joakim sandgren

points caractristiques (2013 - 2014)

pour trois musiciens et ordinateur

partition
 l'ensemble itinraire
scoring
1 eb clarinet
1 vibraphone
1 cello
the score is notated in c.
duration 9 minutes
comments on dynamic notation
all dynamic signs are within quotation marks and
do not indicate the actual volume heard but
rather the intensity of the action.
the crescendos should be played with little
crescendo in the beginning and much crescendo
at the end ("saving" much of the crescendo for
the end).
the diminuendos are to be played with a lot
diminuendo at the beginning (doing most of the
diminuendo at the beginning).
comments on performance techniques
eb clarinet
notes with square heads indicate "blow sound".
the mouthpiece should be used.
if the sound becomes too weak add sh-sound with the tongue.
you can also pinch the reed to add resistance.
only the fingerings in the eb clarinet fingering table should be used.
once in this technique try to the clarinet to resound as much as possible.
vibraphone
the vibraphone is to be played with knitting sticks with
earrings or small metal chains attached to them.
the pedal is never to be used, nor the motor.
the two noteheads is showing that the two hands is used
simultaneaoulsy on the same lamell.
if there is only one accidental it is used for the two notes.
the sound should be a blend between the metal sizzle and
the sound of the dry lamell.
it should not have too much of pitch.
cello
square notes are to be played as semi-harmonics where the
finger touches the string very gently without depressing it.
one could add one or two fingers behind the first finger to
ensure that the string is well damped and to avoid all harmonics effects.
the tone quality should be as bodily as possible without having "any" pitch
in the sound.
you must hear the difference between two pitch positions (quarter tones).
the dynamics are produced by bow pressure or by bow speed.
it is recommended to use a lot of resin to get the sound right (not too smooth and soft).
try to make resounding the bow hair as much as possible.
the whole part is to played entirely on the g-string using a heavy bow.
 0
points caractristiques (2013 - 2014) joakim sandgren (1965)

h = 72 rit...
pour trois musiciens et ordinateur

& 22 .

3:2

. B . b . . . . n . b . b . .
3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2

B n
clarinet

p F
blow sound [o] [i] [o] [i] [o] [i] [o] [i] [o] [i]
fingering as
shown in table

& 22
mallets

as described

@ @
n b @ n n
vibraphone

p F
no pedal
no motor

ord

. . . . .
bow-position

msp

B 2 n
violoncelle 2
blow sound
sul III sempre p
F

h = 69 h = 69 rit... h = 66 accel... h = 69 h = 69 accel... h = 72

21 22
8

&
.

.

3:2 3:2 3:2 3:2 3:2
3:2 3:2 3:2 3:2 3:2 3:2 3:2

b . . b . . n . . . n . n
cl

n n n n
( F ) F
[o] [i] [o] [i] [o] [i]
[o] [i] [o]

& n b @ @ @ @ 21 22 n b n b
n b @ @ @
vib
n
F

ord
. . . . . . n n. n
bw-pos

msp

B
21
22
vlc
( F ) F
compose 38.19-1 2013-09-30 23.21.56
1
 16

&
3:2

5:4

. n n b b b b n n b
cl

f P
f
[o] [o] [i] [o]

. . .
& .
3:2 3:2 3:2

n @ @ @

vib
n n m m n
f
f P

3:2

ord

n. . n. . n. .
bw-pos
n .
msp

vlc
B
f f P

23

& .
3:2 3:2

. . b .
3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2

b . b b . b . . n . . n . . n . . b
cl

( P ) [i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o]

vib & n n @ m @ @
m m

bw-pos
ord

. .

msp

B
vlc
( P )
compose 38.19-1 2013-09-30 23.21.56
2
 1
h = 72 rit... h = 66 rit... h = 63 rit... h = 60 accel...

