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Mehegan Voicings 2
Mehegan Voicings 2
In view of the complexity of the (A) and (B) Form system, this
chapter will summarize the important facts considered in the previous
fifteen lessons. This summation will bring not only a distillation of the
material studied, but will also offer the student an easily accessible out
line for convenient visual reference. In the following outline all interval
combinations are based on the prevailing mode of the chord.
Figure 1 illustrates the sixty jazz chords in their appropriate (A) and
(5) Forms. The modified half-diminished and diminished (B) Forms are
also included.
^ e e e ^ 0 e
8 8
CM C x Cm C 0 C 0 C o C o
I f : & - & - #
tt - ^ =
^ ^ #S J # _ 8#'
D kM D bx C #m C #0 C #0 C #o C#o
DM Dx Dm D0 Do
ife fe . ...-b.be .....
" - V s * - - W ? g - - - b ^ f r -------------
b*% -----------(Z S 2 --------------- ......... b l ' ...... .--------l/.ll
b*%~ "------
--------------- . .k
[ / rI rs,--------
... ----- b i s --------------b i s ---------------- 1
------[AQ----------------
8 _
A bM A bx A bm A !> 0 A b0 A bo A bo
bo^ bg
fcs_
~
J
1 O
-------- --------8 ^ -------- _ b f f e - ------f r S a -------------
------------------------ --- ^lf
------------ IfM-------- f
8 _
A M A x A m A 0 A 0 A o A o
-
-g k 1- 11 | -
------b o -------- ------b o -------------- ------* o -------- ------ b o ------- b o ---------------------------- --------------- bo -------------------------------
8
B bM B bx B bm B t 0 BM B Bbo Bbo
4-
I I- --------------- ,L J O --------------
Sh -ttV & ##> ... , &
fis
> ... .
-----------------O ------------- ------------------ -------------- ----------------- ------------- ------------------ o --------------- ---------------- -------------- ----------------- o -------------------------------
BM B x Bm B 0 B 0 B o B o