Octave Gliss Two

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Examples[edit]

Pieces which utilise the effect include:

Ludwig van Beethoven: Piano Concerto No. 1 in C major


Ludwig van Beethoven: Piano Sonata No. 21 (third movement)
Carl Maria von Weber: Konzertstck in F minor
Johannes Brahms: Variations on a Theme of Paganini.
Mily Balakirev: Islamey
Johann Nepomuk Hummel: Piano Concerto No. 2 in A minor
Igor Stravinsky: Three Movements from Petrushka
Georges Cziffra: Fantasy on William Tell; La Fantaisie Roumaine
Marc-Andr Hamelin: Cadenza for Liszt's Second Hungarian Rhapsody
Fazl Say: Paganini Jazz

Injuries[edit]
Due to the nature of this technique, over-practicing without awareness can lead to injury, which includes
superficial wounds, bruises and tendinitis.

Variations[edit]
One-handed double glissandi are sometimes executed at intervals other than an octave, the most
common being sixths. Franz Liszt's piano transcription of Hector Berlioz's Symphonie
fantastique contains, in an ossia (optional replacement measure) in the finale, a glissando in sixths
played upward with the right hand. The Alborada del gracioso from Maurice Ravel's Miroirs contains
glissandi in thirds and fourths in one hand.

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