3 2 3:2 1 2
31

& . b . . n . 2 . n . 2 2 2
. . n . . . .
3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2 3:2

n b b
cl

( P )
P
[i] [o] [i] [o] [o] [i] [o] [i] [o] [i] [o]

32 22 21 22
& . @
3:2

vib
m n
m m@ @
P

vlc
B 32 n . . . . 2
2 21 22
( P ) P

2 3 4
h = 66 h = 66 rit... h = 60 h = 60 accel... h = 66 rit... h = 63 h = 63 accel... h = 69

& 22 32 21 22 3:2 . 21 22
39

. . .
3:2 3:2

cl
. b b
b B B
F F f P

vib & 22 3
m 2 21 m 22 1
m n 2 22
F F f

3:2

ord
. n n. . .
bw-pos

B 22 m . . . 32 . . .
msp

21 22 21
n ?
n

22
vlc
F F f f P
compose 38.19-1 2013-09-30 23.21.56
3
 h = 69 rit... h = 66 rit...

3 2 1
48

& . 2 . n . b . 2 . n . . . b . b . B . B . 2
B . n . . B
cl
[i] [o] [i]

( P )
[i] [o] [i] [o] [i] [o] [i] [o]
[o] [i] [o]

& 32 22 21
. . @ @
3:2

n b @ n
vib
m n b
P

bw-pos
ord

. . n
.
msp

vlc
? 32 22 21
( P ) P

5 6
h = 60 accel... h = 66 h = 66 rit... h = 63 accel... q . = 106.7

& 2 n 22
1 21 98 2:3 .
57

. n . . B .
b b
3:2 3:2 3:2 3:2

cl
b b n n
P P P
[o] [i] [o] [o] [i] [o]

& 21 22 . b @ b @ @ 21 98 .
2:3

.
. . . n .
2:3

vib
n n m m
P

2:3

bw-pos
ord

? 21 . . 2 . . . 98 . . . . .
msp

vlc 2 21
P P
compose 38.19-1 2013-09-30 23.21.56
4
 . .
64

& n n .
4:3 4:3 4:3 4:3 4:3 4:3
cl

() p

. . . . . . @ @ @ @. @ n b @
& m n m @ n @ @
2:3

n .
2:3 2:3 2:3

n
2:3 2:3

vib
n n
P P

ord
bw-pos

n. . . . . . . . . . . .
msp

vlc
?

69

cl &

. m m n m n . . n b . . m m n m n . . .
4:3

& @ @ n b
4:3 4:3 2:3 4:3 2:3

vib

4:3

bw-pos
ord

. . .
msp

vlc
? . . . . . . .
p p

compose 38.19-1 2013-09-30 23.21.56

5
 q . = 106.7 rit...

. . . .
73

& b
4:3 2:3

cl B B
p F
F

. . m . m n @ @.. @ . m m n b . . n . . m n . .
2:3 2:3 2:3 2:3
2:3 4:3 4:3 2:3 2:3

vib &
p p

bw-pos
ord
. . . . . . . . . .
msp

vlc
?
F F

rit... q . = 101.3

. . . . n 68 B 98 . 68
77

.
4:3

& B b
4:3

cl
b n
p p F F P

. . . . . .
n b m 68 m m n 98 n n @ 68
5:3 4:3

& m
2:3 4:3 5:3 2:3

vib

F F

4:3 2:3 4:3

bw-pos
ord

m n. . 68 . . 98 . n
msp

vlc
? n 68
p
p
F F P
compose 38.19-1 2013-09-30 23.21.56
6
 q . = 101.3 accel...

6 . 9 . . .
81

& 8 8
2:3

n n .
5:3 4:3

n
cl

P
( P )

. .
& 68 @ n b @ @ n b n 98 2:3
4:3

@@@
4:3

.
n @. @ m m m @ @ @ @
2:3

5:3 4:3
5:3 4:3 4:3
vib

p F
m m
P P

bw-pos
ord

. 98 . . . . . . . . .
msp

vlc
? 68
P

acc... q . = 106.7 rit...

85

cl &

. .
& . . .
2:3 2:3 2:3

m n n

4:3

n n n
vib

bw-pos
ord

. . . . . . . . . .
msp

vlc
? . .

compose 38.19-1 2013-09-30 23.21.56

7
 rit...
89

cl &

n . . . . m n . . n . . . n . . .
2:3 2:3 2:3
2:3

vib & n

bw-pos
ord
msp

vlc
? . . . . . . . . . . . . . . . . . . . . .

rit...

