj? F2 Csus C a mp light ‘A tempo primo Fsusjg, Fsuse, = F787 Ghadd® Eb7sus Vamp (vocal last x) 28} "Buffalo..." pis mp ae ee poco rit. pe ead nip poco pie mosso "a2 E4Ge Gai’ -—. = J Gesconnsipnenei2 ect 18 HAAMMAOADALAOA OOOO OeVUUUUUU Uv UVUUUUUU UU VVC Guitar 23 3, COME TOA PARTY a bit more driving G2 OMe 3 8% Fous F755 0 my of pace rit. Fsusie, Hers go" v7 aac © mp Phe, Pitt mosso - with anti bb Fin? Bhiey Fimrada# Gm? 31 on ical Build (0 m78) 4) 7 Driving Ge Be Be, Bip Pou “Trew. poco apne4. COME TOA PARTY Dostight ua poco rit. colla voce Slow, but in tempo Slower than at first crest Diyvadee pie eee rit. : Solo -¥ Dmgeds4 (to NYLON) a est apa a 8 33, e 85 up %] Tempo e 607 e 2 o 100 701 YEON] Colla voce In time, but relaxed — [re] = Fos] FSU jp), Fsus Oirery 108 noe oat ios f 308 or 108» Segue as one Gomanmransane 2 ware -20 AMADA TOAD OP eAGuitar Dogfight 6 Hee NOTHING SHORT OF WONDERFUL | Mae an By o “oh my Light pbMaj? Se = oy pe: 3 2 ] my gosh" “ ; ‘Oh my eos a i 5 Ge Se aE eH Rete re 7 eo a rs —" 98 wo VUUUUUU TU "Keep itso Broader . si &] Fie Bing HtGuitar a7 2. NOTHING SHORT OF WONDERFUL Dogfight A tempo primo Broader 2 Fire Bing D C 2 nf = * p A tempo primo 7 Oar Porta ce ara ie Veneer aem ase Vamp (vocal last x) (isexonly) Broader aa Fle molto rit. mp Bling D ioe an mf = pees Slower - espressivo @ HMMM MOADOADOAO OO eee.Guitar 3. NOTHING SHORT OF WONDERFUL Doglight or [83] Slower, Dreamy like a music box p-4 a= 3 =Guitar 4, NOTHING SHORT OF WONDERFUL, molto rit. 2 o 7 © pp 98 99 i A tempo primo, ime et eget es var 703 0 nf ‘ mp fp More drive mS Bust 7] Bing Phos Wd 718 poco accel. ‘i Frantic ae op 20] Bp ae DLOOROOOONOROA One SS = mp on ap * 08 "3 mp 1 accel. to end Ea Bp B5u54)eg 1 Psub. eee, poco a poco ee fs Applause Segue Gonamnswvi2antt 24VU UU UU Guitar Acoustic ‘TRANSITION TO STREET Vamp and fade under dialogue (oui on cue) os [3] p7sus — (to STEFL STG)Guitar Dogfight Acoustic COMI! TO A PARTY - REPRISE Music and Lyrics by Benj Paved & Justin Paul (Ovchesiraton by Michael Staobin Expectant Safety (vocal last x) aie? 2 Tigh Om et a 4 mp Sey gy She, Ares Fie 75] More groove 2 6 9 Gp a & m? A 7 OA ao con ‘ip _§ 0 foe ix em? Bam? A Bm? eis be eo bes Bos ee eet 2 2, 2, 1G Org), Dra, orn 8 eee ee [ae pai? Deus f 3 Perea (wo NYLON) QUICK! Gowanassnsspissnt ~26~ CO DAODAAA OA ee aVUUU UU UU UU UU Guitar Nylon WALK TO THE PARTY Dogfight esetGuitar Dogfight aa NOTHING SHORT OF WONDERFUL [75 Cee eee aus NVEON] rcetaion by ichael Sambo Reticent a colla voce “Oh my "Lean" bse ° 10 ww = 2 “T 4 Sigs, Bs, WB. Well 102" “Thave not” Slowly ra] ona date" lal 25] Flowing, still conversational . 2602 33 u Eddie 'm— s ghd. \ to be bere a atasnnseasa2 wT 28- Tt tonishe” ADAAAAAADDAAALARLAAOAAA AAP eA A A AeGuitar Nylon BEFORE THE PARTY Musica [SYEON] Lightly mp - tighsiy GMaj® Asus Fim om + (to ELECTRIC) Rubato. 