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"ONE" Shooting Script by Emma Greenhalf, Sarah-Jane Brown, Archana Barathan, and Lotte Holder
"ONE" Shooting Script by Emma Greenhalf, Sarah-Jane Brown, Archana Barathan, and Lotte Holder
SHOOTING SCRIPT
They both sing along to the radio. The music abruptly stops as the car crashes.
Long shot of Amelia standing up, surrounded by other teenagers her age.
Six teenagers in the support group sit around a table in the caf. Rosie enters the caf.
KRIS Hey Rosie, howd your physics test go?
AMELIA (VOICE OVER) I usually hang out with Hayley. I met her in the
support group.
Long shot of six of the seven teenagers are sat down in the support group. Rosie is not
present.
Amelia is staring at herself in the mirror, with a worried look on her face.
Medium shot of Amelia as she walks past film poster. Close up of film poster. The release
date reads 6/6/6.
NEWS WOMAN (ON TV) Two teenagers have disappeared from the
Tonbridge and Malling area in the past week: Rosie Buxton and Kris hooks.
NEWS WOMAN (ON TV) If you have any information, please contact the
police immediately.
Wide shot of Amelia walking down a school corridor. All of the numbers on the lockers are
number five.
Close-up of Amelia blinking. Then wide shot of lockers, where the locker numbers have
returned to normal.
Wide shot of the five remaining teenagers and support group leader.
AMELIA Im scared
Montage of shots. Close up of car number plate displaying fours, and cut out newspaper
articles of all of the teenagers that have disappeared so far.
Heavy breathing.
Mid shot of Amelia walking in school corridor. She sees a number three on the door of a
classroom.
Mid shot of train time board, displaying all of the times as 3:33.
Long shot of train approaching platform. Amelia, Hayley, and Scott sit on train. Mid shot of
Amelia leaning on Scott.
AMELIA (VOICE OVER) Im worried Hayley might be next.
Mid shot of Amelia sat in bed on her phone. Phone rings (close-up), and Amelia answers.
Hayleys mum is on the other end of the phone sounding panicked.
Aerial shot of Amelia falling back onto her pillow. She places her phone on her bedside table,
looking distressed and on the verge of tears.
TITLE SCREEN
CREDIT SCREEN
THE END