. n . n n
96

&
2:3 4:3 4:3 4:3

cl

p p
P

.. n n n
n b . . . .
4:3 5:3

2:3 4:3
n
@ @@ @ @
2:3

vib & @@
p p

2:3

bw-pos
ord
msp

?
vlc . . . . . . m m . . . . . .
p p

compose 38.19-1 2013-09-30 23.21.56

8
 rit... q . = 101.3

12
101

cl & 8

n n . . . . .
. m n . m .
2:3

n . m n . .
2:3 2:3 2:3 2:3 2:3 2:3

vib & n 12
8
P
4:3

bw-pos
ord
msp

? . . . . . . . . . . . . . 12
8
vlc
P P

q . = 101.3 rit...

. . .
& 12 b
98 68
106

8
4:3

cl

P p

98 m n . n . . . 6
2:3 2:3 4:3

. . . .
2:3 4:3 2:3

& 12
8 m@ @ @ m n n
4:3 2:3

vib 8
P

bw-pos
ord
msp

? 12 98 . n. 68
vlc 8 . . . . . . . . . . n
p p

compose 38.19-1 2013-09-30 23.21.56

9
 q . = 96.0 q . = 96.0 accel... q . = 106.7 rit...

6 3 9 . b n . . B .
110 4:3

& 8 n n b
2:3 4:3

8 8
4:3

cl

P F F f
p
P

. .
2:3 4:3 4:3

6 n n 3 n 9 m n b
. n n .
2:3 4:3

& 8 @ @@ 8 8
4:3
n n n n b
4:3
m m n n n @ @ @ @ @
vib

p p P P F F f

2:3 4:3

bw-pos
ord

. . . . n n .
msp

? 68 . 38 98
vlc n . n n
P F F f f F

rit... q . = 101.3 rit...

. . 38
115

& B n n
4:3

5:3

n. B .
2:3

b
4:3
cl

F f F p p F F P P

n @. . . 38
2:3

@ m n n n
5:3

& n n
4:3 2:3

n n
4:3

@ @ @. @. @ b @
2:3

m
m n
vib

f F F p p F
m n n
F P P

4:3 2:3

ord
.
bw-pos

. .
. .
msp

? n m 38
vlc
F p
p
F F P
compose 38.19-1 2013-09-30 23.21.56
10
 7
q . = 96.0 rit... q . = 92.0 accel... q . = 101.3 q . = 101.3 rit... h = 72 rit... h = 69

3 9 6 9 2 3 2
119

& 8 . . 8 . . . . 8 8 2 . 2 b . . 2
2:3 2:3

b B
2:3 2:3

n
cl

& 38 @ @
98 68
@ n @ @.. @..
98 2:3
@ n @ @. @.
22
@ b @ @ @ @ b @ @ @ @ m n @ @ @ @ @ n @ @ @
32 3:2
@ @ n b @ @ @ @ b @
22
b @ @. @.
3:2

.
vib

ord
bw-pos msp

vlc
? 38 98 68 98 22 32 22

h = 69 accel... h = 72 rit...

& 22 32 22
129

.
B.
. . . .
3:2 3:2

cl
n B
p

& 22 @ @ @ @ @ @ 32 22 @.. @ .
3:2

vib
@ n @ @
@ @ @ @ n n @ @ @ n @ @ @ @ @ n b @ @ @ @ b @ @ b@ @ m n @ @ @ @ n @ @ @ @ n
m n p

3:2

ord

m. m.
bw-pos msp

? 22 32 22
vlc
p
compose 38.19-1 2013-09-30 23.21.56
11
 rit...
138

& B . B . . . B . B .
n n
3:2

cl
B b
( p ) p P P F

& n . . n @ @ m n @ @ @ @.. @ m . n b . n . @ @ @ @ @
@ @ @@ @ @ m @ @
3:2

@ @
3:2

@ @ @
n b @ @ n b ..
3:2
vib
n n
p

3:2 3:2 3:2

ord

. n. . m m .
bw-pos

n
msp

vlc
? n
p
P P F

8
h = 69 h = 69 rit... h = 63 accel...h = 66 rit... h = 63 rit...