7 atempo (Rea om) Pla Segue as oneGuitar Electric BLAST OFF Early '60s rock (a la "I Saw Her Standing There") ELECTRIC] G7#> Dogfight Music and Lyrics by Meni Pasck & Justin Pal Orshesiraion by Michael Starobin p a 3 e ate (Vocal) ce Bis B19 C8 1 a PP a? Fv pipeline! Vamp (Wocal) or oa Bet a SHEEEE EE 6 z Se e f a 28 [3°] quiet, unobtrusive soloing, under dialog - = - --~---------------------------------- LOAN onnnng | AAPA ADDO DADADAD ARGuitar 2. BLAST OFF Dogtight Just comping ar F8 4 Repeat (if needled) ez] F? G? 7 quiet, unobtrusive soloin Vamp c7 La 2st comming: RERPERERERER ERE REO ER CE CREEL ESLER ct AnGuitar Dogfight , a BA THAT FACE Abuse ct Ericsson Pose & dus Pal ‘Ouchestation by Michie Starabin ELECTRIC 60's Prom Ballad - "Travelin' Man" meets "Those Magic Changes" A Fim o E es 10 i 12Guitar 2. THAT PACE (ocal) 17] A Fem D E Dogtighe D E A Ig Fim fe D Ev Oar 2 26 8 a 2 (P -under dialosive oie 2 - . + A Jee Fim fe D E Fim Safety 87 Dm E CHieg ‘ori aosyyit2 att 34— LOMA en anneGuitar 9. THAT PACE fia im? D E eer ee 69 70 Safety (vocal last x) D E Fem Dm A asixonts) [25] oem? D Dm A cao ar ae ong 38 w as & a Gm eb F eae UUU UU UU UUGuitar 4. THAT FACE Ala "Good Morning Baltimore" 108] Bb Dm? eb F Sa 08 110 mT Bb Dm? eb F a? Fig Tc Em? F G eae 1 rr 125 138 127 colla voce ay high voicing vm “noodle — a tempo on Fmt ma "face." _ Applause Segue cunstoso route 36- HOMO ROONDOOOAONOON OOoGuitar Pogtignt| a | Bieatrc IT'S JUST A PARTY [ee Masi aa Lyrics by ent Pasck & Sasi Pat Onthesiatnt by Alice Sharon 60's Elvis shuffle - smooth (heavy swing) Vamp. vocat) [B]A? Ore par Db vb? I AT ust compn 9 0p ner dae 6 7 7 BB] a D oD Sole fit — cree 7 2s 2 zar as (West) Ea ar a / Sole tilt — o a wild at i. soto (but Keeping it early 60) — Gr ft (solo) ~ 7Guitar Dogfight 9 | dell IT'S A DOGFIGHT Masi and Uries hy Benj Pas & Justin Past Grchesivason by Michael Starebin (Ww ACOUSTIC) Sharp Vamip (vocal last x) Jagged [3] Gs, Gsusie, brates Ebial, chntaj?'? With more edge 23) Ammadds TU UUGuitar a3] With punch a0] Gb ber mp sub cb iS mp Sweeping E Poco pitt mosso ce DES ITS A DOGFIGHT Bhmje cr Bhp mp Dos! Sf In strict time 65 ——— Fhm7adas Egy nf 40 - ALHALAAAAAAAA LAR OR RON AANA APO AeGuitar 3.18. A DOGFIGHT Dosiiel Angular cae i * [7] Asusye free bene? Eben? Asus 7] susie aes AsusipGuitar Dogfight | Acoustic 9A IT'S JUST A PARTY - REPRISE. 60's Elvis shuffle - smooth: (heavy swing) Vamp (vocal last x) 5 Gq Tian mp mf’ = _ Ef: o 2 sf ~ Applause segue TRANSITION TO ROSE'S ROOM 9B Sadly, slowly, sweetly Pao. molto rit. Segue as one Gasman vant a2- KAMA RNODOOOOOO OOOO neeVUUUUUU UU UU UU UU uuu Guitar Acoustic PRETTY FUNNY Fotky - introspective Dogfight [~~ 10 | Chie, Longing, but with restraint ——Guitar 2. PRETTY FUNNY Gam Amraca 20-30 ao 32 3] G2 Em? cxe® bs ae Stronger pulse . = 39 “0 mp F Gg bs a ma] 3 4 "E> sim, paern oe bhi Pitt mosso, with passion Cémrada4 nf Bing Bie colla voce 38 44Guitar 3. PRETTY FUNNY Dosfight FA] a tempo primo Se bie Simply . vin) “Isnt it > molto rit a 2 pickx's Figg 8% B B2 pickx ag Bley fe Fius FA sonnet wae 45Guitar Dogfight ENTR'ACTE: