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Success by Schwarzenegger - 6 Secrets of Arnold's Success - Bodybuilding
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6 SECRETS OF
ARNOLD'S
SUCCESS
STORE TRAINING ARTICLES & VIDEOS COMMUNITY Search
EBOOKS SECRET 1: BREAK DOWN THE BARRIER BETWEEN TRAINING AND LIFE
Arnold always stressed the need for rest between sets. But over time, following the advice
EDITOR PICKS of trainer Joe Weider, he began devoting an increasing percentage of his rests to what
Weider called the "Isotension Principle." You might know it by another name: flexing.
INTERVIEWS
Here's how it works in its simplest form: After a final set, continue hitting the targeted
SUPER FEATURES muscle by flexing to peak contraction for 3-6 seconds. The action maintains connections of
myofibrils, the building blocks of muscle, without resistance. The longer and more repeated
VIDEOS the flex, the greater those connections, and over time, the greater the tension your muscle
fibers will generate.
VIDEO AND AUDIO GUIDES
WRITER LISTING
ARNOLD SET GOALS TO DOMINATE HOLLYWOOD AND HOLD POLITICAL POWER. HE SUCCEEDED IN
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SPITE OF ALL THE NAYSAYERS.
This tensionand the ability to hold it for a prolonged period of timemake a competitive
bodybuilder stand out onstage. Arnold called posing and flexing a very important part of a
bodybuilder's workout, but beyond that, it also helped him extend his mind-muscle
connection beyond when he was lifting. You can see it in "Pumping Iron," when Arnold is
flexing even at mealtimesat least, when he's not taunting his fellow competitors.
Like fellow isotension devotee Bruce Lee, who blazed the path from cult-sport standout to
international film star, Arnold continued this practice through his acting career, keeping the
mind-muscle connection front and center.
The lesson for the rest of us: He eliminated the division between his training and his life.
Sure, he "rested," but he never took a break from improving, and he never let his skills
lapse. His boundless commitment enabled his return to Mr. Olympia competition in 1980,
five years after retiring, when he took the crown with just a few weeks to prepare. That
seventh win, over then-superior opponents, helped launch Arnold's first action film, "Conan
The Barbarian," and he was on his way to a second crown.
Arnold trained with many different lifters at Gold's, but he was inseparable from 5-foot-3
Franco Columbu through the six consecutive Mr. Olympia titles. "Two restless racehorses in
the starting blocks" is how Dave Draper, Arnold's first Gold's partner, recalls the two
Europeans when they trained together. They may have both spoken with accents and
sported similarly tousled hairdos, but far more important was what separated the two: the
100 extra pounds Franco squatted.
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"IT'S NOT A TUMOR!" ARNOLD'S WORK IN COMEDIES MADE HIM A HOUSEHOLD NAME.
Standard wisdom pairs partners of more or less equal strength. Not Arnold. He did back
days with Frank Zane, shoulders and chest with stronger men, and legs with Mike Katz,
whose NFL career-ending leg injury had led to oversized recuperation. Arnold was similarly
quick to help other partners learn from his personal strengths, and his strategy became a
maxim at Gold's: "Working together to defeat one another."
Though he was a big believer in compliments to motivate, his contrarian approach also
allowed free use of negative feedback. You'd never cut corners with Arnold or, God forbid,
not finish. "If he did his 15 reps and you didn't do your 15 reps," recalls Danny Padilla, "it was
like, 'Vat's wrong, I got to do your reps now?' What's up with that? If you can't hang, go back
to something else!'"
ARNOLD DID HIS OWN THING, BUT HE ALSO LISTENED TO BODYBUILDERS AND MENTORS CLOSE TO
HIM. HE KNEW HE NEEDED OTHERS AND HE BORROWED KNOWLEDGE FROM MANY SOURCES.
Arnold's goals were no secret. He wrote them at the start of each year on index cards, and
made reference to them often. Some, like a new car or a mail-order business, were short-
term, recalls Padilla. Four others, which he announced shortly after arriving at Gold's, took
longer: He would "become a movie star, make millions of dollars, marry a glamorous wife,
and wield political power."
Easier said than done, of course. But in Arnold's case, they did get done. He was unique in
recognizing that the difference between his short-term and long-term ambitions was one of
degree, not kind. A goal is a goal; what matters is how you pursue it.
HE NEVER THOUGHT OF HIS BODY AS PART OF HIM, BUT RATHER AS A COVERING OVER HIM WHICH
HE COULD MANIPULATE. HE WAS AN ARTIST AND HIS BODY WAS MERE CLAY.
Even while he was laboring day and night to be the best bodybuilder in the world, he knew
how to turn his ego off and look at himself as others saw him. "It's outside of me and also
part of me," he said of his body in an interview with "Playboy" in 1977. "I don't say, 'Arnold,
how do you look?' but rather 'Let's check out this body in the mirror and see what it looks
like today.' Professionally, I have to be detached in order to be critical of it. I don't criticize
myself; I criticize my body."
When he looked in the mirror, Arnold saw what he wanted quickly: "The goal is to carry the
weight but keep the proportion and symmetry." In layman's terms: Keep it real.
To the uninitiated public, proportion and symmetry were what separated the freak from the
superhuman. Arnold was always the latter, never the former. And when he set his sights on
being an actor, he was more than willing to put his hard-earned mass on the line. For
instance, when director Bob Rafelson asked him to drop from 240 to 210, not wanting him
to dwarf Sally Field in 1977's "Stay Hungry," Arnold didn't blink.
As he continued training, however, Arnold found that simply getting big and strong wasn't
really his heart's desire. He had to look deeper. "I discovered that the secret of successful
workouts," he later wrote, "had to do with competition." He wanted to win, and he wanted
to be noticed for it. In short, he wanted to be famous, and the documentary "Pumping Iron"
gave him the perfect launching pad.
The film opened huge, and just as importantly, it opened when Arnold was up for a Golden
Globe for his work in "Stay Hungry." "Of course this brought out the competitor in me,"
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