32 1 22
145

& . . . . . . . . 2 .
3:2

.
3:2 3:2

b
cl

F P P

32 21 @ 22
.

& . . @ @ @ @
3:2 3:2

vib
@ @ @ @ @ @ @ @ b @ @ @ @ @ @ @ @ @ @ @ @
n b n b n m
P F F P

3:2

bw-pos
ord

. .
m
msp

? 32
21
22
vlc
P p

compose 38.19-1 2013-09-30 23.21.56

12
 h = 60 accel... h = 69 rit...

2 3
154

& 2 . . . . 2
3:2 3:2 3:2

b b. . b. . B
cl

p
p P

& 22 @ .

.

. .
32
3:2

@ @ @ @ @ @ @ @ @ @. @ @
.
vib

m m m n b n
p p P P

bw-pos
ord

? 22 m . . .
msp

vlc 32
p P

9
rit... h = 63 accel... h = 69 accel... h = 72 rit...

& 32 22 32 22
159

. . .
cl
B . n . . . n b B

& 32 @ @ @ @ @ @ @ @ @ 22 32
@ m n @ n @ @ n n @ @ n @
22
@ n b @ @ b @ @ @ m n @ @ n @ @
3:2 3:2

@ n b @ @ b @
3:2

n @ n b @ @ b @ @ m n @ @ n @
3:2 3:2 3:2
vib

n b b m n

ord
bw-pos msp

? 32 22 32 22
vlc

compose 38.19-1 2013-09-30 23.21.56

13
 rit...

. n . . .
166

& n . B. n.
3:2 3:2

cl
f

@ @ n @ @ n b @ @ b @ @ m n @ @ n @ @ n b @ b @ @ @ m n @ @ n @ @ n b @ @ @ b m n @ @
3:2 3:2 3:2
3:2

& @ n b @ b @ @ @ @ @
@ @
n
@
n
m n n n @
vib

bw-pos
ord
n .
msp

vlc
? n
F

h = 69 h = 69 rit...

. . . . 32 22
174

n n b
3:2

cl & B
( f ) f P

b . b b . 32 m n m n 22
3:2 3:2 5:4 3:2

& n n @ n b n
vib
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
f

3:2 3:2

bw-pos
ord
n. . . . .
msp

vlc
? 32 22
F P P p
p P

compose 38.19-1 2013-09-30 23.21.56

14
 h = 72 accel...
rit... h = 63 accel... h = 66 accel... flatter tongue

1 22 B z z n z z B z z
178

& B B z n z. z
5:4

2 b z.
3:2

cl

P f f p p P P F

12 .. n . n b . m n . 22
3:2 5:4

& @ @ n
vib
@ @ @ @
( f ) f P P f

3:2 3:2 3:2

bw-pos
ord


msp

vlc
? 21 22 m m
P F F f f

10
acc... h . = 56.0 rit...

. .
49
183

& n z z z z

n z. z z. z z. z z. n z. z b z. z .
3:2 3:2 4:3

cl

F f f F

. . 49 n @ n @. @
3:2 3:2 5:4

& n n n b m @ @.. @
2:3

m m n @ @
5:3 5:3

vib

f p p P P F F f

ord
. . n. .
. . . . . . n . . . .
bw-pos msp

?
vlc 49
F F
compose 38.19-1 2013-09-30 23.21.56
15
 rit...

. .
186

& z .
4:3

B z z.
cl

F p

& m n @ m @. @ . n b n n . . . . .
5:3

5:3

m m n n n n n
b m n
vib

f F F

4:3 4:3

ord

. . . . . . . . . . n
bw-pos

.
msp

vlc
?
p p F

rit...
188

& .
4:3

B z z z z. z B z. z n z z z z. z z
z. z B
2:3 2:3 2:3 2:3
cl

F F p p F F p

& . @ @@ . . . . . . . . . . . . . . @ @ @

5:3 5:3 5:3

@. @
5:3 5:3
vib
n
m m n n
m n n n
p p F F p

2:3

ord
n
bw-pos
n . . . . . . .
.
msp

vlc
?
F p
F p p

compose 38.19-1 2013-09-30 23.21.56

16
 rit... h . = 53.3
190

cl &

& . . .
. . . . . .
4:3 2:3 2:3 4:3 2:3

@ @ n n n
2:3
vib
@
n b n @ @
n m @ m n
p F F p p

ord

. . . . . . . . . . . . . . . . . . . . . . . . . . .
bw-pos msp

vlc
?

h . = 53.3 rit...