HEY, GOOD-LOOKIN' Music and Lyrics by Benj Pasek & Jasin Put Orchestration by Michael Starobin Bluesy rock shuffle, swing 2)'s a Cig oe? Ab Obiah 7 A Dip, Ar i A7M03 ead! jlo fill ——— *? if . f et vn ie = oy Play 3x (fade each time) (Riff last x) u ESE tnenae ames Rat De (button) mf = — seen DAT =46-Guitar Dogfight | 12 Electric HOMETOWN HERO'S TICKER TAPE PARADE (ELECTRIC Heavy, driving no, Bs ~ : 2 3 + . Z] Muscular 8 (no, Bs.) 3 (Drs, Stes) jkGuitar 2, HOMETOWN HERO'S TICKER TAPE PARADE, Doglight Zen 7 oS ee Si 945 . wt Solo Tead 6 7 16 19 mp 2] G7 (dans fumtify yer). C7 Fm? el? mp Chie, Ome, Ab Nigh Bb 5, erese ps a co Proudly aa] ehig als ays : Eig ab oba7 ‘cor sumswosnoon set —48-Guitar 3. HOMETOWN HERO'S TICKER TAPE PARADE, El cr Fm? Bi GSS = el 54 T ap F ato fit ~ high ony a @ 6 Rowdy carnival ar or Fm? eb? mf Chie, Sm, ab 7) ¢ Fig ale DbMaj? ope ee et F £7 49 —Guitar 4, HOMETOWN HERO'S TICKER TAPE PARADE Dogtight 765 108 55 108 oi 110 9 Ti Vamp (On cue, jump after any beat Lor 3 to. m.116) ene m5 Vamp (after 3rd x, dictate downbeats - OUT on cue) a ne accelerando poco a poco mip cresc. poco a poco Atempo Fu] Vamp (On cue, jump after any bar) 123] Intensely Bip), power chords Bs ov Te ap v5 125 Bis Ba, ig 728 12 130 Patriotic ae ci Ale 18 f —crese Dm? G% rift ie f 196 137 138 = 50Guitar 5. HOMETOWN HERO'S TICKER TA Heavy. dri E PARADE Dowtight 4 ty molto rit. ous us m7 84 uf’ Much broader C5) ab Gg, ol ars 152 f a tempo primo Gly Be a7 158 Poco pitt mosso Boe by co 163 168 185 cerese. poco a poco Bp tead or fl 16 168) 10 vil orsisamssrvaoo eset SlGuitar Dogfight Electric 12, BACK TO ROSE Sar Masic and Lies by Benj Pasck & Jasin Poul ‘Orchesination by Miche! Staroban SF gritty sound ae Fe (oNYLON) Gaasamsenonon oat ~§2-Guitar Dogfight Nylon 13 | FIRST DATE/LAST NIGHT Music ond by Sparse, but in time 33Guitar 2. FIRST DATEILAST NIGHT [3] (RRR ger pick Absust rae a amr don't strum 0 4 21 TGuitar 3 FIRST DATBILAST NIGHTGuitar 4. FIRST DATE/LAST NIGHT Dogiight 73] Emad cad? m7 add DMai"ieg G2 FANCY RESTAURANT MUSIC 13a TACET (On-stage Piano) Gonsunssrsnae nm ~56~Guitar Dogfight | Nylon 13B| FIRST DATE LAST NIGHT - REPRISE Masi and Lyrics by Benj Pasek & Jatin Pat ‘Orchestration by Michael Starsbin Reticent ds eas wie 8 “4 uf 15 16] Emradda ca? Bm7 asd DMai7ipg oe Half-time "Some Kinda Time" Verse 2 feet a Eb Ey7sus eb Eb7sus ese eo PL ee 2 Pees nf Vamp and fade cue ‘on cue) él Eb Eb7sus Eb7sus Or cesosmnsenc sear 57Guitar Dogfight Electric | 4 HOMETOWN HERO'S TICKER TAPE PARADE (REPRISE) Maio an Eyrics by Benj Pas & Justin Pal Grose by Michel Stari ERIC] reverb wi slight bit of remoto Dark neck pa. G2 2 PEN ae On = PP Colla voce a Buildin; it 8 and? FE ing Bm? EMG: accel. is 14 SP Baby ba clean sound (quasi acoustic) artis 3 oe os 16 7 mf "First Date/Last Night" (not too groovy) el? Be, Fin oe Dich, ws -58Guitar Dogfight |, 1 4 A eis GOLDEN GATE BRIDGE i Mosc and Lyrics by Beni Pas & tastin Pen Drchesintion by Michael Sarebes Attacca BEFORE IT'S