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<title>Karlfried Graf Drckheim (1896-1988)</title>
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<p align="left"><strong><font color="#ff8040" size="3" face="Verdana, Arial,
Helvetica, sans-serif">ZEN MESTEREK </font><font size="3" face="Verdana, Arial,
Helvetica, sans-serif">ZEN MASTERS </font><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><br>
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color="ccccff"><b><font face="Verdana, Arial, Helvetica, sans-serif"
size="2"><b><a href="../index-2.html" target="_parent"> Zen foldal </a><br>
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face="Verdana, Arial, Helvetica, sans-serif"><b><a
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nyitlapjra</a></b></font></b></font></font></p>
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<p align="center"> <font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><img src="https://terebess.hu/zen/mesterek/Durckheim.jpg"
width="255" height="226" border="0"></font></p>
<p align="center"><font size="5" face="Verdana, Arial, Helvetica,
sans-serif">Karlfried Graf Drckheim (1896-1988)</font></p>
<p align="center"><font size="3" face="Verdana, Arial, Helvetica,
sans-serif"><br>
</font></p>
<div align="center">
<TABLE WIDTH="77%" BORDER="1" cellpadding="5" cellspacing="0">
<TR>
<TD width="56%"><div align="center"><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><img src="https://terebess.hu/zen/magyar.gif" width="36"
height="25" border="0"> <b><font face="Verdana, Arial, Helvetica,
sans-serif"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><font size="3"><br>
Tartalom</font></strong></font></font></b></font></div></TD>
<TD width="44%"><div align="center"><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><img src="https://terebess.hu/zen/angol.gif" width="36"
height="25" border="0"> <b><font face="Verdana, Arial, Helvetica,
sans-serif"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><font size="3"><br>
Contents </font></strong></font></font></b></font></div></TD>
</TR>
<TR>

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durckheim.txt
<TD><p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><em>[Wunderbare Katze und andere Zen-Texte]</em><strong><br>
</strong>PDF:<strong><strong> <a href="GrafDurckheim.pdf"
target="_blank">Dr. Hetnyi Ern rszleges fordtsa: <br>
<em>A buddhizmus zen-aspektusa japn szvegek
tkrben</em></a></strong></strong></font></p>
<blockquote>
<p align="left"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif">Ito Tenzaa Chuya (17. sz.) <strong><br>
<a href="../macska.html" target="_blank">A csodlatos macska
</a><br>
</strong>Nmetbl fordtotta: Hetnyi Ern <br>
ill. Klaus Bertelsmann </font></p>
</blockquote> <p align="left"><font size="2"><font face="Verdana,
Arial, Helvetica, sans-serif"><em>[Japan und die Kultur der Stille]</em> <br>
<a href="https://terebess.hu/keletkultinfo/durkheim.html"
target="_blank"><strong>A nyugalom japn kultusza </strong></a><br>
(Szemekvnyek) <br>
Fordtotta: Gyertyn Katalin </font></font></p></TD>
<TD><p align="left"> <font size="2"><font size="2"><font size="2"
face="Verdana, Arial, Helvetica, sans-serif"><em>[Hara - Die Erdmitte des
Menschen]</em></font> </font><br>
<font face="Verdana, Arial, Helvetica, sans-serif">PDF: <strong><a
href="Hara.pdf" target="_blank">Hara: The Vital Center of Man</a></strong><br>
Translated by Sylvia-Monica von Kospoth </font></font></p>
<p align="left"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif">Ito Tenzaa Chuya (17. sz.) <br>
<a href="../macska.html#a" target="_blank"><strong>The Marvelous
Cat</strong> </a><br>
ill. Klaus Bertelsmann </font></p>
<blockquote>
<p align="left"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><img src="https://terebess.hu/zen/nemet.gif" height="25"
width="36"><br>
</strong></font><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><a href="../macska.html#n" target="_blank"><strong>Die wunderbare
Kunst einer Katze</strong> </a><br>
bers. Karlfried Graf Drckheim</font> </p>
</blockquote></TD>
</TR>
</TABLE>
<font size="2" face="Verdana, Arial, Helvetica, sans-serif"><br>
</font></div>
<p align="left">&nbsp;</p>
<p align="left"> <font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><a name="b" id="b"></a></strong></font></p>
<p><strong><font size="3" face="Verdana, Arial, Helvetica, sans-serif">Karlfried
Graf Drckheim<br>
<em>Wunderbare Katze und andere Zen-Texte </em></font><font size="2"
face="Verdana, Arial, Helvetica, sans-serif"></font></strong><font size="2"
face="Verdana, Arial, Helvetica, sans-serif"><br>