46 12 43
193

cl & 4

. . .
& n b . . . . m . . . . . m n . 46 . 12 . . 43
2:3

4 @ @ @
4:3 4:3 5:3 2:3 2:3 2:3

vib
n n n b m n
F

5:3 5:3

ord

. . . . . . . . . . . . . . . . . . . . . .n
bw-pos msp

?
46
12 43
vlc 4

compose 38.19-1 2013-09-30 23.21.56

17
 h . = 50.7 h . = 50.7 accel... h . = 53.3

3 9 . . 6
196

& 4 4 z z. z z z z z. z z z z z. z . 4
2:3

b z z
2:3 2:3 2:3 2:3

cl

& 43 49 . . . . . . 46
2:3 4:3 2:3

vib
n n
F

5:3

ord
n . . . . . . . . . .
bw-pos

49 . .
msp

vlc
? 43 46
F F

h . = 53.3 rit... h . = 50.7 rit... h . = 48.0 accel... h . = 53.3 h . = 53.3 accel... h . = 56.0

& 46 43 49
200

cl

6 3 94 4:3 . @ .
& 4 n 4 m n m n m n m n .
. . . . . . . . .
2:3

@ @
2:3 4:3 2:3 4:3 2:3

vib
m n m n m

ord

. . . . . . . . . . . . . . . . . . . . . . . . . . . . n
bw-pos msp

? 46
vlc 43 49

compose 38.19-1 2013-09-30 23.21.56

18
 . .
207

& z z. z z z. z z z z. z z z. z z z z z. z z z z
z z z z z z z z z z. z
2:3 2:3 2:3 2:3 2:3 2:3 2:3
cl

. . @ @ m .
. .
2:3

vib & m @

5:3 4:3 4:3 4:3 5:3

ord

n n n
bw-pos

. .
msp

vlc
?

h . = 56.0 rit...

. 46 49
210

& .
4:3

z z
z z z.
4:3
cl
z. z z
F

6 .
& . . . . . 4 n n . .
. . . . 49 . .
n
.
2:3 2:3 4:3 4:3 4:3 2:3 4:3

vib
n
m m

ord

n. . . . . . . . . . . . . . . . . . . . . . .
? n
bw-pos msp

vlc 46 49

compose 38.19-1 2013-09-30 23.21.56

19
 rit... h . = 53.3

6 9
213

& 4 4
b z z
2:3
cl

. . . . n . . . .
& 46 n @ n n @ @ 49
2:3 2:3 4:3 4:3 4:3

vib
n n n n n n n
F F

ord

. . . . . . . . . . . . . . . . . . . .
bw-pos msp

vlc
? 46 49

h . = 53.3 accel... h . = 56.0 rit...

& 49 z. . .
216

.
cl
z

& 49 .
n
n . . . . . . . . . . . . . . . . . @. . .
2:3 4:3 4:3 4:3 4:3 2:3 4:3 4:3 2:3

vib
m m m n b
n m n
m n m m @ m m n

5:3

ord
. n. . . . . . . . . . . . . . . . . . . .
bw-pos

? 49 n
msp

vlc
F F

compose 38.19-1 2013-09-30 23.21.56

20
 rit...

. . .
219

& . .
4:3 2:3 4:3

z z z. z b
n
cl

& n . . .n . . . . . . n. b . n b . . m . . . . m . . . . . . .
5:3 5:3 4:3 4:3 2:3 5:3 2:3 2:3 5:3
vib
m
f f

5:3

ord

. . . . . .n . . . . . . . . . . . . . . . . . . .
bw-pos

.
msp

vlc
?

rit...