OVER 15 Reflective, understated 2] Somewhat free VS. Gasasmasossenii2u wit 59-Goitae 2. BEFORE IT'S OVER Doglight In Time =a] C734, add Cle we Am Fe Og ce (no pick) Fits > v6 Quietly Expansive solo strum wifngers (no nail) high voicing DS mp lightly ps Bie (get pick) 26 2 op With a bit more drive 23] 2 paaat F2 cz padat F2 30 mp Folky - expansive, fluid 33] Gmrade4 Fo Fsus F Ce Amt Gada Gacusmasonany20sr ~ 60—Guitar 3. BEFORE IT'S OVER be Subtie groove f2] os ict DSg DSiy ° 4 Git Sagal =z More introspective Genre aa © inp - deticare, yet defined poco rit, Am a bd ¢q dl 8 8 slower rit. O60 e 2 [aa] Molto meno mosso, delicate o ees os Ea 1 nP Applause segue 61-Guita Dogfigh' Z = nea AFTER "BEFORE IT'S OVER" a Music a Lyrics by Bn Pasek & Basin Paul Orehesiration by Niche Stadia [ACOUSTIC Very slow, sensitive AttaceaGuitar Steel Acoustic 16 GIVE WAY Musica Lyrics by Ores 4] evoeaty , 6 very gentle picking 7 { Lar pa? a7 ae Eo _& a2 Gm py “we oF 3037Guitar (Steel Ac) 2.GIVE WAY Dogfight (23) i Safety <> eee play fist time onty oa “6 pp - under dialog {Onstage guitar only} rac Bl ae Be - use chords for strumming if understudy is on a7 © Se aso lor. ae Bem eo Spring.” 3 50 31 2 ae Be FF REE yas ie oss 34 8 36 57 or. om. Fmt El ow Elma, o ee Ab Ebmigh ob olor @ 3 Be ro Slowly, tenderly - wait for cue (+Kbd, Glock.) 8 78 ea (was) ‘omnsouor2 watt -64-Guitar (Steel Ac) 3.GIVE WAY bi Ee) ost) : = ese 35, 6 97 pp - under dialog 8 = ie eS % ft of ¢ == — = = ptt bf cela wa Sareea gee E Sep aas sed Ga gts 00 390 (000) rall. plz Vamp ab Ebmigi, Ha V0 40% picking aa ieting 2 a2 Eig Fmt fi Eig : = ae ig17 | Guitar Dogfight Repaai SOME KINDA TIME - REPRISE ECR] Mascon isn Pa asin a STE aly ca a oe Play 4x (vocal last x) ELECTRIC] (bridge pu) kinda hum..." evs) eb 18) (neck pac) @ ea a Op -under diaiog rad a 2 26 25 Safety 2 208 3 8 Vamp motto rit phrases 32 in time, accel. poco a poco (build to m. 44) 2 Ee —S Go STEBL STRE 5] At Tempo, half-time feel Os 6 z TeGuitar be SOME KINDA TIME - REPRISE Doglight i pysus —7 Alge? B prsus (whpick & fingers) Vam, Vamp en DP pra 8 B7%s 3 a Subdued, building energy E Esus | £2 Fe Ee Esus €2 2 mp en —— SOs ~ 68itar Dogfight |_| I7A} Electric WAR SEQUENCE (Part 1) Driving, militaristic, much faster A? [5] Be, 7 accel. poco a poco s == == iE we g2993 = ese. poco a "poco. WAR SEQUENCE (Part 2) 178) TACET (Vocal & Sound cue only) co)Guitar Dogfight Acoustic Electric 17C esses TRANSITION - TAKE ME BACK Musi and Lyrics by Benj Pasek & Basin Paul (Ovchesieation by Michael Starobin Haunting, but with an edge Vamp. solo Ams eS 2S ricki 3 ecu 7 “ = a : 6 z z = 7 [ELECTRIC] Dip ‘solo ~ Hendrix style improv Am? (io ELEC. - QUICK!) 