MILO Giacomo RAMBALDI

b. 1444 - d. 1496

Prophet and Seer...Psychic and Alchemist

Born in Parma in 1444, Rambaldi was educated by monks of the

Vespertine order, and until the age of 12, was self-employed as a
painter, sculptor and student of the arts. Introduced to Cardinal
Alexander of the Roman Catholic church, during his travels to
Rome at the age of 18, he was retained privately as architect,
consultant and prophet, when Alexander became Pope in 1492.

Despite this benefactor's wishes to see Rambaldi prosper, during

his lifetime Rambaldi and his works receded from visibility by
commandment of Archdeacon Claudio Vespertini, who feared the
revolutionary implications of technologies defined in Rambaldi's
belief system, and sought to have Rambaldi's works contained and
eventually eliminated. He conflicted with Alexander VI on this
one matter; a moot point at the time of the Pope's passing in
1503.

Vespertini commanded that the name Rambaldi be "washed" from all

monuments and edifices throughout the period of 1470 to 1496, at
which time he ordered that the Pope's engineer be excommunicated
for heresy, his workshop in Rome be destroyed, and that he be
sentenced to death by flame, upon Rambaldi's declaration that
science would someday allow us to know God.

Milo Rambaldi died a lonely man, in the Winter of 1496. He had no

surviving spouse or heir.

Shortly after Rambaldi's demise, a second, "secret workshop" was

discovered, in San Lazzaro, and was systematically torn apart by
agents of the Vatican. In a movement to discredit his work and
influence, plans and sketches were sold and traded for next to
nothing by mandate during a private auction.

Since the 15th century, traces of Rambaldi's enigmatic work have

turned up in various places around Italy, France, parts of
Eastern Europe and the former Soviet Union, and even a museum
warehouse in Waterbury, Connecticut in 1921. The design directive
for many of these drawings remains unclear to this day, and has
even inspired some impressive forgeries.

Rambaldi is said to have preceded the digital information age by

implication of an illustrated "machine code" language as early as
1489, through the introduction of cryptic algorithms (eg,
compression) around his use of pre-binary 1's and 0's. Many of
his drawings and documentation are written in multiple languages
ranging from Italian and Demotic hybrids, to elusive mixtures of
symbols (pre-masonic cipher encryptions).

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There seems to be no limit to Rambaldi's genius as he was highly
capable in automatism, life extension, protein engineering,
mathematics, cryptography and cartography. Rambaldi is said to
have preceded the digital information age. He invented a machine
code language around 1489, cryptographic algorithms, and sketched
the designs of a portable vocal communicator and a prototype that
reflected the properties of a transistor.

Rambaldi created the earliest known watermark on all of his

papers, known as the "eye" of Rambaldi, and which show up to the
naked eye only when held to black light. His waterpapers were all
hand-made and of a unique polymer fiber (similar to onion skin),
and possessing a consistency that has lived and aged well-beyond
its era, and in under (oftentimes) adverse storage conditions.
His watermark (the eye "<o>") is so far the only test of accuracy
against the slew of falsifications and forgeries, which have also
arisen in a revisionist era, culminating with several prime
examples of digital piracy. So far there have been 102 known
forgeries in balance to the total of 22 known and documented
sketches.

Documents interpreting Rambaldi's designs and teachings were

highly sought-after during the Third Reich, during Adolf Hitler's
paranoid scavenger hunt for occult and theoretical knowledge.
During this period, the epithet "Nostravinci" became part of the
fuhrer's private lexicon -- a personalized short-hand for the
name Rambaldi, in auctioneering circles where the desire for the
seer's work still proved competitive.

Rambaldi's works are still, to this day, formally unpublished,

due to a consistent international ban on the name Rambaldi, its
fascistic legacy, and especially its lack of visibility; it has
been alleged that a conspiracy of containment precedes many of
these twentieth-century discoveries, even that the knowledge
contained under private sanctioning of his documents remains
under the firm "hand" of the Trilateral Commission.

In 1988, a rudimentary schematic unearthed in one private

collector's home in Brazil, indicated on the back, a diagramme
for a transportable vocal communicator revealed the design and
workings of contemporary cellular phone technologies.

Since March of 2001, (KDir Classifications Director) Olgi C.

Krystovnich (b. 1964, Russian historian and cryptologist)
happened upon one of Rambaldi's earliest designs, ca. 1460,
located and released from a personal collection in Madrid. In
this drawing, she identified a prototype that reflected the
properties and composition of a 20th century transistor design.

The remainder of Rambaldi's oeuvre remains forgotten, and much of

it has been destroyed, with much uncertainty remaining as to how
many notebooks he might have filled during the fifty-four years
of his life.

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