John Keats

Hellenist
Tragic Life

Ode to a Grecian Urn Commented [DK1]: In admiration of something

Thou still unravish'd bride of quietness, Commented [DK2]: Beauty Unravished

Thou foster-child of silence and slow time, Commented [DK3]: Remains Unfazed by Time

Sylvan historian, who canst thus express Commented [DK4]: Wooden

A flowery tale more sweetly than our rhyme:

What leaf-fring'd legend haunts about thy shape Commented [DK5]: Open to our imagination

Of deities or mortals, or of both, Commented [DK6]: The Writer trying to interpret the Urn

In Tempe or the dales of Arcady?

What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard

Are sweeter; therefore, ye soft pipes, play on; Commented [DK7]: What is imagined is better than
anything real
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
Forever wilt thou love and she be fair! Commented [DK8]: The writer wants the ability to
remain. Keats was engaged at that time
Commented [DK9]: Time will never affect the images
Ah, happy, happy boughs! that cannot shed Commented [DK10]: Brighter part of time is froze
Your leaves, nor ever bid the Spring adieu; Emphasizing through repetition

And, happy melodist, unwearied, Commented [DK11]: Trees/Evergreen

For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd, Commented [DK12]: Eternal
These things end in life, but remain in the Urn
For ever panting, and for ever young;
All breathing human passion far above,
 That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?

To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies, Commented [DK13]: Sacrificial Offering

And all her silken flanks with garlands drest?

What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede

Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,that is all
Ye know on earth, and all ye need to know."

Literary Device:

Admiring a

IOC

This Ode was written by John Keats in admiration of a Grecian Urn. Keats on repeated occasions refers to
the everlasting and unfazing nature of the Urn is a defining aspect of this poem. The images we are
provides with remain mysterious and therefore open to interpretation, keats imagines these with a mood
of happiness. Remaining in the calm of the silence of the Urn.
To Autumm:

Season of mists and mellow fruitfulness, Commented [DK14]: Soft

Close bosom-friend of the maturing sun; Commented [DK15]: Close Friend
Conspiring with him how to load and bless
Commented [DK16]: Autumn is a friend
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees, Commented [DK17]: Acting together in secret
And fill all fruit with ripeness to the core; Negative Connotation

To swell the gourd, and plump the hazel shells Commented [DK18]: Covered with moss
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells. Commented [DK19]: Over fill

Who hath not seen thee oft amid thy store? Commented [DK20]: Supply
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor, Commented [DK21]: Building for storing grain
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep, Commented [DK22]: Grove made by plow
Drows'd with the fume of poppies, while thy hook Commented [DK23]: To be half-asleep
Spares the next swath and all its twined flowers:
Commented [DK24]: Strong odor
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook; Commented [DK25]: Path by scyth
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?

Think not of them, thou hast thy music too,
While barred clouds bloom the soft-dying day, Commented [DK26]: Thin horizontal clouds/Slide
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn Commented [DK27]: Small biting insects
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft Commented [DK28]: Row of closely planted crops
The red-breast whistles from a garden-croft; Commented [DK29]:
And gathering swallows twitter in the skies.
Commented [DK30]: Small enclosed field
Commented [DK31]: Bird that migrates long distances

Notes:
Sibilance: Hissing (ss,zz,jj) sounds that come from certain letters/word. (Threatening Mood,
Lazyness)
Alliteration: Repeating consonant sounds
Imagery: Language used to target sense
 Green = Imagery (Identify Different Imagery)