Pgina 2
durckheim.txt
[Zeichn.: Klaus Bertelsmann] <br>
Mnchen : Otto Wilhelm Barth Verlag, 1964, 122 S. <br>
[Texte zu der Kunst des Schwertfechtens (Kendo), Bogenschieens (Kyudo) und
Speerstoens (Sojutsu). Eine erstmalig vollstndige Beschreibung der bung des
Sitzens gibt uns das Fukan-Zazen-Gi von Dogen, das hier von Meister Hakuun
Yasutani przise kommentiert wird.] </font></p>
<blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><font
size="3">PDF:<strong> <a href="GrafDurckheim.pdf" target="_blank">Dr. Hetnyi
Ern rszleges fordtsa: <br>
<em>A buddhizmus zen-aspektusa japn szvegek
tkrben</em></a></strong></font><br>
Buddhista Misszi Dokumentci, [Soksz.], Budapest, 1986, 56 oldal </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif">Tartalom</font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">ZEN 3 <br>
A TLFESZTETT J 4<br>
A TKLETES KR 7<br>
A GYAKORLAT LNYEGE: SATORI
10<br>
A ZEN-SZVEGEK 12<br>
Tora Sasamoto: A KZDELEM JOGA 13 <br>
KEN-ZEN EGYSG 24
<br>
A TAO A GYAKORLATBAN - Kenran Umeji jszmester szvege 34<br>
A CSODLATOS MACSKA - Ito Tenzaa zen-mester tantsa 38<br>
FUKAN-ZAZEN-GI - Dogen zen-mester szvege, Hakuun Yasutani mester
magyarzataival 44 </font><br>
</p>
</blockquote>
<p align="left">&nbsp;</p>
<p align="left"><font size="2"><font face="Verdana, Arial, Helvetica,
sans-serif"><strong><font size="3"><a href="Hara.pdf" target="_blank">Hara: The
Vital Center of Man</a></font></strong></font><font face="Verdana, Arial,
Helvetica, sans-serif"><br>
</font><font size="2"><font size="2"><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><em>[Hara - Die Erdmitte des Menschen]</em></font>
</font></font><font face="Verdana, Arial, Helvetica, sans-serif"> <br>
Translated by Sylvia-Monica von Kospoth</font></font></p>
<blockquote>
<h3><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Table of
Contents </font></h3>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong>Introduction </strong></font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
IHara in the Life of the Japanese </strong><br>
1 Hara in the Life of the Japanese <br>
2 Hara in the Life of the Japanese <br>
3 Hara as the Purpose of Practice <br>
4 Hara in the Japanese Language </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part

Pgina 3
durckheim.txt
IIHara in its General Human Significance </strong><br>
1 Eastern and Western Views of Hara <br>
(a) The General Significance of the Center of the Body <br>
(b) The European Attitude to the Belly <br>
(c) Natural Hara <br>
(d) The Two Levels </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
IIIMan With Hara </strong><br>
1 The Living Form Centered in Hara <br>
2 The Ego and the Vital Center <br>
3 Malformations of the I <br>
4 Hara as Secular Power <br>
5 Hara in Experience: Insight and Practice <br>
6 The Strength, Breadth, and Closeness Engendered by Hara <br>
7 The Order of Life in the Symbolism of the Body </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
IVHara as Practice </strong><br>
1 The Purpose and Prerequisite of All Practice <br>
2 The Purpose and Limits of Practice <br>
3 The Prerequisites of all Practice <br>
4 Posture, Breath, Tensionas Starting Points of Practice <br>
5 The Practice of Right Posture <br>
6 Sitting with Hara <br>
7 Tension-Relaxation <br>
8 The Practice of Breathing </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
VRetrospect and Outlook </strong><br>
1 Retrospect and Outlook </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong>AppendixJapanese Texts </strong><br>
1 Okado Torajiro <br>
2 Sato TsujiThe Teachings of the Human Body <br>
3 Kaneko ShosekiNature and Origins of Man </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Index
</strong></font></p>
<p align="left">&nbsp;</p>
</blockquote>
<p align="left">&nbsp;</p>
<p><strong><font size="3" face="Verdana, Arial, Helvetica, sans-serif">The
Japanese Cult of Tranquility</font><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"></font></strong><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><br>
<em>[Japan und die Kultur der Stille] <br>
</em>Translated from the German by Eda O'Shiel<br>
London : Rider and Company, 1960, 106 p. </font></p>
<blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong>Contents</strong> </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">1 Tranquillity
in the East and the West </font></p>
<blockquote>

Pgina 4
durckheim.txt
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Man's inborn
knowledge of tranquillity <br>
The Japanese cult of tranquillity <br>
The concept of culture in Japan and in the West <br>
The various approaches to tranquillity </font></p>
</blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">2 The nature of
Japanese exercise <br>
3 The basic exercises in tranquillity </font></p>
<blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">The exercise
in the immobility of the body <br>
The exercise of the breath <br>
The exercise of the centre of being </font></p>
</blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">4 How
tranquillity stands the test of life <br>
5 Objective tranquillity <br>
6 Tranquillity in absorption <br>
7 The ultimate test of tranquillity <br>
8 Conclusion </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Addenda <br>
Three Japanese texts: <br>
I The Right to Fight-A Japanese story, related by Tera Sasamote <br>
II The Identity of Ken-Zen--A text of the zen master Takuan, by Reibun Yuki,
translated from the Japanese by Fumio Hashimoto, with amendments by Count
Durckheim <br>
III The Tao of Technique--A text of the Zen Master of Archery, Kenran Umeji,
translated from the Japanese by Fumio Hahimoto, with amendments by Count
Durckheim </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Notes Index
</font></p>
<p align="left">&nbsp;</p>
</blockquote>

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