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Georgia Okeeffe Essay - 1,924 words

Georgia OKeeffe Gergia Keeffe is ne f the mst influential artists there is tday. Her wrks are valued highly and are quite beautiful
and unique. Gergia Keeffe Precisinist, is the term mst widely used t describe Gergia Keeffes wrk. Keeffes great clarity in
painting is what identifies her well-knwn paintings f urban architecture, muntains, bnes, and flwers. The simple, clear frms in her
masterpieces made her a pineer f a new mdernism in the USA. Brn in 1887 n a farm in Sun Prairie, Wiscnsin, Gergia Keeffe
became an imprtant American artist as early as the age f 17.

After being given art lessons at home as a child her artistic talent was discovered and later Georgia studied fr ne year at the Chicag
Art Institute under Jhn Vanderpel. While OKeeffe was at college she was taught to mimic the styles of realism but soon realized she
could never achieve distinction working within this tradition. She cntinued her studies in New Yrk City at the Art Students League
with William Merritt Chase. Als in New Yrk she attended Clumbia Teachers Cllege. There she studied with Arthur Dw, an artist and
art educator at Teachers College, who encouraged her to pursue her own style of abstract art. After taking a suggestion from
Wesley Georgia started creating art again, this time as an attempt to discover a personal language through which she could express
her own feelings and ideas.

OKeeffe began a series of abstract charcoal drawings and sent them to a past classmate of hers, Alfred Stieglitz, a famous
photographer who exhibited ten of these pieces. Alfred was so impressed that he displayed some of her work in one of his exhibits
without her permission. He was so happy to show a womens work for a change. Georgia OKeeffe became angry and demanded her
drawings to be removed. But she could not resist the support and friendship of Alfred Stieglitz. They married in 1924 when Georgia
OKeeffe was 37 years old. Gergia Keeffe became an artist during a time when wmen were nt taken seriusly.

But by becming friends with Stieglitz, she was able t jin in with ther artists and be easily accepted. Gergia Keeffe painted familiar
things f nature that were arund her, such as flwers. In 1929 when she visited a friend in Mexic her life and art changed. She painted
bjects fund in the desert such as: a sun bleached animal skull and dessert sky. She used the clurs f the Suthwest in her paintings-
tans, greys, reddish brwns and whites. In 1946 after her husband died, she made New Mexic her permanent residence.

Her paintings f nature and the advancing wmens mvement in the 1970s and her unique appearance made Gergia Keeffe very
ppular. She cntinued t paint until ld age wuld nt allw it. She had t give up painting at 80 years ld, but went n t live t the age f 98, dying
March 1986. Gergia Keeffes wrk was s great because she painted things in an abstract way, but they were still familiar t the
viewer. She used vivid, bld clurs and shapes f nature. She wuld change the scale f an bject s much that it wuld fill up a whle canvas.

She was als interested in painting negative space, such as the hle in a pelvis bne r the space between cluds. Filling a space in a
beautiful way. That is what art means t me used t say Gergia when peple asked her abut what des painting means in her life.
Although OKeeffe used her subject matter representational, the starkly linear qualities, the thin, clear colouring, and boldly
patterned compositions, give the effect of an abstract design. OKeeffe tried to offer a sense of tranquillity and an appreciation of
nature in her paintings. That was in the 1920s, and everything was going so fast.

Nobody had time to reflectI decided to paint a huge flower in all its beauty. If you could paint the flower on a huge scale then you
could not ignore its beauty, commented OKeeffe. As a prminent American artist, Gergia 'Keeffe is famus fr her images f gigantic
flwers, city-scapes and distinctive desert scenes. All f these different phases represent times in her life. Thrughut the seventy years f
her creative career, Gergia 'Keeffe cntinually made sme f the mst riginal cntributins t the art f ur time. As Gergia 'Keeffes
awareness f her sexuality heightened, she started t paint marvellus riginal abstractins in exuberant rainbws r clurs. These clurs
seemed t celebrate her happiness.

ne f her paintings Music - Pink and Blue I, she encircles a blue vaginal vid with pulsating waves f rippling pink and white. There is
always s much that yu can get frm a picture. Everyne that lks at it will definitely have a different interpretatin f what they see in it.
The white sizing under the smth surface makes the clurs luminate in Music - Pink and Blue I. The tw val shapes bring ut the sea, sky,
and ther images. The central frm is a little mre cmplex.

The left archway uses blues and pinks alternately. n the inner edge f the arch, pink hues mix in t rse with grey edges. The warm clurs
and lines are cntrlled yet fluid. As the title tells, an inner and uter harmny is reached. Gergia Keeffes Music - Pink and Blue I is
nted fr its sensual suggestiveness, but she insisted that she was representing the flwer itself. She even flatly denied that the flwer
was a metaphr fr female genitalia.

Keeffes flwers were painted frntally and revealingly had the effect f making the human beings wh std in frnt f them becme smaller.
The bserver feels like Alice after she had imbibed the Drink Me phial wrte a reviewer in amusement. The size f the blm relative t a
human really reflected the re
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Essay Tags: painting, new york, artist, georgia, paint This is an Essay sample / Research paper, you can use it for your research of: Georgia
Okeeffe

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