2 39 © mf ams Dia Am’ Dip (wiCym,) fading 5] Ame Diy, Am? delay effect(t~) ton 16 7 oe Aftacea Comsinsoonnn aw er ~70~Guitar Dogfight | 18 | Electric eer COME BACK ae an Oe srteh by Hie Saree (neck pu) Haunti 4 aunting Figg 7 rer (] (oah (neck pat) [ELECTRIC] misteriono use volwne pedal) vo ae mp gradual accel. (10 m. 19) 8 (de in a tate grit) (bridge p.uy COR ema Big Em? (Laetitia bithGuitar 2. COME BACK Dogfight (55) Sharper uf or aa piit mosso - con moto Gans a ° cama 3 o mp . SS accelerando rall. [ag ners es molto rit. q (bridge pu) tempo‘ tmje E75 oy ylto rit. c2 Chime = ETS motto ri ant RGuitar Dogfight | Steel String | 19 | FINALE - TAKE ME BACK Muse and Lories bs Ben ack & Justin Pal (Onehesraton be Miche Stari FEEL STRING] Subtle, simple, Very slow + © uf folky picking, very defined G? G%p Em? casa a? Applause SegueGuitar Dogglight | Acoustic 20 Mase and Lsrics by Benj Pasek & Justin Pout ‘Orchestston by Michael Starbin (aco Con brio cs 2] ps Deg Dig Dy Digg Og Ny aie Fy Git?! Fb Bbig Dbataj7s 7 1/2 time 2 double time. Bie C% eb Abe E5/g i : 4 Ble Fy Gif Feb hig DbMaj7>s Segue as oneGuitar Dogfight EXIT MUSIC Masi and yrs by Ren Pasek & Jasin Past fee ay ‘Grcestaton by Mice! Strabin Bluesy rock shuffle, swing 2's Solo G Cig Gr Gar é c Cig ar Sar é Bb Ebi) al? Ebig), Bb Ebigh Bhp ESF FRG Half-time feel ie z G Clg a Ay bins abt CGssosmnswosana2 tt ~76~Guitar 2. EXIT MUSIC. Ar Pall rock out c 38 3 «0 Vamp as needed (ad. lib) fe] oa Din AT Diy A Diy ar Dig solo fill Sf really take it out ® “ esOnstage Vocal (w/Guitar) Dogfight I PRELUDE: TAKE ME BACK (Rose) Rey. 10/9/13 Music and Lyries by Benj Pasek & Justin Paul (Lighis reveal ROSE FENNY singing and playing her guitar The “Prelude” exists in a time outside of time, a dreamy limbo where memories sake human form.) Folky - onstage guitar 4 (vax 2nd x only) am? DIA Am? Dia 1 ROSE: 2 : ‘ Da dada da Da dada da da Da da_ da da m9) DIA sc oa Some kinds of are real quick to leave you: (EDDIE BIRDLACE appears damaged, broken. He shares this dream-like space.) Fg Ey Seq Ams DIA 7 a s « Some kinds of time you can dream. a way El ame Dia. Pere eee — Nt Some kinds of time _______ are set__ to de-ceive you. (BIRDLACE joins vocal) ggF 2003) Cme py rene “ 13 6 Some kinds of time. re - peat and re - play Oh, a smetl, = T8~ (p.1-stge suitae)Onstage Vooal 6w/Guitae) 1. Prelude: Take M (Bee I a & sound______ can take you back ‘Oh, take me back. — a sound, a me ~ mo-ry—— you found can 79-~ (9.2 stage guteGuitar (Capo 1) Dogfight oefeht ap [Sounds in Eb] GIVE WAY (At The Diner) EM MAMA: What can {get you? BIRDLACE: Haven't hal s00d ‘cup of cote since before basic Testing, Beta pretty thing ike you {oul fix that MAMA: Coming right up. (She moves vay to etc hs ones BIRDLACE looks around the diner, desperate for any potential dates. Time is running out) (Figuring out chords fas she plays, struggling) ROSE: a [ONSTAGE] GUITAR (Capo at Isrey (BIRDLACE notices ROSE. A. flower bows Ben} Pasek & Justin Paul fro ~ zen Oc - w-bersi - ver to ay - tuna chill, DFE AE OD oe vA " {ROSE stops, turns We see her for the frst time.) Please, don't stop. Swivels tn his seo to watch her) You sound real go08, 80 ~ (p.3- stage guitar)Onstage Vocal (w/Guitar) Dogfight ; GIVE WAY “16| Guitar for Rose - Sounds in Eb (Rose) CAPO up 1/2 