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Octave Gliss Two
Octave Gliss Two
Octave Gliss Two
Injuries[edit]
Due to the nature of this technique, over-practicing without awareness can lead to injury, which includes
superficial wounds, bruises and tendinitis.
Variations[edit]
One-handed double glissandi are sometimes executed at intervals other than an octave, the most
common being sixths. Franz Liszt's piano transcription of Hector Berlioz's Symphonie
fantastique contains, in an ossia (optional replacement measure) in the finale, a glissando in sixths
played upward with the right hand. The Alborada del gracioso from Maurice Ravel's Miroirs contains
glissandi in thirds and fourths in one hand.