12
222

cl & 4

. . . . . . . . . . . . . 12
& m @ @ @ @. @ m . m n . 4
5:3

m @
5:3 4:3 2:3 4:3 4:3

vib
m

ord
. . . .
bw-pos

. . . . . . . . . . . .
msp

? 12
vlc 4
f f
compose 38.19-1 2013-09-30 23.21.56
21
 rit... h . = 53.3

12 . 9 . 12
224

& 4 . 4
b z z z z. z . 4
2:3

z
2:3

z z z. z n
z. z z. z B
2:3 2:3
cl

f P
f

. . . . . . . . . . .
& 4 m n n n n n n b n n n n m n m n @ 4 @ @ m m n . m n @ .. @ 12
12 . . . . . . . 9 . . . . . .
5:3 5:3 5:3

4
5:3 7:6 5:3 5:3

vib

f f P P f

4:3

ord

. . . . . . . . . .
bw-pos

.
49 n . . m
msp

vlc
? 12
4 m. 12
4
f f

11
h . = 53.3 rit... h = 72 rit...

. . 6 .
& 12 94 z 4:3 22
226

4
b z z. z

n z z z. z n z z z z z . 4 .
4:3

z. z n
4:3

4:3

n
cl

f f F

. n . .
& 12
4 49 @ @. @ 64
@. @ . 22
2:3 2:3

@ @ @ @. @
2:3

n @ @
2:3 2:3 2:3
vib
m m m m
f F
F p p

2:3

bw-pos
ord

. . . . m. . . . . . . . . . . .
msp

? 12
49 46
22
vlc 4 . . n
P P f f F
compose 38.19-1 2013-09-30 23.21.56
22
 rit... h = 69 rit...
230

&
n n . n . . n . . n . . n . . n . . n . . n . . n .
cl

p
p
[o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o]

vib &

bw-pos
ord
.
msp

vlc
? n n
F p
p

rit... h = 66 accel... h = 69 accel... h = 72 rit...

21 22
239

cl & . n . . n . . n . . n . B . B . . B .
F F
[i] [o] [i] [o] [i] [o] [o] [i] [o] [i] [o]

vib &
n @ @ @ @ @ n b @ @ @ @ @.. @ 21 n b 22
F F

bw-pos
ord
.
msp

?
21
22 m n
vlc
F F
compose 38.19-1 2013-09-30 23.21.56
23
 rit... h = 69 rit... h = 66 rit... h = 63 accel...

1 2
249

& . B . n . n . . n . . n . . . 2 . . 2
3:2 3:2 3:2 3:2
cl
n b n B
f
f
[o] [i] [o] [i] [o] [i] [o] [i] [o]

& @@ @ @ @ @ @ m n @ @ @ @ @ @ @.. @ m n @ @ m @. @ n b . 21 @ .. @ . 22
3:2 3:2 3:2

m m @. @ n b
vib

f f F
m n
F p

bw-pos
ord
msp

vlc
? n 21 22
f

12
h = 66 rit... h = 63 accel... h = 66 accel... h = 69 rit...

& 22 32 22 1 22
259

. . . B . . B . 2 . . B .
3:2

. . n . . .
3:2

n B B n n B
cl

F p
[i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o]

vib & 22 32 22 21 22

3:2 3:2

ord
.
bw-pos

n. 32
msp

? 22 m 22
21
22
vlc
f F F p

compose 38.19-1 2013-09-30 23.21.56

24
 rit... h = 66 rit...

. 32 2 1
266

cl & . B . n . n . . n . . n . . n . b . b . . b . 2 2
( p )
[i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i] [o] [i]

& 32 22 . 1
2
@.. @
n b @ @ @ @ @ @ @ @ @
vib
n b

bw-pos
ord

m
msp

vlc
? 32 22 21
p
( )

13 14
h = 63 rit... h = 60 accel... h = 63 accel... h = 66 rit... h = 60 accel... h = 66

& 21 22 21
275

. . . . .
3:2 3:2 3:2 3:2 3:2

cl
n b n B n
( p )
[o] [i] [o] [i]

& 21 22
m @ n @ @
21
3:2

vib
n m n b

bw-pos
ord


msp

? 21 22
vlc 21
p
( )

compose 38.19-1 2013-09-30 23.21.56

25