Step Rese 10113 ne Benj Pack & Justin Paul [ROSE SINGS AT BAK 47] Folky - lyrical, sensitive G2 Def Aick © ee A Bo Oech Se Omg gt flo-wer bows to au - umn chill,Oc - to-ber ri - ver fro - zen. — still Give aeetivae Ore ,emm Org Give. way {could play: you some of my records. They're back at my place. {Gotta be seal quie! though “cause Mama's gcnna be sleeping — 2 07, ae OAc 028 is as BIRDIACE: Ok Okay’ Safety(vocal last x) oe Oe em Og 4 sat a [2] ae Ong Act > ote OM eg Gas sparrow with his bro - ken wing burrows down to wait for o @ Diet Em"Onstage Vocal (wiGuitar) 16. Give Way (p.2) Dogtigit (Rew. 1019113) FEMALE ENS, Ding. 2 yr 6 ME c 20 ay Spar 0%, spar - row oo a= fad ta A a7 24 8b ear 2 6 Done Sparrow, — spar-row, too proud to ry Andhe's oh so far—_ from home (They end up in ROSE'S BEDROOM. She considers her record collection.) =D as aba? bar a pe “away Wad You know Wi he came up with “This Land 1s Your Land? 2 ek A G2 Dy Date GA9 Of Ach Oa Is ees BIRDLACE: Didn't even know the guy wrote it'til today. Why’? ROSE: ‘Cause he was sick of hearing ‘Woody's song is about people. (Beat) ‘And now you hear i all the time. Everybody knouvs it, all over the whole country, a, GAT ie : Ort 4 G2 Of AcHo — S%— Oy OMe “God Bless America.” He thought it was a Tie Em BIRDLACE: So what are you doing making music all alone in your room? (BIRDEACE picks up ROSE s guitar.) ROSE: Eadie, caretul with that ae yp G87 Dick Emi Dirt | don't knows why you'ee so afraid to play this for people: 1 just... waiting for my hur to gets fittle longer... need time 1 work on my songs. (He ofjers her the guitar) B@ . Ome = ct ao BbAT eos? 82.— (p.5-stage guitar)Onstage Vocal (w/Guitar) 16, Give Way (p.2) (ev, 1079113) BIRDLACE: Sing something. Anything, Like that sone yi were playing BERDLACE: So play me what you got before the diner ROSE: That song's not realy finished ROSE: Teo wanna wee Ma aD 2 obeT bar 2 2 2 bs = ¥— = BIRDLACE: One song, that’s BIRD: Please, aiitim esking W's my lastnight, Gtsjustime Rose. (GO ON) (Music our) Safety a GAP Ok Ace OD S%a Oi DATE 4, Em't en ROSE: (Onstage guitar ontst 7 (ROSE plays onsiage guitar simple strumming - vers temas) Sa ee wt meh ot spring and sumy-mer song too brief, the stea-dy tum of a fal — lin’ teat Give eee eeECO em! Died 2 Ong = Af = = Sa z a _ wy And just before the win = ter storm ao Oe OE mt Ort warn Give way, give way_ 2 2 0 © o? off t somewhere safe und. Dine Spar - row, spar = row, loo afraid to a8 Omg af i Spar - row, spar row, 100 proud to try And he's oh a, ob char 7 es ; aoe (dialogue) BIRDLACE: Rose-oh man, youtresthat was really (Awokworily and impulsive. he hisses hen After te kiss the carriat on talling, picks up where she Lf off) ROSE: (offer tee kiss) The somg doesn have & bi Anu he last verse is roton. {hin if {Keep workin (BIRDLACE kises her gain. This time efter she 1s ge. Some awkveardnss,) Maybe ¥ should could (Ste wakes long, unsens nighgoso: af «hoe. lok 10 BIRDLACE) "IBIRDLACE: Yeah? IMUSIC IN} 06-8